Category: Actresses (Page 29 of 258)

Box office preview: “Dawn Treader” to take a reasonably lucrative voyage but “The Tourist” may be a stranger to big b.o. bucks

We have two new major releases and which one will be on top is a pretty clear cut case. Even so, it will be relatively muted victory.

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“The Chronicles of Narnia: The Voyage of the Dawn Treader” is the third installment in the adaptation of C.S. Lewis’s immensely popular fantasy novels. Though it was helmed by veteran filmmaker Michael Apted, it’s not entirely smooth sailing for the family-friendly adventures. Disney dropped the series after the somewhat disappointing showing of “The Chronicles of Narnia: Prince Caspian” back in 2008. Since then, as discussed by both Ben Fritz and jolly Carl DiOrio Fox has picked it up and trimmed the budget in partnership with Walden Media to an oh-so-thrifty $155 million (!).

That’s probably a good thing because it doesn’t seem to be generating a huge amount of excitement, at least from critics. On the other hand, Narnia fans are a sure bet to turn out and, as the first 3D installment in the series, “Dawn Treader” could enjoy a bit of a bump from those inflated ticket prices. DiOrio’s guess of $35-45 million seems reasonable.

Johnny Depp and Angelina Jolie in From everything I’ve seen today, Sony’s “The Tourist” looks like it may be one of those movies that comes with the finest pedigree but just turns out to be a bit of a dog. Not only does this remake of a French thriller little-seen in the U.S. boast the truly enormous star voltage of Johnny Depp and Angelina Jolie, it’s the follow-up film to the Oscar winning worldwide success, “The Lives of Others” by German writer-director Florian Henckel von Donnersmarck. I saw von Donnersmark introduce that film before its domestic opening. He turns out to be an extremely fluent and completely unaccented English speaker who, even before his film opened in the U.S., was not shy about his lust to take on American films.

The maker of the compellingly dour political thriller has taken on an attempt at a sophisticated, lighthearted thriller along the lines of such non-Hitchcock Hitchcock films as “Charade.” And, where that film had a screenplay by the great Peter Stone, this one has one credited to von Donnersmark, Christopher McQuarrie (“The Usual Suspects”) and Julian Fellowes (“Gosford Park”). You can’t blame a guy for trying.

The review by our own David Medsker was entirely unenthusiastic, but it was a rave compared with the highly negative reaction of critics overall. The same scribes who rhapsodized over “The Lives of Others” largely found “The Tourist” an exercise in high-gloss boredom. While audiences will be lured by the appearance of an ideal date movie the first weekend, you’ve got to wonder how the film will do once people see it for themselves. Still, about $20 million seems to be figure for the first weekend. We’ll see about the legs later on.

There’s also a bunch going on in the realm of limited releases. Looking at Box Office Mojo, we have a significant expansions of “Black Swan” after its boffo opening weekend. One brand new entry this weekend in five theaters is a new version of Shakespeare’s “The Tempest” which, despite starring the great Helen Mirren in a bit of gender-altering casting is getting pretty dismal reviews for famed/infamous director Julie Taymor.  A Shakespeare adaptation with bad reviews is a movie in trouble. “The Fighter” debuts also on four screens, though you can expect many more later.

Christian Bale and Mark Wahlberg in

A roundtable chat with Kate Bosworth and Danny Huston of “The Warrior’s Way”

The movies often make for strange companions, if not actual bedfellows. So it was that a bunch of entertainment writers at the junket for the genre-blending martial-arts western fantasy, “The Warrior’s Way,” met with a pair of actors with a definite air of  beauty-and-the-beast about them.

Kate Bosworth is, oddly enough, the beauty of the pair. Perhaps best known as Lois Lane in the unfairly maligned “Superman Returns,” Bosworth has appeared in a number of films, including a solid appearance as Sandra Dee in Kevin Spacey‘s offbeat Bobby Darin biopic, “Beyond the Sea.” She also played porn star John Holmes’ teenage girlfriend in the fact-based “Wonderland” and was the female lead in the gambling-themed hit, “21.” Bosworth launched her career starring in the short-lived “Dawson’s Creek” spin-off, “Young Americans,” which wrapped in 2000 and followed that up with the lead role in the surfing-themed “Blue Crush” in 2002.

Danny Huston is often cast in the role of beastly types and authority figures, and usually a combination of both. He was the leader of the cold weather vampires in “30 Days of Night,” a memorably creepy power broker in “Children of Men,” and the mutant hating Col. William Stryker in “X-Men Origins: Wolverine.” He was also the despicably ultra-vicious desperado/gangleader brother of Guy Pearce in the 2005 mega-grime Australian western, “The Proposition.”

