Author: Will Harris (Page 127 of 261)

Will is a member of the Television Critics Association and has written for Decider.com, the Onion A.V. Club, The Dissolve, Indiewire, Rhino.com, TV Week Magazine, The Virginian-Pilot, Popdose.com, and EW.com along with writing for Bullz-Eye.com and Premium Hollywood.

TCA Press Tour, Day 1: Hallmark Channel

You’ve got to love David Kenin, the Hallmark Channel’s Executive VP of Programming. Like his boss, Henry Schleiff (Hallmark’s President and CEO), who emceed the network’s panel last year and introduced their new dog mascot, Herschel, by saying, “Herschel is seven years old…which, even in dog years, would bring our demographic down,” Kenin had his own self-deprecating wit ready to roll for the crowd.

“You will not see on our channel ‘Confessions of a Call Girl’ or ‘Bachelor Threesomes,’ said Kenin. “But I have TiVo, so I’m okay on that.”

What’s not to like about the Hallmark Channel? Whether you watch the network personally or not, they’re very much a name that you recognize and a place that you know you can go to get a certain kind of entertainment. Perhaps more importantly, though, they’re keeping a lot of actors working who might not otherwise be getting work…but let me clarify that, because it sounds like an insult, but it isn’t intended as one. I think we can all agree that prime-time broadcast television is a virtual wasteland when it comes to providing programming for any demographic over the age of the mid-40s, and drawing a line at that particular spot in the sand is probably pushing it. There have been countless jokes over the years about shows like “Matlock,” “Diagnosis Murder,” and “Murder She Wrote” and how they cater so specifically to an older, gray-haired crowd, but the older you get, the more you begin to realize that the familiar faces from your own era are being shuttled off the broadcast networks and onto cable. (The best possible proof of this: Molly Ringwald is playing the mom of a pregnant teenager on an ABC Family Channel series.) So when you look at the Hallmark Channel and you see that they’re providing clean, wholesome entertainment that makes our parents and grandparents happy and provides work for the actors of their generation that have been demographically driven off ABC, CBS, NBC, Fox, and The CW, what else is there to do but applaud their efforts?

Here are some programming highlights that should help you keep Hallmark under consideration in the future weeks and months to come…

* “Dear Prudence,” where Jane Seymour plays a Martha-Stewart-styled advice columnist who helps to solve a murder. (“She’s not supposed to be solving murders,” explained Seymour. “She just happens to stumble across one that needs to be solved and manages to do so.”) It’s perhaps no surprise that the first question asked of Ms. Seymour was not about her new movie but, rather, about the one and only “Dr. Quinn.” Okay, fair enough, the show’s in reruns on Hallmark, so it wasn’t so out of line to wonder if the network might consider doing a new “Dr. Quinn” movie. It’s probably not going to happen, though. “Les Moonves (President and CEO of CBS) does not want to make any more ‘Dr. Quinn”s,” she said. ” But I have all the clothes, (so), you know, Prudence could pretend to be Dr. Quinn. And, you know, I think Sully is available…” Nice try, Jane. But, hey, it could happen: Hallmark is viewing this movie as having serious franchise potential, and given Seymour’s fanbase, there’s every reason to believe that they’re right.

* “For the Love of Grace,” a film about the relationship between a firefighter and a woman he saves, starring Chandra West (“John from Cincinnati”), Corbin Bernsen (“Psych”), and Mark Consuelos (“Husband for Hire”). And if you thought a room full of TV critics was going to miss a chance to quiz a former “John from Cincinnati” cast member on just what the hell that show was about, you’re sorely mistaken. “God, people ask me that all the time,” said West, “and I think the only person truly who can respond to what the show is about is David Milch, of course. But you know what? I think, to put a fine point on it, the short answer is no.” This line of questioning eventually led to a discussion about how Milch is an incredible speaker, to the point where you may have no idea what he’s talking about but you still believe him unequivocally. “I spent New Year’s 2000 with him,” admitted Bersen, “and he convinced me that the world was coming to an end in the following week. New Year’s Eve 2000 celebrations everywhere, and this man had me in a corner with my wife completely freaked out that we had one week left to live on this planet…and I believed it.” With testimonials like that, is it any wonder that “John from Cincinnati” was as weird as it was?

