Author: David Medsker (Page 8 of 65)

24 8.13: And if you don’t look now, then you’re gonna get Starbucked

Well, how about that: I get to use this title after all.

Some of you may recall that I wanted to use this title for an episode, any episode, and after Buffy iced Kevin and his psycho dirtbag friend in Hour 9, I figured that was my last chance, and Starbuck would go back to being the sniveling sissypants we’ve grown to loathe.

Fool.

I have to say, I did not see this coming. Of course, I feel like I should have, since her story line was beginning to run out of juice, but I never suspected that our small-time juvee felon would go so far over to the dark side. Let’s flash back to the moment where she’s tailed Kevin and dirtbag back to the lake. We thought she was unsure about what she wanted to do next. In retrospect, dirtbag is probably lucky that Buffy pulled the trigger.

What would be a neat touch is if we now caught a “Usual Suspects”-style glimpse of all of the strings she was pulling up to the moment where she strangled Jimmy James to death and stuffed him behind the paneling in Holding Room #2. (The stink will give her away eventually, yes?) Maybe there is security preventing people from entering the CTU tunnel, and Starbuck was the one that cleared Princess Jasmine’s entrance. Heck, maybe she remotely activated the EMP’s timer once the car came into range, since we’re still not sure of the weight-sensitive detonation theory espoused in last week’s comment section. Maybe she taught the snipers at the river how to jam the cell phone frequencies. But we’ll never see any of that, because of the show’s real-time format. Pity. We might learn all of those things – or none of them – but it won’t have that same punch as the ‘Verbal straightens out his foot’ shot. Damn it. (*takes drink, per “24” drinking game rules*)

I was about to say that CTU’s facial recognition software was going to play a part in identifying Starbuck as a terrorist sympathizer (if you can call them sympathetic), but something just hit me: ten bucks says she’s in that file of anti-IRK rebels that President Slumdog was supposed to hand over in the previous hour. We were led to believe CTU scanned through them all on the big screen, but perhaps not. We may not get our “Usual Suspects” moment, but there’s a good chance we’ll get our “No Way Out” moment, and soon. One thing’s for sure, and it is in stark contrast to my prediction of a noble death for poor Jenny: her story ends with Buffy pulling the trigger…but does she take out one of Bullz-Eye’s TV girlfriends (Chloe or Crazy Jackie) before she takes her last breath? You know my thoughts on Jackie’s life expectancy, so she’s the odds-on favorite. But there are times when I hate being right, and this is one of them.

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“I’m sorry, maybe I wasn’t clear. When I said, ‘I’m really busy right now,’ I meant, ‘Bitch, I will cut you.'”

Lastly, I think we all owe Katee Sackhoff a formal apology for questioning her decision to take the role of Dana Walsh. She clearly knew something that we didn’t, and we should have given her the benefit of the doubt for making this her next role after “BSG.” In our defense, Ms. Sackhoff, you didn’t make it easy for us at first. Still, we said some things, and for that, we’re sorry.

Chloe, meanwhile, grows a pair so big she’ll need a wheelbarrow to carry them in, pulling a gun on an NSA engineer and telling him to step tha fuck off as she throws a Hail Mary in order to get coms up and save Jack. (Of course, Starbuck thought Chloe’s idea was a bad one, because she needed those servers down for as long as possible.) Bubba is now forever in her debt – her reply of “I’m not good with praise” would have produced a spit take, had I been drinking anything when she said it – which makes me wonder if Chloe is next in line to run CTU. She may still have that personality disorder, as Big Balls Bill Buchanan (RIP) once said, but she also has a good sense of right and wrong, and she knows that Jack is impervious to bullets…

…unless Fox cancels the show, a story that has been making the rounds lately due to the show’s increased budget and decreased ratings. Another rumor has the show relocating to NBC, and while they could use a show like “24,” I just don’t see a fit there. Maybe it’s a grudge fuck for Fox supposedly in talks to land Conan O’Brien. Either way, “24” will forever be a Fox show to me.

Speaking of Jack’s imperviousness, he and Buffy were in a shootout at the East River with a couple of red shirts that pulled a trick from Scott Smith’s book “The Ruins.” A character is on death’s door, but the vines leave him there to suffer, in order to force his girlfriend put him out of his misery. (Forget the movie – the book’s awesome. Brutal, but awesome.) Here, when one of the characters pulls what I call a Hudson (“Aliens” fans just nodded knowingly) and lies in the open, the snipers pull the brutally effective stunt of shooting Hudson repeatedly in order to flush their enemies out in an emotional rage. Both were exercises in mental torture, and both worked. Good thing that Jack and Buffy had a silent partner, one they didn’t even know about: Crazy Jackie, who comes out guns a-blazing in both the literal and euphemistic sense. Man, how did I not notice how, um, talented Jackie was last season? Damn things are just screaming at me now. And knowing that she will surely die before season’s end, I’m reminded of Cary Elwes’ great line in “The Princess Bride”: “‘Tis a shortage of perfect breasts in this world. It’d be a pity to damage yours.”

