Category: Actresses (Page 196 of 258)

Pilots Revisited: “Life”

There are three big reasons to take another look at “Life,” NBC’s new police drama…but, first, here’s the premise in a nutshell:

Charlie Crew is a cop who’s arrested for a crime he didn’t commit and sent to jail for 12 years before he’s cleared; upon his release, he scores not only a considerable amount of financial compensation for being wrongly jailed but, additionally, gets himself put back on the force, mostly so that he can quietly continue to find an answer to question of who did commit the crime of which he was accused.

There, that’s out of the way. Now, on to those three big reasons to take another look at the show…

Actually, the first one’s as much a matter of principle as anything. The role of the lawyer who helps Charlie overturn his conviction was played by Melissa Sagemiller (Gayle Bishop on “Sleeper Cell”) in the pilot but is now played by Brooke Langton (Samantha Reilly on “Melrose Place”); frankly, though, the character doesn’t really get a lot of play in the pilot, so the difference between actresses is mostly negligible.

The second reason, however, is definitely worth discussing. In the fall preview, I said of Charlie Crews that he “comes across as one of those characters who’s straddling the line between eccentric and annoying, and he tends toward the latter more often than he ought to, which is troublesome.” It’s notable that they’ve re-cut the pilot to chop out a few moments here and there to attempt and remedy this problem, though I couldn’t help but notice that one of the cuts was, in fact, one of the moments that made me laugh. (When Charlie arrives at his first crime scene after returning to the force, he walks up behind two officers who are discussing things they’ve heard he’d done, and he promptly interrupts them with his own “I heard he…” moment.) Overall, the quirkiness is still there, but as we progress into the second episode – “Tear Asunder” – there’s a definite attempt to focus more on Charlie’s attempts to solve the mystery of who committed that 12-year-old crime and less on his being so bizarre. In fact, on that front, they even slide in a moment which indicates that he was completely and totally normal before he went into prison, so one presumes that they’re going to further explore the events that occurred during Charlie’s stay behind bars.

Lastly, the third reason to take another look at “Life” is that, at least based on the second episode, they’re starting to do more with Adam Arkin’s character. Arkin plays Ted Early, a former inmate who knew Charlie when they were both in the clink together; apparently, Charlie saved Ted’s life in prison and, as a result, Ted’s now serving as Charlie’s financial advisor. The pilot had a brief but funny moment tagged onto the very end, where Charlie buys an orange grove – complete with tractor – and Ted decides to take Charlie up on his offer to drive the tractor. Suffice it to say that Mr. Early probably hasn’t been called Farmer Ted a great deal, and his actions while behind the wheel of the tractor result in a plot thread which is picked up in “Tear Asunder” to great effect.

I’m still not 100% sure that “Life” is going to find an audience, but, even so, kudos to the producers for steering their boat into slightly less murky waters.

Here’s a teaser:

Pilots Revisited: “Aliens in America”

The CW has started sending out revised pilots for its new fall shows…and by “revised,” I mean that, in some cases, different actors have been plugged into some of the roles. In the case of “Aliens in America,” the role of the show’s patriarch, Gary Tolchuck, was recast, removing Patrick Breen, who most recently played A.D.A. Otto Beedle on “Boston Legal,” and instead inserting Scott Patterson, a.k.a. Luke from “Gilmore Girls.”

I can’t help but what wonder what caused the switch, given what a great job Breen did in the pilot while playing Justin Tolchuk’s clueless dad. My first thought was, “Okay, maybe they promised Patterson that he’d always have a home at The CW, and when they decided to yank the ‘Girls,’ they decided Breen was expendable.” But the more I think of it, the more I wonder if the network tested the pilot with their core demographic and were told that the kids thought that Justin’s mom – played by Amy Pietz (Annie on “Caroline in the City”) – was way too hot to have ever married a goofy-looking dork like Breen. (Nothing personal, Patrick.) Frankly, from the get-go, I was concerned about the fact that, for as much as I dug Patterson’s work on “Gilmore Girls,” he’s got a completely different comedic style from Breen’s, and, in short, I just couldn’t envision how Patterson would fit. Fortunately, however, he does a nice job. It doesn’t say much for his versatility, mind you, since he plays the role in such a way that it feels as though he’s just adapting his Luke persona slightly to match the material, but at least he’s funny.

