Author: Jamey Codding (Page 6 of 10)

Making up for lost time

Just a couple weeks ago I said that I was bored with the third season of “Entourage.” It’s amazing how quickly a plot and some actual conflict can change a man’s opinion. Oh, and a threesome doesn’t hurt either.

This week was the Ari show and, thankfully, not one of his scenes involved his daughter. Instead, Ari spends the entire episode trying to get Vince on the phone, only Vince won’t talk to him until Ari gets Johnny a job. Problem is, Ari really needs to talk to Vince because Alan, the head of Warner Bros., upped his offer to $12.5 million if Vince will drop “Medellin” and dive into “Aquaman 2.” And Alan’s getting impatient, which leads to this week’s Ari moment, and it’s a classic: He walks into the conference room and tells all of his employees that the staff meeting has been canceled. Instead, their #1 priority is to find Drama a job. “I don’t care if it’s a porn shoot in which he is getting gang raped by a gaggle of silverback apes. If there are cameras rolling, everybody wins.” Wait…a “gaggle of silverback apes”? That’s, fucking, hilarious. Ari even goes so far as to offer the first person to get Drama a job $10 grand, and when Lloyd asks if he can get in on the offer, Ari responds, “Sure, but you’ll get paid in Yen.”

This entire episode served as one giant example of why Ari Gold is the best character going on TV today. “Deadwood’s” Al Swearengen gets some love too, as does John C. McGinley’s Dr. Cox on “Scrubs,” but when Jeremy Piven is given some actual material to work with, he’s unstoppable and unbeatable. Ari was on a rampage this week, nearly throwing his computer monitor through the window before Lloyd reminded him that it was a rental, and his conversations with Alan over the phone were priceless, saying he’d make sure Vince didn’t “pull a Chappelle” by bailing on the “Aquaman” franchise. He even sent text messages to E all episode, since he couldn’t get anybody on the phone. One said, “You drunken, Irish, short, midget cocksucker! I need someone to call me back!” Another simply said, “FUCK YOU!!!!!!!!”

I’ve got a feeling Ari’s going to get even more worked up in the coming weeks. Vince stuck to his guns throughout, telling Ari he wasn’t doing “A2” for anything less than $20 million, and when Ari finally tracked him down at home, Vinnie said all he really wanted was to get the days Alan promised him so he could do “Medellin.” Too late, apparently, as Ari tells Vince that the role was given to Benicio Del Toro. Vince is crushed, and he’s pissed. Ari tells him it’s over, that he needs to do “A2” or Alan will sue Vinnie. Fine, Vince agrees to honor his contract but he won’t go to breakfast with Alan the next day, and he won’t take the $12.5 million. “I don’t want to be indebted to some douchebag,” he tells Ari, and then says he’ll do the sequel for the $7 million they originally agreed upon.

I think Ari’s bluffing. Benicio Del Toro didn’t get “Medellin,” but Ari knew Vince wasn’t going to budge unless “Medellin” was no longer an option. So he lied. Just like he lied about Dom being caught on camera swiping the Shrek doll a few episodes ago. He was desperate then, trying to get Vince the “Medellin” role, and he’s even more desperate now. In fact, this parallel could explain why Dom was even on the show. We’ve seen Ari pull a stunt like this before, and now he’s doing it again, only he’s lying to Vince’s face. That’s not going to sit well with Vince, a guy who’s shown that he’ll stick to his principles no matter what, a guy who doesn’t like being lied to. Once he finds out that Ari lied about “Medellin,” Ari’s in deep shit.

Of course, that’s assuming I’m right about this, but after watching Ari tell Alan that Vince agreed to do the movie for $10 million (not $7 million), it’s clear that Ari’s not playing things on the level right now. Even worse, since Vinnie stood Alan up at breakfast, Warners apparently is having Jake Gyllenhaal do “A2,” which means that not only does Vinnie not have “Medellin,” he doesn’t have “Aquaman” either. I was hoping the writers wouldn’t figure out a convenient way for Vince to get both roles; I never expected he wouldn’t have either.

I’m running long already, so I’ll try to wrap this up quickly. Seems Drama’s in a “Godfather” video game, and seeing his CGI self say, “Thanks bro” to Marlon Brando was awesome. As for finding a job, well, Lloyd actually got him an audition, and it sounds promising, but true to his word, Ari tells Lloyd that, if Drama gets the role, he’d give Lloyd 10,000 Yen. It’d be great if we started seeing more of the Ari/Lloyd dynamic in the coming weeks. Hell, anything’s better than Ari and his daughter.

