Author: Jason Zingale (Page 64 of 154)

The Shield 7.13 – Family Meeting – Series Finale

Another one of television’s great dramas has come to a close, and if I were to rank the series finale compared to some of the other big ones from the past year or so, it would probably fall somewhere between the disappointing conclusion to “The Sopranos” and the pitch-perfect ending to “The Wire.” It wasn’t great, but it was certainly satisfying, and it wrapped up just about every loose end other than Aceveda’s bid for mayor. Fans of the series have been following these characters for seven years now, and instead of just running through the episode as usual, I’ve decided to take this opportunity to discuss the fates of each character one at a time.

Vic Mackey:

For as much bad shit that happened throughout the episode, this was probably one of the more shocking of the bunch. A lot of people didn’t think it was possible for Vic to get his comeuppance without death or incarceration, but when you consider the kind of person that he really is, it made sense. Vic only needs a few things in life – family, friends, and a badge – and the fact that he no longer has any of them is kind of like sentencing him to his own personal hell. Olivia said it best after Vic begged her to tell him where his children were: “You said goodbye to them the minute you shot another cop in the face.”

All of Vic’s friends are gone, Corrine has put his kids into witness protection, and his new gig at ICE is a boring desk job typing up weekly analysis reports on gang activity in the city. Some might say he’s got it good compared to what could have happened (after all, he’s only obligated to work at ICE for three years and he’s a free man), but the look on his face when he was being shepherded through the mandatory tour of the facilities said enough. That last moment when he grabs his gun and walks out of the office seemed to indicate that he might actually be okay with the cards he’s been dealt, but if that’s the case, then it doesn’t seem like he’s really paid for his crimes at all.

Shane Vendrell:

I’d like to say that I didn’t see Shane’s suicide coming, but it’s been building to this for the past few weeks. In fact, Shane has been in a downward spiral longer than it may seem, and this isn’t the first time he’s contemplated killing himself either. It’s been so upsetting to see him become this way over the last few seasons (as he was one of my favorite characters when the show debuted), and it’s even more upsetting that the writers decided he was such a selfish person that he would kill Mara, Jackson and his unborn baby girl as well. Shooting yourself is one thing, and you could even make an argument as to why he killed Mara as well (though that’d be a hard argument to make considering she was pregnant), but what about poor Jackson? Shane certainly deserved to die, but not on his own terms, and most certainly not after he’s just murdered his own family. With that said, Walton Goggins has never deserved an Emmy nomination more. His performance throughout this season has been nothing short of spectacular, but the scene with him talking on the phone with Vic was some of his best work yet.

Ronnie Gardocki:

Poor, poor Ronnie. He might not have been as innocent as Lem, but he also wasn’t as bad as Vic or Shane either. The chances of him escaping arrest, however, were pretty slim after Vic hung him out to dry last week. There was always the chance that Vic had a backup plan to help Ronnie escape, and I even thought at one point that he might make a deal with Claudette to renege on his deal with the feds in exchange of letting Ronnie go free, but that became less and less likely as the episode went on. And when Claudette ordered Ronnie back to the Barn after he helped Vic take down Beltran, you just knew it was only a matter of time before he’d be arrested. It’s too bad it had to come to this, as I’ve really grown to appreciate Ronnie over the course of the series, but what I don’t understand is how it’s even possible? Can they really take Vic’s confession and use it to prosecute Ronnie, because if so, that sucks.

Dutch Wagenbach:

Not everyone had an unhappy ending, and if there’s one person that deserved it the most, it’s Dutch. Sure, he wasn’t able to put Lloyd away himself (which was kind of bittersweet not only because that was Dutch’s main storyline for the season, but also because we never actually got to see Lloyd confess to murdering his own mother), but at least he managed to score a date with Billings’ lawyer. Plus, after Claudette eventually does retire (which will probably happen sooner rather than later), he’s probably the top candidate to take over as captain. It’s just too bad it didn’t happen in tonight’s episode, because it would have been the perfect topper to one of the best TV characters of the last decade.

