Author: Jason Zingale (Page 83 of 154)

Dragon Ball Z: Dead Zone / The World’s Strongest

With both TV specials now available on DVD, the next logical step for Funimation in their ongoing plan to remaster everything “Dragon Ball Z” was to begin releasing the series’ other 13 films in conjunction with the remaining season sets. This two-disc double feature collects the first two, “Dead Zone” and “The World’s Strongest,” and though neither one is considered required viewing for the casual fan, they’re still part of the official canon. “Dead Zone” takes place just before the first episode of “DBZ” – when Goku and Piccolo were still mortal enemies and Gohan was as annoying as ever – and finds the evil Garlic Jr. fulfilling his wish for immortality. “The World’s Strongest,” meanwhile, takes place just after the Saiyan Saga and follows the famous Dr. Wheelo (now in brain form after his body decomposed in an icy prison) as he attempts to harvest the world’s strongest warrior for his new body. Both movies have two things in common: they use Gohan’s hidden potential as the catalyst for eventual victory (like Bruce Banner, you don’t want to make Gohan angry), and they exhibit several similarities to future story arcs (Dr. Wheelo is essentially a poor man’s Dr. Gero, right down to the robot warrior lackeys). Neither one is especially memorable, but diehard fans wanting to update their collection will be rewarded with the best-looking versions of these movies yet.

Click to buy “Dragon Ball Z: Dead Zone / The World’s Strongest”

Lost 4.12 – There’s No Place Like Home (Part One)

Anyone that’s been watching “Lost” consistently for the past four seasons knows that no matter how bad the actual season may be, the season finales (and the episodes leading up to them) are always money. Though the pre-finale episodes tend to be more set-up than actual progression, I was surprised to discover that tonight’s episode (the first of a three-part season finale) also filled in a lot of gaps via a flash-forward that documented the Oceanic Six’s rescue and the beginning of their post-island lives.

The night opened with the Oceanic Six on a plane back to Hawaii. After Jack coaches the group on their “story,” they arrive to discover an Oceanic Airlines-moderated press conference set up to allow reporters to ask the survivors questions. Among the topics covered included the fate of Jin (Sun says he died when the plane crashed), the birth of Aaron (he’s being played off as Kate’s biological child), and confirmation that no other people could have possibly survived. But that wasn’t the juicy part.

Following their re-entry into society, Sayid is reunited with Nadia (no, not that Nadia, but his ex-flame), Sun uses her settlement money to purchase a controlling share in her father’s company, and Hurley receives a classic car as a birthday present. Unfortunately, the dreaded “numbers” just happen to be the reading on the speedometer, and he isn’t at all entertained. Finally, there’s Jack. After delivering a eulogy at his father’s funeral, Jack is approached by Claire’s mother, who informs him about Christian’s secret daughter, and the fact that she too was aboard Flight 815. Hmm. Maybe now we have a better understanding as to a) why Jack wants to take care of Aaron, and b) why he’s so depressed in the future.

Meanwhile, on the island, all of the major players are being positioned for the season’s final masterstroke. Jack and Sawyer have control of the helicopter (only to discover that Hurley’s in trouble), Sun, Jin and Aaron are on the freighter (thanks to Faraday, who has volunteered to begin ferrying people off the island), Sayid and Kate have been captured by Richard Alpert, and Locke and Hurley have just witnessed Ben’s surrender to Keamy at the Orchid station – the proposed location of the “secondary protocol” (i.e. Operation Blow Up the Island). It’ll be interesting to see how the Oceanic Six, who are seemingly in four different places, will manage reunite and get off the island.

We’ll find out in two weeks, along with why they’re the only survivors who escaped, what happened to Lapidus after he rescued them, as well as who was in that coffin at the end of season three. For those that simply can’t wait to find out the latter, feel free to check out this spy report here, where the deceased character has supposedly been outed by a spoiler-happy fan.

