Category: Actresses (Page 172 of 258)

Multiplex Mayhem: “My PG-13 Kung-Fu Defeats All R-Rated Comedy!”

Oof! Once again, my sorry prognostication skills are naked before the world. Fortunately for me, it’s not like anyone really expects me to eat William Shatner’s toupee. I mean, it’s not like I could actually obtain the thing — he still needs it for “Boston Legal.” (I’m damn glad I didn’t suggest Tony Curtis’s apparently retired piece.)

So, quickly forgetting my ignoble defeat, let us move to the cold, hard numbers from the number crunchers of Box Office Mojo….

* “The Forbidden Kingdom” earned a healthy $20,870,000 at some 3,151 cinema dojos, more than doubling both Jet Li and Jackie Chan’s most recent vehicles, with the exception of the still powerful (for some reason) “Rush Hour” franchise. Considering the international appeal of the its stars and subject matter, this one seems on-track to make a healthy profit for its relatively modest rumored budget of $55 million. (Considering Chan and Li’s fame, one has to imagine they’re taking a lot of their compensation on “the back end.” $55 million would barely pay for the vegan lunch of two similarly powerful Hollywood heavyweights.)

*”Forgetting Sarah Marshall” was remembered by enough filmgoers to net $17, 348,000 on just under 2,800 screens. (And, no, it didn’t beat “Kingdom” on per screen averages either, earning $6,200 to the fight-fest’s $6,623.) Relative to it’s $30 million budget — which is low by current studio movie standards but still strikes me as somewhat inflated for a non star-driven, non-effects-laden comedy — it’s doing just fine, but nowhere near the bonanza of “Superbad,” which had about six months of buzz, an odd sort of star power from its three unknown leads, and the world’s most relatable premise for the prime moviegoing demographic of hormonally-challenged males and the hormonally-challenged of heart.

* “88 Minutes,” this weekend’s critically reviled, geriatricly pitched, Al Pacino starrer, did badly and failed to make it into third place. (That honor went to last weekend’s top film, the PG-13 slasher remake “Prom Night“). Still, it did better than you might think, netting some $6,800,000 from unsuspecting adults easily lulled by a familiar name and a premise that dates back to 1950. Whoo-ha.

* “Expelled: No Intelligence Allowed” was booked into 1,052 theaters — as far as I know, a post-“Fahrenheit 9/11” record for any documentary. Despite some controversy, the buzz on this doc — which only got two Tomatometer-adjudged “fresh” reviews, including a mild endorsement from Mark Moring of Christianity Today — was basically non-existent, though it was able get positive blurbs from Christian far-right heavyweights James Dobson and Pat Robertson, as well as lousy film critic turned annoying rightwing radio host Michael Medved. Presumably a mostly conservative evangelical audience was able to put $3,153,000 in the collection plate, and a not horrible per screen average of just under $3,000. Nevertheless, it looks like the Beast (aka Michael Moore) remains by far the king of the documentary box-office.

*This is especially true as the liberal heir apparent to the Beast’s throne of first-person filmmaking, Morgan Spurlock, failed to make much of a dent in arthouses with “Where in the World is Osama Bin Laden” which had a pretty dismal opening weekend with a per-screen average of only $1,401 in 102 theaters and a grand total of $143,000. It did, however, manage to beat a truly low profile — so low it can’t be found on Rotten Tomatoes — but possibly not horrible horror flick called “Pathology” which did find it’s way into fifty theaters this week, but perhaps not for long. Mr. Disgusting likes the film, but smells a rat at MGM….

Multiplex Mayhem: Romantic Shtick vs. Middle-Aged Martial Arts

I know I may live to regret this, but….


* If “Forgetting Sarah Marshall” is not the #1 movie this weekend, I’ll eat William Shatner’s toupee. This latest, strongly reviewed, entry from the Judd Apatow hit factory is pretty much made for a weekend like this. It’s got what appears to be more than enough raunch to entice males as well as sufficient romantic appeal to lure female moviegoers — and everyone likes to laugh. With great buzz and a some very funny trailers, I don’t see how this one loses.

