Category: Movies (Page 41 of 498)

Hidden Netflix Gems – Earth Girls Are Easy

In an oddball blend of ’50s science fiction classics like Invasion of the Body Snatchers and The Day the Earth Stood Still, combined with much stronger elements of beach musicals and screwball comedy, director Julien Temple‘s Earth Girls Are Easy explores interplanetary sexual politics with a light and infectiously fun touch. This is one of those ’80s movies, much like The Lost Boys, that is objectively silly and perhaps unimportant to the history of cinema, but is nonetheless one of my favorite movies of all time.

Valerie (Geena Davis) is a sort of ditzy manicurist who works at beauty parlor in San Fernando Valley with her gloriously superficial and oversexed friend Candy (co-writer Julie Brown). After discovering her physician fiancée, Ted (Charles Rocket), attempting to cheat on her with a nurse he brings home, she kicks him out and wrecks most of his belongings in a musical montage of destruction and bittersweet flashbacks of the better times they spent together. Of all the film’s musical numbers, this is the weakest, but still great visual fun and prime ’80s nostalgia, as when Valerie shoves a box of Ted’s cigars into the VCR, or when she sends a bowling ball crashing into his Commodore 64 computer. As if her relationship troubles aren’t bad enough, the next morning a spaceship full of furry, horny aliens lands in her pool, and Valerie has to figure out how to keep them secret until they can fix their flooded ship and head back to their home planet.

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Box Office Preview: ‘The Expendables 2,’ ‘ParaNorman,’ and ‘The Odd Life of Timothy Green’

The Expendables 2

Come on, look at all the names in this one: Sylvester Stallone, Jason Statham, Jet Li, Chuck Norris, Mickey Rourke, Terry Crews, Liam Hemsworth, Jean Claude Van-Damme, John Travolta, Bruce Willis, Dolph Lundgren, and of course, Arnold Schwarzenegger. If you need me to tell you what to expect you’re nearly 40 years behind the Hollywood action scene (and have likely never voted in a California gubernatorial election).

If you saw the first “Expendables” movie, then you know what’s coming here: action, action, and more action. Seriously, watch the trailer, it’s just the names of the stars intercut with explosions, guns firing, and chase scenes. It gives literally no information relating to the plot, which tells you just about all you need to know regarding its importance to the film. Nonetheless, here’s the official synopsis:

The Expendables are back and this time it’s personal… Barney Ross (Sylvester Stallone), Lee Christmas (Jason Statham), Yin Yang (Jet Li), Gunnar Jensen (Dolph Lundgren),Toll Road (Randy Couture) and Hale Caesar (Terry Crews) — with newest members Billy the Kid (Liam Hemsworth) and Maggie (Yu Nan) aboard — are reunited when Mr. Church (Bruce Willis) enlists the Expendables to take on a seemingly simple job. The task looks like an easy paycheck for Barney and his band of old-school mercenaries. But when things go wrong and one of their own is viciously killed, the Expendables are compelled to seek revenge in hostile territory where the odds are stacked against them.

“The Expendables 2” has a 65 percent rating on the Tomatometer. Check it out if you’d like, just don’t expect much in the way of plot or character development.

ParaNorman

“ParaNorman” is the second feature film made by stop-motion animation studio LAIKA, the first being 2009’s “Coraline.” Both films have been met with a great deal of critical acclaim, and each has been “certified fresh” on Rotten Tomatoes, with “ParaNorman” garnering an 86 percent rating on the Tomatometer and “Coraline” sitting pretty at 90 percent. Not to mention that in the year of its release, “Coraline” was nominated for the Academy Award for Best Animated Feature. With all the accolades the two films have received, LAIKA may be the first studio that can really compete with Pixar if it can keep producing films of high enough quality that they transcend the box animated films are so often put in.

Anyway, let’s talk about “ParaNorman.” Kodi Smit-Mcphee stars as Norman Babcock, an oft-misunderstood young man with the uncanny ability to communicate with the dead, a talent that comes in handy when his small town is overrun by zombies. The official synopsis tells us “In addition to the zombies, he’ll have to take on ghosts, witches and, worst, of all, grown-ups, to save his town from a centuries-old curse. But this young ghoul whisperer may find his paranormal activities pushed to their otherworldly limits.” Smit-Mcphee’s co-stars include Casey Affleck, Jeff Garlin, John Goodman, and Christopher Mintz-Plasse.

Many adults discard animated films, believing them to be childish or incapable of conveying the same emotion and character that live action films can. But like Pixar, LAIKA makes films that relay all those elements in spades, the fact that they’re animated isn’t a detractor. As such, despite its PG rating, ‘ParaNorman” is a kid’s movie that isn’t really for kids. As Bullz-Eye’s Jason Zingale put it, the film is a “journey into the weird and macabre that will likely play well with pre-teens and older, but may be too frightening for younger audiences. Though parents should use discretion when deciding whether their children can handle the scarier moments, “ParaNorman” is packed with enough comedy that it helps dampen the effect.” It seems “ParaNorman” is a film more for those who are children at heart than actual children, and deserves to be checked out.

The Odd Life of Timothy Green

The last film seeing a wide release this weekend is “The Odd Life of Timothy Green.” Let’s check out the official synopsis from Disney:

Director/writer Peter Hedges brings enchantment to the screen with The Odd Life of Timothy Green, an inspiring, magical story about a happily married couple, Cindy and Jim Green (Jennifer Garner and Joel Edgerton), who can’t wait to start a family but can only dream about what their child would be like. When young Timothy (CJ Adams) shows up on their doorstep one stormy night, Cindy and Jim — and their small town of Stanleyville — learn that sometimes the unexpected can bring some of life’s greatest gifts.

