Author: Jamey Codding (Page 9 of 10)

All the while a great wind carries me across the sky

I’ve been wondering, as I’m sure most “Sopranos” fans have, how David Chase planned to bring his series to a close. The obvious choice would be to have Tony get whacked, but that seemed too easy to me. Now, I’m not so sure.

If the final season (plus the eight “bonus episodes,” whatever those are going to be) played out like your typical mob story, with Tony going down in the midst of some bloody power struggle with Johnny Sack or an internal conflict with someone from his own family, that could qualify as a copout. But it’s clear now that Tony’s brush with death has him examining his life in ways he never has before. He appears to be headed toward some sort of spiritual awakening, inspired by the Ojibwa saying that was pinned to the wall in his hospital room: “Sometimes I go about in pity for myself, and all the while a great wind carries me across the sky.” We’re all part of something much bigger, Tony’s neighbor in the hospital suggests, and it’s an idea that Tony seems to be warming up to. As they’re leaving the hospital, he tells Janice that he’s the luckiest guy in the world to still be alive and that every day from here on out is a gift. Later, rather than keep haggling with Phil and Johnny over the sale of Barone Sanitation, he agrees to their terms and in the process keeps Jason Barone, who found himself in the middle of a very nasty situation when his father passed away, out of trouble. “Truth be told,” Tony tells Phil, “there’s enough garbage for everybody.”

Tony seems to be finding answers to questions he never knew he had, which could very naturally lead to problems for T down the road. For starters, his guys aren’t going to be thrilled with the fact that Tony relented on the Barone situation, and if his new outlook on life continues to affect the decisions he makes, you can bet someone like Vito, who was visibly disappointed when Tony pulled out of his coma, will start thinking about a coup.

Of course, the other possibility here is, Tony may decide that he wants a change, that this isn’t the life he wants to lead anymore. Before the shooting, he never would’ve given in to Johnny on the Barone sale. “…there’s enough garbage for everybody”? Those aren’t the words of a ruthless crime boss. I think Tony’s gradually going to warm to the idea of retirement, of living out the rest of his life with Carmela and whatever grandkids Meadow and AJ end up giving him. That seed was planted very early this season when Gene Pontecorvo asked Tony if he could retire to Florida with his wife and kids, living off the $2 million he’d just inherited from his dead aunt. Tony denied his request and Gene, a childhood friend of Tony’s, wound up hanging himself. This week’s final scene, with Tony sitting next to the pool and watching the wind blow through the trees, tells me that he’s giving in to this notion that he’s part of something bigger, and he’ll soon come to the realization that he’s not happy doing what he’s doing. It’ll be a gradual change, with the rest of the season shaping up to be one massive internal power struggle which could very well lead to the “Tony gets whacked” finale. But Chase would be taking a very intriguing route to get there, with Tony’s spiritual transformation sparking the conflict rather than some tired dispute over money or territory.

So who would be the in-house candidates to off Tony? Vito’s way too obvious – I think he’s dead long before he gets a chance to do any real damage. It’s obvious that Sil would have very little interest in running the family after his disastrous run on top while Tony was in the hospital, and besides, I think he’s too loyal. Christopher would make a lot of sense, especially since he told Tony two episodes ago that he thought T owed him after the whole Adriana situation. Chris has always been a hothead and he’s already made it known just how much he hates Phil, which means he’ll be pissed that Tony caved on the Barone sale.

Then there’s Paulie. He’s about to cause some major trouble. After learning this week that his mother was actually his aunt and his aunt was his mother, Paulie snapped. I kept waiting for him to send his mom/aunt through a window (he tossed her $2,000 flat screen TV out the window instead), and he’s been unhappy with Tony for a while now – remember last season when Tony threw Paulie’s painting in a dumpster? Again, this week’s final scene was very telling: Paulie, consumed with jealousy after watching Mrs. Barone beg Tony to protect her son, takes a pipe to Jason’s knees, demands Jason pay him $4000 a month and warns him not to tell Tony anything. Then, while Tony sits next to his pool peacefully, watching the wind in the trees, Paulie walks back to his car, a stiff wind blowing in his face. That clearly places Tony and Paulie in opposition. Now, we’ll have to see how that plays out.

