Author: David Medsker (Page 60 of 65)

Oscar Breakdown: Meet the new kids

The Academy Award nominations were announced at the ungodly hour of 5:30 am PST, and the most remarkable thing about the selections is that, at last, it looks as thought the tide is turning from the old guard to the new one. Scores of actors and actresses, directors and composers received their first nods this year, and thank heaven for that. You can only shut out Paul Giamatti for so long before it becomes clear that the fix is in.

Here are the nominees:

Best Actor
Philip Seymour Hoffman: Capote
Terrence Howard: Hustle & Flow
Heath Ledger: Brokeback Mountain
Joaquin Phoenix: Walk the Line
David Strathairn: Good Night, and Good Luck

Comment: This is a great list, each one of them a worthy nominee. Tyler Durden is no doubt pumped that his boy Terrence Howard got the nod, and while I was blown away by Joaquin Phoenix’s performance in “Walk the Line,” I’m secretly hoping that either Hoffman or Strathairn get the Oscar. After seeing “The Talented Mr. Ripley,” Buffybot and I joked that for the ones that hadn’t already won an Oscar (Damon, Paltrow), the rest of the cast soon would (Blanchett, Law, Hoffman). Cate’s now in the club. Maybe the jolly fat guy from “Twister” isn’t far behind.

Best Actress
Judi Dench: Mrs. Henderson Presents
Felicity Huffman: Transamerica
Keira Knightley: Pride & Prejudice
Charlize Theron: North Country
Reese Witherspoon: Walk the Line

Comment: This is clearly a two-horse race between Huffman (who won the Golden Globe for Drama) and Witherspoon (who won the Golden Globe for Musical/Comedy). Theron’s nom, if nothing else, allows her to say that “Monster” was no one-shot fluke. Knightley and Dench are just filling holes. Truthfully, I would have given Naomi Watts a long look for her performance in “King Kong.” Seriously. She was amazing.

Best Supporting Actor
George Clooney: Syriana
Matt Dillon: Crash
Paul Giamatti: Cinderella Man
Jake Gyllenhaal: Brokeback Mountain
William Hurt: A History of Violence

Comment: Holy schnikes. Clooney, Dillon, Giamatti and Gyllenhaal all get their first nods, while Hurt continues to torture me with his presence in the movie industry. While everyone was livid over Giamatti’s omission last year for his work in “Sideways,” look for Clooney to be the sentimental favorite here. Plus, (SPOILER ALERT) the dude lost two fingernails via torture for the part.

Best Supporting Actress
Amy Adams: Junebug
Catherine Keener: Capote
Frances McDormand: North Country
Rachel Weisz: The Constant Gardener
Michele Williams: Brokeback Mountain

Comment: Had to admit, I needed to look up Amy Adams on IMDb to find out who she was. This looks like another two-horse race between Keener, a longtime indie darling, and Williams, whose performance in “Brokeback” was the textbook definition of smoldering rage. As for Weisz, we expect her to be late for the show, as she will be too busy telling the screaming fans how dumb they are.

Best Director
Ang Lee: Brokeback Mountain
Bennett Miller: Capote
Paul Haggis: Crash
George Clooney: Good Night, and Good Luck
Steven Spielberg: Munich

Comment: The one time where we can safely say that Spielberg doesn’t have a prayer. Haggis has been riding a wave of good will (except from Defamer’s Mark Lisanti, who has been a one-man “Crash” wrecking crew since the movie’s release), but the clear favorites here are Lee and Clooney. It would be a mighty impressive feat if Clooney won Oscars for performing in one movie and directing another. That has to be a first.

Best Picture
Brokeback Mountain
Capote
Crash
Good Night, and Good Luck
Munich

Comment: Again, Spielberg doesn’t have a prayer. Was “Match Point” not eligible? Everyone’s raving about that, and I could swear that it was released in time to be considered. At this point, this is “Brokeback Mountain”’s Oscar to lose.

Hiding in plain sight

The second that I heard Resident White House Weasel Walt Cummings say to Resident Terrorist Weasel, “It’s okay, I have someone on the inside,” Buffybot and I instantly thought, “Naaaaaah, it can’t be Spenser For Hire.” (Curiously enough, he even spells his name the same way, thus making the nickname perfect.) That’s too easy, we thought. And the producers of “24” were clearly banking on that, because almost instantly, Spenser For Hire turned out to be the bad guy. Or so we thought.

