Author: John Paulsen (Page 62 of 79)

The Office: The Phone Conversation

So Pam and Jim finally reconnect and have a long conversation. I love the bit about Pam’s confusing “28 Days” with “28 Days Later”:

Pam: “I kept waiting for Sandra Bullock to show up.”

But the conversation ends abruptly and awkwardly when Ryan and Dwight return from the Tests. Pam says “bye” to Ryan, and Jim thinks she’s saying it to him. Pam’s a receptionist – doesn’t she know to cover the phone when she’s talking to someone else? Geesh!

Here are a few of my favorite moments from the episode:

Dwight: (talking about Ryan’s future) “Is he going to be a slacker/loser/wiseass like Jim or will he join Dwight’s Army of Champions?”

Karen: (as Jim sings the Cardigans’ “Lovefool”): “That is not a proportionate response.”

That was a great shot of Dwight tearing off in his Firebird, leaving Ryan alone in the field.

Dwight: (after Ryan says that competition is the biggest threat to Dunder-Mifflin) “Wrong! Flash floods!”

Battlestar Galactica: “Exodus”

So the jailbreak is on, but Tigh has to poison his own wife first. She gives a nice speech, making him feel even worse about what he had to do. With all her faults, it was obvious that he really did love her. But you know what they say: once you go Cylon, you can never go back. Here’s hoping that Tigh loses his eye for good – how great would he be with a black patch?

The coolest thing about the escape was Adama’s ruse with the drone ships and the subsequent jump into New Caprica’s atmosphere. There’s Galactica, crashing to the planet, but he’s able to launch a crapload of vipers before jumping away.

For a moment there, it looked like he was going down with his ship, but you just knew that Lee would show up with the Pegasus to save the day. I thought it was interesting how the writers figured out a way to save Galactica while destroying Pegasus at the same time. After all, it the show isn’t called “Battlestars Galactica and Pegasus,” is it?

I have to say that the special effects on the show are tremendous considering how much the creators grumble about limited budgets. The space battle scene was extremely action-packed, and the effects are getting so good that you don’t get lost in little details that look odd, which was still a problem for sci-fi television as recently as a few years ago.

It looked like both the Cylons and the humans were each going to leave New Caprica with a hybrid baby, but Casey turned out to be a random human child. Katee Sackhoff’s (Starbuck) acting was terrific in that scene on the ship. When she discovered that she wasn’t Casey’s mom, she looked like she had just been punched in the gut.

I’m curious how Maya died on the way to their ship, leaving the baby Hera for the Cylons. Roslin stressed to the leaders of the insurgence how important it was that they get off the planet, and while tons are others are able to escape, they are not. I wish we had been able to see how that happened. Maybe they can tie a flashback into a future episode to explain it.

The Admiral looks better without the ‘stache. Now if we can just get Lee to go on a diet…

Five new series that must survive the season

With new shows starting to drop like flies, I started thinking about which cancellations would break my heart. Here are five series that absolutely must survive the season, along with this week’s odds of it being cancelled, as determined by the good folks over at BrilliantButCancelled.com.

Studio 60 on the Sunset Strip” (Mondays, NBC) (144:1)
NBC has put its weight behind this new Aaron Sorkin series, which follows the goings-on behind the scenes at a late-night comedy show. The dynamic between Bradley Whitford and Matthew Perry (who play the fictional show’s producer and writer, respectively) is terrific, while Amanda Peet is shockingly convincing as the network exec in charge of programming. But the most pleasant surprise has been the performance of Sarah Paulson, who is so convincing as the show’s star (coming up with killer Juliette Lewis and Holly Hunter impressions), it makes me wonder why she didn’t go into sketch comedy in the first place. “Studio 60” has quickly filled the void left after “The West Wing” left the air, and while its ratings are way behind “CSI:Miami,” the word is that the numbers are still well ahead of the baseline that NBC needs to keep the show on the air. Sorkin’s cred can’t hurt, either.