Can’t think of a better ‘out’ line than that. See you next week! Once again, I give you the song “Starbucked” by the UK band Bond. You want to know how forgotten this band is? Not even the last.fm page that’s hosting this track has the album title right. It’s Bang Out of Order, not Band Out of Order. And there are over 90 copies available for a mere penny on Amazon. Click here to buy!

Bond – Starbucked

Lost 6.8 – Recon

Howdilly ho, Losterinos! Jae-Z is still in Austin for South by Southwest, so I am guest blogging this week. And don’t worry, I’m not going to come up with a bunch of wacky nicknames for everyone, or end the blog with a music video.

It’s tough to decide which version of Earth was more interesting tonight…oh, who am I kidding, the Earth-1 story was definitely better. Crazy Claire tried to kill Kate, while Sayid looked on impotently. He’s clearly reeling from the guilt of knowing that he allowed Evil Locke/Smokey to enter the temple and lay waste to the righteous who refused to go with him. I’m sure he’s also depressed over the “knowledge” that he’s infected, whatever that means. Me, I’m not so convinced that anyone is infected. Yes, Rashomon (damn it, I swore I wouldn’t hand out nicknames) said he was infected, but while we watched the similarly infected Claire put an axe in a guy’s stomach, Evil Locke explained tonight just what it was that fed that insanity, and it wasn’t sickness or disease – it was the need for an enemy, much like Guy Pearce’s character in “Memento.” It drove her, but once she had no need for it and discovered that Kate was not her enemy, Claire turned out to be a reasonable and normal, if mournful, person. Does this mean that there is indeed nothing wrong with Sayid? Or does this mean that we haven’t yet seen exactly what is wrong with either of them?

Stupid “Lost.” Eight episodes left, and they’re still providing more questions than answers.

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Sawyer’s flash-sideways is Hugo-ian in that he’s the opposite of his Earth-1 counterpart. Jack’s still a doctor and Kate’s still a fugitive, but here, Sawyer’s a cop, and he uses his fake Dharma last name as a safe word when his mark pulls back the hammer to shoot him. I just love that he’s able to nail the wife of his intended target before dropping the bomb on her when she won’t play ball. Who wouldn’t sign up for undercover work if they knew it would get them so much sex?

And that wasn’t the only sex Detective James Ford would have this week, as he later bedded a Kidman-esque redhead archaeologist named Charlotte, but completely blew it (her words, later) when he flipped his lid after walking in on her looking at the folder dedicated to the man who led Ford’s father to kill his mother, then himself. The scene was actually one of the clumsiest in the entire history of “Lost,” as Charlotte went plowing through his stuff like she was a con herself…and who knows, maybe she is. (The truth: probably not, since they’re running out of time, but she sure as hell acted like one.) The bigger question, though, is: who leaves a folder that important, that potentially incriminating, in their top drawer? The whole thing was just, to quote my wife, ridiculous.

The big takeaway from the flash-sideways was that the individual stories finally appear to be coming together, as John/Sawyer confesses to his partner Miles about his extracurricular attempts to hunt down the man who destroyed his family, only to be slammed into by a runaway Kate, whom he later runs down in an alley. Up to this point, the Earth-2 story lines have been largely independent of the others, but now it looks as though everyone is going to start getting tied together. Whether they become aware of their other selves, though, is still up in the air. Truth be told, I’m not sure how I feel about that. God knows, I wouldn’t want to talk to another version of me. One’s enough.

Which brings us to the main story line, where Evil Locke asks Sawyer to travel to Hydra Island (where he finds the dress Kate wore when they first hooked up) to confirm Evil Locke’s suspicions that there are people there who mean him harm. Of course, there are, and they’re well armed (Charles Widmore doesn’t do cheap), and Sawyer does what he does best: he lies, which is precisely why Locke sent him there in the first place. Of course, Evil Locke doesn’t know that Sawyer intends to doublecross both Widmore and Locke…or maybe he does. It could be yet another test. Either way, Widmore’s posse is building a Smokey-proof fence, so this could make for a fun battle royale.

