Author: Nate Kreichman (Page 7 of 8)

Box Office Recap: ‘The Avengers’ Made a Good Deal of Money

May 6, 2012 /

Everybody knew “The Avengers” would make money. Everybody. They’ve been building up to it for what seems like a decade, Joss Whedon was at the helm, it sat at 94 percent on the Tomatometer, it made $185 million in its overseas debut. In so many words, all the pieces were in place. That said, I don’t know if anybody expected this.

“The Avengers” made a record-breaking $200.3 million, the largest opening weekend in history. The total trounces the previous high of $169.2 million, set by “Harry Potter and the Deathly Hallows Part 2” last summer.

Along the way, “The Avengers” toppled a number of other major records. It reached $100 million, $150 million, and $200 million faster than any other movie, set new highs for Saturday ($69.7 million) and Sunday ($50.1 million), and had the highest ever per-theater average for a nationwide release with $46,057. The only high score “The Avengers” didn’t take is largest opening day, making only $80.5 million to the “The Deathly Hallows Part 2’s” $91 million.

“The Avengers'” worldwide total of $641.8 million has already overtaken all of the team’s individual members’ totals. Coming closest are the “Iron Man” films, the first made $585 million and the second $624 million, while “Thor” made $449 million and “Captain America” took in $364 million. Oh, and for those of you counting “The Incredible Hulk” made $263 million.

The film didn’t make all that money without good reason. “The Dark Knight” may be the best ever movie about a superhero, but “The Avengers” is the best superhero movie. It played like a comic book, lighthearted and witty, but the action scenes did not disappoint. It seems there’d be a thick line between pleasing fanboys and those who have never picked up a comic in their lives, but “The Avengers” made it fine and walked that tightrope with grace. Everybody expected Robert Downey Jr. to continue to be great as Tony Stark, especially with Joss Whedon writing his lines, and he did not disappoint. But the film’s biggest question mark, Mark Ruffalo in his new role as the Hulk, stole the show.

Now, I could talk about how much all those other films made, but with these numbers it’s got to be pretty clear not many people who went to the movies this weekend saw something other than “The Avengers.” In fact, the film accounted for 82.7 percent of the roughly $242 million earned by the top 12 movies this weekend. That’s the second highest weekend market share of all time, behind only “Spider-Man 3’s” 83.3 percent.

Here are the results for this week’s top 10 at the box office:

Title/Weeks in release/Theater count, Studio/Three-day weekend total/Cume
1. The Avengers, 1/4,349, Disney/Marvel Studios, $200.3 million.
2. Think Like a Man, 3/2,011, Sony, $8 million, $73 million.
3. The Hunger Games, 7/2,794, Lionsgate, $5.7 million, $380.7 million.
4. The Lucky One, 3/3,005, Warner Bros., $5.5 million, $40 million.
5. The Pirates! Band of Misfits, 2/3,358, Sony/Aardman, $5.4 million, $18.6 million.
6. The Five-Year Engagement, Universal, 2/2,941, $5.1 million, $19.3 million.
7. The Raven, 2/2,209, Relativity/Intrepid, $2.5 million, $12 million.
8. Safe, 2/2,271, Lionsgate/IM Global, $2.5 million, $12.9 million
9. Chimpanzee, 3/1,531, Disney, $2.4 million, $23 million.
10. The Three Stooges, 4/2,174, $1.8 million, $39.6 million.

Movies

Box Office Preview: ‘Avengers’ and Something About a Hotel

May 3, 2012 /


The Avengers

As I discussed over at Real Men Read Comics, Marvel has been building towards this one for a long time. After a long wait and perhaps too many attempts to connect the dots, Iron Man, Thor, Captain America, and the gang are coming together on the big screen.

I’ve actually got something nice to say about a new release, maybe even a few nice things. This is groundbreaking territory.

“The Avengers” was written and directed by Joss Whedon. This is the dude who brought us “Buffy the Vampire Slayer,” “Angel,” and “Firefly.” If you don’t know what “Firefly” is, you need to find out. It’s on Netflix instant, so go on, get. I’ll even give you the link. Like his projects, Whedon has built up quite the cult following over the years. And, as if all that wasn’t enough, he co-wrote “Toy Story,” for which he was nominated for an Oscar. That’s right folks, motherfucking “Toy Story.”

