Author: Jason Zingale (Page 13 of 154)

Sons of Anarchy 3.1 – So

Anyone who watches “Sons of Anarchy” is well aware of the path of destruction that creator Kurt Sutter left behind at the end of last season, so it shouldn’t come as much of a surprise that Season Three begins with the characters picking themselves up off the ground. Only a few days have passed since that disastrous chain of events, and Gemma is still on the lam after being set up by Agent Stahl for the death of Edmond Hayes. But now that Unser has returned to his duties Charming, Tig and a few of the Oregon-based Sons have taken Gemma to a rundown motel to hide out.

Clay has smartly refrained from telling her about Abel’s kidnapping, and it’s a good thing that he has or otherwise, she’d probably come racing back to help with the search. Of course, between trying to hotwire a car and stabbing its owner in the groin with a pocket knife, Gemma has already proved quite a handful for Tig, so he finally concedes to her request to visit her father (Hal Holbrook) when she reads that her mother has recently passed away in the newspaper. I’ll be curious to see where this particular storyline goes, because it doesn’t look like Gemma will be coming back to Charming anytime soon, and quite frankly, she’s already missed.

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Tara is doing a pretty good job of filling in, however, and there was a really sweet moment between her and Clay where he told her that she was the best thing to happen to Jax. Though it’s possible that he was just being nice so she would cooperate and not name the Sons during her testimony to the FBI, Clay has always placed family first, and Tara is now a part of that family. And if you didn’t think that Tara was fully committed to Jax and the club before tonight, then she pretty much confirmed it by refusing to leave Charming despite Jax’s request, summing it up perfectly towards the end of the episode with the following speech: “We don’t know who we are until we’re connect to someone else. We’re just better human beings when we’re with the people we’re supposed to be with… I belong here.”

Tara even stood up to Stahl after being accused of lying during her testimony, calling her out at as a despicable human being and more or less threatening her to stay away from her family. But while Stahl didn’t seem too affected by Tara’s best Gemma impression, she looked positively terrified after Clay delivered a message of his own: “Anything happens to my grandson, I promise you, I’m going to shove a gun barrel up that bony ass of yours and I’m gonna blow your black heart out.” You have to hand it to him, though, because he’s right. While the Sons don’t exactly adhere the highest moral standards, Stahl’s web of lies has led to the deaths of several innocents and the kidnapping of baby Abel. Eventually, that’s all going to catch up to her, whether she ultimately confesses from a guilty conscience or someone else pulls the trigger. I’m betting on the latter.

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Sons of Anarchy: Season Three Preview

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Anyone that’s read my “Sons of Anarchy” blog or followed our bi-annual TV Power Rankings on Bullz-Eye knows that I’m a massive fan of the FX biker drama, so it shouldn’t come as much of a surprise that I’m beyond excited for the start of the new season. Last December, creator Kurt Sutter delivered a heart-wrenching finale that resulted in the death of several characters (including one of the Sons’ own), and found Ethan Zobelle getting away scot-free, Gemma on the lam for murder, and Jax’s son kidnapped by IRA gunrunner Cameron Hayes.

Season Three picks up only a few days later, with SAMCRO still reeling over Abel’s kidnapping and Gemma finding refuge with her father, played by Academy Award nominee Hal Holbrook, who might just be the show’s golden ticket to the Emmys next year. Holbrook isn’t the only new actor joining the cast, either, as the Sons’ will be heading to Ireland in search of Abel, placing them smack dab in the middle of IRA country. Among the new faces include “Deadwood” alum Paula Malcomson as the old lady to a member of the Belfast charter and cousin of Cameron Hayes, and James Cosmo (“Braveheart”) as her priestly brother. Kenny Johnson, who briefly appeared last season as a nameless member of the Tacoma charter, will also have a recurring role this season (and now with a name, Kozik), which means we’ll probably learn more about his mysterious history with Tig.

While flipping through the Season Three press kit that FX provided critics, I also found it a bit suspicious that Tayler Sheridan, the actor who plays Deputy Chief David Hale, was missing from the cast and crew bio section, despite the inclusion of much smaller supporting characters. Although it’s pretty much a given that Hale will be taking over the role of Chief now that Unser has left Charming with Gemma, I’ve heard rumors over the last few weeks that the first episode features a bombshell of a surprise involving his character. I’m not sure what that means, exactly, but I’ll be blogging the season as it progresses, so be sure to come back on Tuesday nights to read my recaps and join the conversation. To help tide you over until then, check out this sneak peek of the new season courtesy of FX:

Entourage 7.9 – Porn Scenes from an Italian Restaurant

I’ve been focusing so much on Vince’s downfall this season that I’ve pretty much ignored the possibility that Ari’s career might be in trouble as well. I figured he just dodged a bullet after Deadline Hollywood ran a story about his not-so-kind treatment of his employees, but Ari might have opened his big mouth for the last time. After making a scene in front of his embarrassed wife, Amanda Daniels, and some of the NFL board members (a classic Ari Gold rant that included plenty of insults and even a few borderline violent threats) Ari discovers that it wasn’t Amanda who leaked the tapes, but rather her assistant – a former employee with a grudge.

