Category: Action Movies (Page 28 of 165)

A Chat with Robert Carlyle of “Stargate Universe”

To the world at large, Robert Carlyle is best known for his roles in “The Full Monty” and “Trainspotting,” though James Bond aficionados likely remember him more fondly for his villainous turn as Renard in “The World Is Not Enough.” Since 2009, however, sci-fi buffs have been thrilling to Carlyle’s work on “Stargate Universe,” where he plays the ever-scheming Dr. Nicholas Rush. Premium Hollywood had a chance to chat with Carlyle just as the series returns for its second season, and in addition to offering up a few ideas of what we can expect to see from Rush in the near future, he discussed his opportunity to direct an “SGU” episode, which actor on the show he’d like to work with more often, and what led him to venture away from motion pictures and take this gig in the first place.

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Robert Carlyle header image

Premium Hollywood: Hello, Robert, how are you?

Robert Carlyle: Very well, thanks.

PH: It’s good to speak with you again. You and I chatted briefly a few years ago when you were at the TCA tour.

RC: Oh, right, okay!

PH: Well, you’ve been talking up Season 2 of “Stargate Universe” since Comic-Con in late July. You’ve got to be glad it’s finally here!

RC: Yeah! You know, it’s one of these things where suddenly it’s upon you! You get in the middle of it up there in Vancouver, and then it’s, like, “Okay, we’re on!” (Laughs)

PH: I’ve read some of the reports about your panel there. It sounded like you guys had a good time.

RC: Yes, absolutely! But, I mean, I enjoy everything about this. I really, really do love everything about this job. There’s nothing at all that’s upset me so far, or else I’d be gone. I wouldn’t be here. (Laughs) I’d be off doing something else. But this is all good .

PH: Do you enjoy the Comic-Con experience?

RC: Well, you know, you’re supposed to say that you don’t. Actors are supposed to say, “Nah, I hated it.” To be honest with ye, the first time ‘round, the first year, was a wee bit strange. It’s a strange, strange world. This time, I really enjoyed it. I really began to understand it a little bit more, what the convention’s about, and understanding that a lot of these people, the fans that come to these things, they meet each other at other conventions, and there’s kind of like a little community…and I felt kind of honored to be part of that this time. So I enjoyed it. I sat beside my wife one night, and the zombie parade came past…like, a thousand zombies came past the table. That’s not something you’re going to see every day, you know? (Laughs)

PH: Plus, you’ve got zombie street cred, thanks to “28 Weeks Later.”

RC: Well, you know something? I’m sitting there, I’ve got my shades on and my beard, but there were still zombies who stopped to shake my hand as they walked past. (Laughs) I thought, “My God, you’re real fans of that genre, aren’t ye?”

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“Retribution this Christmas”

The Coen Brothers certainly have been no strangers to the American West or movie Western iconography. Still, there’s a difference between borrowing Western tropes for such more or less contemporary tales as “Raising Arizona” or “Fargo” or “No Country for Old Men” and making an actual western with six-shooters and cowboys and all of that. Hence, this teaser for “True Grit” makes me very, very happy.

H/t the Film Drunk, who very correctly reminds us that this may perhaps be more fairly described as a new adaptation of Charles Portis’s novel. I haven’t read the book yet — at least I don’t remember ever reading it — and its been decades since I’ve seen the hit John Wayne/Henry Hathaway version from the sixties, but I understand from people in the know that, surprisingly, that version was mostly very faithful to the book.

Mubarak ho, Mr. “Robot”-o

Though there’s been some bombshell television news today, it’s been a blissfully slow news 48 hours regarding the movie world. True, Mike Fleming had a couple of scoops yesterday. His short list of possible “Superman” directors is fun — I’ll take Duncan Jones please, though Matt Reeves would be okay, too.  Also, though I remain impressed by her work, having just seen another terrific performance by Chloe Moretz at a screening last night of “Let Me In,” the fact that she’s got another nice gig as “Emily the Strange” is interesting but not exactly earth shattering. So, I’ll forgo the end-of-week movie news dump.

Instead, we’ll spotlight what have to be the trailers of the day, if not the week. According to Anne Thompson, it apparently started from a tweet by the very busy former “Lost” showrunner Damon Lindelof, who’s heading to India and will be checking out what has to be one of the most lavish Bollywood films ever in terms of effects. It’s a superheroic science fiction tale involving, well, a robot, a giant snake thing, an enormous number of guns, and, of course, big time musical numbers! Here’s the short trailer and some brief TV spots Thompson ran.

Also, just about the time Thompson put up her post, I was alerted by friend-of-the-blog-and-blogger Randy R. to a another, slightly more musical comedy oriented trailer that was running on the site of Ms. Thompson’s comics counterpart, Heidi MacDonald.

Gotta love Bollywood: something for everyone.

Just for the record, “Robot” is directed by Shankar (though it’s such a common name I’m not 100% sure if this is the same Shankar who crafted the hugely popular  “3 Idiots,” though it seems like a reasonable bet) and stars Aishwarya Rai and Rajnikanth who I gather is known as simply Rajni and is a superstar. The music is by A.R. Rahman who is easily the best known composer of Bollywood music here in the West for his terrific work on “Lagaan” and also as the double-Oscar winning composer of the music for “Slumdog Millionaire.”

Midweek movie news

No promises we’ll have a Friday news dump this week, so you’d better enjoy this edition…

* Well, the big news tonight is most definitely the reorganization going over at the Warner Brothers megastudio. As far as I’m able to suss out, what this amounts to is a consolidation of power for CEO Jeff Bewkes. Reading Nikki Finke‘s current summary of the situation is a bit like reading a Television Without Pity post for a very complicated soap opera you’ve never seen, but Anne Thompson keeps it much, much simpler. On his way out exec Alan Horn is a good guy who Thompson believes was simply superfluous. Another case of a nice guy finishing last?

Warner-Bros

However, Nikki Finke does allude to a very crucial part of the Warners empire, and that’s DC Comics now being headed by the Warners minded and Finke approved Diane Nelson. As it happens, my deep, deep connections in the comics biz were e-mailing me news earlier today — which I was somewhat aware of but failed to properly cover earlier in the week — of an onging reorganization going on over there which certainly ties into the ongoing attempts at Warners to become more aggressive regarding comics adaptations along the lines of what Marvel Entertainment has been doing for some time — and also to try and avoid more flops like “Jonah Hex.”

There was even talk some talk of DC becoming entirely a West Coast operation, but that would be a major breach of publishing industry tradition with some actual problems involved and, in any case, thanks to FedEx and the ‘net, freelancers can live where they want now. Heidi MacDonald’s great comics blog The Beat has been covering this end of the story and you read about some of what’s going on here.

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