Author: Jason Zingale (Page 89 of 154)

Bullz-Eye’s Badass Knife Scenes

Badass Knives

Midway through the annual Bullz-Eye mumblety-peg party – “Okay, you can be Bishop and I’ll be Hudson. Wait, which one is the droid again?” – we started talking about our favorite movie knife scenes, beginning of course with a certain James Cameron flick starring someone who looks human but doesn’t quite act human, and Lance Henrikson as an android. When the conversation reached a fever pitch, our wives called from upstairs, telling us to just shut the hell up already about our stupid knives. Sent hurtling back to reality, we decided to create a concise list of 10 of our favorite badass knife scenes from the movies, listed in chronological order. And, to keep the playing field level, we declared scenes involving all other blades ineligible. This meant the exclusion of several staff favorites, but not all blades are created equal, therefore their cinematic moments should be treated in a similar manner. This is a journey into knives. A journey which along the way will bring you new hardware, new bloodshed, new badness, new bloodshed, new badness.

Read all about our final 10 scenes here, and then be sure to come back and discuss your favorites, as well as offer up suggestions for some of the films that didn’t make the cut.

The Wire 5.3 – Not for Attribution

I ended last week’s blog entry with a remark about how I hoped the Baltimore Sun scenes would begin fitting in to the main story arc sooner rather than later, and wouldn’t you know it, my wish came true, courtesy of Jimmy McNulty. Acting as a one-man revival of “Dexter” and “The Shield,” McNulty is currently breaking more laws than Bunk can count in his quest to create a serial killer that both the mayor’s office and the police department will actually pay attention to. Planning his killer around two details – homeless victims and red ribbons – McNulty goes back into the vault to find unsolved murders to would bend to his specifications. He discovers two, and makes it three when he plants evidence on the homeless man that he (re)killed last week.

Hoping to grab someone’s attention other than Bunk (Landsman just shoves it aside in a hilarious ten-second scene), McNulty takes the info to Alma at The Sun, who graciously accepts the lead after her last article (about murders, no less) got bumped from the front page in place of a skydiving article. No joke. Unfortunately, her latest story is buried in the back of the Metro section, and just when it looks like McNulty is about to give up, Lester Freamon surfaces to convince McNulty otherwise – suggesting he sensationalize his murder (i.e. give him a menacing nickname, etc.) in order to garner more press.

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Of course, that’s just one way The Sun has suddenly become integral to season five. Though the ongoing cutbacks will undoubtedly fuel the fire for the remaining journalists in the coming weeks, City Editor Gus has secured his place at the paper, and you can certainly see why. With friends like Norman (Carcetti’s right-hand man, in case you forgot), Gus is virtually indispensable, and he proves his worth when he squeezes some info out of Norman about Carcetti’s plans to axe Burrell and prep Daniels for the job. Whether or not Carcetti decides to give the temporary position to Rawls or Valchek remains to be seen, but what you can expect is that Burrell is going to put up a fight, and after butting heads with Carcetti later in the episode, his biggest ally could very well be Clay Davis. Shiiiiit, indeed.

And finally, there’s Marlo. After visiting Vondas about a direct relationship with the Greek (and consequently getting turned down because his money was “dirty”), the Baltimore kingpin heads to Prop Joe for help cleaning his cash. Half of his investment is turned into clean bank money (for the Greek, of course), while the other half is transferred to an account in the Cayman Islands. Marlo doesn’t exactly understand the concept of a wire transfer, however, so he hops on a plane and heads south to check out his account in person. Meanwhile, Snoop and Chris hit a roadblock in their search for Omar, so instead, they just torture and kill his blind friend Butchie, therefore ensuring his return. As it turns out, Omar is currently living the sweet life on some unnamed island (whether or not it was the same island as Marlo’s bank is unclear), but it hardly matters now. Omar is back, and Marlo would be wise to muscle up.

Rachel Bilson: GQ’s next big thing

Hot off her guest stint on NBC’s “Chuck,” and out promoting her new film “Jumper,” Rachel Bilson has come a long way since her debut on the teen soap opera “The OC.” Looking to break (or at least bend) her girl-next-door image, Rachel is the latest beauty to grace the covers of GQ.

