Category: Movies (Page 42 of 498)

Box Office Recap: In its Third Week, New Releases Still Can’t Top ‘The Dark Knight Rises’

August 7, 2012 /

In its third week in release, “The Dark Knight Rises” is once again the nation’s number one movie after grossing nearly $36 million. On Sunday, its 17th day at the box office, the film’s total domestic gross passed the $350 million mark, making it the third fastest movie to reach that plateau, behind only “The Avengers” (10 days) and “The Dark Knight” (14 days).

The weekend’s two new releases, “Total Recall” and “Diary of a Wimpy Kid: Dog Days” struggled, grossing only $25.5 and $14.6 million, respectively. The two films’ audiences skewed in opposite directions, with “Total Recall” tracking 58 percent male and 53 percent 30 years of age or older. Moviegoers gave the film a woeful “C+” CinemaScore. On the other hand, “Wimpy Kid” skewed 58 percent female and 62 percent 25 or younger, while receiving an “A-” CinemaScore. However, the movie’s $14.6 million debut was far behind the series previous installments, which grossed $22.1 million and $23.8 million, respectively.

The box office charts remained remarkably static behind the new releases and “The Dark Knight.” Last week’s second through eighth place films each moved back two spots to make room for “Total Recall” and “Wimpy Kid,” but remained in the same order to fill out this week’s fourth through tenth place positions.

“The Dark Knight Rises” faces a new challenger in “The Bourne Legacy” next week. We’ll just have to see if it can sustain its dominance against another big name franchise in its fourth week.

Here are the results for this weekend’s top 10 at the box office:

Title/Weeks in release/Theater count, Studio/Three-day weekend total/Cume

1. The Dark Knight Rises, 2/4,242, Warner Bros., $35.737 million, $359.935 million.
2. Total Recall, 1/3,601, Sony, $25.577 million.
3. Diary of a Wimpy Kid: Dog Days, 1/3,391, Fox, $14.623 million.
4. Ice Age: Continental Drift, 4/3,542, Fox, $8.609 million, $132.071 million.
5. The Watch, 2/3,168, Fox, $6.527 million, $25.541 million.
6. Step Up Revolution, 2/2,606, Summit, $5.927 million, $23.724 million.
7. Ted, 6/2,767 Universal, $5.644 million, $203.579 million.
8. The Amazing Spider-Man, 5/2,425, Sony, $4.4 million, $250.74 million.
9. Brave, 7/2,110, Buena Vista, $2.986 million, $223.42 million.
10. Magic Mike, 6/1,202, Warner Bros., $1.414 million, $110.928 million.

 

Movies

Hidden Netflix Gems – The Man Who Fell to Earth

August 4, 2012 /

For all of his musical influence and his famous/infamous turn as Jareth the Goblin King in the Jim Henson production Labyrinth, my original introduction to the cultural phenomenon that is David Bowie came from a strange, somewhat disjointed British science fiction film from the 1970s. The first film in which Bowie ever appeared as a leading actor, The Man Who Fell to Earth is a surreal, satirical, and ultimately very bleak look at American values, as seen through the eyes of a visitor from another world. In much the same way that the Martians in H.G. Wells’ The War of the Worlds find themselves vulnerable to Earth’s diseases, Bowie’s alien finds himself far from immune to the destructive allure of earthly pleasures like alcohol, sex and television.

Thomas Jerome Newton, as Bowie’s alien calls himself while on Earth, lands in the New Mexico desert in search of water to bring back to his home planet, Anthea, where his wife and children are in danger of dying from a sever drought. Using the advanced technology of Anthea, he gains incredible wealth and a great deal of notoriety by patenting various inventions and becoming the head of World Enterprises Corporation, a technological conglomerate he forms with the help of patent attorney Oliver Farnsworth (Buck Henry). Newton’s ulterior motive with the company is to construct a space vehicle with which to ship water back to Anthea, but he soon becomes distracted from this purpose by a dalliance with Mary-Lou (Candy Clark), a hotel chambermaid who introduces Newton to alcohol and sex, and with whom he eventually moves into a house in New Mexico.

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Movie DVDs, Movies, Sci-Fi Movies

Box Office Preview: ‘Total Recall’ and ‘Diary of a Wimpy Kid’

August 3, 2012 /

Total Recall

“Total Recall” is a remake of a 1990 film of the same name, which itself was an adaptation of the Phillip K. Dick short story “We Can Remember It for You Wholesale.” Yeah, I know, Hollywood is really running out of ideas. As Bullz-Eye’s Jason Zingale put it, “[Director Len] Wiseman does his best to freshen things up, and in some cases, he actually improves upon the original, but you can never quite shake that feeling of déjà vu while watching the film, and that only begs the question, why bother remaking it at all?” Rave reviews I know, but I’ll give you a quick synopsis anyway.

Collin Farrell plays Donald Quaid, a factory worker disenchanted with life in the stereotypical sci-fi “future world” (think “Blade Runner” with better CGI). To cure his woes, Quaid seeks out Rekall, a company that implants artificial memories so realistic you can’t tell the difference between them and your true past. The procedure goes wrong (imagine that) and Quaid finds out his wife, Lori (Kate Beckinsale), is a government agent assigned to watch over him. It’s the opening scene of the second “Austin Powers” movie, only her guns are guns, not breasts. Along the way, Quaid finds out he too is a secret agent so undercover not even he knew about it (shit’s deep, bro), and teams up with rebel fighter Melina (Jessica Biel) against the United Federation of Britain and its evil chancellor, Cohaagen (Bryan Cranston).