“Goodbye, children!”

The email had the following subject:

“ISAAC HAYES requests release from ‘SOUTH PARK'”

Obviously, as a huge “South Park” fan, that caught my eye. Here’s what the press release said:

Legendary soul man Isaac Hayes has officially requested a release from his contract with the “South Park” television show, and the Comedy Central cable station. Mr. Hayes has been a cast member of “South Park” since 1997 as the voice of “CHEF”.

Mr. Hayes has decided to part ways with “South Park” because of recent episodes and press that have embarked upon what he feels are inappropriate ridicule of religious communities. While fully acknowledging “South Park’s” right to freedom of speech, Mr. Hayes is disappointed with what he perceives as a growing insensitivity towards personal spiritual beliefs, not only with “South Park” episodes but also the recent Danish cartoon controversy.

“There is a place in this world for satire, but there is a time when satire ends and intolerance and bigotry towards religious beliefs of others begins.” Mr. Hayes adds, “religious beliefs are sacred to people, and at all times should be respected and honored. As a civil rights activist of the past 40 years, I cannot support a show that disrespects those beliefs and practices.”

In all honesty, I’ve expected Hayes to walk away from the show for years; in fact, Trey Parker and Matt Stone said in an interview several years ago that they couldn’t believe Hayes signed on in the first place. The only thing missing from the press release is Hayes calling Parker and Stone “a couple of crazy crackers”.

As for his reasoning, it makes sense considering “South Park” has banged on Catholics, Jews, Mormons and, most recently, Scientologists (in the legendary “Trapped in the Closet” episode). Then again, they’ve been doing that for years. Could the Scientology episode really have been the last straw? Maybe Hayes and Tom Cruise are buddies, I don’t know.

The bigger question here is, what now for Chef? I can’t see Parker and Stone try to carry on the character with new voice talent. It just wouldn’t be the same. Granted, Chef’s profile on the show has diminished since the early days, when you could count on at least one vintage Chef song (“I’m gonna make love to you woman. I’m gonna lay you down by the fire.”) in nearly every episode, one of my personal favorites being “Chocolate Salty Balls.” But using someone else to voice Chef, even in a limited role, would be a disaster.

So the question is, how do they kill Chef off? That’s the only option, isn’t it? Then again, maybe they can get Barry White as a replacement….

The Family’s back…finally

“Woke up this morning, got yourself a gun.”

And then shot your nephew with it. You knew something was about to happen when Tony was in the kitchen by himself cooking loony Uncle Joon some dinner, I just didn’t expect Junior to shoot Tony in the gut. In hindsight, of course, it all makes perfect sense and seems blatantly obvious, but David Chase had me fooled last night. Whether or not this gets Tony to change his stance on admitting Junior into a retirement community remains to be seen, but it’s kind of hard to argue that your confused uncle doesn’t need professional assistance when said confused uncle tries to whack you while you’re making him some pasta. Somewhere, Tony’s mom is smiling.

“The Sopranos” has taken some heat from loyal fans the past couple of seasons for not being violent enough, but Chase made everyone happy with this season six debut. Aside from Junior capping Tony, we saw a few of Phil Leotardo’s thugs beat on Hesh’s son-in-law (Phil describes it as an unfortunate mistake), and Gene Pontecorvo splatter some fat guy’s blood all over the window of a fast-food joint. Gene later offs himself (hanging scenes always make me squirm, but this one was particularly disturbing for some reason), and I’m sure Gene’s suicide is going to be a source of immense guilt for Tony throughout the season. I mean, come on — the guy just came in to $2 million. Why not let him retire to Florida with his family?