Actually, I have to give the producers props; it was a clever way to make Spenser For Hire a bad guy without actually making him a bad guy, since he thought he was working for Internal Affairs and didn’t know he was actually aiding and abetting a terrorist cell. But now that we’re talking about that terrorist cell…

…does it seem like the endgame has absolutely nothing to do with hurting the US? There was that line about Mother Russia being sorry they ever did such and such. Are they really just using the US as a middleman to traffic in nerve gas? Oh, the irony. Pretty frightening thought, if you choose to think about it. But it’s only Hour Five, so there is still lots and lots of time for this story to twist and crawl, twist and crawl, twist and crawl-awl-awl-awl-awl-awl-awl-awl-awl-awl-awl Bang! (All six of the English Beat fans out there just laughed their asses off, and the rest of you just felt sorry for me, admit it.)

The most maddening part so far is that Mike Novick, who normally knows treachery when he sees it, clearly thinks Walt is on the up and up, because he continues to involve Walt in every confidential discussion he has with the President. Maybe he has to; I’m not that up on my Oval Office chain-of-command stuff. But if “The West Wing” has taught me anything, it’s that every White House staff member eventually has their time to talk to the president in private. The way that Walt seems to be at all places at all times is just a little too convenient. Novick would have to know about Walt’s blackmailing of Evelyn somehow, someway. And, as one rather astute new watcher of “24” had noticed, is Walt really taking calls from some terrorist organization on his cell phone? Wouldn’t those calls be monitored? I’m going to assume so, which is why I am going to give Walt the benefit of the doubt, and presume that he has a Good cell phone and an Evil cell phone, and they both look exactly the same. We’ll see if there soon comes a point where he has to answer both of them at the same time.

But never mind that: Jack Bauer is still alive. Won’t the Chinese be calling for his head any second now? After all, the President told them Bauer was dead. How long is it before President Buck Buck Brawwwwwwck puts his legacy ahead of national security, especially when his wife is “nuts,” and hands Bauer over on a platter with the Wisconsin meats and cheeses I mentioned a couple weeks ago? After all, that would feed into Walt’s plans perfectly, yes? I would venture to say that he’s banking on his Commander in Chief to do just that.

After questioning Spenser For Hire for about 30 seconds, Jack almost instantly caught on that Walt was the mole, which means that there are at least two or three twists along the way. And that, selfishly, lends credence to my far-fetched Wayne Palmer theory. I’m telling you, that boy is up to no good. I don’t care if he was a good guy on “Buffy”; he has ulterior motives now. IMDb has the cast listings for the entire season online now, but I won’t look at them out of sequence, and anyone who posts a spoiler will be deleted. Well, except for the spoilers that I’ve already posted, that is.

Box Office Roundup: The world is a vampire

Based on Sunday’s estimates:

1) Underworld: Evolution: $27.6 million (first weekend)
If only the “Underworld” movies evolved the way the band did. “You bring light in, you bring light in…”
2) Hoodwinked: $11 million ($29.3 million, second weekend)
We’re thrilled for Anne Hathaway for putting two movies in the top 5, but we have to say that we’re happier with her more revealing performance in “Brokeback Mountain.”
3) Glory Road: $9.13 million ($28 million, second weekend)
A mere $300K separated Bruckheimer from that feisty, faux rich black girl, or so say the estimates. Which has us thinking that…
4) Last Holiday: $9.1 million ($26.3 million, second weekend)
…we will laugh our asses off if, when the actual numbers come out tomorrow, Queen Latifah winds up straddling Bruckheimer ala Xenia Onotopp in “GoldenEye.”
5) Brokeback Mountain: $7.8 million ($42.1 million, seventh week)
Won a whole mess of Golden Globes, those those were no match for the globes that Scarlett Johannson and Drew Barrymore sported that night.

Box Office Roundup: Shit floats

Based on Monday’s estimates:

1) Hoodwinked: $16.6 million (first weekend)
“Little Red Riding Shrek” lost us at the snowboarding grandmother.
2) Glory Road: $16.5 million (first weekend)
The same way that some grandmother walked into “The Aristocrats” expecting to see a bunch of animated cats, someone surely walked into this movie expecting an altogether different kind of “glory” movie.
3) Last Holiday: $15.7 million (first weekend)
Hey, if you’re going to torpedo any and all momentum your career received after making a star turn in an Oscar-winning movie, you may as well do it while hanging out with LL Cool J. Beats the hell out of doing another movie with Jimmy Fallon.
4) The Chronicles of Narnia: The Lion, the Witch, and the Wardrobe: $12.2 million ($263 million, sixth weekend)
Also known as “The Chronicles of Jehovah: The Movie That Wouldn’t Leave.”
5) Hostel: $11.6 million ($36.8 million, second weekend)
They’re getting a little heavy handed with this whole sex-is-death metaphor, aren’t they?