The CW has provided a second episode of “Aliens in America” for Bullz-Eye’s viewing as well, and it continues to look like the series will be a perfect match for its lead-in, “Everybody Hates Chris.” The premise of the series, in case you missed one of the countless plugs for Bullz-Eye’s Fall TV Preview, is that Justin Tolchuk is less than popular at his school, so his parents decide to host a foreign exchange student to give him a built-in best friend, only to find that the student is a Muslim Pakistani named Raja Musharaff, who doesn’t exactly fit easily into the population of Medora, Wisconsin. In the second episode, entitled “No Man Is An Island,” Justin and Raja’s class is discussing “Robinson Crusoe,” and Raja makes the cultural error (well, it’s an error amongst American teenagers in 2007, anyway) of announcing in front of everyone that Justin is his best friend, and that if he could only take one thing with him onto a desert island, that thing would be Justin.

Yikes.

It’s nice to see that the second episode doesn’t latch onto the whole “Muslim people are terrorists” aspect that was touched upon in the pilot (though I’m sure it isn’t gone for good), instead focusing simply on general cultural differences. It’s also clear that producer Richard Day is going to utilize the comedic touches he learned on “Arrested Development,” such as quick cutaways to flashback gags.

Lookin’ good so far, “Aliens.”

Here’s a teaser:

Hail Satan…um, I mean, let us further praise “Reaper.”

They’re watching you.

And you’d better be watching them.

But just in case you didn’t see my write-up on The CW’s new drama, “Reaper,” in Bullz-Eye’s Fall TV Preview, let me throw it out here for the PH readership as well…

Reaper (Tuesday, September 25 @ 9:00 PM, The CW)
Starring: Bret Harrison, Tyler Labine, Ray Wise, Missy Peregrym, Rick Gonzalez, Valarie Rae Miller, Donavon Stinson, Andrew Airlie.
Producers: Michele Fazekas, Tara Butters, Mark Gordon, Deb Spera and Tom Spezialy.

Network’s Description: For the first 20 years of his life, Sam wondered why his parents went so easy on him. Whether it was school, sports or career choices, Sam’s mom and dad always let him get by with the least possible effort. As a result, Sam skipped college, took a dead-end job at the local Work Bench home improvement store and now wastes endless hours playing video games. Everything in his slacker world changed the day Sam turned 21 and discovered the ungodly reason his parents let him slide: they sold his soul to the devil before he was even born.

Though his guilt-ridden parents try to explain the circumstances that led them to the forfeit his soul, Sam can’t wrap his mind around what is happening to him. He’s always been the under-achieving son, while his younger brother Kyle was pushed to get straight A’s, excel at every sport and join every club. Kyle resents the easy ride Sam has enjoyed, and Sam can’t help but feel jealousy over Kyle’s achievements. What neither brother realizes is that their lives have been shaped by forces they can’t yet begin to understand.

When Satan himself drops by to personally explain that Sam must now serve as his bounty hunter, tracking down evil souls that have escaped and returning them to Hell, Sam refuses to accept his bizarre fate. After getting just a glimpse of Satan’s temper, however, Sam realizes that breaking a deal with the devil has consequences that are very, very bad. Still, Sam is fascinated by the devil’s charm and his flattering insistence that Sam is full of untapped potential.

Armed with a constantly changing series of vessels — starting with a Dirt Devil mini-vacuum — to collect the escapees, Sam finds that his new line of work is dangerous and frightening, even with the goofball help of his friends and co-workers Bert “Sock” Wysocki and Ben, along with Sock’s former-girlfriend-turned-paralegal, Josie. Sock has been Sam’s closest friend and slacker role model for many years and was the first person Sam turned to with the news about his gig with the devil. A perennial adolescent who attended high school on the six-year plan, Sock is perfectly happy with his life and his job at The Work Bench, where he is a thorn in the side of the assistant manager, Ted. Sock thinks Sam’s news is totally cool, and is happy to help with Sam’s assignments from Hell. Ben, on the other hand, immediately grasps the seriousness of Sam’s situation. A college student and the son of a reverend, Ben is also on board to help, but he knows that dealing with the devil is no game. Sam knows he’ll have to go to great lengths to hide his new identity from the person who matters most in his world: his smart and pretty co-worker Andi. Trapped by his lack of self-confidence, Sam has loved Andi from afar, despite Sock’s constant urging that he ask her out. Andi had gone away to college, but came home to her mother and her job at The Work Bench after her father died. Now she’s stuck in a safe job and a safe friendship with Sam.