God love Jin. The love he has for his wife is so sweet. Which of course makes me think that they won’t meet until the series finale…and will die before they get to embrace one last time. Come on, this is “Lost” we’re talking about. They’re not going to give us some ribbon-bowed, flowery happy ending. People are gonna die. Jin and Sun have spent almost two years in TV time apart. You better believe that their reunion will come with a catch.

Well, that’s it for me this week. Wow, that was so much fun! Thanks for playing with me today. Heeeeere we go: Yooooooooo gabba gabbaaaaaaaa! (*packs up boom box, exits stage left*)

24 8.12: When the lights go out

CTU, apparently, is stationed on Arlington Road.

“24” pulls out an oldie but a goodie this week, as the IRK bad guys – who are remarkably well funded and well connected, even on foreign soil – set up Princess Jasmine to “escape” to CTU…and bring a massive EMP with her. Boom boom pow. Dark is the night for all. Can’t find my way home, etc.

Now, let’s put aside the probability, and even the predictability, of it all for just a second. The cutting back and forth between Jack trying to reach Chloe and the utter chaos at CTU was the most action-packed moment of the season. I mean, they are seriously fucked right now. The radiation sensors are down, and they have no way of getting in touch with, well, anyone. It’s a hell of an ending to the first half of the season.

But is anyone else just a little tired of seeing how easily compromised our nation’s counter-terrorist unit is? First bombs, then nerve gas, and now an EMP. (The previous EMP was set off at McLennan and Forster’s office, thus causing Go-Betweens fans around the world to giggle to themselves.) Honestly, CTU deserves to fail if they can’t come up with fail-safe measures to prevent this sort of thing from happening. Is there really unsecured access to directly below the building? You may as well leave a trail of gasoline, and supply the bad guys with a match.

Likewise, you have to just smile to yourself at the precision timing of Jasmine’s arrival in relation to the gigantic ticking clock in the back seat, that she wasn’t delayed by traffic (hey, even at four in the morning, it can happen in New York), or one of those mad squeegee guys, or simply got lost. That whole watch-your-daughter-die thing couldn’t have been cheap or easy to set up, especially when it is nothing but a smoke screen. Deep breath, Med, deep breath. It’s a TV show. It’s a TV show that asks us to believe that everything happens at the top of the hour. Let it go.

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“I used to own this town. I was Jimmy James, Macho Business Donkey Wrestler, damn it.”

Same with tracking cell phone signals. They use it only when it suits them. Of course, while I was wondering why they didn’t try tracking Jasmine using her cell as tonight’s stuff was going on, the truth is that Slumdog President doesn’t have that ability, and CTU didn’t know she was missing, so I guess they’re covered on that one.

And then there’s Starbuck, who’s doing a Katherine Heigl happy dance (see “The Ugly Truth” if you want to get that reference, or better yet, don’t) now that an EMP just granted her a stay of execution. My prediction for her is that she performs a couple selfless, game-changing acts…and dies protecting the ones she loves. I think we all know she’s not coming back for another season – assuming there is another season, and there is rampant speculation that this may indeed be “24’s” final hour, at least on the small screen – so why not let her go with grace? She gets the sendoff her past-life BSG character deserves, and Cole receives the comfort of knowing that while Dana had secrets, he wasn’t wrong about what kind of person she was.

Which brings us to Jimmy James, Capitalist Liontamer. Last week I was terrified that he was using the parole officer thing as a ruse to continue the con in the event that Kevin failed, but on the surface, it looks as though that he’s a legit good guy…or possibly the ballsiest con man in the history of the world. He said he had a friend on the force, but all of the evidence that he hit Starbuck with – the phone calls, the storage locker break-in, the mangled cop – could very easily have been provided by Kevin and his wacko friend before they were killed, and Jimmy is just bluffing that Starbuck won’t question the authenticity of whatever that paper he presented her with that demanded access to the security feeds. If he’s a con, then he’s the craziest con ever, because even the good ones stay the hell away from the authorities if they can help it. Doesn’t he know that they have facial recognition software…or at least that they did until Princess Jasmine blew the electronics sky-high? This character might turn out to be my litmus test for “24” going forward. If he turns out to be a con, then I will officially never believe a single thing I see on this show, unless it’s Jack doing it.

