Category: Action Movies (Page 145 of 165)

A Chat with Rory Cochrane

You probably know Rory Cochrane, even if you don’t think you do. His longest and most high-profile gig was serving as a member of the “CSI: Miami” team as Tim Speedle, but prior to that, he’d already earned the status of cult icon by playing the stoned-as-shit Slater in “Dazed and Confused,” as well as the monetarily-challenged Lucas in “Empire Records.” Since departing “CSI: Miami” of his own free will, Cochrane has kept busy with the occasional film; we spoke to him on the occasion of the DVD release of the disconcertingly-real thriller, “Right At Your Door,” and we took the opportunity to ask him about how much of a toll the filming of the movie took on him, why he left a sweet gig on a weekly TV series, and…well, frankly, we spent most of the time just trying to get him to give us answers of more than a word or two. (Nice guy, that Rory, but not one to give you essay-length responses.)

Rory Cochrane: Hello?

Bullz-Eye: Hi, may I speak to Rory?

RC: Yes.

BE: Hey, this is Will.

RC: How are you doing, Will?

BE: Pretty good. How are you?

RC: All right.

BE: Actually, I tried you a few minutes ago, but I figured you were still on the last interview maybe,

RC: Oh, yeah? I didn’t hear it beep.

BE: Not a problem. So…”Right at Your Door.” Very intense flick. I hadn’t actually seen it until they sent me the DVD – it never played in my area – but it’s great.

RC: Oh, well, I’m glad you liked it.

BE: Definitely. It’s part disaster movie, part horror movie, with a thread of romance running through it. How was it to shoot?

RC: Very grueling…and intense, you know? I’m sort of glad that it was only…that we shot it in twenty days. Which is a good thing, because I would probably have had to check myself into some sort of institution afterwards if it had went any longer.

BE: Yeah, it’s a little dark.

RC: Yeah.

BE: How did you get involved in it in the first place?

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Heath Ledger: dead at 28.

I’ll just write here what I wrote to the other Bullz-Eye editors when I first read that Heath Ledger had been found dead of a presumed (but not confirmed) drug overdose:

* My first thought was a general, all-purpose “omigod.”

* My second thought was, “What an idiot,” which is invariably what I think when I hear about anyone dying from a drug overdose.

* My third thought was a more specific “omigod,” namely, “Omigod, his poor little daughter…”

And, lastly, I thought, “Somewhere at Warner Brothers, some suit has already said, ‘Goddamn motherfucking Heath Ledger! Oh, wait: this’ll be probably actually be good for box office. Never mind!”

Bullz-Eye’s Badass Knife Scenes

Badass Knives

Midway through the annual Bullz-Eye mumblety-peg party – “Okay, you can be Bishop and I’ll be Hudson. Wait, which one is the droid again?” – we started talking about our favorite movie knife scenes, beginning of course with a certain James Cameron flick starring someone who looks human but doesn’t quite act human, and Lance Henrikson as an android. When the conversation reached a fever pitch, our wives called from upstairs, telling us to just shut the hell up already about our stupid knives. Sent hurtling back to reality, we decided to create a concise list of 10 of our favorite badass knife scenes from the movies, listed in chronological order. And, to keep the playing field level, we declared scenes involving all other blades ineligible. This meant the exclusion of several staff favorites, but not all blades are created equal, therefore their cinematic moments should be treated in a similar manner. This is a journey into knives. A journey which along the way will bring you new hardware, new bloodshed, new badness, new bloodshed, new badness.

Read all about our final 10 scenes here, and then be sure to come back and discuss your favorites, as well as offer up suggestions for some of the films that didn’t make the cut.

Doc of the Day: “Hollywood Goes Gaming”

I’ve never been a real hardcore video game addict…well, not for any extended period of time, anyway. I had my fair share of obsessions once in awhile – first the arcade, then my trusty Intellivision, followed by brief stints with Nintendo and Xbox – but none of those lasted more than a few months before they were set aside. Kids today, though, they’re downright obsessed with the gaming, so when I first heard about the Starz documentary, “Hollywood Goes Gaming,” I thought, “Oh, man, this is totally not gonna hold my interest.”

I couldn’t have been more wrong. It was way better than I ever expected, offering a nicely done retrospective of the history of video games becoming movies and vice versa. For instance, Stephen Linsberg, writer / director of “Tron,” bemoans the fact that his film didn’t even receive an Academy Award for Best Special Effects, then admits that, at the time, the industry felt that he’d “cheated” by using computers for his effects. It’s amusing that the doc launches from its discussion of “Tron” and how Mattel licensed the film for a video game, then fast-forwards to the present and observes how it’s a given that a film will have a video-game tie-in nowadays, using “Surf’s Up” as an example. Why’s that amusing? Both films start Jeff Bridges!

Would you believe there was once a licensing battle for a “Kramer vs. Kramer” video game? True. Everybody wanted a piece of the video game action, but the most enjoyable discussion here comes via archival interview footage with Spielberg about the legendarily bad “E.T.” video game for Atari, then cuts to current interview with a fellow who used to work for Atari, who says that Spielberg saw the test version of the game and said, “Gee, couldn’t you do something more like ‘Pac-Man’?” “And I thought, well, gee, couldn’t you do something more like ‘The Day the Earth Stood Still’”? All snark aside, the game was such a colossal failure that Atari ended up with so many leftover copies that they buried a ton of them in a Mexican landfill. (I always thought that was an apocryphal story, but if so, Atari’s amused enough by it to claim it’s true.)

There’s also a nice bit about “Dragon’s Lair,” including an interview with creator Don Bluth (alas, the follow-up game, “Space Ace,” gets no love), along with an almost apologetic sequence about the “Super Mario Brothers.” From there, it’s onto the triple threat of the “Double Dragon,” “Street Fighter,” and “Mortal Kombat” flicks.

Inevitably, there’s conversation with Uwe Boll and Paul WS Anderson, with the latter proving the most entertaining. (I had no idea that, in answer to his critics, he offered to meet them in a boxing ring and fight them!) Clive Barker chimes in on his experiences in the industry, including his work on his own game, “Jericho,” and, of course, Shia LaBeouf gets interviewed because he’s the Michael Caine of his era, showing up in just about everything, though he looks like he was caught in the middle of a press tour, however, rather than having sat down for his interview like everyone else.

Kudos to Starz for these documentaries of theirs. They’re really doing a nice job of providing historical context rather than just having a bunch of talking heads blather on; in this case, we’re treated to interviews with the founders of Atari and Electronic Arts, the guys who were on the front lines of all these goings-on. Makes for a lot more interesting perspective than, say, a movie critic talking about how bad “Double Dragon” was.

Rambo is back, but does anyone care?

The trailer for the new Rambo flick (ingeniously titled “Rambo”) has finally hit the net, and I can’t tell whether the movie is supposed to be a follow-up to the third film in the popular action series or a sequel to “The Pacifier.” In it, John Rambo plays babysitter to a group of Christian missionaries after they’re kidnapped in Thailand. Along with his trusty knife, bow and cliched dialogue (“Live for nothing, or die for something” – seriously?), the Vietnam vet wreaks havoc on the savage Burmese mercenaries.

Sylvester Stallone has gone on record as saying that the reason the film wasn’t titled “John Rambo” (like “Rocky Balboa,” which signified the end of a franchise), is because he’s still very much open to making more. Too bad. If this trailer is any indication – not to mention it’s January release date – they should have quit while they were ahead.

Click here to check out the trailer, and then come back to let us know what you think.

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