Author: Jason Zingale (Page 78 of 154)

Transformers: Cybertron – The Complete Series

Created as part of a trilogy of animated series in 2005, “Transformers: Cybertron” is everything the new Cartoon Network-produced series ought to be. It never forgets for a moment that it’s a show about giant fucking robots, and though the action rarely lets up, it also has an original story that makes sense within the official canon. As it goes, the Transformers’ have been forced to seek refuge on Earth following the formation of a black hole near their planet. The Autobots are ordered to lay low, but Megatron and his fellow Decepticons begin scouring the universe for the Cyber Planet Keys – ancient artifacts with the power to save their home world. With the help of Vector Prime (one of the original 13 Transformers), the Autobots are tasked with tracking down the Cyber Planet Keys first, or risk suffering the consequences of Megatron’s evil ways. Jammed to the gills with Transformers (including the normal variety, as well as Mini-Cons and “Beast Wars”-like animal bots), “Cybertron” has been designed especially with fans in mind. Some might complain about the human characters that befriend the Autobots in the first episode, but compared to other iterations, the three kids that appear here are actually important to the story. The only real complaint that could be made is that the mix of animation styles (anime for humans, CG for robots) is a bit disconcerting. The other two shows in what many have called the “Unicron Trilogy” (“Armada” and “Energon”) were completely hand-drawn, and as such, they looked much better. Still, if you don’t want to blow hundreds of dollars tracking down the original series, and you’re looking for a bit of an upgrade anyways, “Cybertron” might just be your best bet.

Click to buy “Transformers: Cybertron – The Complete Series”

Comic-Con 2008: Day Zero

I’ve finally arrived in sunny San Diego, and while I wait for the plane carrying my Comic-Con roomies (Film School Reject’s Neil Miller, Kevin Carr and Brian Gibson) to land, it seemed like a good idea to discuss what goodies are in store over the next couple of days. Though last year’s Con may have seemed bigger, the studios (sans Paramount, of course) aren’t holding back with the amount of films and TV series being promoted during this year’s event. Below, you’ll find a list of the panels I plan on covering during my stay, as well as a little insight into the ones I’m especially looking forward to.

20th Century Fox kicks off Thursday with an exclusive look at the remake of “The Day the Earth Stood Still” and the big-screen adaptation of “Max Payne,” and along with having Keanu Reeves and Mark Wahlberg in person to discuss their latest projects, both films also promise to have plenty of footage to show off. Following Fox’s panels will be ones for Summit Entertainment’s trio of sci-fi/fantasy films (“Push,” “Knowing,” and the much-hyped “Twilight”) and Disney’s remake/sequel of “Race to Witch Mountain.” The day gets much better from there, however, as Warner Bros.’ first of many Comic-Con panels will include exclusive looks at Guy Ritchie’s newest film, “Rocknrolla,” and the Wachowski brothers’ “Ninja Assassin” (top right), which could erase the bad memories of their last film quicker than you can say “Go, go, Speed Racer!” Neither film is a particularly high-profile release, but suffice it to say, I’m really excited for both. Rounding out the first day will be Lionsgate’s late-night trio of panels for “Punisher: War Zone,” “Saw V” and “Repo: The Genetic Opera.” Of those three films, only “Repo” really interests me, and I can’t wait to see if Darren Lynn Bousman’s rock opera really can be the successor to “Rocky Horror Picture Show.”

If Thursday is the appetizer, then Friday is the main course. The day begins with the most anticipated panel of the Con as Warner Bros. brings director Zack Snyder and the cast of “Watchmen” (bottom right) to the illustrious Hall H to show off footage from the film and talk about the difficulties of adapting the greatest graphic novel in history. I’d be lying if I didn’t say this wasn’t my most anticipated panel of the weekend as well, but I still wish Snyder had held off on premiering the official trailer until after everyone at Comic-Con saw it first. The rest of the day is packed with plenty of other treats including a panel dedicated to Rick Baker’s makeup work on Universal’s “The Wolfman,” a first-look at Warner Bros.’ “Star Wars: The Clone Wars,” and an Entertainment Weekly Visionaries panel with directors Zack Snyder, Judd Apatow, Frank Miller and Kevin Smith. And speaking of Miller and Smith, both men will also be headlining panels for their own films (Lionsgate’s “The Spirit” and The Weinstein Co.’s “Zack and Miri Make A Porno,” respectively), a double-header that should prove to be jam-packed with laughs. After all, there’s only one thing better than seeing Samuel L. Jackson in person, and that’s seeing Samuel L. Jackson and Kevin Smith in the same night.

