Category: TV Action (Page 103 of 145)

Pilots Revisited: “Chuck”

I’m still a little uncertain about “Chuck.” There’s a whole lot to like about it, but I still can’t get a handle on what the producers are planning to do with it.

Chuck Bartowski (Zachary Levi) is the title character, a computer geek who finds himself working simultaneously for two different government agencies as a result of his former college roommate sending him a coded E-mail which, when Chuck opens it, bombards him with an ungodly amount of classified information that’s sent straight into his subconscious mind, only emerging in bits and pieces as he spots various “triggers.” It’s an odd blend of action, comedy, and romance…and when I say “odd,” I mean that it feels like it’s trying too hard to be all three things; there are elements of “Alias,” Jim Cameron’s “True Lies,” and even “Mr. and Mrs. Smith,” but it’s definitely not a seamless blend of genres.

Having now checked out the pilot as well as the subsequent pair of episodes, it’s fair to call the second episode, “Chuck versus The Helicopter,” the series’ equivalent of a “Gilligan ruins a chance for the castaways to get off the island” plot, where it looks like Chuck’s gonna get the classified government information out of his head but – rather unsurprisingly, given that it’s only the second episode – he doesn’t. Hopefully, we won’t be getting one of these every week…and, more crucially, let’s hope the show’s humor doesn’t slide into the God-awful slapstick realm that it does here. There’s a scene where Chuck brings Sarah (Yvonne Strzechowski), the government agent who’s posing as his girlfriend to stay close to the secrets he possesses, over for dinner at his sister’s house, and when it comes times to serve dessert, you’ll feel like you’re watching a bad episode of “Three’s Company.” Thankfully, the third episode, “Chuck versus The Tango” (are you seeing the pattern here?), works better than either of the two segments which preceded it, leaving us hopeful but still fearful that it could prove to be an isolated success.

My biggest concern about the show, though, is that I’m just not entirely sure how “Chuck” is gonna do in that Monday-at-8PM timeslot it’s been given by NBC.

I’m not saying it’s gonna do badly there, but, basically, I just have absolutely no feel for it at all. It’s up against one massive ratings powerhouse (“Dancing with the Stars”), but, otherwise, all of its other competition is probably more or less on even footing. “Prison Break” is coming off a lackluster season, while the other two major networks are offering up sitcoms that are really funny but have rarely been major comedic players in the ratings (CBS’s “How I Met Your Mother” and The CW’s “Everybody Hates Chris”), and they’re paired with new sitcoms that seem poised to score similar descriptions in the future (CBS’s “The Big Bang Theory” and The CW’s “Aliens in America”). If it doesn’t take off right away – and, of course, provided that it maintains the standards set by that third episode – here’s hoping they at least give it a shot elsewhere on the schedule.

Here’s a teaser:

Quickhit review: “K-Ville”

Our main TV reviewer, Will Harris, put together a terrific preview of the fall season for Bullz-Eye, but I thought I’d chime in on a few of the premieres and see if we can get some discussion going about the new season.

“K-Ville” follows a New Orleans cop Marlin Boulet (Anthony Anderson) and his mysterious new partner Trevor Cobb (Cole Hauser) as they try to navigate the crime-filled streets of a city on the rebound. Anderson had a nice stint playing Antwon Mitchell on “The Shield,” and after a start in comedy, his career has taken a decidedly dramatic direction. To this point, Hauser has done mostly supporting work in films, but is now taking his quiet confidence to the small screen. The show looks a lot like a Bruckheimer film and the two lead characters have a nice dynamic. The backdrop of New Orleans is a gritty one, so the series needs to be careful to keep itself completely realistic. (SPOILER: The whole running-up-and-wrapping-a-chain-around-the-leg-of-a- helicopter-so-it-couldn’t-take-off routine didn’t really work for me.) I’m not sure the world needs another cop show, and one wonders if the country is willing to re-live the depression of Katrina on a weekly basis, so the series seems to be doomed from the start. Still, the cast is good, the writing is decent and the premiere was enjoyable (if a bit heavy-handed), so it has a shot. I’m going to take it week-to-week.

So, what did you think?

If you missed the premiere, Fox is re-airing it tonight at 9 PM…and if you miss that, too, there’s always this teaser:

Prison Break: “Orientacion”

After a season of being on the run, some fans of the show complained that they missed the overwhelming claustrophobia of the first season. Well, to put it succinctly, it looks like the old “Prison Break” is back.

