Author: John Paulsen (Page 58 of 79)

Showtime’s “Sleeper Cell” is good TV

I just mowed through the first four episodes (on DVD) of Showtime’s original series, “Sleeper Cell,” and I have to say, I’m very impressed. It follows an undercover FBI agent (Michael Ealy) as he infiltrates an Al-Qaeda-esque terrorist cell operating in Los Angeles. The antagonist is the cell leader (Oded Fehr) who constantly keeps the undercover agent on his toes as he plans an attack on the city that he calls “Judgment Day.”

It feels like “The Shield” and a more realistic version of “24.” The first season is out on DVD and Showtime is currently showing the second season on consecutive nights.

Battlestar Galactica: “The Passage”

Before I dive into this week’s episode, I have to comment on what has become a growing (and disturbing) trend on television – overlay graphics. I’ve learned to live with the station identifier. After all, the Sci-Fi channel has a right to watermark “Battlestar Galactica” to give themselves some publicity if the show is recorded and traded over the internet. But this week, above the “Sci-Fi” overlay, there was another graphic – “The Lost Room: Premieres Monday” – that was there the entire episode. I’m not fond of advertisements during the actual episode, but I’ve also learned to live with the occasional in-show advertisement promoting another program, but this graphic was there for the entire show. Combined with the channel identifier, the two took up the bottom sixteenth of the screen, and that is simply too distracting to the eye.

Now, back to business. I had a feeling we were watching Kat’s epitaph once her storyline started and after Apollo explained how those radiation badges worked. At that point, I figured someone was going to die (or be on the brink of death), and it might as well be her. I’m not sure why she decided to basically commit suicide. It wasn’t to avoid telling the Admiral about her shady past, because she was willing to do just that when she was on her deathbed. Anyway, I’ve grown to like her character. She was the one person who could really get under Starbuck’s skin and she wasn’t afraid to call Cara out when she was being irresponsible. We’ll miss ya, Kat.

This episode was Gritty (with a capital “G”). Hunger, vomit, losing hair to radiation poisoning – you never saw this subject matter on Star Trek. I do wish that they had touched on the food shortage leading up to this episode. Last week, everyone looked pretty nourished as they punched each other over and over in the ring. I’m assuming more than a week passed between episodes, but it was still a little jarring to go from the boxing episode to a “gotta feed the fleet” episode.

Dr. Baltar returned this week and seems hell bent on discovering if he’s a Cylon. Xena keeps killing herself over and over so she can experience the time between death and rebirth, but all she has to show for it are a few Picasso-like sketches. Obviously, those scenes were just a setup for a future episode, so it will be interesting to see how that pays off.

It looks like next week is the “Fall Finale,” and the series will pick up again in late January and run thru March. The creators have always done a nice job with the season breaks, so it should be a good episode.

Battlestar Galactica: “Unfinished Business”

This episode was a little frustrating at the start, what with all the disjointed flashbacks intercut with the boxing scenes, but I should have known that they’d piece things together in the end. The romances of the crew aren’t a major focal point of the series, and throughout its run, the show has always danced around the feelings between Lee and Cara. This episode was interesting in that it dealt with some of these feelings, while also giving us a snapshot of what life was like on New Caprica before the Cylons arrived. Speaking of the Cylons, this seems like the first episode in quite some time that they didn’t make an appearance.

There also is some chemistry between Adama and Roslin, but it looks like that will be left on New Caprica for the time being. At the start, I wasn’t too sure why the Admiral felt the need to bring the Chief into the ring, but it turned out he was none too pleased with how the Chief answered his question about the downed bird. I was expecting there to be some hard feelings from the Chief’s perspective, but the truth was that the Admiral felt that things were a little too warm and fuzzy. That’s why he called the Chief out and gave everyone the speech after the fight.

But back to Cara and Lee – where do things go from here? Cara’s actions on New Caprica shed some light on why Lee let himself go in the subsequent months. But I think Dualla is a much better catch. For one thing, she’s stable. It seems like Cara is incapable of having a healthy relationship and Lee is probably in for a world of hurt if he goes down that road. Dualla also seems to genuinely love Lee, while Cara can’t make her mind up about anyone.

The embrace at the end of the fight is going to make things interesting. Does Dualla let it go and stick around or does she do what’s probably the smart thing, and bolt?

The Office: “The Convict”

This episode was apparently written by the creators of the original “Office,” Ricky Gervais and Stephen Merchant. That’s surprising, because the episode was more awkward than funny, something that rarely happened with the UK version.

Michael is at his best when it’s not crystal clear when he’s being completely inappropriate, but his outing of Martin (as a convict) somehow felt even more inappropriate than his outing of Oscar earlier in the season. There were some funny bits – Andy’s wooing of Pam, “Prison Mike” and the dementors reference – but much of the episode fell flat.

So that’s two Stamford people that have quit in as many weeks. How many will make it to the end of the season?

Prison Break: “The Killing Box”

My wife and I took a bus tour of Europe this summer, and while we were there we met an Australian that loved to throw out an Andrew Dice Clay “OH!” anytime something major happened – a punch line to a joke, some sort of weird event…anything, really. It was addictive, and needless to say, we brought it home with us.

I told you that story to tell you this one…

When Agent Evil shot Mahone and said – “The President ruined your life and she ruined mine. If you want to take the bitch down, you’ve got your inside man. But it’s got to be RIGHT NOW!” – it was definitely an “OH!” moment in the Paulsen household.

What a twist! I knew the brothers weren’t going to die, but I figured the two agents would shoot each other out of paranoia. And I didn’t think that would even happen until the “second” season started. I was not expecting Agent Eisen (thanks for the nickname idea, Mr. Medsker) to turn the tables on the powers-that-be and join Michael in his quest to exonerate Lincoln. After all my bitching about the “Silence of the Lambs” switcheroos, the writers really got the drop on me, and they deserve a ton of credit.

In other news, Sucre is wandering the Mexican desert, Bellick’s stuck in a cell with a rapist, and T-Bag reunited with his ex, while Sarah has (sort of) cut her hair, dumped her cell and gone all rogue on us. I don’t know how the Brothers McMullen are going to locate her without her phone, but Michael (or Agent Eisen) will surely think of something.

I can’t wait to see Michael, Lincoln and Eisen in a three-way conversation about taking down the President. That should make for great television.

OH!

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