And that’s pretty much it…oh, right, except for the threesome. Wow. We haven’t seen Sloan all season (save for a brief appearance in the premiere), and then, suddenly, she’s having a three-way with E and her smokin’ hot friend Tori. Thank the writers for that. Sloan had a rule, though: E wasn’t allowed to have sex with Tori. Hey, sounds pretty damn fair to me. But judging by the fact that Tori and E woke up holding hands, it’s safe to say they didn’t exactly avoid each other the night before. It’s also safe to say the ménage is going to cause some problems between E and Sloan. Stay tuned.

Hey, better late than never, right?

Now we’re talking. After effectively neglecting the entourage during the season’s first four episodes while building Vince’s story, the writers finally doubled back for Turtle and Drama this week. (Eric, from the looks of the previews, will get some love next week.) While buying each of the boys their own Aston Martins, in celebration of “Aquaman” taking down “Spider-Man” at the box office, Vince tells Turtle that he got a radio station to spin Saigon’s disc. Minutes later, Turtle’s phone starts blowing up with people looking for info on Saigon, and Vince even agrees to arrange a sit-down for Turtle with Ari. Boom, just like that, Turtle’s budding career as a music rep finally has some momentum. Only now, Drama wants his own meeting with Ari; instead, he gets the next-best thing: he can come with Turtle. Clearly annoyed that he needs to spend his lunch with Vince’s boys, Ari reluctantly agrees to rep each of them before the check even arrives.

I love it. Ari makes things happen, as evidenced by him setting up meetings with Atlantic Records, Sony and Interscope for Turtle and Saigon. “I think your life’s about to change, Turtle,” Ari tells him over the phone. No shit. With Ari opening doors for him, Turtle’s star should rise in a hurry. As for Drama…well, not so much. Ari only took them on as a favor to Vince, but now that Turtle’s getting some action Ari’s got no problem giving him the attention. Hell, we haven’t even heard Drama talk about any work this season. I’m guessing the writers are really going to start pitting Turtle’s rising career against Drama’s stalled one. Drama was already put off when Vince set up Turtle’s meeting with Ari, and he didn’t exactly look thrilled when Turtle told them about the meetings with Atlantic, Sony and Interscope. Something’s brewing here, and I like what I’m seeing.

Things also got interesting with Vince and his scheduling conflicts. Paul Haggis needs 90 days to film “Medellin,” but Warners can only grant a 65-day delay, which Haggis says is impossible. Vince is dying to play Pablo Escobar but, as Ari reminds him, he signed a contract with Warner. “I know that you would kill in that role and I know that the timing sucks,” Ari says, “but be a man.” Fine. Vince honors the contract and turns down his dream role.

Only, turns out, Haggis isn’t ready to give up. He comes over, bottle in hand, to tell E that he can’t see “Medellin” without Vince. After a brainstorming session that includes some reefer and booze, E comes up with a solution that, Haggis admits, could actually work. Problem solved. Only the head of Warner Bros. says he can’t let Vince do “Medellin.” “I’ve got a billion-dollar franchise to protect, Happy Meals and action figures. I can’t have my Aquaman doing three hours of blow in every multiplex in the country.” He tries to ease the tension by saying “it’s not personal, Vince, just business.” Vinnie’s response? Give me $20 million to do “A2” or I quit. Hey, it’s just business.

Sorry to repeat myself, but now we’re talking. This thing has legs and I don’t see it getting the typical “happy ending” treatment that the writers have become all too liberal with. In fact, now that Ari told Vinnie that Kevin Smith wrote the “A2” screenplay and, to quote one of my colleagues, the “hacktastic” Michael Bay is stepping in for James Cameron behind the camera, I’m going to say Vince backs out of his contract with Warners. They gave him their word that, if he could figure out how to get “Medellin” done in 65 days, he could do it. Well, E and Vinnie worked it out but now that Warner Bros. backed out of their promise, all bets are off, especially with Cameron out of the picture. Vince is clearly ready to play hardball. Question is, will Warners step into the batter’s box?

Oh, as for this week’s Ari moment: After endearing himself to his wife by being so protective of their daughter, Ari asks, “Now how ‘bout a quick blowjob before my Vince dinner?” Not surprisingly, that one didn’t go over too well with the missus.

I’ve never heard of a “junior slump”

So what was the point of bringing Dom onto the show? I don’t see it. I suppose it could’ve been simply to compare where Vince, E, Drama and Turtle came from to where they are now, but the payoff was meager at best. Of course, maybe Dom’s going to hang around but, after this week’s episode, it sure seems like his role has run its rather meaningless course.

