Category: TV Action (Page 110 of 145)

Heroes, Week 23: Big Bang Generation

It has been, as the Delays once sang, a long time coming, but we’ve finally been witness to the long-awaited first-season finale of “Heroes.”

Was it worth the wait…?

Well, I think you have to say that, with a few exceptions (namely, the fact that several lingering questions remained unanswered), it sure as hell was.

The Mexican stand-off ended in a rather anticlimactic fashion, though Matt Parkman’s defiance when he declared that he was indeed going to keep Molly from harm was a nice moment. When Molly spoke of a Hero…and I use the term verrrrrrry loosely…worse than Sylar and said to Mohinder, “When I think about him, he can see me,” wow, that sounded creepy.

It struck me as sadly naive that, even in the midst of everything going on, Peter still trusted Nathan to do the right thing. (Of course, that thought came back to bite me in the ass later!) Mama Petrelli continues to be a real queen bitch about the future; I can’t imagine she took the events at the end of the episode terribly well. Peter’s flashback sequence with Simone struck me as a bit schmaltzy, but the scene took a dramatic upswing with that revelation that Mama Petrelli had no confidence in Peter’s abilities…and it absolutely soared when Charles said, “I know you’re there, Peter.” D’OH! There’s something perfect about a bad mother like Richard Roundtree being the one to deliver the message to Peter that he should’ve known all along.

When HRG…sorry, I mean, Noah…assured Claire that he had a plan, I almost believed him. But somehow, I don’t think his plan would’ve involved her jumping out a window from several stories up. Didn’t anyone ever tell her that you can’t run from family?

You have to give Ando credit; dude’s got balls of steel to even try to take on Sylar by himself…and Hiro’s clearly grown a pair himself, thanks to that training with his pops. The final sequence when Hiro dropped Ando off in Japan was nicely poignant, and each got at least one sweet line…

Hiro: “This man is ready.”
Ando: “You look bad ass.”

For one second, I thought the Jessica-fighting-Nikki sequence was a big ol’ dream or hallucinations until I remembered, oh, right, shape-shifter. I’m sure we all noticed that, when the episode ended, we were left with no reference to the shape-shifter’s whereabouts, so I think we can count on her return next season. Meanwhile, as the episode ended, all I could think was, “Wow, Micah and Molly sure make a cute couple…”

Sylar: “Haven’t I killed you before?”
Peter: “Didn’t take.”

Great comic book dialogue, delivered to perfection. As to the final battle, I thought Nikica jumping into the fray was an unnecessary moment…but, then, so much of her story has proven to be unnecessary that I guess it brought things full circle, didn’t it? But Hiro’s timely appearance was great, as was the way Sylar flung him away, and Claire’s pained expression as she prepared to fire the gun and fulfill her promise to Peter was rough stuff.

Damn that Adrian Pasdar. You can’t read him to save your life, and, as a result, you absolutely couldn’t predict how Nathan would act from scene to scene. As such, I never saw that ending coming. Yes, Nathan redeemed himself for a season’s worth of questionable morals by performing the ultimate sacrifice and being there for his brother until the very end. It’s a shame that we had to lose Peter, but, then, are we still to presume that he may yet survive, given his powers? I guess time will tell.

So where do we stand? Sylar is still alive, because everyone knows that a good villain can’t be killed off that easily. Mrs. Petrelli’s whereabouts remain unknown, and you can guarantee she’ll turn up…and it wouldn’t surprise me a bit if she were, in fact, in cahoots with Mama Petrelli. I’m telling you: Mama, Sylar, and the shape-shifter makes three!

And after a fantastic season, leave it to the producers of “Heroes” to tease us with Season 2 by dropping Hiro outside Kyoto, Japan, in 1671. The fall has never seemed so far away…

“Where did I lose this kid?”

Jamey is on a much-deserved vacation this week, so he asked me to step in and cover the blog. I’ll do my best to fill his considerable shoes.

I was hoping for a barnburner tonight, the kind of episode where the blog would pretty much write itself, but instead a good 35-40 minutes were devoted to AJ, my least favorite character on the show (save for Livia, but she’s been gone a while now). Normally, he’s just a whiny, spoiled kid, but now that he’s doing some of that fancy book learnin’, he’s a whiny, spoiled, depressed kid. Tony’s reaction to AJ’s spiel about the virus spray on the meat underlined his own inner conflict about his son’s future. On one hand, he has always said he doesn’t want AJ to turn out like him, but when the kid tries to branch out, he threatens to put his head through the wall.

