Author: Jason Zingale (Page 147 of 154)

DVD shuffle: 12/20/05

Out on DVD this week:

1) Serenity – BUY: The best space movie since the original “Star Wars” trilogy, “Serenity” gave fans of the since-cancelled “Firefly” television series a chance to revisit their favorite stop in the Whedoneverse. It’s a real shame that no one else jumped on the train, because I would have like to have seen a TV rebirth, or at least a film sequel.

2) Four Brothers – BUY: John Singleton’s best film since his directorial debut, “Four Brothers” is very much an urban western. The film is certainly worth watching, but because of sub-par DVD special features, it’s hard to recommend buying this movie to just anyone. Proceed with caution.

3) Cry_Wolf – PASS: I don’t know if any slasher film victims have deserved dying more than the prep school students that make up the cast of “Cry_Wolf.” They’re all sadistic, bratty little high schoolers who think they’re better than everyone else, and they should have all died by the hands of their make-believe killer.

4) The Brothers Grimm – PASS: Terry Gilliam’s snorefest will have you sleeping within the hour, guaranteed!

Also new in stores is “The Exorcism of Emily Rose,” the Razzle-Dazzle Special Edition of “Chicago,” “The Great Raid,” and the frst half to season two of “Battlestar Galactica.”

Joss for a minute: A brief chat with Joss Whedon

He wrote episodes of “Rosanne” and penned the screenplays for “Alien Resurrection” and “Toy Story,” but, inevitably, what Joss Whedon is best known for is having created “Buffy the Vampire Slayer” and “Angel.” Most recently, he shifted from the small screen to the silver screen, helming the feature film “Serenity,” inspired by his sci-fi series, “Firefly,” but he’s currently working on the screenplay for the feature film version of “Wonder Woman,” which he’ll also be directing. Whedon put his muse on hold for a few minutes to hype the forthcoming release of “Serenity” on DVD, and, in an all-too-brief chat with Bullz-Eye, he discussed his feelings on how the movie did at the box office, the odds of seeing the characters from “Buffy” and “Angel” again in straight-to-DVD features, and in no way holds back when describing how the studio effed up his “Alien” script.

BE: Were there ever really any plans to continue “Buffy” with Michele Trachtenberg (who played Buffy’s sister, Dawn) taking over the central role?

JW: Nope. No, there weren’t. I mean, I love Michele, and I do think that she had more to offer than we got to see, but, ultimately, I don’t think I would anchor the show around her because…well, she really was Buffy’s sister. Not like Niles and Frasier, necessarily, but similar enough that you’re telling too much of the same story. If there was a spin-off, she would of course been asked to be a major part of it, but not the central, titular character. I mean, not not central, but just not the one. There are a couple of characters around whom I would build a series, but, mostly, it would just be different groups. If it came to DVD movies or something, then that’s different. Then, every character has their own reason to headline a movie, including Dawn…although I think Michele is probably off doing other things…because you find that it’s easier to do for two hours than it is to do for, say, seven seasons.

BE: With “Angel,” was there ever really any chance in hell that it was going to get a sixth season, or did the WB basically just say, “Okay, that’s it; you get one reprieve, but that’s all, no matter how good it gets”…?

JW: You know what? There probably was a chance in hell. I look back and think back at all the people who fought so hard. I was so exhausted by what had happened with “Firefly” and with the fifth season of “Angel,” which I worked a lot harder on than I had expected to, that I feel like, as I have grown older – and, oddly, shorter – I could’ve maybe fought. It never occurred to me that I could fight. When the head of the network tells you you’re cancelled, it never occurred to me to say, “Well, no, it’s not!” And I kinda regret that. I just thought that the law had been laid down. Now, I look back and think, what care I for the law? I’ve broken it enough times, and I probably could’ve then, had I not been so tired.

BE: What was up with the “Firefly” stars dropping into roles on “Buffy” and “Angel”? Did you promise them work if their show tanked?

JW: No, you know, I was against it at first. I thought, it’ll seem incestuous and weird. But then, they’re, like, Joss, nobody saw “Firefly.” No one will know. You know these actors are great, you know you love working with them, you know you need somebody bigger than life for the role, and, so, get over it. And I did. Rather dramatically.

Click here to read the full interview with writer/director Joss Whedon:

One giant-sized gorilla? Check. One dysfunctional family? Check. One very uneventful weekend? Check.

With “King Kong” tearing up the box office as we speak, the only other new release this weekend is the comedy “The Family Stone,” and since most people will probably be out watching Jack Black and Naomi Watts tame the 8000-lbs. beast, those waiting for a better variety of holiday movies will have to wait one more weekend. Of course, both “Brokeback Mountain” and “The Producers” open in limited release tomorrow, but good luck finding a theater in your area that’s actually playing either one. Instead, locate a red marker and circle December 23rd on your calendar. That’s when you’ll get to see your movie, and NOT until then.

Success is in its code

The trailer for the film adaptation of “The Da Vinci Code” was finally released today, and though a fan of Dan Brown’s novel, I’m still not exactly sure how the story will fare on the big screen. I would trust the film property in a select few directors’ hands, and luckily, Ron Howard is one of them. Still, the decision to cast Tom Hanks in the lead role was a dangerous one, considering that Disney employed Cool Hand Nic Cage to play pretty much the same role in 2004’s “National Treasure.”

For anyone interested in watching the trailer, click here, but don’t pay too much attention or you may pick up on one or two spoilers…

It’s TIME for your favorite SHOW again… maybe

News on the entertainment block is that premium channel “Showtime” is currently in negotiations with 20th Century Fox to pick up the Emmy Award-winning “Arrested Development” after getting the axe midway into its third season. Sources have indicated that Showtime is merely just showing interest at this time – since it requires a “big financial commitment” to keep the show’s large ensemble cast – but if the show does return, it will be Fox’s third official fuck-up of the past year; “Family Guy” recently returned to the air and “Firefly” was turned into a feature-length film.

I have to admit, Showtime was probably my last choice for “Arrested” to land (HBO or NBC would have been sweeter), but I’m confident that most fans will just be happy to know that it’s chances of returning are much better than first led to believe.

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