Author: Will Harris (Page 187 of 261)

Will is a member of the Television Critics Association and has written for Decider.com, the Onion A.V. Club, The Dissolve, Indiewire, Rhino.com, TV Week Magazine, The Virginian-Pilot, Popdose.com, and EW.com along with writing for Bullz-Eye.com and Premium Hollywood.

Heroes, Week 23: Big Bang Generation

It has been, as the Delays once sang, a long time coming, but we’ve finally been witness to the long-awaited first-season finale of “Heroes.”

Was it worth the wait…?

Well, I think you have to say that, with a few exceptions (namely, the fact that several lingering questions remained unanswered), it sure as hell was.

The Mexican stand-off ended in a rather anticlimactic fashion, though Matt Parkman’s defiance when he declared that he was indeed going to keep Molly from harm was a nice moment. When Molly spoke of a Hero…and I use the term verrrrrrry loosely…worse than Sylar and said to Mohinder, “When I think about him, he can see me,” wow, that sounded creepy.

It struck me as sadly naive that, even in the midst of everything going on, Peter still trusted Nathan to do the right thing. (Of course, that thought came back to bite me in the ass later!) Mama Petrelli continues to be a real queen bitch about the future; I can’t imagine she took the events at the end of the episode terribly well. Peter’s flashback sequence with Simone struck me as a bit schmaltzy, but the scene took a dramatic upswing with that revelation that Mama Petrelli had no confidence in Peter’s abilities…and it absolutely soared when Charles said, “I know you’re there, Peter.” D’OH! There’s something perfect about a bad mother like Richard Roundtree being the one to deliver the message to Peter that he should’ve known all along.

When HRG…sorry, I mean, Noah…assured Claire that he had a plan, I almost believed him. But somehow, I don’t think his plan would’ve involved her jumping out a window from several stories up. Didn’t anyone ever tell her that you can’t run from family?

You have to give Ando credit; dude’s got balls of steel to even try to take on Sylar by himself…and Hiro’s clearly grown a pair himself, thanks to that training with his pops. The final sequence when Hiro dropped Ando off in Japan was nicely poignant, and each got at least one sweet line…

Hiro: “This man is ready.”
Ando: “You look bad ass.”

For one second, I thought the Jessica-fighting-Nikki sequence was a big ol’ dream or hallucinations until I remembered, oh, right, shape-shifter. I’m sure we all noticed that, when the episode ended, we were left with no reference to the shape-shifter’s whereabouts, so I think we can count on her return next season. Meanwhile, as the episode ended, all I could think was, “Wow, Micah and Molly sure make a cute couple…”

Sylar: “Haven’t I killed you before?”
Peter: “Didn’t take.”

Great comic book dialogue, delivered to perfection. As to the final battle, I thought Nikica jumping into the fray was an unnecessary moment…but, then, so much of her story has proven to be unnecessary that I guess it brought things full circle, didn’t it? But Hiro’s timely appearance was great, as was the way Sylar flung him away, and Claire’s pained expression as she prepared to fire the gun and fulfill her promise to Peter was rough stuff.

Damn that Adrian Pasdar. You can’t read him to save your life, and, as a result, you absolutely couldn’t predict how Nathan would act from scene to scene. As such, I never saw that ending coming. Yes, Nathan redeemed himself for a season’s worth of questionable morals by performing the ultimate sacrifice and being there for his brother until the very end. It’s a shame that we had to lose Peter, but, then, are we still to presume that he may yet survive, given his powers? I guess time will tell.

So where do we stand? Sylar is still alive, because everyone knows that a good villain can’t be killed off that easily. Mrs. Petrelli’s whereabouts remain unknown, and you can guarantee she’ll turn up…and it wouldn’t surprise me a bit if she were, in fact, in cahoots with Mama Petrelli. I’m telling you: Mama, Sylar, and the shape-shifter makes three!

