Author: John Paulsen (Page 42 of 79)

Friday Night Lights: “Backfire”

If you’re in Mexico looking for a miracle cure for your paralysis and the receptionist says, “The doctor will probably be in sometime next week,” it’s probably not a good idea to stay there and undergo back surgery that involves stem cells extracted from sharks. Jason’s little speech at the karaoke bar was quite uncomfortable and I’m hoping that Tim can talk him out of the surgery.

Riggins had a few good lines in Mexico, but my favorite was the rant in the hotel room: “What are we watching? What is this? What are we doing, Six? We’ve been here for a week. We’ve got a bag of money, booze, no women, no stories, no memories.”

He had another great line when Jason bailed him out of jail. To the guard, he said, “Cheers. Go Cowboys.”

Classic Riggins.

No one in Dillon seems all that concerned about his absence from the team. Of course, that might have something to do with all the drama regarding the head coaching position. I thought it was a nice twist for McGregor to fight the firing, but Buddy’s speech at the hearing must have put the kibosh on the appeal. McGregor has his own speech for Eric, and he had a point about Eric being involved. Given Eric’s propensity for doing the right thing, I think McGregor’s words will haunt him for some time. Also, I think McGregor will reappear as an opposing coach at some point, probably for a very good team.

Then there’s the storyline about Lyla’s charity for the ex-con, but she’s being a little too goody-goody for my taste. It was funny, however, how Buddy jumped on the opportunity to buy his daughter’s love back by giving the kid a job. It doesn’t seem like there’s much chemistry between Lyla and the ex-con, but this could be the start of a relationship.

Tami opened up about her own adolescent decisions which helped Julie see things more clearly when the Swede forgot about their date. And I don’t think it’s a coincidence that Julie started to shape up once her dad returned. She seemed really happy to see him.

Finally, we have the Tyra/Landry storyline. I was hoping that Tyra would just shut up when the detective tried to wrap up the interview, but she was obviously thinking that the jig was up. But the look that Old Yeller gave her when he saw her in the interview room means that this plotline isn’t over. Has he already found the watch? Or is he just concerned about Tyra?

The Office: “Local Ad”

The series is back to its regular 30-minute format, which I think works a little better because it leaves the viewer wanting more, but as soon as Michael said that the branch was shooting a commercial, it was all about the payoff of seeing the final cut at the end. The group started with a little brainstorming, and when Pam, who is probably the most creative person in the office, suggested an idea, Michael quipped, “Even the receptionist is getting in on the creativity.” You just knew that her graphics were going to be the best part of the commercial. At some point, I’d love to see Pam’s artistic career take off, but not until the series winds down.

Michael’s interaction with the ad guys was terrific, from his introduction of the workers in the office – “These are our accountants, and you can see that they are very different sizes” – to his thoughts on the Nashville branch’s ad – “That sucks.” I especially liked it when he told them to leave and the one ad guy said, “I’m not arguing with this guy.”

The Dwight/Angela/Andy romantic triangle (if you can call it that) took an interesting turn when Andy told Dwight that Angela kept calling him “D” (for “AnDY,” he thought), which really put some wind into Dwight’s sails. Not that he needs it. He seems to have plenty of wind in his face flying around in his Second Life. That brought us to the payoff of that bit – Pam teasing Jim about his avatar. Pam wanted to learn more about Philly Jim, the well-built, guitar-playing sportswriter, and who can blame her? But Jim wanted to move on. (And who can blame him?)

The scene with Darryl and the gang writing a jingle was pretty funny as well. His deadpan “what’s rap?” line was classic. Michael’s criticism was terrific:

“I hate it. I don’t hate it, I just don’t like it. At all. And it’s terrible.”

I actually thought the commercial turned out pretty well, though I didn’t catch the subtle humor of the “I’m your son” bit between Dwight and Phyllis – how does a woman not know that she has a child? – until I watched it a second time. The “Chariots of Fire” music was a nice touch, and I especially liked the shot of Kelly in India and the scene with Stanley picking up trash. (I believe he was wearing a shirt and tie underneath his state-issued jumpsuit.)

What were your favorite moments?

Prison Break: “Interference”

The longer that Linc goes without telling Micheal about Sara’s death, the more trouble it’s going to cause down the line. Linc’s probably smart not to break the news, as it would probably cause Michael to flip out and that would jeopardize L.J., but Michael is going to see the omission as a betrayal.

The creators took another shot at Sarah Wayne Callies by having Susan make a reference to Linc losing his head and then saying there’s “a bad joke about Sara in there somewhere.” I think this a cheap attempt at humor and I don’t find it realistic that Susan would make this comment let alone kill Sara in the first place. It’s too big of a risk that Michael will find out about her death and refuse to help the Company. The bottom line is that the creators wanted to kill off Sara and this is the best they could come up with. Regardless, expect some serious vengeance when Michael discovers the truth.

The escape plan is coming together…sort of. Michael wants to break out during the day (nice twist!), only his plan runs into a snag when one of the guards spots Michael watching him through a binocular lens. With his cell locked up, Michael must now figure out how to break the chains (or come up with Plan B) within 24 hours.

I’m not sure what the point was of Sucre taking on the role of drug smuggler nor is it clear how the drug kingpin makes any money off the prisoners. Isn’t there a fixed amount of money flowing around Sona? So when drugs go in, where is the new money coming from? And where is it going? Luchero has a bundle, but I just don’t know how these customers are coming up with the cash. And how can the kingpin afford to give Sucre $5 K for that little bundle? I’m confused.

Linc’s expression when Sofia took off her shirt on the beach was pretty funny. Is this a sign of a new romance? She seems to be fully in love with Whistler (and is willing to go to great lengths to break him out), but if he betrays her somehow, it will be easy for her to run into Linc’s big arms.