Of course, as much as he’s going to beat himself up over it, Gene’s death is actually good news for Tony since (we learned) Gene was a “cooperator.” Now that the FBI lost both Gene and Ray Curto (who keeled over in the middle of a meeting with an agent), the big question is, who’s the next informant? I’m guessing it’s going to be someone big, like Pauley or Sil. Big Pussy’s informant days still stand as one of the show’s most compelling storylines, and with this being the final season, Chase will likely tap into that dynamic again. Considering what happened with Adriana last season, putting Chris in that position would be deliciously ironic.

And speaking of Adriana, it looks like Chase threw her a bone with that brief guest appearance. With “Joey” flopping, you can bet Drea de Matteo would kill for her old gig.

Finally, I’m going out on a limb and predicting that Chris is going to off Phil at some point this season. At the very least, someone from Tony’s family is going to off Phil (remember when Phil beat the snot out of Vinnie Delpino while hunting down Tony B?), which is going to make relations even worse between Tony and Johnny Sack. Considering how many times he told Tony how much he hates Phil last night, my money’s on Chris being the trigger man.

Best Cartoon Characters of All Time

When we sat down and started ranking out our list of the best cartoon characters of all time on Bullz-Eye.com, we weren’t necessarily looking for the trailblazers, though we wound up with a few of them anyway. Instead, our goal was to highlight characters that have become larger than life, the ones whose mannerisms, speech patterns and catch-phrases have found a home in the cultural lexicon. If you saw the character, would you know who it was? Could you do an impersonation or easily recall a favorite episode? In short, we were looking for characters who have withstood the test of time, who have contributed something lasting to the pop culture landscape, and who have become more than just drawings with voice actors.

Here’s a glimpse of what we came up with:

20. Beavis & Butt-Head
Here’s the bad news about Beavis & Butt-Head: they’ve aged terribly. The recent “Mike Judge Collection” was a major letdown, with glaring omissions (no “Fire! Fire!” episodes, and the few music videos they were allowed to use had neutered commentaries). Nonetheless, we must acknowledge the massive impact that B&B had on pop culture. Quite simply, they ruled MTV in the early ‘90s, and some have even suggested that they in fact saved MTV. In some instances, the careers of bands were made and broken by their cutting comments. That’s right, the opinions of two of the most socially retarded characters you’re ever likely to find actually held weight as a barometer of good taste; such was the hero worship that surrounded the B&B phenomenon. One other overlooked contribution that Beavis and Butt-Head made to pop culture was the spinoff show “Daria,” which was far wittier than its ancestor (and therefore widely ignored). Watching them now may not be as much fun as it once was, but we concede that Beavis & Butt-Head have a certain Zen-like simplicity that cannot be denied.

16. Fat Albert
Hey, hey, and, indeed, hey. He might’ve started out as the subject of a comedy routine by Bill Cosby, but our man Albert came into his own when he scored his own Saturday morning series on CBS. With the Cosby Kids in tow – Mushmouth, Dumb Donald, Bill, Rudy, Russell, Weird Harold and Bucky – Fat Albert and his gang…and make no mistake, my friend, they were a gang…stalked the streets of an unnamed city, learning from each other while they did their thing. Every episode of the show brought a new lesson, something which viewers were warned about up front (“…If you’re not careful, you may learn something before it’s done…”) just in case they didn’t want any stinkin’ education with their cartoons. If you remember the musical segments, you know that Parliament-Funkadelic didn’t have anything on the Junkyard Band, mostly because even Bootsy Collins’ funky-ass bass couldn’t compete with Mushmouth on birdcage. Even putting aside both the music and the morals, however, Albert was still a groundbreaker…and I ain’t talking about the cracks he made in the pavement when he was walking down the street (oh, snap!); his was the first animated TV series with an all-black cast. Basically, what we’re saying is that if you don’t like Fat Albert, you’re like school in the summertime: you got no class.