Heroes” (Mondays, NBC) (483:1)
This series has been a strong ratings earner, so it doesn’t appear to be in much danger of being cancelled, as evidenced by the long odds. The separate storylines are starting to come together and the acting is getting better. The show is darker than expected; it deals with date rape, drug use, infidelity and murder, which makes perfect sense – in order to have heroes you must have villains. Plus, it can’t hurt to have arguably the best new character of the season – Hiro Nakamura, the Japanese time traveler.

Friday Night Lights” (Tuesdays, NBC) (72:1)
While the series based on Texas high school football hasn’t been a ratings giant on Tuesday nights, it has done well with young men, which is the toughest demographic to reach. I was concerned about the casting of Kyle Chandler (his eyebrows bother me), but he’s been solid as the team’s head coach. I’m especially interested in the future of the backup QB, played convincingly by Zach Gilford, who was thrust into the spotlight when the star QB went down with an injury. The show is shot in a herky-jerky sort of way, which adds to its realism, especially during game sequences. I might have put the series on Wednesday night – smack dab in the middle of the week to give football fans a fix before the weekend, but I’m sure more scientific thought than that went into the show’s scheduling.

Jericho” (CBS) (34:1)
This show needs to make it through the year, not because it’s particularly good, but because I want to know what the hell is going on. In many respects, the show has been “CBS’ed.” That is, there are too many heart-heavy, family-oriented moments and the soundtrack generally sucks, but the show’s terrific premise and the subsequent questions will hold my attention throughout the season. Who attacked us? What do they want? Where do the citizens of Jericho (and its country) go from here? I sure hope that if the show is cancelled, they’re at least given enough notice to provide answers to those questions.

30 Rock” (NBC) (134:1)
My wife would kill me if I didn’t include this show on the list. Tina Fey’s half-hour comedy about the goings-on behind the scenes at a late-night sketch show (sound familiar?) has proven that “30 Rock” and “Studio 60” can co-exist. “30 Rock” is schticky, while I find “Studio 60” wittier. Even though the two shows have the same premise, they go about it in very different ways. Aside from “The Office” and “My Name Is Earl,” there is a dearth of good sitcoms on the air, so “30 Rock” is more than welcome to join the party. By the way, Alec Baldwin is hilarious as the network exec in charge of the show.

For those that missed an episode or would like to get caught up can go to each show’s website to watch back episodes. The NBC shows have this week’s episodes available for streaming, while “Jericho” appears to have all back episodes available for online viewing.

Battlestar Galactica: “Exodus, Part 1”

Boy, that Ronald Moore is a sly motherf’er. Last episode ended with Callie running through the brush and gunfire in the background. This week, the show opens with the same scene and then jumps back an hour in time to show how Chief caught wind of the execution and hatched a plan to free the prisoners. I like the misdirection, but technically, Callie wasn’t running when the gunfire started. Chief ran out and knocked her to the ground before the resistance started shooting. Also, she wasn’t really in the brush…All right, I’ll stop nitpicking, but it would be a lot easier if there weren’t nits to pick.

I wasn’t sure what Boomer was going to do when she was confronted with the news that her baby (Hera) is still alive. For now, she’s still a colonial officer, but the decision to take Hera away from her mother might come back to bite the humans in the proverbial ass. Anyway, she retrieved the launch keys for the colonial ships so the table is set for a prison break…wait, that’s another show.

Is it just me, or is Doral (the younger, male Cylon) becoming the most annoying character on the show? As Brother Cavil was relating the story of the rescue, and how the humans left him there to die, Doral had this smarmy comment to say to Baltar: “Aren’t you a noble race.” Excuse me, but weren’t you about to execute a group of prisoners? Then he has the audacity to say, “Worse comes to worst, we can just nuke the city and be done with it.” Noble, indeed.