T-Bag’s story progressed a little when he stole the heart of Luchero’s whore. He may have overstepped his bounds, but I think she’ll help him at some crucial point in the future. He also has Mahone running a tab for his drugs, so expect him to leverage that debt sometime soon.

Finally, there’s a new prisoner and Star Trek fans will recognize Dominic Keating from his role as Malcom Reed on “Enterprise.” He’s English, and I’m not sure what accent his character is supposed to have, but he shed some light on Whistler’s past when he said that he met Whistler when he was “with the ambassador.”

It looks like the gang will have to try to use the guard’s coffee cup against him. I’m not sure how Michael plans to do it, but something tells me he’ll find a way.

Friday Night Lights: “Are You Ready for Friday Night?”

My apologizes to those readers expecting this post earlier, but I was out of town this weekend and was unable to watch FNL until last night.

Anyway, I thought this episode felt more like the ol’ “Friday Night Lights,” and a lot of that had to do with the return of Riggins. He made cameo appearances in the first two episodes, but this week the show focused more on Riggins and his personal struggles with alcohol. That sounds dark and all, but Riggins is funny as hell when he’s drinking.

I wondered in last week’s blog whether or not Riggins would pull Lyla to the dark side or if she’d bring him to the light, and I thought the writers did a nice job of handling the first battle fairly quickly. He has an apparent religious experience at her church and then, after being let in by “Little Garrity,” he tries to make a move on Lyla because he says that when he’s with her, he feels “closer to God.” By the end of the episode he’s sipping a roadie as he and Jason drive to Mexico for some experimental spine surgery. Awesome!

It looks like Coach Taylor is on the verge of returning to Dillon. The Panthers won their opener, but based on Matt’s outburst after the game, it’s clear the team is pretty fractured. I’m not sure how Buddy intends to expel the current coach, but after his “I don’t have time to take advice from the team mascot” comment he had for Jason, I’ll be glad to see him go. I thought it was really cool the way they shot the scene with Coach Taylor seeing the stadium’s lights and deciding to stop to watch the end of the game.

Anyway, it’s good to see Buddy get a purpose in his life again, and he had a great line when Riggins said that he passed out at practice because he was hungover:

“Son, don’t you ever say that again. I’ve seen you play many times hungover and you always played like a champ.”

That’s classic Buddy for ya.

Once Eric heard that Tami slapped Julie after pulling her out of a boy’s car, his decision to return to Dillon was pretty easy. He obviously isn’t very happy with his role at TMU and it’s clear that his family is falling apart without him around. I thought it was a smart (yet sly) move for Buddy to play the family card with Eric, but it definitely worked.

The Matt vs. Smash conflict feels a little forced to me. Smash’s problem is his big mouth. I don’t think Matt cares (that much) that the team is going to a more run-oriented attack, but Smash was able to paint Matt’s concerns as jealousy, diverting the conversation from the real problem: his ego. I think Matt’s outburst after the game has more to do with his anxiety over losing both his mentor and his girlfriend back-to-back and less to do with Smash’s increasing celebrity.

The Matt and Carlota romance is heating up a little bit, though I’m not sure that she knows it. The conversation about Matt’s laundry was hilarious.

Lastly, the show’s darkest storyline continues to move forward, albeit quite slowly. The episode began with Tyra and Landry waking up after their first night together and Landry’s dad (Old Yeller from our “24” blog) seemed to be pleased to see her exiting his bedroom window. I thought it was a really sweet moment in the restaurant when Tyra explained to Old Yeller why she liked Landry, and I think that by having to defend him, she realized why she likes him so much.

The missing watch is still an issue, but I have a tough time believing that it’s on the body. Landry would have had to put the watch in the body’s pants pocket and even then I don’t know that it would survive a trip down the river. If it does turn up on or near the body, it will be interesting to see if Old Yeller is the type to protect his son (by covering the killing up) or hang him out to dry.

In the end, I just don’t see Landry going down for this.

The Office: “Money”

I don’t know that I’d have the courage to stay at Schrute Farms, so I have to hand it to Pam and Jim for battling the elements and spending the night, even if they did it for nefarious purposes. With all the sobbing and in-your-face antics of Andy, I actually felt sorry for Dwight this week, but he always bounces back.

Jim: “You okay?”
Dwight: “I am better than you have ever been or ever will be.”

I have to mention Dwight’s three themed rooms: America, Irrigation and Nighttime. WTF?

“Put the manure down, Moes.”

The nice thing about Pam and Jim is that they saw that Dwight was down and they weren’t willing to make his life any worse. It was great when Dwight reached out to touch Jim in the stairwell only Jim was long gone.

Meanwhile, Michael has got himself in quite the financial pickle. I’m not sure why he doesn’t have the balls to stand up to Jan; I guess he’s still too enamored with her boob job to say anything. His “Die Hard” vs. “Die Hard 4” comparison was hilarious…

“Dude, you should review movies.”

The money troubles led to Creed’s suggestion that Michael declare bankruptcy, which he did a few moments later (to the people in the office) with very little thought. That brought Oscar in for a hilarious assessment of Michael’s finances.

“This scary black bar represents expenses that no one should ever have for any reason.”

I thought Michael’s race for the train was pretty funny, especially when he was trying to time his jump, and finally jumped on just as the train stopped.

Jan found him and the two had a very sweet moment.

Jan: “So where is this train taking us?”
Michael: “I think the engineer left.”

Ryan made another funny appearance this week, but it would be nice to see him get down a notch or two. The PowerPoint presentation was pretty funny, especially the back and forth about the correct usage of “whomever” and “whoever.” Michael had a great line when Oscar put in his two cents. He looked at the camera and said, “Not a native speaker.”

What were your favorite moments?

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