Category: TV Action (Page 107 of 145)

TCA Press Tour: USA! Sci-Fi! Bravo!

I’ve gotta give the USA Network their props: ever since they picked up that new slogan of theirs – “Characters Welcome” – they’ve really come up with some enjoyable series. “Monk” is great, of course, and “Dead Zone” is about ten times better than you’d ever have thought it’d turn out to be…and while I tend to find “Psych” annoying more often than not (it’s a great premise, but I just think that James Roday plays his character as obnoxious to the Nth degree), I’m really loving the network’s latest original, “Burn Notice.” But, then, what’s not to like about a series which includes Bruce Campbell in its cast, right?

Coming soon to the network is another series which looks like it’s got a lot of potential, possibly because it’s another series than seems to effortlessly blend comedy and action: “In Plain Sight.” Plus, in what’s turning into a very pleasant trend, it’s another series with a strong female lead. P.S. She’s cute, too!

Says Mary McCormack, who plays said heroine, “It’s a great tomboy role and I’ve been looking for it forever and ever and ever, so I’m thrilled with that and I can’t wait to beat a bunch of people up, but she’s not always good at it, which I think is really refreshing. I think she’s not a superhero, which is what I love about David’s writing: that he wrote sort of how an actual person might fight or, you know, an actual person in that job might be called upon to use their physical side, but she’s not always good at it, which I love. It’s sort of how David manages somehow to keep it based on reality, which is so refreshing, I think.”

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A few one-liner newsflashes from NBC to get you started.

* Isaiah Washington will be appearing in a 5-episode stint on “The Bionic Woman.” (Co-chairman Marc Graboff said, “He’s a wonderful actor, and he became available…” Naturally, the audience burst into laughter. “…and, just to address that laughter, we did start talking to him about appearing before he ‘became available.’ He met the writers, the role was thought of for Isaiah, but it’s now been more specifically tailored to him.”)

* Norman Lear is returning to TV, overseeing a new, as-yet-uncast sitcom. (Graboff: “His belief in telling great stories and drawing attention to issues that are real inside American society through emotion and comedy are what inspired me to go into television. Potentially, Norman would write as the show gets going.”)

* The network’s upcoming new reality series: “Phenomenon,” starring Uri Geller and Criss Angel.

* The network is forging a new association with Charlie Corwin, executive producer of “The Squid and the Whale.”

* Donald Trump will indeed be returning with another season of “The Apprentice,” but it’s going to be done with celebrities this time, with all challenges and winnings being done for charity. (Graboff: “Donald has personally asked me to extend an invite to Rosie (O’Donnell).”)

* Both Alec Baldwin and Tracy Morgan are committed to “30 Rock” and will be back.

* It sounds like “Friday Night Lights” was saved partially because the network execs liked it, but mostly because it’s a fiscally solid show, i.e. it’s a hell of a lot cheaper to produce than, say, “Heroes”; as such, they could afford to believe in the show a little longer. (Hey, whatever. As long as it’s still on, right?)

* NBC’s adaptation of the Australian series, “Kath & Kim,” is on the fast track, and both Graboff and his fellow chairman, Ben Silverman, are both aware that it’s gonna depend on the casting as far as whether it’ll be another “Office” or another “Coupling.”

* NBC is definitely looking to keep Jay Leno within the network after his departure from “The Tonight Show.” (Silverman: “We love Jay, and we’d love him to stay with NBC forever.”)

TCA Press Tour: Day 2 (well, for me, anyway), Pt. 3

Damn, sorry to stretch this thing out into 3 parts. That was never my intention. There just happens to be a lot going on…and, if nothing else, I think I’m clarifying that pretty well with the length of these postings!

Okay, so: The Salt-n-Pepa Show.

Like I said, I wasn’t able to catch this panel, and I was disappointed, but, ultimately, I figured people would be more interested in reading about Steven Van Vandt, and I stand by that decision. But, fortunately, I’ve got the transcript, and it sounds like there’s more than enough remaining tension between the pair that…well, though I hate to admit it, I’m actually rather tempted to watch it.

When asked to go into what happened in 2002, when the pair separated, Salt immediately passed the buck to Pepa, which – as it turned out – was a harbinger of things to come. But, anyway, apparently, what happened was that Salt made the very poor decision of dropping a bomb on Pepa via cell phone.

“We were just in the process of changing management,” began Pepa, “and with my perception, you know, I had all of my eggs in the basket with Salt. I just believed that she and I was going to take the world by storm. We were getting rid of some…you know, some people that were part of our team that wasn’t, you know, good business for us. We were moving forward, so I believed. And once we put that in order and got rid of some of the people, I’m getting a pedicure, or I’m in the salon…actually, Spin Salon, at the time…and my cell phone rings. It was Salt on the phone. And I’m, like, ‘Hey, girl, what’s going on?’ And she was just, like, basically, ‘I don’t want to be joined at your hips anymore. I’m through. I’m leaving the group.’ I was shocked, but I didn’t believe her until I saw that the offers were coming in and she was really sticking with it and saying, ‘No, I’m leaving, and I don’t want to be a part of it anymore.’ And I was just devastated at that moment.”