Last week, I said that Ellen wasn’t the sharpest tool in the shed. She stole the map of the resistance rendezvous with the Galactica crew and gave it to the Cylons. She should have rewritten the map (although Tigh would have probably recognized her handwriting), but instead she just handed it over. When Starbuck’s boyfriend/husband discovered the map on one of the skinjobs, the betrayal led back to her. Did you see the look in Tigh’s one good eye when he learned the news? Ellen is in some serious trouble.

The episode ended with Admiral Adama learning that Boomer successfully retrieved the launch keys, and with the fleet readying for the rescue. By the way, how cool is it when Adama punches his desk?

“Exodus, Part 2” should be a good one.

The Office: Michael deals with death

Death usually isn’t this funny.

When Michael learns that his former boss died, it sends him into a bit of a tailspin. After he announces the news to the office, he looks for support from Pam

Michael: Did you hear the news?
Pam: You mean the news that you just announced?

This conversation ends in a hug.

Meanwhile, Jim and Karen, the pretty brunette from his new office, are in full flirt mode. Karen can’t get the chips she wants, so the duo searches hither, thither and yon for a store that carries them. At one point, Karen called a store in Montreal, speaking perfect French to the store clerk. They didn’t stock the chips, but Jim was duly impressed.

Finally, after calling the manufacturer, the distributor and the vending machine company, Jim learns that they sell the chips in the building next door. Karen lights up when she sees the bag of chips on her desk.

Is Jim finally over Pam? I don’t think so.

Back at the Scranton office, Creed informs Michael that his former boss died by decapitation (apparently, driving drunk and sliding under an 18-wheeler).

Dwight: That is the way to go – instant death, very smart.

Jan suggests that Michael give the office the day off, but he decides that it would be more appropriate to build a statue in the man’s honor – a full-size statue with moving arms. Dwight informs him that that makes it a robot.

Dwight: We better make it two-thirds scale. That way we can stop it if it turns on us.

I thought the best part of the episode was the meeting that Michael called in the conference room, where whoever was holding that stupid expanding plastic ball would have to relate a story about death. Pam was pulled out of the meeting by her ex and the two went down to the parking lot and had a little chat. It’s clear now that’s she’s warming up to him again. Another bad blind date and she’ll want to get back into something familiar. But the best line of the episode – or, I should say, the best delivery – was when Pam returned to the conference room.

Michael: Okay, we can get started.
Pam: (incredulous) You waited for me?

Dwight’s story about “resorbing” his twin brother in the womb was awesome, capped by his line…

Dwight: Now I have the strength of a man and a small baby.

Pam related a story about an aunt who was a great boxer. She was paralyzed in a fight and asked her trainer to remove her breathing tube. Ryan finally seems to be catching on to Pam’s humor, and he told the story of “The Lion King,” describing how his cousin (Mufasa) was trampled by a herd of wildebeest on a recent safari to Africa.

After Kevin goes too far (by trying to pass of the plot of “Weekend at Bernie’s” as his own story), Michael catches on and gets upset.

Michael: Do you think this is a game?
Phyllis: You did throw us a ball.

I thought it was great that Michael didn’t recognize the other two movie plots, but sure as hell knew the one to “Weekend at Bernie’s.”

Michael is fuming now, and Toby tries to talk him down by relating a story about a dead bird that flew into the window that morning. Michael furiously tries to resuscitate the bird, but it’s too late. Michael announces that there will be a funeral (for the bird) in the parking lot at 4 PM that is mandatory for the office. Pam, sensing that Michael needs closure, helps to organize the event. I loved the little casket she built (complete with little handles for the pallbearers to hold). Michael was obviously touched by Pam’s reading and her song, on which Dwight played his recorder.

In the tag, Dwight uses a fire extinguisher on the burning casket, and finally stomps out the flames. As two dockworkers look on, Dwight exclaims, “Get a broom and clean this up. You heard me. Mush!”

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