Shinobi: Heart Under Blade

It might seem strange at first glance that a company like Funimation would be releasing a movie like “Shinobi,” but once the film’s dynamic action sequences jump into the spotlight, it becomes painfully obvious that “Shinobi” is a live-action anime, complete with crazy characters and overblown battles. Loosely based on Shakespeare’s “Romeo & Juliet,” the film takes place in 17th Century Japan where the heirs of two feuding ninja clans – the Iga and the Koga – have fallen in love. When the Shogun set into motion a nefarious plot to rid the country of both ancient families, however, the two star-crossed lovers are forced to battle each other to the death. Like most martial arts fantasy films (save for maybe “Crouching Tiger, Hidden Dragon”), you’re not going to find very much character development other than the bare necessities, but it’s easily overlooked thanks to some truly original fight sequences. Sure, the movie slows down considerably when it reaches its inevitably tragic end (“Romeo & Juliet,” remember?), but “Shinobi” is still far better than anticipated, and should please anyone who considers themselves a fan of this particular subgenre.

Click to buy “Shinobi: Heart Under Blade”

Teeth

Nominated for the Grand Jury Prize at the 2007 Sundance Film Festival, “Teeth” is one of those movies that garners more buzz than it deserves. Still, I couldn’t wait to check out this film about a prudish high school virgin who discovers she has a set of mutant teeth between her legs, if only because the concept sounded too good to be true. As it turns out, the basic idea surrounding “Teeth” is better than the film itself, but that doesn’t prevent from it from being mildly entertaining at times. Unfortunately, it’s not quite as funny or horrific as it could be, despite an enjoyable performance by newcomer Jess Weixler (a dead ringer for Alicia Silverstone and Leelee Sobieski’s lesbian lovechild). The ingredients are definitely there, and while “Teeth” never quite succeeds as a horror comedy, or as the kind of movie that is guaranteed a spot in future late-night marathons based on the title alone (such as the likeminded Japanese flick, “Sexual Parasite: Killer Pussy”), it’s still effective as a cautionary tale that should be shown to sex-ed students everywhere.

Click to buy “Teeth”

Lost 4.11 – Cabin Fever

Just when I was beginning to feel comfortable with the various mysteries surrounding the show, the writers had to go and throw a new one into the mix that is so unbelievably confusing, I’m beginning to question if they still know what they’re doing. I mean, I totally buy the whole Ben Linus/Charles Widmore connection, but since when did Locke become such an important entity that he was literally being recruited by Dharma as a child?

In fact, Richard Alpert didn’t only visit him as a prematurely born baby (I’m still curious as to how Alpert manages to remain the same age for nearly 50 years), but he contacts him twice more throughout his childhood – once under the guise of a “school for special kids” and again via a pamphlet for a Portland-based science camp. Then, as an adult going through rehab following his accident, Locke is visited by another Dharma suit: Abaddon, who suggests that he experience the Australian walkabout to help discover himself. It’s all very coincidental, and while the writers utilized this same tactic in the first two seasons, those instances weren’t bound by such disbelief.

Nevertheless, it appears Locke is the new (less evil) Ben, and after dreaming about a conversation with a former Dharma worker named Horace, the trio set off to find the cabin using Locke’s newly learned information. It’s with a map he finds in the Dharma death pit (i.e. the place Ben dumped all the bodies) that they’re able to locate the always moving cabin, but Locke is sent in alone when Ben declares that his destiny has already been fulfilled. When he enters, however, Locke doesn’t find his expected guest, but rather… Dr. Christian Shepherd, who claims he can speak on Jacob’s behalf.

This is where the show totally lost me, because not only does it not make sense that Jack’s father is on the island (and seemingly not a ghost), but apparently, Claire is now a part of the whole cabin/Jacob secret as well. She’s acting mighty creepy, too, and if that weren’t enough, Christian has just told Locke that in order to save the island, he’s going to have to move it. In the words of Harold Lee, “What the fuck?”

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