Saturday isn’t quite as star-studded as Friday, but there’s still plenty to look forward to. Last year, I was unable to catch any of the TV panels due to their overlapping time schedules with the movie-related stuff, but apparently, NBC’s “Heroes” and ABC’s “Lost” have become such cultural icons that they’ve finally been deemed ready for the big show. This year, the cast and crews behind both shows will be holding panels in the enormous Hall H, and thanks to my colleague Will Harris’ excellent coverage at the TCA over the past two weeks, I might just be able to sit back and enjoy. Then again, I’m sure there will be plenty of exclusive news and footage released to the Comic-Con crowd, so expect to hear something on that front. Also being featured in some capacity on Saturday is Warner Bros.’ “Terminator: Salvation” (sans Christian Bale, unfortunately), Pixar’s new film “Up,” and a Universal panel dedicated to upcoming releases like “The Mummy 3” and “Death Race,” as well as a first-look at “Land of the Lost.” Sony wraps up the night in style with the boys of “Pineapple Express,” and though I missed out on Seth Rogen and Co.’s antics last year during the “Superbad” panel, there’s no way I’m skipping out this time around. Expect big laughs and tons of footage.

For anyone that’s still around, Sunday is the day for catching up (on work, sleep, and anything else you may be seriously deprived of), but that doesn’t mean there still aren’t a few things going on. If time permits, I hope to check out panels for Focus Features’ “Hamlet 2,” the DVD release of New Line’s “Harold & Kumar Escape From Guantanamo Bay” (where Neil Patrick Harris will likely be asked more about “Dr. Horrible’s Sing-A-Long Blog” than his work on the film), and Warner Bros.’s “Friday the 13th” reboot. Like I said, nothing particularly exciting, but news is news.

The Last Winter

Much like M. Night Shyamalan’s “The Happening,” “The Last Winter” is an eco-thriller that tries so hard to deliver its Big Message that it forgets all about being scary. Set in Northern Alaska where oil pumps beneath the ground like blood in veins, the film stars Ron Perlman as Ed Pollack, the leader of a small team of oil scouts who have just discovered that not all is right with the frozen tundra. The group’s resident scientist (James Le Gros) warns Pollack that the permafrost is melting (thus making it impossible for the oil rigs to be delivered by truck), but before he can do anything about it, his fellow team members are slowly driven crazy and then killed by some unseen evil. Ridiculous on so many levels, “The Last Winter” is indeed terrifying, but not like you might think. The performances are wooden, while the long stretches of silence (supposedly meant to add to the suspense) just make it that much easier to fall asleep. Of course, when the audience is finally shown the evil that’s causing all of this, you simply won’t believe your eyes. I’m not one for spoilers, but the nature spirit that’s punishing these people for simply doing their jobs looks like Harry Potter’s Patronus. No joke. It’s literally a blue, CGI spirit in the shape of a moose, and while I applaud writer/director Larry Fesseden for attempting to comment on the world’s ecological troubles by way of a horror film, he’s better off just leaving that sort of stuff to people like Al Gore.

Click to buy “The Last Winter”

Meet Bill

When you see as many movies as I do, it’s easy to understand why some films are released in theaters, while others are relegated to DVD, but I must admit that “Meet Bill” – which left the film festival circuit without a major studio’s backing – threw me for a loop. The movie has everything that makes an independent film marketable these days, and more importantly, it’s actually good. Aaron Eckhart stars as Bill, a successful businessman who hates his job has a wife (Elizabeth Banks) who is cheating on him with the local news anchor (Timothy Olyphant). When he’s forced into participating in a mentorship program with his former preparatory school, Bill is matched up with a smug teenager (Logan Lerman) who ends up mentoring him on how to turn around his life. Though the story goes south midway through the film, the performances help to keep it afloat – namely Eckhart, whose nuanced portrayal of the title character is alone worth seeing the film. Additionally, Jessica Alba’s role as a sexy lingerie saleswoman may seem completely pointless (in fact, her introduction marks the beginning of the story’s downfall), but it’s some of the actresses best work to date. Supporting turns by Kristen Wiig and Craig Bierko are also enjoyable, as is the dark comedy peppered throughout the script. “Meet Bill” may have been considered a failure by some, but one could only hope that all direct-to-DVD releases were as good as this.

Click to buy “Meet Bill”

Trailer Park: Who’s watching the Watchmen?

One of many big-name movie trailers to be attached to “The Dark Knight” this weekend, Zack Snyder’s “Watchmen” is probably the most anticipated movie of next year. Previously released on Empire Online, only to be taken down hours later, the trailer can be seen on Apple in all its HD glory. All I can say is “Wow.” It’s amazing at just how much Snyder reveals in this first trailer, and it only gets me more excited as to what we’re going to see during the film’s panel at Comic-Con later next week. Check out the trailer and let us know what you think. Then, be sure to check back next week for more “Watchmen” news straight from the Con.

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