“The Avengers” has all most of the stars of the individual films back in their roles. We’ve got Chris Hemsworth as Thor, Chris Evans as Captain America, and most importantly, Robert Downey Jr. in his perfectly sardonic portrayal of Tony Stark/Iron Man. Now, Mark Ruffalo may have replaced Eric Bana, er, Edward Norton as Bruce Banner/The Incredible Hulk, but that’s probably a good thing. If you’re sick of all these different Bruce Banners flying your way, don’t worry, Ruffalo recently signed a six-picture deal to play The Hulk.

Let’s not forget about the supporting cast, rounding out the team are Scarlett Johansson as Black Widow, Samuel L. Jackson as Nick Fury, and Jeremy Renner as Hawkeye. But wait, there’s more, Tom Hiddleston will reprise his role from “Thor” as Loki, the film’s main villain. Hiddleston also played a brilliant F. Scott Fitzgerald in “Midnight in Paris.”

One of the ways you know a superhero movie, is great is when the dialogue is better than the action sequences. This is what we got in “Iron Man,” when oftentimes Tony Stark was more gripping with his super suit off than on. You should expect no less from Whedon, and according to Bullz-eye’s David Medsker, the Joss has delievered:

Once Whedon gets the cast in the same room and gives them the chance to interact as people rather than superheroes, the movie blossoms in a strangely wonderful way, one where it’s easy to wish that they would keep talking, rather than ramping up for the butt-kicking that is just around the corner. Indeed, until the climactic battle sequence, the action plays second fiddle to the talking, and as odd as that sounds for a superhero movie, it’s the right call.

If all this wasn’t enough, “The Avengers” has been certified fresh at Rotten Tomatoes, sitting at a 93 on the Tomatometer. For once, I’m actually excited.


The Best Exotic Marigold Hotel

The only other film getting a wide release this weekend is “The Best Exotic Marigold Hotel.” Believe it or not, John Madden was actually able to direct a film that doesn’t star Brett Favre. Hold on. I’m getting word that it’s a different John Madden, the “Shakespeare in Love” John Madden. Oh, well things make more sense now.

Kidding aside, this is a film about a group of British seniors, including Academy Award-winners Judi Dench and Maggie Smith, who decide to “outsource” their retirement to cheaper and seemingly exotic India. When they get there, the Best Exotic Marigold Hotel doesn’t look quite as it did in the brochures so both hilarity and drama ensue. The film also stars Penelope Winton, whose interactions with Maggie Smith in “Downton Abbey” are fantastic, so hopefully we get some of that here.

There’s a reason no other movies are being released this weekend, studios were scared of “The Avengers,” and rightly so. But it’s pretty clear that “Hotel” is “The Avengers'” antithesis, and so too is its target audience. That said, with its award-winning cast and 78 rating on the Tomatometer, “The Best Exotic Marigold Hotel” seems to be well worth seeing in its own right.

Movies, test

Box Office Recap: ‘Think Like a Man’ still on top

April 29, 2012 /


Despite making 46.5 percent less than it did last weekend, “Think Like a Man” remains on top of the charts, so I see no reason not to reuse this picture. After grossing nearly $34 million last weekend, “Think Like a Man” dropped to $18 million. This should be evidence enough that it was a very slow weekend at the (domestic) box office, parentheses required as “The Avengers” made its debut in 39 foreign territories, scoring $178.4 million.

Total domestic revenue dropped 30 percent as compared to a year ago, when “Fast Five” raked in $86 million. “Think Like a Man’s” $18 million is the lowest weekend gross for a number one movie since “New Year’s Eve” made $13 million in December.

Coming in second with $11.4 million was swashbuckling stop-motion comedy “The Pirates! Band of Misfits,” followed by “The Lucky One.” In fourth was “The Hunger Games,” which is still going strong in its sixth week, beating out all new releases save “Pirates!”