It’s also mandatory that I mention that Huston is about as “Hollywood royalty” as people get, being the son of acting and directing great John Huston, whose best remembered acting role remains as the deeply evil Noah Cross of “Chinatown” and whose iconic films included “The Maltese Falcon,” “The Treasure of the Sierra Madre,” and, still going strong decades later, “Wise Blood” and “Prizzi’s Honor.” That additionally means that Danny Huston’s grandfather was the early Hollywood star and character actor Walter Huston and his half-sister is Oscar-winner Angelica Huston. Still in his forties, he also was a director early on in his career, helming 1988’s “Mr. North.”

Bosworth and Huston were there to promote their roles in “The Warrior’s Way,” which was released this last weekend in a modest wide release. In the film, the first English language starring vehicle for Korean superstar Jang Dong-gun, Bosworth plays Lynne, a knife-thrower in training bent on revenge against the man who killed her family and attacked her. Naturally, that man is the Colonel (Huston), a mask-wearing evildoer who was badly disfigured by Lynne as a young girl, so it’s clear these two just aren’t going to get along.

Off screen, however, the two got along just fine as they sang the praises of the film which none of us entertainment journalist types had actually seen. About 10-15 minutes worth of clips had been shown to us the night before, prior to a very pleasant reception with some really delicious sushi and yakitori treats. The next day we got more American style fare at the Beverly Hilton. Did I mention that the food is often the best part of a press day?

The conversation started around some of the costumes used in the film. One journalist asked Kate Bosworth if she enjoyed the costuming aspect of movie-making. This might have turned into a very interesting piece if she’d said, “God, no, I hate it!” But, of course, that’s not how she feels.

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Ballad of a Thin Elf

In honor of her not unexpected casting in “The Hobbit” as Galadriel — along with a number of less well known performers — below is a moment of Cate Blanchett.

Since I’ve been in a Bobish mood today, I’m featuring her BAFTA-winning, Oscar-nominated turn as a sort of Bob Dylan in Todd Haynes’ collage-like “I’m Not There.” Below, she performs my favorite Bob Dylan tune as Bruce Greenwood realizes that something is happening here, but he doesn’t know what it is.

Weekend Box Office: “Tangled” enjoying good hair and $ days, a “Warrior” doesn’t get its way, but “Black Swan” is no ugly duckling

Everything pretty much is working out at this weekend’s box office as was predicted Thursday night. The exception being that, as a whole, the post-Thanksgiving Day letdown may be slightly bigger than expected. To be specific, as prognosticators prognosticated, Disney’s “Tangled” led the box office derby.

Showing the usual strength of well-received family-animated comedies, the film formerly known as “Rapunzel” earned an estimated $21.5 million over the weekend. The less than thrilling news here is that, as calculated by Box Office Mojo‘s indispensable weekend chart, it suffered a rather larger than usual second weekend drop for its genre of 55.9%. Still, I’m guessing we can attribute some of that to the post-holiday doldrums.

Tangled up in Rapunzel

On the sunny side of the equation, the musical action comedy is already very close to the $100 million in its second weekend, and that’s never bad. On the other hand, the typically enormous CGI animation budget of $260 million makes that kind of number seem a hair less impressive. On the other other hand, when you consider not only the the worldwide box office, but the licensing, I think it’s fair to say that “Tangled” will be another profitable feather in the ever-more-humongous Disney cap.

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Trailer time: Still “The Beaver”

One news item that Nikki Finke broke this week was that the long-delayed Jodie Foster film, which she costars in and directs, “The Beaver” looks to be getting a Spring 2011 release date. Confirming the news, Summit released a trailer yesterday, and here it is. To my surprise, this seems to be less of the black comedy I expected, and more of a straightforward psychodrama with some comedic elements.

Of course, the issue here is the film’s star, Mel Gibson, who you may have heard saying a few very impolite things. Of course, the eternal question is will audiences forgive said impoliteness. As Russ Fischer noted, there are some parallels that might help wary audiences over the hump. Who doesn’t love a redemption story? In any case, I think most people who say they’ll never see X star’s movies after X episode of misbehavior, alleged or proven, are people who weren’t fans to begin with. If the movie is something audiences think they’ll like, they’ll show and, though I’m not sure Mel Gibson is a guy I want to have the proverbial beer with anymore, I don’t believe that should be the first criteria for film attendance.

On the other hand, I seriously wouldn’t hold my breath regarding that Oscar qualifying run, at least as far as Gibson is concerned.

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