And after a fantastic season, leave it to the producers of “Heroes” to tease us with Season 2 by dropping Hiro outside Kyoto, Japan, in 1671. The fall has never seemed so far away…

Hero Worship: A Look at Comic Book Movies

Here’s a tip for all you struggling actors out there: If you even get the slightest whiff of a comic-book-inspired or superhero-themed script, screw the whole “reading it beforehand” thing and jump straight to the “try desperately to get an audition, no matter what” phase, because that’s where the money is these days.

Yes, friends, we said it last summer, and it still holds true today: it’s a beautiful time to be a comic book fan. Even better, it’s no longer the domain of the kind of guy who’s already pressed and folded his “My Virginity Is In Mint Condition” t-shirt for the opening day of Comic-Con 2007. (Not that there’s anything wrong with that.) When one of the most buzzed-about original dramas on network television centers on people with abilities beyond those of mere mortals – and if you haven’t jumped on the “Heroes” bandwagon yet, you’re really missing out – even the most macho of men can probably stop claiming that they only watched the “X-Men” flicks because they wanted to see Rebecca Romijn covered in nothing but blue body paint.

Comic books and superheroes have taken a long and winding path to get to their current position of mainstream acceptance, however, and nowhere has that been more evident than on the silver screen. In fact, when speaking of the comic book film genre, you can very easily divide cinematic history into two parts: before “Superman: The Movie,” and after “Superman: The Movie.”

To read the rest of our historical retrospective, click here.

To investigate the status of future comic book flicks, click here.

To read the first of our three roundtable discussions about various and sundry comic book film related topics, click here. (You’ll find links to the other discussions on that page as well.)

And, lastly, to check out a shopping list of graphic novels and trade paperbacks to check out after you leave the theater, click here.

Oh, yeah, and if you’ve got any feedback, feel free to leave it below…

TV DVD QT, Vol. 8

King of Queens: 8th Season – Let’s start with this one, since the show just went off the air this week. As with its previous season sets, it remains disappointing that we’re not getting any special features whatsoever, especially since its cousin, “Everybody Loves Raymond,” is also on its eighth season on DVD and it’s filled with audio commentaries and deleted scenes. The comedic trifecta of Kevin James, Jerry Stiller, and Patton Oswalt certainly makes the show worth watching, but with no special features, the temptation to stick with the syndicated reruns is pretty high.

Wings: Season Four – And, hey, speaking of sets with no extras, welcome back to “Wings”! I’m going out on a limb and guessing that you probably don’t remember how the third season ended, but the gang – Joe, Brian, Helen, Roy, Fay, and Lowell – were on a plane, preparing to crash. Well, not to give anything away, but they all survived. “Wings” is one of those sitcoms that’s just…okay. There’s nothing wrong with it, and you’re always guaranteed to laugh several times during an episode, but it’s pretty much a mainstream affair, i.e. always safe, never edgy. Worth noting: Kirstie Alley appears in one episode as her “Cheers” character, Rebecca Howe. No special features. Again.

Martin: The Complete Second Season – Martin Lawrence can be a very funny man, and, as a result, his sitcom could be a very funny affair at times…but, almost without fail, the funniest moments are almost never when he’s trying to play characters other than himself. Maybe it’s just the painful memories of the “Big Momma’s House” movies, but Lawrence always seems like he’s trying too hard when he’s portraying Sheneneh Jenkins, Jerome the Pimp, or whichever alter ego he’s stepping into. “Martin” is invariably at its best when it’s just Lawrence and his ensemble cast: Tisha Campbell, Carl Anthony Payne II, Thomas Mikal Ford, and Tichina Arnold. Plus, “SNL” alum Garrett Morris was still kicking around the show at this point, playing the owner of WZUP, where Martin worked. Too bad there are…everybody now!…no special features.

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Is it too late to save “Jericho”?

Well, if we’re using the stats based on how many shows have been cancelled versus how many shows have been put back on the air after they were cancelled, then the realistic answer would have to be, “Probably.”