David Aceveda:

After taking all of the credit from the Beltran bust, Aceveda appears to be a shoo-in for mayor. But is that really the end of his story? I was left wondering whether or not Aceveda had any involvement in the death of Andre Benjamin’s character. It seemed too much like coincidence that he’d be shot the same day that he challenged Aceveda at a community meeting (and was doing a darn good job of winning supporters), but at the same time, there wasn’t any real evidence that supported that theory. You’d think Ryan would have at least hinted at it if was true, and I don’t recall Aceveda acting suspicious in his final scene with Claudette. Then again, I wouldn’t put it past Aceveda to take such precautions, and it’s just one of the many questions left unanswered after tonight’s finale.

Now, I know that I said I was going to discuss each character one at a time, but the truth of the matter is, it’s getting late and there isn’t a whole lot to say about the rest of the cast. Claudette has finally cleansed the Barn of all things Vic Mackey, and that seems good enough for her, especially now that she’s accepted the fact that she’s dying; Billings won his case against the city and was rewarded with a whopping two days of pay; Julien, Danny and Tina seem poised for promising careers within the department; and Corrine finally got free of Vic’s control.

All in all, not too shabby for a series finale. From the looks of the comments pouring in on last week’s blog post, however, not too many fans are as content with it as I am. Still, even though it wasn’t perfect, Shawn Ryan deserves credit for being able to wrap up as the series as well as he did. It’s always difficult to say goodbye to the shows you love – especially ones as good as this – and though you could debate for hours on how the show should have ended, at least we got a real ending and not some freaking black screen of death.

Entourage 5.12 – Return to Queens

Apart from the end of last season, I can’t think of a lower point in Vincent Chase’s career than where it stood at the beginning of tonight’s episode. After being fired from “Smoke Jumpers” only to discover that the entire film was being shut down due to the fact that it was “over budget and overcomplicated,” Vince went on “vacation” to New York and is now living at home with his mother. Though Vince isn’t taking the whole “out of work actor” thing as seriously as he probably should be, Ari and Eric are still busy trying to find him another job. When Vince’s mom tells him that Gus Van Sant is looking for a replacement for the new movie he’s shooting in town, Eric suggests he audition for the part. Ari, however, is quick to inform them that he’s already spoken with Gus, and though he likes Vince’s work, he doesn’t feel that he’s right for the role.

Never one to take rejection so easily, Eric heads to Gus’ office to meet with him about reconsidering. He’s even managed to convince Ari to have Dana Gordon send over some dailies from “Smoke Jumpers” for Gus to check out, but though the director seems sincere about the fact that he really does like Vince as an actor, he still doesn’t want him for the role. Clearly embarrassed and feeling like a failure in front of his friends, Vince blows up at Eric for not trusting Ari, and relieves him of his duties as manager. Personally, I don’t think Vince had any right blaming Eric for his problems, and he came off looking like an ass for doing so. Eric may have made some mistakes in his days, but they’ve been trivial when compared to the things he’s done (or at least tried to do) for Vince’s career. Heck, it was Eric who tried to warn Vince about “Medellin,” and look how that turned out.

Entourage 5.12

Eric has better things to do than sit around and take that kind of shit from Vince, so he heads back to LA to take care of his other clients – namely Charlie, who’s still shopping his pilot around town. I actually thought they already found a studio to produce the show, but maybe things fell through after Charlie sucker punched Seth Green in the waiting room. Whatever the case, it’ll be interesting to see where this subplot goes next season, as it certainly has the potential to take Eric’s career to the next level. Unfortunately, he’s not around for the big news that Ari brings with him to New York, and it’s in the form of a very important phone call that he just knows Vince is going to want to take. And no, it’s not Gus Van Sant on the other line, but – wait for it – Martin fucking Scorsese!

Now, there have been some pretty cool cameos on “Entourage” over the years, but no one even comes close to Scorsese’s appearance on tonight’s episode. And if that wasn’t enough, the Oscar-winning director is actually calling to offer Vince the lead role in his upcoming re-imagining of The Great Gatsby. Apparently, Gus Van Sant forwarded Marty those dailies of Vince from “Smoke Jumpers,” and he was so impressed that he decided to offer him the role. Huh, I guess Vince isn’t the terrible actor that Ari made him out to be. Vince is quick to thank the super agent for whatever voodoo magic he used to convince Scorsese to choose Vince over Leonardo DiCaprio, but Ari actually gives credit where it’s due: “Don’t thank me, thank E. For once in his life, the little McNugget came through.” And that’s all Vince needs to hear before he’s on a plane to LA to apologize to Eric and hire him back. It’s a good thing he did, too, because Vince’s entourage just wouldn’t be the same without his best friend at his side.