Apparently, Amanda was just interested in teaming up with Ari to bring an NFL team to Los Angeles, but now that opportunity is gone for good. It definitely wasn’t Ari’s proudest moment, but I’m sure he’ll survive. Of course, the suggestion that Amanda would suddenly be willing to work with Ari after threatening to ruin him only a few episodes ago seems ludicrous in and of itself. I mean, why the sudden change of heart? It’s not like they were ever friends, and Amanda clearly still isn’t over Ari’s sabotage of the Warner Brothers gig that ultimately went to Dana Gordon.

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Simply put, it would never happen, though I am warming up to the idea of Drama doing “Johnny’s Bananas.” I still feel like Drama takes the craft of acting a little too seriously to consider voicing a character on an animated show, but after a series of conversations with Eric’s secretary, Jenny – where we not only learned that the job would only take an hour or two a week to record, but that his condo has been foreclosed – it makes sense that Drama would finally decide to do the show, even if he is selling out as a result. It’s just a shame he didn’t come to that conclusion a little earlier, because it looks like Phil put a lot of effort in creating that presentation.

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Entourage 7.8 – Sniff Sniff Gang Bang

As has been the case with most of this season, tonight’s episode revolved around Vince’s downward spiral – not just professionally, but personally as well – as his relationship with Sasha continues to affect his life. Although the guys don’t think Vince could ever be serious with anyone, they clearly don’t know the new Vince as well as they think, because he’s falling for Sasha… hard. So when she tells him about an offer to shoot a new adult film, Vince gets a little overprotective, offering her the $200,000 she would have been paid for the gig not to do it. Of course, not only does Sasha plan to the movie (maybe a little bit out of spite, but mostly because she’s a freaking porn star), but she also informs him that it’s actually a five-guy gangbang. Ouch, for both involved.

And while Vince is busy trying to persuade Sasha not to do the porno by getting her a part in his new movie, Eric is desperately trying to keep Vince attached to said movie. That’s because the studio wants Vince to take a drug test, and he flat out refuses, claiming that he’s never been in any kind of trouble that would suggest he should need to be tested. Thankfully, Billy finally confesses to Eric that he did witness Vince doing some coke with Scotty Lavin at that party, and after ripping Scotty a new one right in front of a prospective client, he then confronts Vince about his drug use. But instead of apologizing to Eric for lying, Vince just acts like a giant prick, warning Eric to stay out of his personal business and practically demanding that he find Sasha a part in “Airwalker” or else.

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Personally, this behavior still seems a bit out of character for Vince (especially after everything he’s already gone through following the “Medellin” debacle), but he’s still attached to the movie when it’s all said and done. Unfortunately, Randall Wallace is not, who chose to walk away from the project after the studio bent to Vince’s will. The real question isn’t whether they’ll be able to find a new director, though, but just how in the world Vince is going to bounce back a second time when Hollywood becomes privy to this scandalous behavior.

It certainly can’t end well for him, but at least Ari is trying to mend his broken relationships as he experiences trouble on both home fronts. Not only has Ari promised a “kinder, gentler” workplace to his current staff just as old employees begin to come out of the woodwork to sue him, but Mrs. Ari feels embarrassed by the entire situation, going so far as to call an emergency therapy session to try and work out their marital problems one last time. Ari would probably tell you that there’s nothing wrong with his marriage, but Mrs. Ari wants some changes (including a no-Blackberrys-in-the-house rule and no more broken promises) lest she have to reevaluate their relationship. Though Ari seems a little hurt by the ultimatum, he eventually agrees, if only because he’s already late for an important meeting with Mark Cuban.

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Blu Tuesday: Hamlet

Running just over four hours in length, Kenneth Branagh’s 1996 production of “Hamlet” isn’t exactly the kind of film that the casual moviegoer pops in on a rainy day, but is instead tailored almost exclusively to cinephiles and diehard fans of Shakespeare. That’s because unlike previous film adaptations of the famous play, Branagh’s version is the first (and probably the last) to utilize the full text, resulting not only in one of the most ambitious studio movies of the last 15 years, but also the most complete film adaptation to ever be made. It just so happens to be one of the best, too, thanks in part to Branagh’s skillful direction, a treasure trove of fantastic performances (including Derek Jacobi as Claudius and Julie Christie as Gertrude), and gorgeous cinematography that benefits from Branagh’s decision to shoot the movie in 70 mm.

It’s completely coincidental that “Hamlet” was released around the same time as the formative years of my literary studies, but although I was already quite taken with Shakespeare’s play by the time I stumbled onto Branagh’s film, it only further deepened my appreciation for the work. And once you see his version of “Hamlet,” it’s really difficult to accept any other. I’m certainly not alone, either, as many people had been clamoring for the film to be released on DVD for years before Warner Bros. caved in with a belated 10th anniversary special edition. (And on my birthday, no less.)

Thankfully, we didn’t have to wait nearly as long for the Blu-ray, and the fact that it’s being released the week after my birthday makes me believe that, in some cosmic way, I’m somewhat responsible. So if you’ve been counting down the days until you could experience Branagh’s “Hamlet” in high definition, you’re welcome. Unfortunately, while the film looks brilliant in HD, there are no new special features to speak of. Granted, the ones that appeared on the two-disc DVD were already pretty good – the commentary by Branagh and Shakespeare scholar Russell Jackson is entertaining and insightful, and the making-of documentary “To Be on Camera,” although a bit dated, features some nice interviews with the cast – but surely they could have dug up something from the archives. Not that it will matter. Anyone that owns the DVD will want to pick up the Blu-ray strictly for the technical upgrades. And when you’re dealing with a movie with such lush production values, it’s more of a necessity than a luxury.

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