But, then again, I’m one of the people who participated in the “Save ‘Angel'” campaign after it teetered on the brink of cancellation at the end of Season 4. Now, since I’m the proud owner of that show’s 5th season on DVD, that’s proof enough for me that, yes, sometimes making your opinions known to the network really does make a difference…and, as such, the very least I can do for “Jericho” is to trumpet the details of the various campaigns that are being established to try and save it from permanent destruction.

Merrick, a regular contributor to Ain’t It Cool News, has put together a hell of post for that site where he does the same thing…which means that mine will inevitably pale in comparison, especially since most of what I’m going to post comes straight from his text. But since we’re all working toward the same means, I hope he won’t mind…

* Click here to sign the petition to save “Jericho.”

* Click here to visit Jericho Lives, a site that’s dedicating itself to keeping the show alive.

* Click here to check out the “Nuts” campaign, its name inspired by the defiant cry from the show’s season finale.

I think those are the biggies…though if you’ve never watched the show and want to find out what it’s all about before committing to anything, the Wikipedia entry for the series is decidedly comprehensive.

All I’m saying is, it can’t hurt to try, and it won’t take much of your time, either. So let’s all keep our fingers crossed, shall we?

As The CW releases its fall schedule, fans of “Gilmore Girls” and “Veronica Mars” become so mad that they’re having to invent brand new obscenities in order to vent properly

Seriously, people, there’s currently a small but really, really devout chunk of the population who’s currently ready to just firebomb the living shit out of The CW. I mean, statistically, just about everyone who watched one of those shows watched the other. Now, okay, losing “Gilmore Girls” was something you could kinda see coming; after the Palladinos were shown the door, it felt like the lifeblood of the show had gone with them, despite the best attempts of David Rosenthal to fill their shoes. But Rob Thomas was scrambling so desperately to keep “Veronica Mars” on the air (my interest was definitely piqued by his pitch to fast-forward the show a few years and put Veronica in the FBI Academy) that, damn, I can’t believe they didn’t throw him a bone for at least half a season or something…

Oh, well. Let us shed our tears and move on to The CW’s fall line-up and see what we can expect.

MONDAY

Hooray! Another season of “Everybody Loves Chris” at 8 PM! Why, that almost makes up for my complete indifference about the return of “Girlfriends” and “The Game” during the 9 – 10 PM timeslot. At 8:30, we get a new sitcom: “Aliens in America.” But not the good kind of aliens. Damn.

ALIENS IN AMERICA” – Justin Tolchuk (Dan Byrd, “The Hills Have Eyes”) is a sensitive, lanky 16-year-old just trying to make it through the social nightmare of high school in Medora, Wisconsin, with the help of his well-meaning mom Franny (Amy Pietz, “Caroline in the City”), aspiring-entrepreneur dad Gary (Patrick Breen, “Kevin Hill”), and his popular sister Claire (Lindsey Shaw, “Ned’s Declassified School Survival Guide”), who is sweetly unaware of how good-looking she is. When Franny signs up for the school’s international exchange student program, she pictures an athletic, brilliant Nordic teen who will bestow instant coolness on her outsider son. However, when the Tolchuk’s exchange student arrives, he turns out to be Raja Musharaff (Adhir Kalyan, “Fair City”), a 16-year-old Pakistani Muslim. Despite the cultural chasm between them, Justin and Raja quickly develop an unlikely friendship that just might allow them to navigate the minefield that is contemporary high school. It’s going to be a very interesting year for Raja, Justin, his family and the entire population of Medora. ALIENS IN AMERICA is from CBS Paramount Network Television Inc. and Warner Bros. Television with executive producers Tim Doyle (“Jake in Progress”), Moses Port (“Just Shoot Me,” “Mad About You”) and David Guarascio (“Just Shoot Me,” “Mad About You”). Luke Greenfield (“The Girl Next Door”) directed the pilot.

Meh. There’s really not much about the concept that sounds all that interesting to me…which means that it should fit right in with the majority of The CW’s sitcoms.

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