Salt launched into her defense, naturally, explaining that there had been an escalating series of events which led to her decision. “It had been many years Salt-n-Pepa had a lot of success,” she said, “and it was all fun for her, but from my perspective, I felt like I didn’t have control of my life. I felt like I was compromising in a lot of ways. I had some other really deep issues that I won’t go into right now, and I was just tired. It’s hard being in a group, you know, year after year after year, and I needed to do some soul-searching, you know. It’s that time in an artist’s career where they need to separate from the business. And since then, I got married. I married my daughter’s father. We had another child. I kind of cleaned up my personal life, and I needed that time to do that.”

“Which is fine,” snapped back Pepa, “but with your partner, like in any relationship or marriage or a business, you actually sit down, and you kind of prep that other person who is involved with you that this is your next step. So it was…to me, it was just the way that she did it, and I just never got over it. I’ve just been bitter about it and upset, and we just never really spoke about it.”

“And I have apologized for the way I did it many times,” reminded Salt. “Even in writing.”

Okay, obviously, this is a transcript, and I didn’t see it personally, but I just know that, at this point, Pepa rolled her eyes, because she immediately went off about how there had been much talk of this letter, and that she was aware that Salt had even written a song called “A Letter to Pep,” “but I never received a written letter saying, ‘I apologize to you, Pep.'”

“It never came back to the house,” snapped Salt. “You usually get a ‘Return to Sender.'”

“Apologizing means let’s make this happen.”

“Apologizing means let’s make some money. Once the money is made, then…”

“I’m an entertainer. I like to entertain.”

“I want to make a few million. Then everything will all be good.”

“We made millions!”

“I’m like you: more!

I mean, maybe it’s all an act, but it sure sounds like they’re still pretty pissed off at each other…and that usually equals good television, from my experience.

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TCA Press Tour: Day 2 (well, for me, anyway), Pt. 2

Man, ya’ll are lucky I didn’t have my tape recorder working earlier this morning; if I had, I’d be transcribing every last obscenity I uttered when, just as I was preparing to save my second posting about yesterday’s panels, the internet connection hiccupped and lost everything I’d written…and I didn’t have time to re-write it before heading downstairs for today’s first panel. So, anyway, here I am, in my first live panel – i.e. I’m online as the panels are going on in front of me – but, at the moment, I’m just playing catch-up on yesterday. I mean, it’s the Disney Channel panels; they’re entertaining, but, to my knowledge, no-one here needs any real details on them, am I right? (If I’m wrong, of course, let me know; they provide transcripts, so I can still pick out a few quote highlights.)

Okay, let me grab a cup of coffee and get this show on the road, so I can be all caught up before the SoapNet panel on “General Hospital: Night Shift” begins!!!

Dallas Cowboy Cheerleaders: Making the Team (CMT):

I’ll say this right now: any panel which opens with 12 members of the Dallas Cowboy Cheerleaders show team coming onstage and doing a full routine that ends with lots and lots of high kicks…well, my friend, that’s on the short list for Best Panel Opening EVER. And it was a pleasant little panel, too. You could tell there was a certain amount of cynicism from some of the writers in attendance, particularly when one fellow asked (rather snarkily, I felt), “Is this a stepping stone onto something else, or is this the pinnacle of your career?” The response from veteran cheerleader Megan Fox, however, was heartfelt and honest:

“For those of us as performers…I mean, really, most of us have danced or done some type of cheerleading our entire lives, so this is really that bar that we’ve really worked so hard to reach. So for those of us, it’s kind of the icing on the cake. I really think that this is a dream come true. And for some of us, it will be the end of our performing careers, but for others, we’ll go on to teach, hopefully, and continue to be involved in the dance and performance world. But, really, this is just the icing on the cake for most of us.”

Take that, Cynical Boy!

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TCA Press Tour: HBO, Pt. 2

Okay, it’s still 6:54 AM here, but, damn, I feel a hell of a lot better after just a few hours sleep. As such, let’s go ahead and take a look at those HBO panels from yesterday:

As You Like It, Kenneth Branaugh’s latest Shakespearean adaptation:

Branaugh found it very easy to cast Kevin Kline in the role of Jacques, it seems. “(He has) vast Shakespearean experience, as you know, a brilliant dramatic actor, a very, very funny man, and is, in life, intellectually curious. And as with all funny men, I would say – without trying to tell my friend who he is – a kind of disposition to a certain kind of melancholy and philosophical introspection. But I just thought he was a great actor.”

Kline’s response? “I disagree.”

Kline isn’t the only American in the production; he shares that honor with Bryce Dallas Howard…even if she doesn’t see it that way. “I would have to say that Kevin Kline is almost like an honorary Brit when it comes to Shakespeare, (whereas) I felt like a little bit of a cowboy,” said Howard. “Like, it’s, you know, a little rough with the language, and I didn’t really have a lot of confidence with it, initially. But under the guidance of Ken, and everyone else that was involved, I allowed myself to just enjoy the experience and do my best. But it was definitely initially intimidating, perhaps being an American, but even more than that, just being someone who is literally at the start of my career. I haven’t had as much experience as I would like to.”

The role of Orlando is taken by relative newcomer David Oyelowo, who had a serious attack of nerves when he discovered that A) he had to go to Branaugh’s house to audition, and B) he had to audition with Branaugh. “You were reading the other lines,” he said, turning to Branaugh, “and my saliva just turned to sand. I mean, there I was, auditioning with Henry V, Iago, Benedict, Coriolanus…and it just…I mean, you probably won’t remember this, but the lines…they just completely went out of my head. You were so gracious; you just went, ‘Okay, let’s do that again…'”

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