“Twenty years, he won’t crack a book. All of a sudden he’s the world’s foremost authority.”

AJ Soprano suicideDid anyone really think that AJ’s suicide attempt would be successful? Since we lost Chris last week, the odds were against another main character dying so quickly, and honestly, AJ hasn’t been able to follow through on anything. Once the cement block hit the pool floor, he freaked out, and it looked for a moment that he might somehow die accidentally at his own suicide attempt. Tony’s just-in-time arrival made for a very powerful scene. It’s obvious that he loves his kid, but at the same time AJ’s troubles are a giant pain in his ass, both at home and on the job.

How will the suicide attempt affect Tony’s work? It can only be seen as another sign of weakness (in what has become a pretty long line). Pauley’s take was priceless:

“Ask me, it’s all these toxins they’re exposed to. It fucks with their brains. Between the mercury in the fish alone it’s a wonder more kids aren’t jumping off bridges.”

Between the mercury in the fish alone“? Fucking Pauley is fantastic.

Tony talks to Melfi about the suicide attempt and she suggests that it might have been a cry for help – that subconsciously he knew that the rope was too long to keep him submerged. Tony’s reply was classic:

“Or he could just be a fucking idiot. Historically, that’s been the case.”

Regardless, Tony understands that his cursed genes have a large part to do with AJ’s troubles, so he’s empathetic to a certain point, but that doesn’t stop him from getting into it with Carmella once AJ is committed. Is it just me or does it seem like their marriage is once again holding on by a thread? I had to laugh when Tony gave her a watch (out of guilt?) after he took care of Chris’ “business affairs” in Las Vegas. Business, Carm? You sure are a trusting soul. (Or more likely, you’d simply prefer not to think about it.)

Later, in therapy, Tony starts talking about how mothers are buses and all we want to do as children is get back on the bus, but it can never happen. After Melfi says that the theory is insightful, Tony quips, “Jesus, don’t act so surprised.” It’s clear that Tony wants Carmella to accept some of the blame for how his son turned out, and this might be his way of disowning the kid. When Melfi asks if he’s ashamed of AJ, Tony replies, “Yeah, I am. Coward’s way out, right?”

Aside from this week’s depressing depression, the brewing conflict between Tony and Phil finally kicked into high gear. Once Phil rejected Tony’s asbestos-related offer, it led to T pulling a couple of jobs that were designated for Phil’s men and then to that idiot Coco accosting Meadow while she was having dessert in Little Italy. It was funny to watch Tony try to calm his daughter and wife down when you just knew that underneath the surface his blood was boiling and that Coco was about to get one serious beatdown. I wasn’t expecting Tony to go all “American History X” in the restaurant, but it was even more surprising that Coco survived the attack.

It’s clear now that Carmine’s failed peace accord will lead to further escalation, though I think his line to T – “you’re at the precipice of an enormous crossroad” – had more than one meaning. It was strange to hear Phil spouting his obscenities from the safety of his ivory tower. It’s doubtful that he’d be so bold if he were standing face to face with Tony, but even so, you could see from the look in T’s eyes that there is no going back.

With just two episodes left, there are still a number of unanswered questions: Will Tony once again hear from the two suspected terrorists? Will AJ’s stint in the hospital do anything for his outlook on life? Will Tony continue on his existential journey and finally find happiness? Will his marriage survive? And most importantly, will he survive the coming war with Phil?

Game on.

As The CW releases its fall schedule, fans of “Gilmore Girls” and “Veronica Mars” become so mad that they’re having to invent brand new obscenities in order to vent properly

Seriously, people, there’s currently a small but really, really devout chunk of the population who’s currently ready to just firebomb the living shit out of The CW. I mean, statistically, just about everyone who watched one of those shows watched the other. Now, okay, losing “Gilmore Girls” was something you could kinda see coming; after the Palladinos were shown the door, it felt like the lifeblood of the show had gone with them, despite the best attempts of David Rosenthal to fill their shoes. But Rob Thomas was scrambling so desperately to keep “Veronica Mars” on the air (my interest was definitely piqued by his pitch to fast-forward the show a few years and put Veronica in the FBI Academy) that, damn, I can’t believe they didn’t throw him a bone for at least half a season or something…

Oh, well. Let us shed our tears and move on to The CW’s fall line-up and see what we can expect.