Vince isn’t the only one with a happy ending, either. Eric’s association with the project will no doubt earn The Murphy Group a little more recognition, while Ari is probably just glad to have his number one client back. Drama, meanwhile, now owns a local bar (appropriately named Johnny Drama’s), and Turtle’s big secret is finally out of the bag. The scene where Drama intercepted the call from Jamie-Lynn (“Hey Drama, it’s Jamie. We’re fucking.”) was classic, but the one where Turtle’s mom picked up while Jamie-Lynn and him were having phone sex was even better. Plus, did anyone notice the banner that was hanging at the family reunion the gang attended? It read: “Welcome Home International Movie Star Vincent Chase,” and then in small letters, “And TV Star Johnny Chase.” Good stuff.

All in all, those hoping for a more uplifting ending to an otherwise bleak season had their wish come true, but I can’t help but feel like Vince’s fall from grace should have been a little more difficult. That isn’t to say that I’m not happy with how things turned out – in fact, it was probably one of the best episodes of the year – but if the writers wanted to put Vince through the ringer before making his big comeback, why not just stick with the idea that he would earn back the respect of his careers with an award-worthy performance in “Smoke Jumpers”? The result is the same, and it wouldn’t feel so damn unrealistic. Nevertheless, it’s nice to know that Vince will be back to work when the show returns next summer, and it’ll be curious to see what kind of spoils (money, fame, awards?) brings him by working with the greatest director in American cinema.

Darker Than Black: Volume One

If “Heroes” was an animated series, it would probably be a lot like “Darker Than Black.” Both shows share a similar set-up (a mysterious phenomenon triggers the arrival of individuals with supernatural powers), and likely, the same audience. But while the live-action series has just recently experimented with its darker side, “Darker Than Black” is completely immersed in it from the start. You never really know who the good or the bad guy is throughout the first five episodes of the show, but you do know that Hei (nicknamed The Black Reaper) is the protagonist. Equipped with the ability to generate electricity, Hei works for a secret organization where his powers are used to carry out the dirty work of others, but when a special agent begins investigating his recent string of murders, both his friends and enemies begin to question his true intentions.

Darker Than Black 1

The introductory episodes don’t explain a whole lot, and the self-contained stories make it even more difficult to invest in the big picture (whatever it may be), but there’s something strangely alluring about “Darker Than Black” that extends a little farther than its cool concept and hyper-stylized action. Whatever the reason, you’d think that with so many different animes being released each year, a show like “Darker Than Black” would try a little harder to stand out from the pack. It’s not like it doesn’t have the tools to do so, but for some reason, the show seems content with keeping its audience in the dark; at least for now, anyway. Here’s hoping that changes, because if we don’t get answers soon, Funimation is going to have a heck of a time convincing viewers to stick around.

Click to buy “Darker Than Black: Volume One”

Fan Rant: “300: Limited Collector’s Edition”

When Zack Snyder’s “300” was released in March 2007, no one could have possibly predicted the success it would enjoy at the box office. $456 million later and Warner Brothers still isn’t done milking the property for all its worth. It’s been just over a year since the film first became available to buy in a number of different versions (ranging from the barebones single-disc effort to the two-disc special edition that came with a Spartan helmet or Immortals mask), but that hasn’t stopped the studio from putting out yet another version just in time for the holidays.

300: LEThe “300: Limited Collector’s Edition” is supposed to be the ultimate DVD release for fans of the film, but with an even bigger and better Blu-ray released scheduled for early 2009, is it really worth it? Sadly, no. Most people already own multiple versions of the movie, and the exclusive goodies included in this edition simply aren’t exclusive enough to warrant a double-dip. For starters, all of the bonus material (save for the new 30-minute documentary, “To the Hot Gates: A Legend Retold”) can be found on the original two-disc release. The new featurette is actually pretty interesting, as it covers some aspects of the film in more detail, but it should have been included the first time around. The fact that it gets its own disc only makes its appearance here even more ridiculous.