Welcome to “24,” my little hobbits

Fans of ESPN’s “Pardon the Interruption” will recognize that as a frequent introduction from ringleader Tony Kornheiser, but during the third and fourth hours of “24,” it took on a whole new meaning. Samwise Gamgee himself popped into the office, the textbook definition of proper etiquette and effective management speak even as he’s emasculating the first in command and, consequently, saving everyone’s asses.

But in the most frustrating way imaginable. Hands up: was there anyone who didn’t know precisely what Jack meant when he said “I’m in a flanker two position” the first time he said it, never mind the second time? Any terrorist worth his salt is putting a bullet in Jack’s brain the nanosecond he’s finished saying, “I repeat: I’m in a flanker two position,” or at the very least whacking him in the back of the head with the butt of his gun. But no, Jack said it a third time, and the terrorists still didn’t figure out that it was code. And it was that third time that allowed Samwise Gamgee to save the day, and make Buchanan & Co. look like idiots. Come on: you think none of the people who worked with Jack remembered the previous protocols for an agent under duress?

That small incident aside, the episode had plenty of thrilling moments. We learned that there are no depths that are beneath Walt, including drugging the First Lady. We also learned that, to take a line from Steve Carrell’s speech at the Golden Globes, President Buck Buck Brawwwwwwwk should remember that his wife’s life is no less important than his own, though it’s clear that he doesn’t think that’s at all the case. A couple of people were killed during the hostage standoff, but one of the surviving hostages, inexplicably, received a key card from the lead gunman. Of course, he escaped by episode’s end.

Carl Spackler left an email for me saying that he totally thought that the cop in riot gear that corralled Diane and Derek after the standoff was a Russian spook (though not that Russian spook), and I think it’s too early to rule that out, since we didn’t see what happened to Diane and Derek afterwards. All I know is that when I saw that container full of canisters, I immediately yelled, “Nerve gas!” I may be totally wrong about which ones were the bad guys in previous seasons, but for whatever reason, I know nerve gas when I see it. Maybe it’s that copy of “The Rock” I have on VHS that I haven’t watched in 10 years.

And speaking of bad guys…

Some have asked me who my dark horse candidates for This Year’s Villain could be. I think I’m ready to tell you my main suspect, though keep in mind that I have nowhere near enough information to back this up. But I think it would make for one hell of a twist at season’s end, especially since he didn’t show up this week: I think the bad guy is Wayne Palmer.

Here’s the way I see it: Wayne’s brother, the first black President in United States history, was forced to resign in disgrace during the worst season of “24,” not that the American public that supposedly voted Palmer into office took that whole worst-season thing into consideration. Bauer lied to President Palmer about his undercover operations with two Mexican drug dealers during that season, and as a result put Palmer in an awkward position involving a bomb that that spread a plague-like virus all over Los Angeles. Still, David Palmer trusts Bauer to resolve an issue with the Chinese embassy in the fourth season, but Bauer fails Palmer again, and embarrasses new President Buck Buck Brawwwwwwk, who instantly calls for Bauer’s head. So Wayne sets a plan in motion that martyrs his brother, thus making President Palmer a hero, and he frames Bauer, whom he secretly blames for his brother’s entire downfall, for the whole thing.

Wayne Palmer, just a couple years ago, was Chief of Staff to the President of the United States. Now, he’s nothing. David won’t talk to his brother about what’s bothering him right before he’s assassinated, but that’s because he knows that Wayne is going to have him killed, and David even goes so far as to stand in front of the window in order to make sure that everything goes according to plan. Look for a secret tape of President Palmer to surface midseason, revealing clues to the day’s events.

I know what your next question is. Why didn’t Wayne turn Jack over to the Feds while he had the chance in the premiere, while Jack was in Wayne’s apartment? I think Wayne was trying to deflect blame, that if Jack came sniffing too close to the source, it would look suspicious. So he feeds Jack a credible but ultimately useless piece of information that gets him out in the open, in the hopes that, if the Feds don’t kill him, the Russians or the Chinese will. As for the question of why Palmer didn’t just call Novick with any talk of national security, it’s because he knew that the Oval Office had been compromised, which meant that not even the faithful Novick could protect or help him, and so he fell back on the emotionally unstable First Lady for assistance.

Yes, it’s absurdly early to make such bold predictions, but there it is. And in the odd coincidence that I am indeed correct, I have left instructions with Buffybot for what to do in the event of my untimely death. And, in the event that she’s the one responsible for my untimely death, well, then I’m toast. Nice knowing you all.

These government conspiracy shows are fun, but they’re not good for you.

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