As the source material has gone through each step of the adaptation and remake process, its purpose—the major themes and feelings, indeed the story it was trying to tell—has become increasingly diluted. Dick posed philosophical questions about what makes reality “real” and memories “true,” while in the trailer for the latest version, Collin Farrell asks himself, “If I’m not me, then who the hell am I?” Yep, shit’s deep, bro.

Check out “Total Recall” if you’re in the mood for some heavy on the action, light on the depth sci-fi. The film currently sits at a 31 percent on the Tomatometer, so I’d rent the original or see “The Dark Knight Rises” (again, if need be) before plunking down my hard-earned cash on this one.

Diary of a Wimpy Kid: Dog Days

I knew it was a book series, but the only reason I had any inkling this was a sequel, let alone the third film in a series, is the fact that there was a colon in the tile. It turns out there have in fact been two “Diary of a Wimpy Kid” films prior to this one. When a series is able to release its third film in as many years, it screams phoned-in counter programming playing for a built-in audience. Here’s what this one’s about, per the official synopsis:

During his summer vacation, “Wimpy Kid” Greg Heffley, the hero of the phenomenally successful book series, hatches a plan to pretend he has a job at a ritzy country club – which fails to keep him away from the season’s dog days, including embarrassing mishaps at a public pool and a camping trip that goes horribly wrong.

The newest “Wimpy Kid” movie is at a 44 percent on the Tomatometer, which notes that it “fails to improve upon previous installments and will likely appeal to few outside its target audience.” How much could there be to improve upon, given that the first two films are at 53 and 47 percent, respectively? Like I said, this is phoned-in counter programming. If you need to sit in the AC with the kids quiet for 90 minutes, this one might be for you. Otherwise, avoid it.

Follow the writer on Twitter @NateKreichman.

Movies, test

Box Office Recap: “The Dark Knight Rises” Continues to Dominate

July 30, 2012 /

While it made just shy of $100 million less than its opening weekend figures, “The Dark Knight Rises” continued to demolish the competition. After all, a $100 million drop from the third best opening of all time still left the film with over $62 million by the time things were said and done. I mean, last week “The Dark Knight Rises” grossed $100 million more than the second through tenth place films combined. It couldn’t hope to top that, but in its second week Batman’s $62 million was identical to the combined grosses of the rest of the top 10.

Despite “The Dark Knight Rises” falling a hefty but expected 61.4 percent, the weeks two new wide releases, “The Watch” and “Step Up Revolution,” came in third and fourth place with $13 and $11.8 million respectively. Frankly, that’s embarrassing, especially for “The Watch” given its counter-programming angle and star power. The film was written by Seth Rogen and Evan Goldberg, the team that brought you “Superbad,” and stars Ben Stiller, Vince Vaughn, Jonah Hill, and Richard Ayoade.

It might not have made “Avengers” money, but “The Dark Knight” is here to stay. We’ll see if “Total Recall,” the new “Bourne” film, or “The Campaign,” which stars Will Ferrell and Zach Galifianakis will be able to top it, but I don’t see it happening. No one messes with the Bat.

Here are the results for this weekend’s top 10 at the box office:

Title/Weeks in release/Theater count, Studio/Three-day weekend total/Cume

1. The Dark Knight Rises, 2/4,404, Warner Bros., $62.84 million, $287.851 million.
2. Ice Age: Continental Drift, 3/3,886, Fox, $13.3 million, $114.847 million.
3. The Watch, 1/3,168, Fox, $13 million.
4. Step Up Revolution, 1/2,567, Summit, $11.8 million.
5. Ted, 5/3,129 Universal, $7.353 million, $193.619 million.
6. The Amazing Spider-Man, 4/3,160, Sony, $6.8 million, $242.053 million.
7. Brave, 6/2,551, Buena Vista, $4.237 million, $217.261 million.
8. Magic Mike, 5/2,075, Warner Bros., $2.58 million, $107.587 million.
9. Savages, 4/1,414, Universal, $1.753 million, $43.899 million.
10. Moonrise Kingdom, 10/853, Focus, $1.387 million, $38.396 million.

 

Movies

Hidden Netflix Gems – Sleeping Dogs Lie

July 28, 2012 /

Bobcat Goldthwait’s second theatrical feature covers territory considered taboo even in pornography (and for good reason), but it does so with amazing tastefulness and sincerity. Let’s get this out the way right off the bat, just as the film does: Sleeping Dogs Lie is about a woman, Amy (Melinda Page Hamilton), who experimented in sexual relations with her dog while in college. This is not to say she regularly had sex with the animal – it was simply one act, on one occasion – and, as the title suggests, the film is really about the repercussions of her decision to share this information with her loved ones.

Amy is very seriously considering marrying her longtime boyfriend, John (Bryce Johnson), who believes that the couple should be completely honest and share all their secrets with one another. After initially hedging with a made-up story about sleeping with her friend Linda (Morgan Murphy), Amy finally decides to tell John her most mortifying secret. The timing couldn’t be worse, as they are at her parents’ home where John is meeting her family for the first time, but is there ever really a good time to hear something like that? Even more unfortunate for everyone involved, however, is that Amy’s troubled, meth-smoking brother, Dougie (Jack Plotnick), overhears the confession, and soon the truth is out to her parents (Geoff Pierson and Bonita Friedericy) as well.

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Movie Comedies, Movie Dramas, Movie DVDs, Movies

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