In the upcoming February 2008 issue, the actress spills the beans on how she got her latest job, why the “H” on her heart-shaped locket may or may not have significance, and why being thrown into a wall by Samuel L. Jackson is awesome. Of yeah, and she shot a bunch of sexy pictures that are not to be missed.

To view the full slideshow, watch video coverage of the shoot, or read more about Rachel’s experience working with Jackson, Hayden Christensen and Doug Liman, click here.

The Wire 5.2 – Unconfirmed Reports

The second episode of season five has come and gone, and you can officially color me worried. Not for the quality of the show, mind you – because that’s always remained first-class – but of the questionably slow pacing. True, previous seasons of “The Wire” have always taken four or five episodes before jumping into the meat of the story, but with three less episodes than usual this time around, doesn’t it seem like David Simon and Co. should be getting a move on? It seemed like that may have been the case with tonight’s show, but when all was said and done, I still felt like that there was something still missing from the big picture.

With Lester and Sydnor working on the Clay Davis case (who, as we all saw, is so worried about the upcoming Grand Jury hearing that he never once uttered his trademark, confidence-boosting phrase), and the rest of the Major Crimes detail back on Homicide, Marlo has been given the all-clear to get back to business (i.e. killing people). That includes hunting down Omar (who has yet to make his season five debut) and going behind Prop Joe’s back to make a deal with the Greeks. And who other than Avon Barksdale to help the kid out? Sure, Marlo declared war on the Barksdale clan when he was on the rise, but we all know how Avon feels about Prop Joe, so it shouldn’t surprise anyone that he’s chosen to side with a fellow West-sider.

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What Marlo doesn’t realize, however, is that a lack of OT pay hasn’t stopped Lester from bringing the drug-slinging murderer down, and within days, he’s back on stakeout duty. When he discovers that Marlo, Chris and Snoop are already back to their sloppy tactics, Lester enlists the help of McNulty for the case, but without any financial backing from the BPD, the pair go looking for help elsewhere, including the local Feds. Unfortunately, not even the FBI wants anything to do with the hanging 22 murders (nor any other federal task force, for that matter). Bunk and Lester claim that it’s because most of the dead bodies are blacks, so what does McNulty do? He creates an imaginary serial killer by “strangling” an already dead (white) male with the hope of gaining the mayor’s attention. Will it do the trick, or just land McNulty in some serious Vic Mackey-type trouble?

There’s plenty more to talk about – like how Carcetti’s mayoral decisions seem to favor his upcoming run for governor (though is that a bad thing?), how Bubbles is clean but doesn’t seem happy about it, or how the Baltimore Sun scenes still don’t fit in with the main story arc (seriously, who cares about that whiny reporter, Scott?) – but it simply isn’t worth spending time on until it actually begins to matter. Here’s hoping it’s sooner rather than later.

“American Gladiators”: Ch-ch-changes

The two-hour premiere of “American Gladiators” aired last night, and while there were quite a few differences from the original series (new rules, new events, etc.), this particular post is about a completely different kind of change: namely the gladiators that shouldn’t be invited back for another season. I mean, have you ever seen the gladiators dominated that badly before? Not only are most of them bad contenders – they’re just plain stupid. How do you DQ on an event, only to do it again five seconds later? (Here’s looking at you, Mayhem).

Of the 12 gladiators that debuted last night, only five should stay. Crush and Fury were the only female gladiators that showed any real promise in their respective events (Hellga is completely worthless, and the other three just don’t seem to have what it takes), while Titan (AKA the bronze-skinned douche), Toa (The Rock’s real-life cousin) and Wolf (he’s a bit crazy, but entertaining) proved that they deserve to be called American Gladiators. I didn’t see enough of Justice, so I’ll give him a free pass, but the other two – Mayhem and Militia – are bad, bad, bad. The latter, specifically, was so weak at his first event (Hang Tough), that the announcers claimed he sustained an injury and promptly replaced him. Yeah, right. In the words of Donald Trump, “You’re fired!”

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