MONDAY

Hooray! Another season of “Everybody Loves Chris” at 8 PM! Why, that almost makes up for my complete indifference about the return of “Girlfriends” and “The Game” during the 9 – 10 PM timeslot. At 8:30, we get a new sitcom: “Aliens in America.” But not the good kind of aliens. Damn.

ALIENS IN AMERICA” – Justin Tolchuk (Dan Byrd, “The Hills Have Eyes”) is a sensitive, lanky 16-year-old just trying to make it through the social nightmare of high school in Medora, Wisconsin, with the help of his well-meaning mom Franny (Amy Pietz, “Caroline in the City”), aspiring-entrepreneur dad Gary (Patrick Breen, “Kevin Hill”), and his popular sister Claire (Lindsey Shaw, “Ned’s Declassified School Survival Guide”), who is sweetly unaware of how good-looking she is. When Franny signs up for the school’s international exchange student program, she pictures an athletic, brilliant Nordic teen who will bestow instant coolness on her outsider son. However, when the Tolchuk’s exchange student arrives, he turns out to be Raja Musharaff (Adhir Kalyan, “Fair City”), a 16-year-old Pakistani Muslim. Despite the cultural chasm between them, Justin and Raja quickly develop an unlikely friendship that just might allow them to navigate the minefield that is contemporary high school. It’s going to be a very interesting year for Raja, Justin, his family and the entire population of Medora. ALIENS IN AMERICA is from CBS Paramount Network Television Inc. and Warner Bros. Television with executive producers Tim Doyle (“Jake in Progress”), Moses Port (“Just Shoot Me,” “Mad About You”) and David Guarascio (“Just Shoot Me,” “Mad About You”). Luke Greenfield (“The Girl Next Door”) directed the pilot.

Meh. There’s really not much about the concept that sounds all that interesting to me…which means that it should fit right in with the majority of The CW’s sitcoms.

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As Fox releases its fall schedule, “Drive” fans get revved up for those last two episodes…

…but let’s get the bad news out of the way first: we asked Peter Liguori, Fox’s President of Entertainment, point blank as to whether the show might yet be saved if it somehow sets ratings records when its last two episodes air on July 4th.

His response: “As near and dear to my heart as that show is, I would say that that’s definitely a long shot.”

Ah, well. Not that anyone expected it would play out any differently, I’m sure, but it would’ve been nice if he’d gone out on a limb and, “By God, if that thing scores such-and-such a rating, then we sure WILL pick it back up!” But no such luck.

So, okay, now that we’re pretty sure about what isn’t going to be on Fox’s 2007 – 2008 fall schedule, let’s take a look at what will…but be forewarned about one thing: Fox is playing the game of having one schedule in the fall and one schedule in the spring. Not that that’s anything new, but it does show a certain amount of foresight to be willing to lay out their strategy this early.

MONDAY

The fall starts out with “Prison Break” in the 8 PM timeslot, followed by a new drama, “K-Ville,” which is already destined to create a stir because of its setting.

K-VILLE: From writer and executive producer Jonathan Lisco (“NYPD Blue,” “The District”) comes a heroic police drama set in New Orleans. Two years after Katrina, the city is still in chaos. Many cops have quit, and the jails, police stations and crime labs still haven’t been properly rebuilt. But the cops who remain have courage to burn and a passion to reclaim and rebuild their city. MARLIN BOULET (Anthony Anderson, “The Departed,” “The Shield”) is a brash, funny, in-your-face veteran of the NOPD’s Felony Action Squad, the specialized unit that targets the most-wanted criminals. Even when his partner deserted him during the storm, Boulet held his post, spending days in the water saving lives and keeping order. Now he’s unapologetic about bending the rules when it comes to collaring bad guys. Boulet’s new partner, TREVOR COBB (Cole Hauser, “The Break-Up,” “ER”), was a soldier in Afghanistan before joining the NOPD. He’s tough and committed, but if he’s less than comfortable with Boulet’s methods, it’s because he’s harboring a dark secret. Cobb has come to New Orleans seeking redemption, but redemption can be dangerous. Will Boulet be able to trust him? Will Cobb’s past endanger them both? Rounding out the crew of cops are hotheaded BILLY “K-9” FAUST (Maximiliano Hernández, “Law & Order,” “Shark”), who often speaks before thinking; wisecracking JEFF “GLUE BOY” GOODEN (Blake Shields, “Sleeper Cell,” “Veronica Mars”), the team’s comic relief; tough-as-nails GINGER “LOVE TAP” LeBEAU (Tawny Cypress, “Heroes”), the only female on the squad, who gives as good as she gets; and CAPTAIN JAMES EMBRY (John Carroll Lynch, “Zodiac,” “The Drew Carey Show”), who wrangles the eclectic personalities of his squad with equal parts humor and tenacity.