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TCA Press Tour, Day 1: TV One

There’s a good side and a bad side to being the network that starts off the TCA Press Tour. The good is that you’re catching the TV critics in your audience at their absolute freshest, but the bad is that that audience is almost certainly going to be the smallest of the tour, since not all of the critics have even arrived yet and many of the ones who have arrived simply don’t care enough to attend. But even though I’m not personally part of TV One’s primary demographic – Johnathan Rodgers, President and CEO of TV One, dropped the stat in his opening remarks that 93 percent of the network’s viewership is African-Americans – I didn’t fly from Virginia to L.A. for nothing, you know. And, besides, just because I’m not the droid they’re looking for doesn’t mean I can’t appreciate a certain amount of the programming they have to offer.

Take “Murder in Black and White,” for instance.

Hosted by Rev. Al Sharpton (who was originally scheduled to be in attendance but bowed out in order to be near his longtime friend Rev. Timothy Wright, who is recovering from injuries sustained as a result of a recent car accident), “Murder in Black and White” is a series of four one-hour documentary specials which were spearheaded by filmmaker Keith Beauchamp (“The Untold Story of Emmett Louis Till”) and filmed in cooperation with the FBI in an attempt to help solve civil rights murders from the 1940s and the 1950s. I haven’t seen a full-length episode yet, but I was thoroughly impressed by the clip that was shown during the panel, which was, appropriately enough, filmed in black and white. The story would be horrifyingly gripping either way, given that it’s about Willie Edwards, a 24-year-old truck driver, husband, and father of two children who was forced by Ku Klux Klan members to jump off a bridge 50 feet high, but the starkness of the black and white film most certainly adds to the effect.

Beauchamp was in attendance for the panel, and he defended the arguably sensational nature of the re-enactments contained within the specials.

“After you see the documentary itself,” he said, “you will find that I have a way of telling stories. I like to tell the stories from the people who were there, who actually lived this atrocity. And the most important thing is for us to make these victims human. So often, we hear about these murders that occurred throughout the Civil Rights era, and you think it’s just a murder and we move on with our lives. But we have to understand that these people were also human beings as well. So using a reenactment, I really wanted to use the tools of this generation to capture the tension of this generation, and the way to do that is by visuals. Filmmaking to me is a new way of activism. No more should we rely on our leadership and our community to talk about these atrocities and bring certain issues forward. Nothing hits you more than a visual.”

Actually, facts do a pretty good job of smacking you in the face, too, as proven by Rodgers’ initial introduction of the panel, when he mentioned that the individuals who had been arrested for Edwards’ murder had their charges dismissed because “merely forcing a person to jump from a bridge does not naturally and probably lead to the death of such person.”

Though “Murder in Black and White” may be rough to watch, I’m confident that Beauchamp’s dedication to this project will make it a must see.

There’s another upcoming series on TV One that has caught my attention as well: “Unsung,” described by Rodgers as chronicling African-American music artists who deserved to earn superstar status but never made it. I don’t know that I necessarily agree with all of their choices (the first four programs will focus on Donny Hathaway, Phyllis Hyman, the DeBarge family, and the Clark Sisters), but the premise is sufficiently interesting for me to be curious about how the program will turn out.

Welcome back, my friends, to the show that never ends: The TCA Press Tour

Here I am in L.A., sitting in my first panel of the Television Critics Association press tour for Summer 2008, and, man oh man, it’s been a long wait for me to get back to one of these things.

I’d had every intention of attending the Winter 2007 tour, but as you may recall, the Writer’s Strike put the kabosh on that event…and with the battle between the SGA (Screen Actors Guild) and their brethren in AFTRA (American Federation of Television and Radio Artists), it looked for a while like this tour might not happen, either. Heck, it’s still not impossible that this thing could stop dead in its tracks if it turns out that the members of AFTRA haven’t accepted the contract offered to them by the AMPTP (Alliance of Motion Picture and Television Producers), as you can read about here. But I think the general presumption is that AFTRA will accept the contract, and if they do, then it’s far less likely that the SGA will decide to strike.

There are a lot of really great panels this time around, and I look forward to bringing you info about just about every single one of them, so stay tuned!

