Category: Actresses (Page 202 of 258)

TCA Press Tour: “Cane” raises the bar on quality drama?

Would you accept an answer of “probably”? I haven’t seen the show yet – the CBS pilots arrived not long before I left for L.A., so I wasn’t able to check ’em all out – but based on the star power of the series (Jimmy Smits, Hector Elizondo, Rita Moreno, and Nestor Carbonell) and the feel of the material shown in the preview clip, it sure seems like it’ll be great.

“Cane” is the creation of executive producer Cynthia Cidre, who’s more or less writing from experience. “I’m Cuban, I have done two pilots for them previously, (and) I’ve done Cuban shows before,” she explains, “and (Nina Tassler) said, ‘You should write about what you know.’ And my father was in the sugar business in Cuba; he was a sugar chemist.”

As far as the pulling-together of such an impressive cast, producer Jonathan Prince explains it away with one simple phrase: “If you write it, they will come.”

“Cynthia wrote a beautiful pilot,” said Prince, “and the commitment from CBS to give it the production value it needed, we kept saying we really want to do something big and epic and felt like it wanted to get bigger each week. So the first cast member to come on board was Jimmy. And Jimmy came on board early enough that he could help us shape the vision and the script, and so then a good script got greater. And suddenly, I guess — the most fun about the casting process is this: Who will be Jimmy Smits’ wife? Who will be his adoptive parents? And as you begin to look at lists, you guys know how it works. Some casting director gives you a bunch of lists, and suddenly the list is Hector Elizondo. You say, ‘Well, he would never do this. He would do this show? Oh.’ Or Rita Moreno. ‘Rita Moreno wouldn’t do this show. She would do this show? Oh, sure.’ And then you get surprises. We had never met Paola. We had never met Lina. We knew Nestor’s work. I’d never met Eddie. He came in and auditioned on a weekend one day. It’s not the way it sounds. He was charming and blew us away. I’d never met Michael. So some of them were complete surprises. Others, Cynthia and I kept — we would go home at night, thinking, ‘We got Hector.’ It was crazy. But Jimmy led the way by, I think, example, but also helping us create a better script for these roles. One of the people who is not up here today is Polly Walker, who is a British actress. If you watched the show ‘Rome,’ you would know who she is. She plays — it’s a small part in the pilot, (but) it’s a very large part in the series. She plays a woman who is having an affair with Nestor’s character. She plays the nemesis. She plays Ken Howard’s daughter. When she signed on, it was sort of like — it was icing on the matza. It was like, ‘This is crazy.’ So the cast got better.”

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Random Fox revelations

The beginning of Fox’s two days at the TCA began with a Q&A session with Peter Ligouri, network chairman, and Kevin Reilly, the network’s new entertainment president, having just joined the network from NBC. (Well, technically, it began with a breakfast sponsored by “Hell’s Kitchen.”) The morning was a mixture of revelations from the pair coupled with a plethora of press releases which we found on our chairs when we arrived for the panel, so here’s a blend from the two sources:

* “So You Think You Can Dance” has already been renewed for a fourth season, to air in 2008; same deal with “Hell’s Kitchen.”

* Like its parallel-network counterpart, “The Singing Bee,” Fox’s very own missing-lyrics game show – “Don’t Forget the Lyrics!” – has been renewed for an additional 13 episodes.

* “COPS” will hit its 700th episode on Nov. 10th, during what will be its 20th season. (Man, I’m old. I still remember when it premiered!)

* “24” will have a female president this year, played by Tony Award-winning actress Cherry Jones. “Decisions are consistently made on ’24’ to reinvigorate the franchise,” says Ligouri, but he doesn’t want to give away any storylines to explain how a woman in the White House will change things. Also, the show will be trying to be as environmentally-friendly as possible, to the point where, if all things go as planned, the entire season finale will be, as the kids say, “carbon neutral.”