Even if its star and screenwriter, Jason Segel, isn’t the most well known or charismatic member of the Apatow clan, he’s a familiar face from his popular sitcom, “How I Met Your Mother.” It’s also got “Superbad” boy Jonah Hill, “That 70’s Show” star and frequent “Robot Chicken” voice Mila Kunis, and, most of all, Kristin Bell, of “Heroes” and “Veronica Mars.” Bell is both enormously versatile, extremely funny, and one of the most talented young actresses working. She is also enormously hot in a bikini. Having her in the title role can’t be a bad thing.

On the other hand, Variety indicates I’d better start figuring out what brand of beer best washes down a thirty year old toupee, because apparently “Marshall” isn’t “tracking” all that amazingly well, which would scare me if I understood what “tracking” actually meant. (Blogger Jedboy tried to explain it awhile back, which basically comes down to a way to quantify the unquantifiable thing we call “buzz” — it frankly sounds like a lot of overpriced hocus pocus to me, but then I’m sort of genetically predisposed to hate this stuff.)

Maybe straight males are scared of having to look out at Jason Segel’s genitalia for an entire scene. It’s funny how guys who don’t mind watching people being hideously tortured for an hour at a time run screaming from the thought of looking at a penis, but there you go. Also, of course, the fact that this film is ranking as the most well-reviewed Apatow flick since “Superbad” means absolutely nothing because, you know, quality means absolutely nothing. And, of course, the R-rated comedy will have some strong, PG-13 competition from our next intriguing entry. I’m starting to worry.

*”The Forbidden Kingdom” is, in international terms, the biggest cinematic summit meeting since Pacino and De Niro had the ultimate filmic power lunch in “Heat.” Martial arts superstars Jackie Chan and Jet Li are both getting older and therefore, like all athletes, less capable than before of the sort of stunning feats of astonishing grace and agility that they both exhibited back when they were mostly making their best Cantonese language extravaganzas. Teaming them is a canny means of compensating for that problem commercially and should work well enough to make the film very profitable internationally. Though it’s getting somewhat mixed reviews, the fight scenes are reportedly strong and the scenes around it at least somewhat engaging — which is all the fans really demand. “The Forbidden Kingdom” is certain to do very well, but I still think that R-rated laughs still have a broader appeal than even PG-13 martial arts, but then I’m not paying attention to the mighty power of tracking.

*Whatever happens, I think we can safely assume that the new Al Pacino thriller, “88 Minutes” will be enormously lucky to come in a poor third and will likely land much lower down in the top ten. Pacino’s fans are largely the kind of old fogies who might actually pay attention to reviews, and with a dismal 11% “Fresh” rating and word that it was apparently held back for some time, this one really smells like a giant size turkey and is providing fodder for critics’ quipping skills, never a good sign. On the other hand, one of the very few critics to like it, and especially Pacino’s performance, is the venerable Andrew Sarris, so that should be a salve to the egos of Mr. Pacino and director Jon Avnet, if not to the nerves of studio accountants.

Meanwhile in Indiewood….Several pictures that almost define the term “off kilter” open in limited release this weekend, including two poorly reviewed comedy docs coming from different ends of the political spectrum. “Expelled: No Intelligence Allowed,” featuring conservative op-ed writer turned dead-pan movie comic Ben Stein making an argument that there is an academic conspiracy against so-called intelligent design, has so far scored only scored one positive review on the RT Meter. Where are those titans of right-leaning movie criticism, Michael Medved, Kyle Smith, and Box-Office MoJo’s egregious Scott Holleran, when you need them? No doubt hoping to get at least some of the dollars that fundies have been holding back since the release of “The Passion of the Christ,” this comedy documentary is opening in over a thousand theaters, apparently hoping for Michael Moore numbers on its first weekend. Stein can be funny, but I don’t see this making “Sicko” money.