Twelve hours down, which means, to use another musical reference, twelve stops and home. (The Feeling. Twelve Stops and Home. All Anglophiles should head to iTunes at once.) New York has not been good to CTU so far, and that’s been while the city was sleeping. It will be very curious to see if the surly commuters are any more accomodating. Considering my brief experience with said people. the answer is a defiant ‘no,’ but who knows, maybe they’ve mellowed out since then. (*Stifles chuckle*)

Tonight’s blog title comes from Naked Eyes’ third Top 40 single – yes, they had more than two hits, and in fact had one more before all was said and done – and even more curiously, this song does not appear on any of the band’s hits compilations. This has always baffled me, as it’s easily one of their best songs, hence the decision to release it as a single. Maybe it was the midgets in the video that embarrass them to this day, who knows. All I know is that I like the song.

Crispin Glover: Not the greedy bastard “Back to the Future” execs made him out to be

Uh oh. Marty McFly’s on the warpath.

Well, as warpath-like as a guy like Crispin Glover can get, anyway. In fact, Glover is the first celeb we ran into at MGM’s (awesome) press junket for their upcoming time-travel comedy “Hot Tub Time Machine,” and it’s in the ski shop, of all places. He had just done some skiing at Diamond Peak (yours truly was renting skis to hit those slopes the next day), and we made small talk about the movie, which we were seeing later that day. “I like it when people throw up,” he told me. Yes, but how did the squirrel feel about it?

As we gathered in the press room to talk to Glover – I was grouped with three other writers, whose names and publications I cannot remember except that one of them writes for Dark Horizons – we all expressed concern that we would not have enough questions to fill a 20-minute interview slot with him. Never fear – Glover would take care of that for us by giving us lengthy answers to even the simplest of questions. Towards the end, though, one of the other writers was feeling ballsy, so he went for it:

“Is there a bitterness at all on your part with the “Back to the Future” series, that you’re so recognized for that, and then what happened with the sequel, and them using your image and everything?”

What happened for the next seven minutes was, well, spectacular.

“On the DVD to the “Back to the Future” trilogy, Bob Gale, who’s one of the writers and executive producers, has said something that’s totally fabricated,” Glover told us. “What he said is that I asked for twice the money that Michael J. Fox asked for. I didn’t do that.”

Ah, but wait. Crispin was just getting warmed up.

Crispin chainsaw

“The way propaganda works, you hear the phrase, ‘the bigger the lie, the more people believe it.’ Basically, what was done was to obfuscate the fact that they had done something extremely wrong by taking another actor and putting him into false nose, chin and cheekbones in order to fool people into believing that I was in the film. This very specific lie that Bob Gale told on the DVD was specifically to not address that what they did was totally immoral and illegal.”

So why did the producers take such an aggressive stance towards their negotiations with Glover? As far as he’s concerned, it was for making an independent film after the runaway success of “Back to the Future,” rather than a studio film.

“In negotiations for the second film, they offered me less than half than any of the other actors that were being asked to come back, Michael J. Fox, Christopher Lloyd, Lea Thompson and Tom Wilson. But I was offered…they had all done studio films, and they had made a lot of money. The film I had made between ‘Back to the Future Part I’ and ‘Part II’ was ‘River’s Edge,’ and I did that for scale. So they seemed to argue that it’s okay to offer me far less than any of the other actors that were coming back because I had done this independent art film – which I really like, I’m still very proud of it – but I was being penalized.”

So now we have a culprit and a motive. But Glover wasn’t finished.

“It was not fair, it was not a normal negotiation. And in fact, what normally happens is they’ll make an offer, you’ll make a counter-offer, and then you’ll meet in the middle, or something approximate to that. In this situation, they made an offer, and I didn’t even make a counter-offer. I just said, ‘That’s too low.’ At which point they came back at a lower offer. To me at this point, what was apparent was that they did not want me to be in the film or, if I was going to do it, that it was essentially a punishment that I was going to have to take less than half what everybody else was going to take in order to make the film. It just didn’t seem fair on any level.”

And he still wasn’t finished with Bob Gale.

“Bob Gale didn’t do this just on the DVDs, but he’s been going on radio shows [telling the same story]. I don’t know why.”

While we’re trying not to take sides here, it is important to consider that Glover has since gone on to work with Robert Zemeckis again (in the motion capture clusterfuck “Beowulf”), so clearly their working relationship was decent enough to earn a second go-round. Also, Glover has never had a problem finding work within the studio system since his falling out with the makers of “Back to the Future” – indeed, he just appeared in Tim Burton’s “Alice in Wonderland” reboot – and in fact uses their money to finance his own films. His crackpot reputation may precede him, but the man we met in Lake Tahoe couldn’t have been more gracious or candid. And we wore a bitchin’ suit to the party Saturday night.