“Aquaman” is the biggest movie on the planet and, as such, Vinnie is now the planet’s biggest movie star, which means everybody wants him in their film. There’s “Flight,” which Ari describes as “‘Dead Poets Society’ in space” (sounds an awful lot like his “‘it’s Spider-Man’ underwater” synopsis of “Aquaman”), and “The Sandman,” where Vince would play “a retard in a Red Cross tent in the Sahara.” “Flight” is offering Vince $8 million, “The Sandman” $9 mil, but Ari’s got something even better: “Medellin,” Vinnie’s dream role as Pablo Escobar. The only thing is, first Vince needs to convince Phil Rubenstein that he’s the guy for the part.

Enter Dom, whose sole function on the show (at least thus far) is to fuck things up. Of course, that’s not necessarily a bad thing, assuming that things getting fucked up actually serves a purpose. Dom, on the other hand, apparently fucks things up for the simple sake of fucking things up. After dropping an f-bomb in front of a bunch of kids at the opening of the new “Aquaman” ride last week, Dom lifted an original Shrek doll from Rubenstein’s house during a party this week. When the doll is discovered missing, Ari and Rubenstein point their fingers at Dom (thanks to a story Dom told during the party) and, after repeatedly denying that he did it, Dom confesses to the boys to (hopefully) save the role for Vince. The doll is returned and the movie, apparently, is Vinnie’s, only now it seems Warner Bros. plans to start filming “Aquaman 2” the same day that “Medellin” is set to begin.

Yawn.

Here’s my problem: How ‘bout having something actually derail Vinnie’s ride? “Aquaman” became the highest grossing film in (make-believe) movie history despite statewide rolling blackouts a couple weeks ago which, as Eli Cash pointed out in a comment, should’ve made it impossible for the movie to rake in $116 million. And now, apparently, Vince is still going to get the “Medellin” role even though Dom pocketed the Shrek doll. Conflict makes for more compelling television, but so far this season the conflict hasn’t altered the path of the story at all. Sure, the blackouts and the Shrek heist have served as speed bumps but, in the end, Vinnie and the boys wind up exactly where we thought they’d be. There was genuine uncertainty last season: would “Queens Boulevard” shine at Sundance, did Vince want the “Aquaman” role, did James Cameron want Vince for “Aquaman”? Granted, “Queens” killed and, despite all the Mandy Moore drama, Vince rode “Aquaman” to superstardom, but this season I get the feeling that everything is a foregone conclusion and all the other stuff is just filler, distractions. I didn’t get that sense last season. What purpose did Dom serve? He was in and out in two weeks and his presence didn’t affect the outcome of anything. And what about Drama and Turtle? Is Drama out of work? Did the writers forget about Turtle representing rapper Saigon last season? There’s no depth to the story, no tension, no uncertainty. It’s all too linear and, frankly, I’m bored.

But the writers have a chance here: How will the scheduling conflict work out? Please, please tell me Vince won’t figure out a way to get both roles. Maybe he passes on “Medellin” to do the sequel, or maybe the Pablo Escobar role is too tempting and he bails on the next big movie franchise. Either way, I’m hoping the writers show some balls and creativity here because, so far in this third season, I haven’t seen much of either.

Almost famous? Not anymore.

“After the year that I’ve had and on the most important day of my life, you’d think she would ask me what I wanted, ya know? A nice blowjob perhaps, where I could just sit back for the first time in nine months and do nothing but admire the top of her head and pray that this fucking movie opens so I can stop selling off assets like we’re fucking Michael Jackson. All right? Now, I have to answer the fucking Batphone when it rings three fucking times and it’s fucking Vince!”

And so goes this week’s Ari moment, which may also rank as one of the finest rants in television history. It’s the “Aquaman” premiere weekend and everyone is thinking about the numbers. Ari hopes the movie rakes in $95 million over the weekend, but when Turtle throws out a prediction of $114,844,117, or one dollar more than the opening record held by “Spider-Man,” imaginations run wild. The guys check out the movie at a theater in the valley, and the massive crowd is into it right up until a blackout shuts everything down mere seconds before the best part of the movie. Bad news. Even worse, the entire area starts experiencing rolling blackouts, which sends the lofty projections into a tailspin and prompts the above quote from Ari after his wife scheduled an emergency session with a marriage counselor at the worst possible time.