Meanwhile, Morgan “Super Size Me” Spurlock’s new film made a thud on the festival circuit and with most critics. There’s no reason to expect much at the 102 theaters it’s opening in, but the title “Where in the World is Osama Bin Laden?” has some innate interest and our own Jason Zingale had a few nice things to say about it.

And finally, just because we are who we are here at Premium Hollywood, I must mention “Zombie Strippers” which at least has gotten some decent reviews and stars Robert “Freddy Kruger” Englund and Jenna “Porn Star” Jameson. Guys like zombies; guys like strippers; guys like Freddy; guys like porn stars. There would seem to be a market.

Who? Indeed. Sarah Jane? Yes, her as well.

It’s old news to you blokes in the UK, but here in the States, we “Doctor Who” fans are positively chomping at the bit to check out Season Four of the series. The fact that the first episode of the season, “Voyage of the Damned,” is premiering tomorrow on the SciFi Channel is therefore like getting a Christmas present in April…though, mind you, it also doesn’t hurt that the episode in question actually has a Christmas-oriented plot. (It’s become an annual tradition for the series to produce a 90-minute holiday special to precede the actual season premiere.) The real “Who” geeks in America have probably managed to view the episode via the ‘net, since I know that it’s been broken up into chunks and posted in its entirety on YouTube by some industrious fans, but even those who’ve seen in such a fashion will still no doubt enjoy being able to watch it on a decent-sized screen in top-notch quality.

When we last left The Doctor, he’d crashed the TARDIS into…the Titanic? Well, yes and no. Seems it’s actually a starship bearing that famous name that he’s collided with, and he’s arrived just in time for a lovely shindig. The best bit about the function: one of the waitresses looks suspiciously like Kylie Minogue. As “Who” casting goes, this one’s clearly strictly for the novelty, but Ms. Minogue holds her own admirably as she and The Doctor pop down to Earth for the holiday (the ship’s in orbit around our big blue marble), only to find that London’s all but evacuated due to fears of yet another alien invasion…and, y’know, it’s a fair cop, what with how many times it’s happened in the past. The two find themselves abruptly returned to Titanic, however, just in time for – you guessed it – a collision. I won’t be spoiling the fun for those of you who haven’t seen the episode yet, but I will say that my favorite character was a short and spiky red alien called Bannakaffalatta, and I, like the Queen herself, must give The Doctor props for his steering ability. All in all, it’s not one of the best “Who” episodes, but it’s always good to see David Tennant step back into his familiar shoes, and the finales on both the Titanic and on Earth were each sweet enough to get me at least mildly choked up. (I’m an old softie, though, so your own mileage may vary.)

Not only is The Doctor back on SciFi, but also on the Channel is a new show featuring one of his former compatriots, Miss Sarah Jane Smith. “The Sarah Jane Adventures” came about when the BBC asked “Who” executive producer Russell T. Davies to consider working up a spin-off for the kids’ market; rather than take their initial suggestion of a teenage version of The Doctor, he pulled together a series which focused on Sarah Jane, since the actress who played her – Elisabeth Sladen – had recently revisited the “Who” universe, anyway, in “School Reunion.” The resulting series, which teams Sarah Jane with her 13-year-old neighbor, Maria (Yasmin Paige), still feels very “Who”-like, but, as anticipated, is a bit less intense, so as to keep from scaring the younger viewers.

The hour-long premiere episode – it’s regularly a 30-minute show – premiered on SciFi last week and set the stage for the series by showing Maria and her dad moving into their new neighborhood. (Maria’s mom’s still in the picture, but after sleeping around, she and Dad aren’t exactly a couple any more.) The two quickly begin to meet their neighbors, including a rather obnoxious little girl named Kelsey (Porsha Lawrence Mavour) and, more importantly, Sarah Jane. On the first night in the new house, Maria spots Sarah Jane communing with an alien; as you’d expect, she’s pretty freaked out, but she’s also fascinated. It’s a fascinating area all around, this new neighborhood, as the soft drink called Bubble Shock! is manufactured nearby…by aliens! Long story short, Sarah Jane gets involved, teams up with Maria and her pal, takes down the aliens, and ends up with an adopted, alien-bred wonder child in the process.