24 8.11: We all sleep alone

So much for last year’s declaration that nothing good happens after two in the morning. The scenes in the oxygen chamber were some of the finest in “24” history. The back-and-forth between Marcos and Jack was tight and even, but the final confrontation was money. “If you knew anything about me”…laughed out loud at that line. And that eagle’s stare he shot through the camera would make a desk lamp beg for mercy. “I’ll talk! I’ll talk!”

Are we in agreement that the threat to submit Mare Winningham to radiation poisoning is one of the lowest, meanest tricks Jack’s ever pulled in an interrogation? Of course, that is precisely what made it so awesome. “If you blow yourself up, I’m having your mother clean it up.” Yes.

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“But Tarin, don’t you love me?” “Sure, I do. Like I love Fresca.”

From last week’s comment section:

I’m sure I’m not the only one thinking this, but I’m guessing the significance of Princess Jasmine running off is that her beau actually is a bad guy and the Princess will soon find herself “in great peril.”

Well played, Jamey. He turns out to be exactly right, as head of security Tarin Faroush has in fact been romancing Princess Jasmine as a bargaining chip in case his takeover plans hit a snag. As official blogger of “24,” I frankly feel dumb that I didn’t anticipate this. I should have known from the beginning that her character’s only value was as bait. But once again, we’re in a situation where something could have been resolved a lot quicker with a text message. “She’s not answering her phone.” “Oh, well then leave her another voice mail.” Ugh. Fucking text her already. “CTU just confirmed: boyfriend is bad guy. Run, Lola, run!” I’m no text fiend, mind you, but sometimes, it’s the easiest, quickest way to communicate, and I’m not sure it’s ever been used as a plot point in the show’s history.

Starbuck and Buffy get a well-deserved tongue-lashing from Bubba as they returned to CTU with tails stuck between their legs, but the second Starbuck tries to get down to business, a corrections officer – henceforth known as Jimmy James – that’s tracking Kevin gets Starbuck’s phone number from a Queens hotel room phone. Would it have killed her to say sorry, I’m in the middle of a matter of national security and you, lowly corrections officer, will just have to wait? Doesn’t she realize what a position of authority she has? Jesus, what good is it to have power if you don’t use it once in a while? And Buffy is clearly losing patience with her inability to handle anything that’s thrown at her, however small. In the “Sliding Doors” version in my mind of the 24 hours that take place after this season ends, Buffy kills Starbuck just to shut her the hell up once and for all, but plants a gun on her and uses her criminal past as an alibi to argue that his killing her was self-defense. And there isn’t a jury in the country that would convict him.

Bonus pictureage this week, as I found this rather flattering picture of Crazy Jackie. Wowzers. No wonder someone I know refers to her as Rack Bauer. All right, back to work, people.

The only other story line to receive significant play tonight was how the whereabouts of Princess Jasmine landed Slumdog President and Angry First Wife in the same room again. This is a crucial move for the story in that she really is the only one that he can trust, despite the fact that she doesn’t trust him (or, more appropriately, his penis) any farther than she can throw him. Hopefully, this will not lead to some sappy reconciliation. Mutual respect, sure. But rekindled love, no. It just doesn’t work that way.

So what was Madame President and her staff working on this last hour? Their nails? Their plans to bomb Slumdog’s country back to the Stone Age? A Sudoku puzzle? An out clause in their “24” contracts? Ah, who are we kidding, this is one of the best gigs on television, even if you have to wear the same clothes every single day for the entire season. I would love to see a scene where someone wakes up a president, or an advisor, or anyone for that matter, to deal with a matter of national security at three in the morning. This show has thrived on the understanding that anyone can go 24 hours without sleep, but what it doesn’t take into account is how many hours before the show begins that these characters have gone without sleep. There was a scene early in the show’s run when someone tried to escape Jack’s clutches when he was succumbing to exhaustion, but I don’t recall sleep deprivation ever playing a part in a single story line since then. Unless they include Chloe and Morris’ decision to name their son Prescott. Because that’s a terrible name to give an American kid.

Tonight’s blog title might seem like a big surprise coming from an alt-pop guy like me, but I’m on call to take care of my daughter when she inevitably awakes, which means I need to come up with something quickly…and this Cher song hit me, and actually fits the bill rather well. Marcos thought he was dying for a cause, but in the end, he gave the so-called enemy what they wanted. And if the bomb hadn’t killed him, his comrades would have. As Jack was throwing him in the chamber, he surely knew that he was a pawn and felt a moment of inpalpaple grief, right before being blown into bits. Marcos, for one, is definitely sleeping alone.

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