9. Stewie Griffin
Stewie Griffin isn’t the first cartoon character to dream of world domination, but he’s likely the first to hatch his diabolical plans while wearing a diaper. Stewie, the youngest child on the Fox hit “Family Guy” and the only one with a British accent, is one twisted, evil, conniving kid. He ruthlessly rags on his sister for being unpopular, beats and kidnaps his cute babysitter’s boyfriend and, when Brian, the family dog, hops into a cab in search of a better life, Stewie runs out to the curb screaming, “Wait!”…so he can spit in Brian’s face. Above all else, though, Stewie wants to off his own mother, and dreams of the day he can lay her out on the floor like a bearskin rug. As he says, “It’s not that I want to kill her, it’s just that I want her…not to be alive anymore.” And then there’s the mystery surrounding his sexual orientation. All signs point to Stewie being a switch hitter, though his fascination with sailors and show tunes suggests he may prefer one side of the plate to the other. With all these character quirks, it’s often easy to forget that Stewie’s just a kid, but then he flies to England to meet Mother Maggie, who stars in his favorite TV show, “Jolly Farm Revue.” Bottom line: There’s nobody else on television, animated or otherwise, like Stewie Griffin, and that’s what makes him so great.

5. Daffy Duck
There’s a great line in “Nixon,” where Anthony Hopkins, as Nixon, stares at a portrait of John F. Kennedy, and says, “They look at you, and they see who they want to be. They look at me, and they see who they are.” In Looney Tunes terms, Daffy Duck is Richard Nixon: we all wish we were as witty and as unflappable as Bugs Bunny is during the most trying times, but while we’re occasionally cool and collected, more often than not, we’re spastic, impatient and tongue-tied, like Daffy (“It’s not ‘He doesn’t have to shoot you now,’ it’s ‘He doesn’t have to shoot me now. ‘Well, I say he does have to shoot me now! [turns to Elmer] So shoot me now!”). Fortunately for Daffy, while the joke tends to be on him more often than not, he’s quite versatile; when he’s not taking lumps at Bugs’ expense, he has been known to play Foghorn Leghorn and Barnyard Dawg against each other, taunt Porky Pig from time to time, and has traveled as much Bugs has (Witness “Robin Hood Daffy’s” immortal “Ho! Ha ha! Guard! Turn! Parry! Dodge! Spin! Ha! Thrust!” bit). As secondary characters go, Daffy has quite the résumé. That earns, at the very least, our admiration, if not our respect.

Click to check out the rest of the list at Bullz-Eye.com.

The Sports Guy laments the President’s assassination

The Sports Guy, ESPN’s Bill Simmons, is one of the best sports columnists around, partially because he hits on just about every pop culture topic out there. This week, while discussing Steelers’ RB Jerome Bettis’ near catastrophic fumble in the closing minutes of their playoff game against the Colts, Simmons threw this gem in:

As it turned out, it wasn’t even the most shocking moment of the day — not when the “24” brain trust decided to kill off President David Palmer. How can you kill off the greatest fake president ever? Who would do such a thing? That was the most traumatic Hollywood death since Curtis Jackson was gunned down at the liquor store during the second season of the “White Shadow.” Heck, I was planning on voting for Palmer two years from now — instead, I have to vote for Kevin Kline. Plus, every time I see an Allstate commercial, I’m going to expect Dennis Haysbert to get gunned down right in the middle of a busy intersection. What an outrage. Can’t they bring him back for Season Six under the old “Um, he never really died, he was just in a coma, and now he’s fine!” angle?

I’m right with him: after it happened, I immediately wondered, “Okay, how could they possibly bring him back?” And then, during one of the subsequent commercial breaks, Haysbert shows up in an Allstate ad. I know this is all pretend — I KNOW it — and yet, for a split second, I couldn’t comprehend what I was seeing. “Wait, you’re supposed to be dead!”

I thought “24” was missing something last season without Palmer and was thrilled when he showed up again. His assassination certainly was a shocker, but his absence will be felt.

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