“Invasion of the Bane” was initially aired as a one-off special rather than the first episode, which turned up 9 months later, but I’ve seen the first proper episode as well – the two-part “Revenge of the Slitheen” – and it’s just as much fun. Even better, Kelsey’s abruptly vanished from the proceedings, replaced by Maria’s new and far less annoying school friend, Clyde Langer (Daniel Anthony). As you’d expect from a Slitheen-themed episode that’s been adapted for a younger audience, the fart jokes are legion, but, really, who doesn’t enjoy a good laugh at a bit of gas, eh?

If you’ve got a kid who’s into sci-fi, you’d do well to steer them toward “The Sarah Jane Adventures,” and if you’re already a “Who” fan, you won’t want to miss it, either. It’s quite like something you’d expect to have originated from ABC Family these days; it’s well-written, it’s both funny and dramatic, the special effects are on par with “Doctor Who,” and despite technically being for teens, it’s in no way dumbed down for a younger audience.

Catch “The Sarah Jane Adventures” tomorrow at 8 PM EST, with “Doctor Who: Voyage of the Damned” premiering immediately thereafter, at 8:30 PM EST.

Mulitplex Mayhem: Case Closed

So, once again, my optimistic world view is crushed. Last time, I guessed, against conventional wisdom but a bit cautiously, that audiences would take an apparently so-so action film with some good dialog and (mostly) good actors, if not good acting, over an almost certainly weak entry in the ongoing spate of PG-13 horror films that no one over thirteen seems to like.

I was wrong, oh, so wrong. As the good folks at Box Office Mojo demonstrate, “Prom Night” seriously outperformed the last non-pre-screened horror film, “The Ruins” and grabbed up some $22.7 million over the weekend, perhaps partially aided by the unseasonably hot weather out here on the west to some degree. In any case, audiences didn’t seem to hold a spate of recent PG-13 horror remakes against “Prom Night” — presumably because it wasn’t based on a Japanese ghost story from the last few years, but an R-rated American slasher film from when Jamie Lee Curtis was playing teenagers.

Street Kings,” on the other hand, soaked up an anemic $12 million, just barely edging out “21,” which continues to perform so well at a healthy $11 million that I feel not quite insane in my suggestion that it actually had a shot at winning this rather lame weekend. At least “21” appears to have an interesting story, so the world might not be ending, even if the weather makes it feel as if it is.

Smart People,” as expected did pretty blah (or perhaps “bleah”) business, with a rather sad $4.2 million in just over 1,100 theaters.

As for the indies, the drama “The Visitor” opened strong with a $22,000 per screen average in four theaters. The senior-centric comedic documentary “Young@Heart” opened with a reasonably spry, if not quite exuberant, $13,000 average in the same number of theaters.

Kind of an uninspiring week all around, but next week promises to be a bit more fun, with a buzzworthy new release from the Judd Apatow gag-factory and with a cinematic summit meeting of martial arts titans Jet Li and Jackie Chan. Let’s hope there’s not a whole lot of CGI action. I don’t think martial arts fans are wanting another “Bullet Proof Monk.”

A Chat with Kelly Brannigan

The creators of “Deal or No Deal” are geniuses. Most game shows take advantage of beautiful hostesses, but “Deal or No Deal” has 26 stunning models on every program. Bullz-Eye.com is excited to feature “Deal or No Deal” model Kelly Brannigan, the beautiful brunette with the exotic look who jumps off the screen every time “Deal” contestants choose her case. Kelly’s mother was from Belize and her father was Irish. Needless to say it was a great combination. Kelly has also been featured on “My Fair Brady,” and in our interview with her, she discusses the controversy stirred up by the photos she took with Adrianne Curry (Chris Knight was not happy!). Finally, don’t miss our exclusive Hollywood Girls photo shoot with Kelly, featuring 44 killer photos.

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