* Guest voices on “The Simpsons” this year will include Jon Stewart, Jack Black, Lionel Richie, Stephen Colbert, Steve Buscemi, Maya Rudolph, Dan Rather, Placido Domingo, Matt Dillon, Kelsey Grammer and David Hyde Pierce (Bob and Cecil Terwilliger, together again!), John Mahoney (as their dad!), Kurt Loder, “Weird Al” Yankovic, Keith Olbermann, Beverly D’Angelo (can it be possible that she’ll return as Lurlene Lumpkin?), and Topher Grace. Also appearing in the Jack Black episode will be…wait for it, comic geeks…Alan Moore, Art Spiegelman, and Dan Clowes.

* What happened to “Drive,” with its final two episodes being postponed twice and finally ending up solely for online viewing? “It will always be a complicated issue with serialized shows,” says Ligouri. “I do hope that, with all the broadband out there, loyalists will still get to see it, but if you’re going to dive into serialized shows, you have to realize that, somehow, you need to bring them some closure. It may not always be on broadcast with lot of marketing, but when shows have a narrow group of loyalists, you try to somehow satisfy them.” Gosh, what an utterly unsatisfying answer! It still doesn’t explain why those last two episodes got bumped altogether.

* MADtv” adds three new members to its ensemble: Johnny Sanchez III, Anjelah N. Johnson, and Dan Oster.

* Ligouri doesn’t think “Back to You” or any sitcom should be referred to as the savior of the traditional multi-camera comedy; Fox put it on the air because it’s funny, not because they were trying to bring back a particular comedic format.

* A controversial scene within the pilot for “The Sarah Connor Chronicles,” which involved a school shooting, was filmed prior to the horrific events at Virginia Tech and will be excised from the show before it airs.

* An episode of “House” will air immediately after the Super Bowl.

* On the accusations of “24” sucking really, really hard last year, Ligouri had about as little of substance to offer on that topic as he did on “Drive.” “Frankly, especially on ’24,’ that happens at the end and beginning of every season,” he claimed. “The show resets its table every year. They pick apart the weaknesses in their show; they don’t say that their show is perfect.” Ligouri doesn’t feel that it will require wholesale changes from the writers and producers to repair last year’s problems. “They’ve put on their game face, they know they have a bar to jump over, but those guys are very competitive and it fuels their creativity.”

* “Prison Break” may or may not have a break during its 22-episode run this season. It seems to be a time-will-tell situation…but, at the moment, the plan is for a break.

TCA Press Tour: A few random CBS tidbits…

…courtesy of the solo panel by CBS President of Entertainment Nina Tassler…

* “The Amazing Race” and “The New Adventures of Old Christine” will not return until mid-season.

* Tony Scott will be directing the season premiere of “Numb3rs.”

* Finally, three seasons into “How I Met Your Mother,” we will finally begin to get some hints as to who the hell “your mother” actually is.

* The season premiere of “Cold Case” will be an all-Nirvana episode, so I guess that means the case in question must take place in the early ’90s, presumably in Seattle. (Tassler hadn’t actually seen the script yet.)

* Jake, the half-man on “Two and a Half Men,” will be starting junior high.

* Writer P.K. Simonds, late of “Party of Five,” will be re-teaming with Jennifer Love Hewitt and become co-runner of “Ghost Whisperer” with John Gray; apparently, Simonds and Gray are reinvigorating the series by creating a new mythology which indicates that main characters Jim and Melinda didn’t choose the town of Grandview but, rather, vice versa. (I don’t know what this means; I don’t watch the show. I’m just spreadin’ the info.)

* There will be a “C.S.I.” / “Without A Trace” crossover this year, with William Petersen and Anthony LaPaglia appearing on each others series…and to alleviate the possibility of missing one half or the other, the episodes will air on the same night.

* On “C.S.I.: Miami,” Horatio Cane will discover that he has a biological son…and although this isn’t confirmed yet, Premium Hollywood is going out on a limb and predicting that Caine’s tip-off to his child’s identity is his red hair and stilted acting skills.

* They are in talks with Drew Carey to host “The Price Is Right,” but, then, they’re in talks with several people to host “The Price Is Right.”