In fifth was “The Five-Year Engagement,” which made a disappointing $11.2 million. Heading into the weekend, the Judd Apatow-produced romantic comedy was expected to be “Think Like a Man’s” biggest competition. The film brought the writing team of Jason Segel and Nicholas Stoller, the same pair who wrote “Forgetting Sarah Marshall” and “The Muppets,” who also starred and directed, respectively. Few of Apatow’s flicks have had such poor opening weekends. Most of the Apatow films “The Five-Year Engagement” beat out are highly unremarkable (does anybody remember “Drillbit Taylor?”). The lone exception being “Walk Hard,” which was critically acclaimed but never found an audience while in theaters.

The highly predictable “Safe,” directed by Boaz Yakin (“Remember the Titans”) and starring Jason Statham (every Jason Statham movie), came in an equally predictable sixth with $7.7 million.

In seventh and last among new releases with $7.2 million was “The Raven,” which starred John Cusack as Edgar Allen Poe. Good. That’s all I have to say about that. I’m disappointed in each and every one of you who helped support this abortion.

Here are the results for this week’s top 10 at the box office:

Title/Weeks in release/Theater count, Studio/Three-day weekend total/Cume

1. Think Like a Man, 2/2,015, Sony, $18 million, $60.9 million.
2. The Pirates! Band of Misfits, 1/3,358, Sony/Aardman, $11.4 million.
3. The Lucky One, 2/3,175, Warner Bros., $11.3 million, $40 million.
4. The Hunger Games, 6/3,572, Lionsgate, $11.25 million, $372.5 million.
5. The Five-Year Engagement, 1/2,936, $11.15.
6. Safe, 1/2,266, Lionsgate/IM Global, $7.7 million.
7. The Raven, 1/2,203, Relativity/Intrepid, $7.3 million.
8. Chimpanzee, 2/1,567, Disney, $5.5 million, $19.2 million.
9. The Three Stooges, 3/3,105, $5.4 million, $37.1 million.
10. The Cabin in the Woods, 3/2,639, Lionsgate/MGM, $4.5 million, $34.7 million.

Movies

Box Office Preview: The Movie that Shall Remain “Nameless here for evermore,” Jason Statham, Pirates! and the next Apatow/Stoller/Segel Comedy

April 27, 2012 /

The Raven

Let’s just get this out of the way, this movie looks like shit, which is unfortunate given some of the names involved. “The Raven” was directed by James McTeigue, who was an assistant director for the “Matrix” trilogy before making his directorial debut with “V for Vendetta” in 2006. The cast includes Brendan Gleeson (“Braveheart,” “Gangs of New York,” “Harry Potter”), and stars John Cusack as Edgar Allan Poe.

Poe’s death is shrouded in mystery, so the filmmakers took more than a few creative liberties in this fictionalized account of the writer’s last days. When a serial killer begins using his work as the inspiration for a series of gruesome murders, police enlist Poe to help bring the assailant to justice.

Reviews have been bad, hovering around 20 percent on Rotten Tomatoes, and not without reason. Edgar Allan Poe was a fascinating human being. In 1836, at age 27, he married his 13 year-old first cousin. The man was a great many things: author, poet, alcoholic, opium addict, and the inventor of detective fiction. He uneqivocally was not an action hero or some macabre version of Sherlock Holmes. With such an intriguing life story, there was no reason to make him into such.

“The Raven” is the 241st film or television adaptation of Poe’s work. That leaves you 240 options that might not be garbage, so pick one of those. Or, better yet, pick up some of his written work, which is in the public domain (that means it’s free).

Safe

In “Safe,” Jason Statham plays Luke Wright, “the Big Apple’s hardest cop, once up on a time.” Now, he’s a a second-rate cage fighter who drives fast, kicks ass, and always has a wry one-liner up his sleeve. That is, Jason Statham plays Jason Statham doing Jason Statham things, only he’s got an American accent (sort of). In this case, his excuse for coating the streets in blood is protecting a 12-year-old Chinese girl who’s memorized a valuable code from some Russian mobsters. Purely by coincidence, they’re the same Russian mobsters who murdered his wife.