Get Smart’s Bruce and Lloyd Out of Control

Warner Premiere describes “Bruce and Lloyd Out of Control” as “an industry first, offering consumers and fans of the theatrical release of ‘Get Smart’ the opportunity to enjoy parallel content, an original side story featuring characters from the film, just days after the film’s theatrical release,” but let’s call a spade a spade: even with a token scene or two to indicate that it’s taking place simultaneous to the real film, it’s still just another glorified straight-to-video sequel. Bruce (Masi Oka, “Heroes”) and Lloyd (Nate Torrence, “Studio 60 on the Sunset Strip”), two of CONTROL’s tech guys, find themselves on assignment to retrieve a missing piece of camouflage technology, getting into lots of wacky and zany misadventures along the way. “Heroes” fans will be psyched to see Jayma Mays playing Bruce’s love interest (Hiro and Charlie, together again!), Larry Miller gets to play identical twins (one of them is evil, naturally), and there are entertaining cameos by a couple of characters from “Get Smart” (Terry Crews as Agent 91, Patrick Warburton as Hymie), but while Oka and Torrence are both funny guys, the level of humor rarely rises about slapstick shenanigans and a running gag about how nobody can remember which one is Bruce and which one is Lloyd. Granted, it was a clever, cost-saving maneuver to film “Bruce and Lloyd” simultaneous to ‘Get Smart,’ utilizing many of the same sets, but no one’s going to mistake this for anything that’d ever be released theatrically.

Click to buy “Get Smart’s Bruce and Lloyd Out of Control”

And our very special guest star…Fred Willard!

Show: “Stargate SG-1”
Episode: “Family Ties” (Season 10)
Role: Jacek

It has been said…by me, if by no-one else…that when it comes to guys whose mere appearance in a film automatically guarantees that it won’t be a complete waste of time, there’s a tie for the spot at the head of the class between Larry Miller and Fred Willard. I don’t have a bad word to say about either of them, but it must be said that, of the two, Mr. Willard has probably managed to be funny in more different genres.

Yes, even in sci-fi.

Fred Willard

Although Willard earned major geek points by appearing in episodes of “My Secret Identity” and “Lois & Clark: The New Adventures of Superman” (as the President of the United States, no less) and providing voiceover work to “Buzz Lightyear of Star Command,” “Transformed: Animated,” and “The Batman” (he’s also in “WALL*E,” for that matter), the one full-fledged science fiction role on his resume is that of Jacek on “Stargate SG-1.” From the moment the character first appears, two things are clear: 1) Jacek is going to be the episode’s comedy relief, and 2) Willard is going to play this part just like he plays any other part, even if it is on a sci-fi action / drama.

Though the episode technically begins with Vala Mal Doran (Claudia Black) and Lt. Col. Samantha Carter (Amanda Tapping) returning from an off-base shopping trip, the excitement doesn’t start until the gang at SG-1 get an unscheduled video transmission. “Hello? Is this thing working?” shouts Jacek, into the camera lens. He introduces himself, explaining, “I don’t get out to your end of the galaxy very often, but I have a friend who lives in the area, and he speaks very highly of your people.” Jacek claims to possess information which reportedly could impact the very survival of Earth, but the information that proves far more interesting comes when Vala identifies him as her father.

Jacek: Vala, is that you? Sweetheart, how is life treating you?
Vala: Certainly better than you ever did.
Jacek: Ouch! I suppose for the benefit of your friends there you’re going to want to list all the reasons why I was such a bad father.
Vala: Oh, I wish I could, but a wormhole can only be maintained for 38 minutes.
Jacek: Ah, you’ve got your father’s wit…
Vala: It’s hardly enough time to cover your inadequacies as both a parent and as a human being in general.
Jacek: …and your mother’s uncanny ability to hold a grudge.

Jacek asks to be brought through the Stargate in order to reveal his information, but Vala refuses to vouch for him; she changes her tune, however, when he reveals that what he knows has to do with a plot to destroy Earth that Arkad set into motion prior to his death. “Take your time, there’s no pressure,” says Jacek. “Just that your whole planet could very well blow up at any moment.”

Cut to the SG-1 team preparing to retrieve Jacek.

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