Given that its a Disney movie with a 41 percent rating on the Tomatometer, “The Odd Life of Timothy Green” appears to be a try-hard heartwarmer that is ultimately more “style” (in the most Disneyfied sense of the word) than substance. Check it out only if you’re the overly-emotional type susceptible to that kind of drivel.

Box Office Recap: New Releases Take Down ‘The Dark Knight Rises’

After three weeks at the top of the charts, “The Dark Knight Rises” fell to third place with just under $19 million after being beaten by two new releases this weekend. In its opening weekend, “The Bourne Legacy” grossed just over $38 million domestically. That figure is certainly nothing to sneeze at. Sure, “The Dark Knight Rises” made nearly that amount ($35.737 million) last week, but then we’re talking about the movie that had the third biggest opening weekend of all-time with nearly $161 million.

As I predicted in my Box Office Preview, “The Bourne Legacy” did break the pattern of each “Bourne” film being more successful than the last. But that’s to be expected in a third sequel, or is it a spin-off/reboot? I really don’t know what to call this thing. What I do know is that despite sticking Jeremy Renner in Matt Damon’s place, “Legacy’s” $38.1 million debut fell in between the series’ first film, “The Bourne Identity” ($27.1 million), and the second, “Supremacy” ($52.5 million), and dropped 45 percent off “Ultimatum” ($69.2 million), the last entry with Damon in the lead.

In second place with $26.588 million was the new political comedy “The Campaign,” which starred Will Ferrell and Zach Galifianakis. Although it’s not exactly a terrifically common genre, that is the highest opening mark for a movie centered around a political campaign according to Box Office Mojo.

The weekend’s final new release, “Hope Springs,” opened in fourth place with $14.65 million. The film, which stars Meryl Streep and Tommy Lee Jones, is definitely targeting an older audience than most, so while it won’t have any flashy single weekend numbers, I expect it to slowly chug along in much the same way “The Best Exotic Marigold Hotel” did.

Here are the results for this weekend’s top 10 at the box office:

Title/Weeks in release/Theater count, Studio/Three-day weekend total/Cume

1. The Bourne Legacy, 1/3,745, Universal, $38.142 million.
2. The Campaign, 1/3,205, Warner Bros., $26.588 million.
3. The Dark Knight Rises, 4/3,690, Warner Bros., $18.979 million, $389.588 million.
4. Hope Springs, 1/2,361, Sony, $14.65 million.
5. Total Recall, 2/3,601, Sony, $8.013 million, $44.101 million.
6. Diary of a Wimpy Kid: Dog Days, 2/3,398, Fox, $8.002 million, $30.356 million.
7. Ice Age: Continental Drift, 5/3,102, Fox, $6.38 million, $143.694 million.
8. Ted, 7/2,208, Universal, $3.223 million, $209.848 million.
9. Step Up Revolution, 3/1,898, Summit, $2.941 million, $30.256 million.
10. The Watch, 3/2,461, Fox, $2.221 million, $31.396 million.

Hidden Netflix Gems – Red State

I am always excited to see my favorite filmmakers stretch beyond what they normally produce and explore other genres. For that reason, I applaud Kevin Smith for stepping away from the talky, visually underwhelming comedies for which he is known with his latest film, Red State, a nasty, tense, visceral thriller that, while satirical and occasionally funny, is miles away from a comedy.

Red State is a cinematic middle finger to the vicious, hateful Fred Phelps and his Westboro Baptist Church, an organization best known for the highly tasteful and respectable practice of protesting funerals in order to garner controversy. Though Phelps is eventually mentioned by name in the film’s narrative, his overt fictional surrogate is one Abin Cooper (Michael Parks), a malevolent, fire-and-brimstone preacher who looks a bit like a more diminutive Kris Kristofferson with eyeglasses. Cooper and his followers regularly hold demonstrations in which they hold up signs offering such charming sentiments as “Anal Penetration = Eternal Damnation.”

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Box Office Preview: ‘Bourne’ (sans Damon), ‘The Campaign,’ and ‘Hope Springs’

The Bourne Legacy

After the first three “Bourne” movies grossed a combined $945 million worldwide, Universal Studios wasn’t going to let something as “petty” as the series’ star, Matt Damon, walking away stop the cash from flowing in. Even though “The Bourne Legacy” will likely break an impressive pattern—that each of the trilogy’s installments was more successful than the last in terms of both opening and cumulative grosses (“The Bourne Identity” debuted to $27.1 million and had a domestic total gross of nearly $122 million, “Supremacy” made $52.5 million in its opening weekend, winding up with $176 million, while “Ultimatum” opened to $69.3 million and had $227 million to its name when things were all said and done)—the studio can still expect to make a pretty penny. Plus, given that “The Dark Knight Rises” was last week’s top earner with just shy of $36 million in its third week, Universal can expect to own the nation’s number one movie, as “Legacy” will have no problem clearing $30 million over its first three days at the box office.

Anyway, let’s talk about the film itself, shall we? With Damon gone, writer/director Tony Gilroy, who also wrote the screenplays for the first three “Bourne” movies, had to come up with some way to introduce a new main character. As we find out from the trailer, “There was never just one… Jason Bourne was the tip of the iceberg.” Enter Jeremy Renner (“The Hurt Locker,” “The Avengers“) as Aaron Cross, who’s essentially another Jason Bourne.

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