“Safe” couldn’t have a more appropriate title. It’s another formulaic Statham action movie that’s split critics right down the middle because even though you know what’s going to happen, you can’t help but be entertained. Perhaps Aaron Hillis of The Village Voice put it best: “Safe” is a “preposterously enjoyable—or enjoyably preposterous—action-thriller.”

If “Safe” is your style, go and enjoy it, you’ll get no argument from me. But since you already know the endings anyway, you might as well rent “Snatch” or “Lock, Stock & Two Smoking Barrels” instead.

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Movies

Box Office Recap: New releases beat out ‘Hunger Games’

April 22, 2012 /

It was widely predicted that this would be the weekend The Hunger Games would slip from the number one spot after four weeks at the top of the box office charts. The question was which movie would beat it out. Would it be ensemble romantic comedy Think Like a Man or The Lucky One, which stars Zac Efron as a Marine/internet stalker?

If you guessed Think Like a Man based on the above picture, you’d be correct. The adaptation of Steve Harvey’s relationship advice book Act Like a Lady, Think Like a Man grossed a surprising $33 million in its opening weekend, a great success considering its $12 million budget. The rom-com captured its target demographics, 62 percent of its audience was 30 or older and 63 percent was female.

I think this is the part where I’m supposed to compare Think Like a Man to the work of Tyler Perry and other “African-American themed films” or “urban comedies.” Let’s skip that noise.

The Lucky One, which is the seventh (that’s right, seventh) film adapted from a Nicolas Sparks novel came in second place with $22.8 million. Dear John is the only Sparks adaptation to make more in its opening weekend, grossing $30.5 million in February 2010. Now for this week’s edition of statistics that surprise no one: 76 percent of The Lucky One’s audience was female and 52 percent was less than 25 years old.

What’s interesting here is The Lucky One was released in 3,155 theaters while Think Like a Man saw only 2,015 screens. Furthermore, while the latter’s weekend earnings nearly tripled its budget, the former didn’t quite grab back the $25 million it cost to produce.

The Hunger Games toppled back to Earth, coming in third after 4 straight weeks at the top, the longest streak since Avatar’s seven weeks at #1. The adaptation of Suzanne Collins’ 2008 novel reigned in $14.5 million, bringing its cumulative domestic earnings to $357 million. It’s now in the top 20 domestic grossing films of all time.

Three top movies, three book adaptations. You might think your high school English teacher would be happy about this news. Trust me, he’s dying a little inside.

In fourth place was Disney’s latest nature documentary, Chimpanzee. Its $10 million gross is the largest opening weekend for a Disneynature film so far, beating out the $8.8 million Earth made in 2009. Disneynature will donate 20 cents per ticket sold during the film’s opening week (4/20-4/26) to the Jane Goodall Institute.

Also of note is the relative success of Magnolia Pictures’ Marley. The documentary about legendary musician Bob Marley has been “certified fresh” on Rotten Tomatoes with a rating of 93 percent. Marley saw limited release, opening in just 42 theaters, yet earned more than a quarter million dollars.

In an interview with Deadline Hollywood, Magnolia president Eamonn Bowles said Marley was #1 “in all but a handful of complexes and usually by multiples over the next highest film.”

Here are the results for this week’s top 10 at the box office:

Title/Weeks in release/Theater count, Studio/Three-day weekend total/Cume

1. Think Like a Man, 1/2,015, Sony, $33 million
2. The Lucky One, 1/3,155, Warner Bros., $22.8 million
3. The Hunger Games, 5/3,752, Lionsgate, $14.5 million, $357 million.
4. Chimpanzee, 1/1,563, Disney, $10.2 million.
5. The Three Stooges, 2/3,482, $9.2 million, $29.4 million.
6. The Cabin in the Woods, 2/2,811, Lionsgate/MGM, $7.8 million, $27 million.
7. American Reunion, 3/3,003, Universal, $5.2 million, $48.3 million.
8. Titanic 3D, 3/2,505, Paramount/Fox, $5 million, $42.8 million.
9. 21 Jump Street, 6/2,427, Sony/MGM, $4.6 million, $127.1 million.
10. Mirror Mirror, 4/2,930, Relativity, $4.1 million, $55.2 million.

Movies

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