When last we left them, Michael, Mahone, T-Bag and Bellick were all sent to Sona, which is Panama’s toughest and most ruthless prison (of course). I had to laugh when that cat at the American embassy painted an overly bleak picture for Linc. He said that Sona was “the worst of the worst,” that “the guards had pulled out” and are now just “keeping a perimeter.” Good grief.

With Lincoln exonerated, I was curious to see how the show would be able to reinvent itself, and it looks like Michael’s new mission will be to break a very important person (Whistler?) out of Sona. He only has a week to do it, so assuming one episode per day, this new storyline might only eat up a third of the season. Whistler is probably the guy that Bellick spoke to in the basement. Speaking of Brad, how disturbing was it to watch him walk around in those tighty whities?

Mahone wants to help Michael, if only to get Michael to testify on his behalf once the two are out of prison. Since Mahone killed his pops, Michael isn’t too keen on the idea, but he might not have much of a choice given how badly the cards are stacked against him. T-Bag seems to have already wormed his way into the good graces of Luchero, a Panamanian drug kingpin who runs the prison. By the way, Luchero is played by Robert Wisdom, who was terrific as Major Howard “Bunny” Colvin on “The Wire.” It will be fun to watch him play such a cartoon-ish character.

It looks as if the roles of LJ and Sara will once again be to coerce the brothers into working for the unseen powers that be. I get the feeling that Michael and Sara won’t be able to truly be together until the series finally comes to an end, whenever that is.

It also appears that two or three new women will have major roles this season. There’s the woman that Linc met at the bar, the prostitute that dressed up as a nun, and the woman outside the prison who was looking for the notes from the guy in the basement. (They’re all brunettes, by the way.)

And there’s still the question of all that money which, if I remember correctly, is sitting in a lagoon under a few feet of water.

So we’re off. Do you like the new direction of the show or do you wish they had wrapped everything up at the end of last season? I’m not sure how I’d answer that question, but so far, so good.

So much for getting the jump on my “Heroes” blog…

With the second-season premiere of “Heroes” scheduled for next Monday at 9 PM, I had hoped I’d be able to provide you with a few teasers of what the episode contained, since NBC generally sends out advance screeners of its season premiere.

Not so, however, for “Heroes.”

I approached the network and asked if I should be expecting a screener, or if NBC wanted the critics to be watching the season premiere for the first time along with the rest of America.

“Actually,” responded a network spokesperson, “we are not sending the ‘Heroes’ premiere (or) early episodes out for review. The producers want to hold it back and allow viewers to be completely surprised. ”

Disappointing…but not entirely surprising. And, hey, it actually makes me even more excited for Monday to get here, so how can I really complain?

Bullz-Eye’s 2007 Fall TV Preview

I’d just like to begin by stating for the record that, in Bullz-Eye’s 2006 Fall TV Preview, I made the following statement about “Heroes”:

“The premise is fantastic, and the gradual unfolding of the various stories will keep viewers coming back week after week. This is gonna be the water-cooler show of the season.”

That’s right. I’m Nostradamus.

And, like that famous French forecaster of the future, I get at least as many wrong as I get right, like, for instance, these:

1. Ugly Betty: “Expect fans of the original show to be horrified at this poor translation. In fact, it’s hard to imagine that anyone other than girls on the cusp of pubescence or desperately single women in their 20s and 30s will be able to stand this for even 30 minutes. Oh, and did I mention that it’s an hour long?”
2. Studio 60 on the Sunset Strip: “Best cast on television, hands down… and to have their dialogue written by someone who’s arguably one of the best scribes in the medium? I’m sold. And America will be, too.”
3. Twenty Good Years: “‘Arrested Development’ proved that (Jeffrey) Tambor doesn’t draw the ratings, but Lithgow does. It might not be a huge hit, but count on it doing well enough to stick around for a few seasons.”

Oh, well. At least I was right about “Happy Hour.”

This year’s crop is another blend that’s heavy on drama, light on comedy, and thankfully light on reality shows – well, unless you’re Fox, that is – but, as ever, we must provide the following caveat to the feature that follows:

What we’re offering are our impressions and opinions of what are essentially “rough drafts” of the season’s new shows. Mind you, most aren’t very rough at all — indeed, some may actually look identical when they make their official network premieres — but, nonetheless, it’s not unheard of for producers to retool and recast their shows between the filming of the original pilot and the actual premiere of the series. Actually, this year, it’s closer to the rule than the exception, but we’ll get to that in a moment.

Basically, the moral is this: use our descriptions as an approximation of what will end up on the air, not as The Gospel According to Bullz-Eye.

And now that that’s out of the way, let’s warm up the set and head over to the homepage for Bullz-Eye’s Fall TV Preview.

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