EXECUTIVE PRODUCER/WRITER: Jonathan Lisco
DIRECTOR: Deran Sarafian
CAST: Anthony Anderson as Marlin Boulet, Cole Hauser as Trevor Cobb, Maximiliano Hernández as Billy “K-9” Faust, Blake Shields as Jeff “Glue Boy” Gooden, Tawny Cypress as Ginger “Love Tap” LeBeau, John Carroll Lynch as Captain James Embry

Come January, “K-Ville” will apparently move to the 8 PM timeslot, and, upon its completion, “Prison Break” will return to that timeslot while “24” reclaims the 9 PM slot.

Oh, and check this out: another writer on the teleconference basically called Fox out on how crap “24” has been this season and wanted to know if things were gonna change next year. Having been put on the spot, Mr. Liguori responded thusly:

We’ve heard what the show’s loyal audience has said to us, and I’ll tell you that it’s really fuelled the show runners to be more daring with what they do next year. I’ve always likened ‘24’ to a James Bond movie – every one offers a different vision, different villains, a different love interest – and I have every confidence that Joel (Surnow), Bob (Cochran), and Howard (Gordon) will come back with a daring and loquacious swing at the plate with the next season of ’24,’ and I’m looking forward to next year.”

Nice comeback. We’ll see if his confidence turns out to be warranted…

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As CBS releases its fall schedule, angry “Jericho” fans begin Googling for those sites they’ve heard about where you can learn how to build your very own atomic bomb

Okay, fine, we’d like to think that no-one out there is so completely obsessed with “Jericho” that they’d actually rationalize that it’d be reasonable payback to actually drop an A-bomb on CBS for cancelling the show…but, hey, I dropped a few F-bombs in CBS’s general direction, if that counts for anything. Of course, I also offered them at least a thousand thank-yous for their decision to renew “How I Met Your Mother,” so, as you can see, I’m having a little turmoil over my feelings toward the network.

So CBS has revealed what the 2007 – 2008 season has in store for its viewers, and rather than wallow in sorrow, let’s just see if they’ve got anything that help us through the process of mourning “Jericho.”

MONDAY

Again, despite our annoyances with them, let us at least sing the praises of CBS for keeping the consistently hysterical “How I Met Your Mother” on the air; “The Class,” however, did not make it beyond its freshman year (you knew I’d make that joke, didn’t you?), so it’s now been paired with “The Big Bang Theory.”

THE BIG BANG THEORY is a comedy from the Emmy Award nominated Co-Creator and Executive Producer of “Two and a Half Men” Chuck Lorre, about brainy best friends Leonard (Johnny Galecki, “Roseanne”) and Sheldon (Jim Parsons “Judging Amy”), who can tell you anything you want to know about quantum physics, but when it comes to dealing with everyday life here on earth they’re lost in the cosmos. Neither fully understands that scientific principles don’t always apply in matters of the heart — until they meet their sexy new neighbor Penny (Kaley Cuoco, “8 Simple Rules…”), a friendly screenwriter/waitress from the midwest who also happens to be newly single. She quickly makes an impression on the other members of Leonard and Sheldon’s geek squad — Howard Wolowitz (Simon Helberg, “Studio 60 on the Sunset Strip”), who portrays himself as the Casanova of Cal Tech, and fellow whiz kid Rajesh Koothrappali (Kunal Nayyar, “NCIS”), who is rendered speechless around anyone unprepared to converse about the Theory of Relativity or other scientific jargon. The chemistry between this gaggle of geniuses and a delightful damsel is about to undergo a stimulating series of inter-personal experiments. Multiple Emmy Award winner James Burrows (“Will & Grace”) directed the pilot. Lorre and Bill Prady (“Gilmore Girls,” “Dharma & Greg”) are executive producers for Warner Bros. Television.

Okay, there’s potential here, since everyone knows that geeks = funny…but, then, I’m a geek, and we always prefer to laugh at ourselves. (It’s so much less painful than when others laugh at us.) Otherwise, Monday night remains essentially unchanged; it’s “Two and a Half Men,” “Rules of Engagement,” and “CSI: Miami.” Hey, look, another excuse to link to seven minutes of David Caruso’s best (read, “most groan-inducing”) one-liners!

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