* There is, at least in Tassler’s eyes, no reason to expect that “NCIS” will change dramatically in this, its first season with Don Bellisario at the helm. “It’s the natural evolution of a show that you groom your writers on your staff to take over the mantle so you can move on to develop other shows. It’s time that Don developed another show for us which is what we’re looking to do. The look of the show is not going to change, and it’s, again, a part of changes that happen on virtually — in many of the show. Personality aside, it’s time for Don to do something else for us, and the show will go on. It’s in very capable hands.”

* The network has been in talks with Rosie O’Donnell about a show. Some show. Don’t know what show. But definitely some show.

* Tassler conceded that the lengthy hiatus between the two half-seasons of “Jericho” “maybe…wasn’t good for the show.” Y’think…?

* Oh, and here’s what Tassler had to say about the whole Mandy-Patinkin-leaving-“Criminal Minds” thing: “Mandy came to us and came to me and asked to be released from the show, and we were able to accommodate that request on his part. And right now, it’s a personal issue. And, you know, I think the show is accommodating his needs. The creative on the show is very strong. The stories, as we know about the audience on ‘Criminal Minds’ — people come to that show for the ‘E ticket,’ you know, that white-knuckle ride that they’re going to get every week. And in the legacy of ‘ER’ and ‘Law &
Order,’ the show will go on. But right now, it’s personal.”

Tassberg couldn’t (or wouldn’t) provide any insight as to why Patinkin chose to make his departure from the second CBS series of his career. “I can only hope in the very near future that Mandy himself will be able to answer those very questions. I do not mean to sound like I’m avoiding the question. It is a personal issue. I wish I could say more. I just — I don’t feel that this is the forum in which I’d like to have that conversation.”

What about the fact that the CBS press release said it was “creative differences,” not “personal issues”?

“Well, I think ‘creative differences’ is a euphemism for ‘personal issues,'” said Tassberg…and then winked!

TCA Press Tour: Can a Friday night timeslot save “Friday Night Lights”?

We’ll see. But I’m sure we’re all thinking approximately the same thing about this move: aren’t most of the people who’d want to watch a show about a high school football team the same people who, on Friday nights, are actually going out to see real high school football teams play? Surely that’s occurred to someone at NBC. Maybe they just figure that this is a show that people like enough to record and watch when they get home; the question is, will that result in enough viewership to save the series beyond this second year?

Half the problem, of course, is that everyone thinks “Friday Night Lights” is just about football. It’s not. Well, not entirely, anyway. Additionally, it’s the story of small-town America, and arguably one of the most realistic ever seen on television; maybe that’s why NBC decided to stick with it for a second season. At the very least, it’s certainly why they’ve been going out of their way to trumpet the “it’s not just about football” thing in their ads for Year 2.

“The network has been so supportive of the show from the beginning,” says Executive Producer Jason Katims. “And, you know, we’re sitting here today because they’ve been so supportive. And we’re not really trying to change the show. And what we mean to say — you know, we’re not saying it’s not a show about football. We think this is a show that is for everybody, that should reach a female audience as well. And I think it’s been — it’s been a challenge to — for women to know that they would like the show because of the football thing. And that’s the thing that we’re trying to sort of overcome. That’s really about marketing.”

For those who were watching last season, the producers have decided on a not-entirely-surprising tactic by fast-forwarding eight months…to the next football season. As a result, Connie Britton’s character – Tami Taylor, Coach Taylor’s wife – will be having her baby in the season premiere.

“It was really an exciting idea for us to start eight months later,” says Katims, “because we…we love the idea of all the stuff that’s gone on in those intervening eight months and picking up people in the middle of things. We’re starting out of the gate with Tami going to have this baby in the first episode. And suddenly she’s in Austin with this infant — I mean
she’s dealing with this infant and with a 16-year-old daughter who is acting out more than she ever has before. And Coach Taylor is coaching at TMU in Austin, and this idea of this long-distance relationship that seemed like a great idea at the time suddenly doesn’t seem like such a great idea. And they’re wondering whether they made the biggest mistake of their lives.”

Katims didn’t offer up specifics, but he did allow that the Coach wouldn’t be at TMU for the entire season. (Actually, his initial claim, which brought considerable laughter from the crowd, was that the entire TMU storyline “was a contractual request from Kyle, and it has to be at least five episodes.” Connie Britton kidded, “He’s such a diva.”)

