Author: John Paulsen (Page 24 of 79)

HBO renews “Big Love” for fourth season

I haven’t caught the first few episodes of the third season yet, but they must be solid because HBO has decided to bring “Big Love” back for a fourth season.

Skein drew 1.5 million viewers in its initial run Sunday at 9 p.m., growing its audience 29% over Jan. 18’s season-three premiere despite competition from the Super Bowl on NBC.

The show is averaging nearly 5 million viewers per episode when DVR viewing, encore runs and video-on-demand deliveries are factored in — a performance on par with that of HBO’s frosh hit “True Blood.”

Season-four production is set to start later this year with episodes slated to run on the pay cabler in 2010.

“Big Love” is a great show and it’s nice to see that HBO is standing behind it.

“Sex and the City” sequel confirmed

Get those cosmos ready, girls, because there’s a sequel coming your way!

I can exclusively reveal that all four stars—Sarah Jessica Parker, Cynthia Nixon, Kim Cattrall and Kristin Davis—and writer-director Michael Patrick King have now signed their deals for another round of Carrie Bradshaw & Co.

“Everything was finalized yesterday afternoon,” a source reports.

Until now, everyone had agreed to do a sequel, but there were no contracts signed with New Line, the studio behind the megahit.

As it is, King has yet to write a script, but shooting will reportedly begin this summer with a release date sometime in summer 2010.

In the interests of full disclosure, I watched the show (with my wife, have to mention that) while it was on HBO and actually saw the movie in the theater (which is a big deal for me). That said, I’m sure she’ll be happy to hear this news. Me, not so much.

Anyone else confused by the ending of “Traitor”?

All in all, I enjoyed “Traitor,” which stars Don Cheadle as a former military man who may or may not be working with a terrorist organization. It reminded me of the Showtime series, “Sleeper Cell,” and fans of one should check the other out.

But I was a little perplexed by the ending of “Traitor.” (I should go ahead and warn anyone that still hasn’t seen the film that there are MAJOR spoilers ahead.)

So Cheadle’s character — Samir Horn — is working deep cover with an intelligence agency to infiltrate a terrorist organization that strongly resembles Al-Qaeda. Throughout the entire film, I was confused about Samir’s endgame. Was his task to stop a terrorist attack? Or was it to capture the organizers? At the direction of his handler, Samir distributed live bombs to 30 different sleeper agents who were to detonate those bombs on 30 different buses at the same time. He was conflicted about giving these terrorists the ammunition to strike such a major blow, but the implication was that it was something he had to do, presumably to gain access (again) to the operation’s organizer, Nathir. I thought his mission was to capture Nathir so the intelligence community could interrogate him and bring him to justice, but he ends up shooting the unarmed terrorist in the head. Meanwhile, he set it up so that all 30 “martyrs” got on the same bus, which made for a very dramatic scene when it came time to detonate the bombs.

Anyway, why distribute live bombs? Since he made them himself, couldn’t he have disabled them somehow? Even if that wasn’t possible, why didn’t he find a way to get the names of the 30 terrorists to his contact at the FBI? He had plenty of “alone time” during the distribution portion of the mission that would have allowed for this.

He was responsible for a bus blowing up — a bus that must have had at least a few innocent civilians on it — and he ended up killing the mastermind instead of capturing him. If that was his endgame, he could have killed the guy when they met for the first time in Toronto.

Like I said, the ending was gut-wrenching and dramatic, but it seemed forced — just to have the visual of a bus blowing up on American soil.

TNT’s “Trust Me” is struggling

According to Variety, the ratings for TNT’s new show, “Trust Me,” haven’t been all that good.

After enjoying a string of successful series launches, TNT is struggling with its latest entry, ad agency drama “Trust Me.”

The show, which stars Eric McCormack and Tom Cavanagh, scored just 1.9 million viewers in the 10 p.m. slot Monday, losing about 65% of the lead-in aud supplied by “The Closer.” The performance also represented a significant retreat from the show’s Jan. 26 premiere, which drew 3.4 million viewers.

Reviews for “Trust Me” have been mixed, with the New York Post perhaps summing up crix’ reception best: “The series isn’t bad. It just isn’t all that good.”

I haven’t watched the show, and here’s why: the initial promotion had only McCormack and Cavanagh being snarky to each other, and I had no idea what the show was about. Then the second wave of promotion showed the characters yelling at each other in an advertising setting, which wasn’t that much more appealing. I thought about recording the first episode, but never got around to it and based on the critical reception, I don’t feel like I’m missing out.

Is anyone else in the same boat? Are there fans out there that love this series or is this one of those shows that lacks a diehard fan base?

Kandyse McClure speaks about Dualla’s suicide

Of all the major events in the great run of “Battlestar Galactica,” Dualla’s death was one of the most shocking. She recently sat down with Sci-Fi Wire for an interview about her character’s suicide.

What was your reaction when you actually got the script and it said something along the lines of “Dualla puts gun to temple and pulls trigger”?

McClure: I was floored. I think I was just as floored reading it as I’m sure people [were] seeing it. It’s such a personal and violent and shocking way to go, not only for her, but for the implications for the people around her. Suicide is a difficult topic at the best of times. People see it as being an ultimate act of selfishness on one end, but certainly from the research that I did and the people that I spoke to, there are so many different reasons that people get to that point. But I think for Dee it was just the ultimate act of surrender and the final act of control over her own life. She really wanted to find some kind of peace.

As far as you know, will we learn any more about why she took her own life? In other words, will someone read out loud a will or a suicide note she left behind?

McClure: So far as I know, no. So far as I know, that was it. She couldn’t see any way of ever finding any happiness for herself. That’s no good. Her husband [Jamie Bamber] is still in love with someone else. He’s turned his back on one of the things that joined them together, being in the military and that sense of duty towards the military and his father [Adm. Adama, played by Edward James Olmos] in particular. But I think that was it. It’s her final peace. It’s a very human reaction to a situation like that. Of course, I imagine that Dualla was not the only one on the ship, and certainly not the first one during the course of the whole saga, to choose that way out. I considered it kind of a strange honor to hold that archetype, to say, “Yeah, this is a very human thing. This is what human beings may choose to do.”

I missed “Dee” almost instantly. In many ways, she represented the sweetness and innocence of the human spirit, and she was beaten down by all that the fleet had to go through since the Cylon attack on the colonies. It’s nice to hear McClure, the person closest to this character, explain why Dualla took her own life.

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