Though his life has suddenly turned weird and scary, Sam is surprised to find that he somehow feels good about his newfound “mission” — removing evil-doers from the world and sending them back where they belong. Back when nothing was expected of him, Sam never had to push himself to achieve. Now, with his friends and his trusty vessel-of-the-week at his side, Sam is ready to face his destiny as the Reaper.

The Buzz: Based on two weeks at the TCA press tour, it seems as though virtually every critic who’s watched this show has fallen in love with it from the get-go. It plays like a guy’s version of “Buffy the Vampire Slayer,” and Ray Wise’s demonic grin as The Devil is as good as the personification of evil gets. The fact that Kevin Smith directed the pilot adds seriously to its indie cred, too.
Pilot Highlight: Ray Wise’s sudden and dramatic change in tone and facial expression when Sam informs The Devil that he’s not gonna do any more of this soul-catching stuff.
Casting Caveat: Nikki Reed, who originally played the object of Sam’s affections, has been replaced by Missy Peregrym.

Bottom Line: Best show of the 2007 season on any network. Even factoring in that it’s an hour long rather than 30 minutes, it’s still probably about ten times funnier than any of the season’s new sitcoms. This ringing endorsement has been brought to you by the same person who envisioned a bright and prosperous future for “The Knights of Prosperity” and “Studio 60 on the Sunset Strip,” of course, but it’s no less heartfelt for that track record.

Film Academy nixes sales of statuettes

People will do anything for a buck. And when it comes to selling Oscars of actresses long deceased, why not? This was the case when an asking price of $500,000 for one of Mary Pickford’s awards recently appeared. However, the MPAA said no, no, and that according to a contractual clause the things are only worth 10 bucks. That’s right, 10 bucks. And now they’re going to sue the perp who tried to extort such a grandiose price for the award.

(Kids, Mary Pickford was a silent movie actress. A real doll. Right up there with Lillian Gish.)

Bullz-Eye’s 2007 Fall TV Preview

I’d just like to begin by stating for the record that, in Bullz-Eye’s 2006 Fall TV Preview, I made the following statement about “Heroes”:

“The premise is fantastic, and the gradual unfolding of the various stories will keep viewers coming back week after week. This is gonna be the water-cooler show of the season.”

That’s right. I’m Nostradamus.

And, like that famous French forecaster of the future, I get at least as many wrong as I get right, like, for instance, these:

1. Ugly Betty: “Expect fans of the original show to be horrified at this poor translation. In fact, it’s hard to imagine that anyone other than girls on the cusp of pubescence or desperately single women in their 20s and 30s will be able to stand this for even 30 minutes. Oh, and did I mention that it’s an hour long?”
2. Studio 60 on the Sunset Strip: “Best cast on television, hands down… and to have their dialogue written by someone who’s arguably one of the best scribes in the medium? I’m sold. And America will be, too.”
3. Twenty Good Years: “‘Arrested Development’ proved that (Jeffrey) Tambor doesn’t draw the ratings, but Lithgow does. It might not be a huge hit, but count on it doing well enough to stick around for a few seasons.”

Oh, well. At least I was right about “Happy Hour.”

This year’s crop is another blend that’s heavy on drama, light on comedy, and thankfully light on reality shows – well, unless you’re Fox, that is – but, as ever, we must provide the following caveat to the feature that follows:

What we’re offering are our impressions and opinions of what are essentially “rough drafts” of the season’s new shows. Mind you, most aren’t very rough at all — indeed, some may actually look identical when they make their official network premieres — but, nonetheless, it’s not unheard of for producers to retool and recast their shows between the filming of the original pilot and the actual premiere of the series. Actually, this year, it’s closer to the rule than the exception, but we’ll get to that in a moment.

Basically, the moral is this: use our descriptions as an approximation of what will end up on the air, not as The Gospel According to Bullz-Eye.

And now that that’s out of the way, let’s warm up the set and head over to the homepage for Bullz-Eye’s Fall TV Preview.

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