TCA Press Tour: Fantastic “Journeyman”? Well, the potential’s there, anyway…

When it comes to movies and TV series that involve time travel, there’s really only one way to approach them: turn off your mind and enjoy them for the entertainment that they are (or, at least, should be). If you start trying to work out what’s a paradox and what’s not, you’ll get a headache and, more importantly, you won’t be able to enjoy the fun. Not that “Journeyman” is really about the fun; it is – what a shock – a bit dark, blending sci-fi, mystery, and romance, offering up just enough of an intriguing premise to get you curious, but maybe not enough to keep you tuning in for the long haul. Not unless they start offering up some answers pretty quickly, that is.

Oh, but you’re wondering about the concept.

So says the original press release: “”Dan Vasser thought he had it all: a loving wife, a great son and a steady job. But life suddenly throws him a curve ball. Dan finds himself traveling into the past with a purpose – impacting people’s lives for the better – and sometimes the worse. While doing so, Dan reconnects with Livia Beale, his ex-fiancée, whom he lost in a mysterious plane crash. Now armed with the knowledge of the present, will he be able to save her? What would that mean to his own future? And how would it change a man who thought he had it all?”

Great idea. And not at all like “The Time Travelers’ Wife.”

Okay, that’s unfair. And, besides, producer Kevin Falls swears on a stack of bibles that he’s never read the book.

“I am one of these guys who always kind of wishes he could do everything over,” he explains, “and it has a lot to do with the disasterous dating pattern. And I was at a dinner party the other night, and we all started talking about who had Googled old girlfriends or boyfriends, and, like, everybody at this party said they had. And it just started getting me on that road of people sometimes wondering if their life had taken a different course. And I thought, what could be the ultimate love story where he has to, like — where the character has to straddle two different families in a way that feels epic. And I thought being married to somebody he loves, and then he travels at a time where he has a fiancee that may have been his soul mate, and it’s like, “Now what am I going to do?”‘ And that’s kind of the genesis of it.

“But,” he adds, “I hope that people love the book enough to go, ‘Okay, this might totally be the kind of thing that I would be interested in.'”

At the very least, it certainly interested Kevin McKidd, who you may recognize from his role as Lucius on “Rome.” I don’t know why people love that show,” he says of his former gig…but he is willing to theorize.

“I think it’s that it’s not a generic, standard, straightforward TV show…in the same way that ‘Journeyman’ isn’t. You are not going to just go and get the same meal every Monday night or Sunday night when ‘Rome’ was on. It changed, and the stories would change. And there would be — one episode would be an event episode, and the next episode would have a different slant and a different balance and a different focus instead of it being generic and, you know, the three-act structure. TV doesn’t work that way. But I think, getting back to ‘Journeyman,’ since that’s what we are here for, I think that’s one of the things I love. I mean, in a way, when I looked at ‘Journeyman,’ I felt that seems like a logical next step for me because, having gone from a show like ‘Rome,’ which is so event-style TV that’s very of its own, it would feel like a step back to me to kind of go into a cop drama or something much more box standard, you know, I mean, not being disrespectful to any of those shows because they are all well-made and fantastic classmen. But, for me,
‘Journeyman’ just felt like, you know, very — very interesting and emotional and truthful, and yet it sparked the imagination for me as an actor.”

The pilot episode of “Journeyman” – which, as we all know, may or may not be what we actually end up seeing on the air come the fall – is a little confusing at times, but, as noted, the show crosses several different genres; plus, it’s scored the sweet post-“Heroes” timeslot, which will surely work in its favor. That’s right, NBC has finally realized that they need to provide a proper follow-up for “Heroes”…and given that the show’s lead-in is “Chuck,” we’ve actually got the first all-sci-fi (more or less) night of TV in years. I know, I’m a geek, but I don’t care: I’m psyched!

P.S. On the subject of paradoxes and the long-standing sci-fi rule on time travel where if you change one thing, you change everything, Falls says simply, “Yeah, I don’t think it’s been proven.”

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