Nothing to worry about, though, as it turns out the blackout affected the reporting of the numbers more than anything else. In fact, projections now have “Aquaman” pulling in $116 million, news that Ari delivers personally to Vinnie and the boys at a high school party straight out of “Almost Famous.” No surprises there, as we all pretty much figured the film would be a monster hit, but when I suggested last week that a far more interesting path would be to have “Aquaman” tank, I did so because I wasn’t sure how much potential the “blockbuster” storyline held. I mean, I love watching these guys party balls and now that Vinnie’s the biggest movie star on the planet, as Ari told his wife he’d be, even more good times await. But a story needs conflict, and having everyone live the high life for the rest of the season without anything of real consequence happening would get boring. And what about Ari? We only get to see him scrambling for a few episodes before he’s back on top? I don’t know that anyone’s ever pulled themselves up by their bootstraps that quickly.

I may very well be selling the “Entourage” writers short. Then again, judging by how neatly and conveniently they wrapped up the finale last season, maybe not. This is setting up to be a good season, but the question now is, where do we go from here? I’m guessing now that the craziness of the premiere has passed, we’ll start seeing more depth to the story. Everything so far has been about Vince, which is understandable since the biggest movie of his career is opening, but what’s going on with Turtle’s music rep career and Drama’s own acting career? And where the hell is Sloan? While everything in the “Entourage” world revolves around Vince and his career, this show has always been at its best when the focus is off Vince and everyone is involved. With only two episodes in the books, there’s obviously plenty of time to shift the focus this season. Let’s just hope that shift starts next week.

So what’s it going to be: Spider-Man or Daredevil?

Does anyone else get to the end of an “Entourage” episode and think, “Damn, I wish this show was an hour long”? Tonight was all about the build-up to the much-anticipated “Aquaman” premiere. Vince asks his mom to be his date (“Aquamom, I love it,” Ari says), Eric’s going with Sloan (very happy she’s back), and Turtle and Drama pass out 50 tickets to 50 hot women, hoping to improve their odds of scoring. But when Mrs. Chase’s fear of flying forces her to cancel, E and Turtle rely on the powers of jealousy by inviting their own moms in for the event. That does the trick, and the boys roll to the premiere with their moms (and Sloan) on their arms. Unfortunately, when the credits roll we’re still standing on the red carpet, forced to wait a week to know whether the movie’s a hit or not. Damn. Why not an hour?

Of course, the smart money’s on “Aquaman” being a hugely successful summer blockbuster. After all, it’s not like Vinnie’s an established superstar in Hollywood whose career could survive a major flop, and without Vince bringing in the leading roles, Eric, Turtle and Drama are all out on the street. But the interesting thing here is, Ari is now more dependent on Vince than the boys are, especially since his wife’s trust fund is running low. Ari’s still afloat, working with a staff of nine in a West Hollywood office building, but things are damn tight. He tells his wife that “the seeds are planted” every time he asks for more money ($100k this week) and that Vince will be the first seed to bloom, but the fact is, Ari needs Vinnie to become the biggest star on the planet. If “Aquaman” bombs, Ari’s toast.

So it would seem the film has to hit big, for the sake of the story, but wouldn’t it be interesting if that weren’t the path the writers chose? The boys have been riding high for a couple of years now, so why not throw a roadblock up on Easy Street to create a little conflict? And as for Ari, it’s always darkest before the dawn, right? How would he recover from an “Aquaman” disaster, precisely at the moment that he needs a minor miracle? Plus, the gamble on “Queens Boulevard” paid off, so it would seem almost fitting that what looked like a sure thing – a summer superhero movie with James Cameron at the helm – actually flops.

But who am I kidding? “Entourage” is all about the lifestyle: the women, the fame and the fortune. That’s what makes it so damn fun. And spending half the season watching everyone dig out from the “Aquaman” rubble wouldn’t be much fun, would it? But it certainly would be a ballsy choice by the writers, and one that would no doubt create plenty of growth opportunities for just about everyone involved.

Most weeks, since Jeremy Piven‘s character is one of the best on TV today, I’ll point out some favorite Ari moments. Tonight, while catching flak from his wife for having to borrow more money, he said, “Trust me like you trust your daddy’s trust fund. I mean, you call them your personal savings but you haven’t saved shit personally.” And remember when Lloyd asked Ari to promise that he wouldn’t make fun of Lloyd’s race or his sexual orientation anymore, and Ari said, “I can’t promise that, but I can promise that I’ll always apologize afterwards”? Well, he already broke that one when, after complaining about some dust in his office and being reminded that the cleaning staff was on strike, Ari replied, “They strike, you work. You’re Asian; you’re supposed to be a neat freak.” You just knew he wasn’t going to keep that promise.

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