The presentation of the set itself is pretty nice (the three discs are housed inside of a 52-page hardcover art book), but the included goodies leave much to be desired. The art book is little more than an abbreviated version of 300: The Art of Film (which most diehard fans probably already have), while the “lucite display with motion film image” is essentially a glorified paper weight. Why they didn’t include the actual graphic novel in is beyond me, but that seems like something that any fan would want to own, and it would have fit perfectly inside the elongated packaging. Unfortunately, that simply isn’t the case, which only makes the “300: Limited Collector’s Edition” seem less like a must-have collector’s item and more like a shady cash grab by Warner Brothers. I thought the studios were finally done with this silly double-dipping, but apparently not.

The Shield 7.12 – Possible Kill Screen

If there’s one conclusion to “The Shield” I never thought possible, it was Vic Mackey receiving a Get Out of Jail Free card for all the crimes he’s committed in the past. Death? Sure. Jail? Why not? Heck, I’d even expect Vic to run away to Mexico before the feds ever agreed to give him full immunity, and after the events of this week’s episode, I still don’t think that’s how it’ll end. Of course, I have to start at the beginning first, as so much happened tonight that it felt epic compared to most weeks.

After Shane and Mara’s last robbery failed to yield the kind of cash they were hoping for, the fugitive couple has hit a dead end. Mara physically can’t take anymore, and she’s not doing so well mentally either after killing two people in an attempt to save Shane from a robbery gone wrong. With her shoulder busted and her pregnancy in its final stages, she begs Shane to throw in the towel and take her home. Shane isn’t doing so hot (he might have a big of drug problem and he nearly kills Tina when she tries to bring him in), but he isn’t about to give up any time soon. Unfortunately, I don’t think Shane has much of a choice. The presidential motorcade that will allow them to make their escape is less than 24 hours away, but with Mara hurt and no car to get around, it’s only a matter of time before Shane either gets arrested or killed.

Sure, they’ve got Corrine working to find them a new mode of transportation (which Vic agrees to take care of), but when the meet is compromised when Vic smells a trap, it pretty much guarantees that Shane and Mara are screwed. It also means that Corrine has to be arrested and thrown in jail to give Vic the impression that she wasn’t in on the set-up, and now, all Vic can think about is saving his annoying traitor of a wife. Luckily, Olivia has managed to secure Vic a job at ICE, as well as full immunity as long as he is able to successfully take down Beltran and his drug ring. When he discovers that the deal is only for him, however, and not Ronnie as well, he quickly turns it down.

That is, until he hears about Corrine’s arrest, at which point he promptly goes back to make the deal. As part of receiving immunity, Vic must confess to every crime he wishes to be protected from, and before he’s even finished with his first statement (the murder of Terry Crowley), Olivia is appalled. Her boss couldn’t have put it any better when he says, “He’s our bastard now.” It was an award-worthy performance by Michael Chiklis for sure, but the look on Claudette’s face when she arrives to find out that Vic has just been exonerated of every bad thing he ever did was absolutely priceless. Claudette takes her anger out on Dutch by firing him, only to realize that it’s the lupus that’s making her act that way. I think it was a given that Claudette would no longer be sitting in the captain’s chair by the end of the series finale, but this more or less confirms that she’ll be gone, and Dutch, most likely, will take her place.

As for Vic, well, he’s put himself in quite the predicament. Not only has he just screwed over Ronnie (who deserves this about as much as Lem getting a grenade dropped in his lap), but Olivia as well, who must now live with the fact that she set a guilty man free, and even set him up with a sweet three-year gig that brings in just over $60,000 a year. I’d hate to think that Vic doesn’t have some kind of contingency plan for Ronnie, but who knows at this point? One thing’s for sure: when Vic finds out about Corrine’s betrayal, it isn’t going to be pretty. That is, unless Ronnie (or God help him, Dutch) decides to strike back at Vic first. Should be an interesting season finale.

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