Author: Bob Westal (Page 97 of 265)

Writer guy Bob Westal was literally born in Hollywood and has commented on the worlds of movies, popular culture, politics, and food ever since. His interest in cocktails is more recent, but he made up for lost time with hundreds of “Drink of the Week” blog posts for Bullz-Eye. In addition to writing and editing, Bob also talks a lot.

Sometimes feel like the deck is stacked against you? The “Never Let Me Go” trailer might put that into perspective for you

Think you’re in a pointless, no-win situation? Did you feel at school like you were just being prepared to put into the human meatgrinder we call the rat race? Well, you’ve got it easy, kid, compared to the strangely acquiescent students and alumni of Hailsham. I’d tell you more but I understand via Cinemablend’s Katey Rich and the novel’s very spoilery wikipedia entry that the arguably science-fictional premise of Kazuo Ishiguro’s Booker Prize short-listed 2005 novel is kept somewhat hidden for a significant portion of the book. (It was revealed to me years ago, however, via book reviews and author interviews.)

That premise will also be revealed to you if you watch the intriguing trailer so, if you plan to read the book (which I think I might try to do myself, anyhow) you might want to hold off. I will say that the Japanese-English Ishiguro wrote the very non-genre “The Remains of the Day” and history and frustrated love seems to his favorite topics. This time, though, the history hasn’t been written yet.

Even aside from Ishiguro, this one has an intriguing pedigree. The adaptation is by novelist Alex Garland, who recently has turned to screenplays with “28 Days Later” and “Sunshine,” both directed by Danny Boyle, and the director is Mark Romanek. For some reason, I felt compelled to avoid his highly divisive 2002 thriller “One Hour Photo,” but he’s made some of the best videos of all time as far as I’m concerned, including the amazing and ultra-creepy “Closer” for Nine Inch Nails, the memorable “Criminal” for Fiona Apple, and “Hurt,” Johnny Cash’s moving cover of a song by Trent Reznor. And, oh yeah, Carey Mulligan is in it. Does anyone not like Carey Mulligan?

Movie news for now people

Get hip, hepcats and hepkitties.

* Somewhere between a rumor an an actual story, the ‘net geek movie item of today has to have been the flurry of speculation around the notion of Harry Potter director David Yates taking on the two-film directing gig on “The Hobbit” recently vacated by Guillermo del Toro. The Playlist claims to know that Yates has actually been offered the position though, even if true, in Hollywood there are a millions slips twixt cup and lip, so to speak, and the fun debates over who would be available and appropriate for the job continue. My first response was that Yates, a highly competent craftsman, wasn’t really enough of a visionary for the gig but, considering that del Toro and Peter Jackson remain pretty deeply involved, perhaps they’ve got visionaries enough on that project.

* On a somewhat similar note, Robert Rodriguez has possibly been offered a shot at directing a Deadpool movie. Since I missed the Wolverine movie and haven’t read Marvel Comics in a very long time, I have no idea what this actually means. I’ll learn.

Deadpool_Wallpaper_by_Vulture34

Continue reading »

Today’s trailer — Sofia Coppola is back with “Somewhere”

Over the weekend, Anne Thompson was discussing the imminent return of the youngest member (so far) of the directing dynasty begun by Francis Coppola. For me, the jury on Sophia Coppola is still out to some degree, not because I in any way doubt her talent or skill, but because I wonder about her commitment to storytelling. She has yet to really knock my socks off dramatically, and it worries me slightly that she’s such an outspoken fan of Wong Kar-Wei and Michelangelo Antonioni, two directors of the world’s most gorgeous films that I find nearly unwatchable. On the other hand, Thompson came up with a quote in which Coppola praises Bob Fosse, one of my favorite directors of all time, and his most direct and emotional film, “All That Jazz.”

“I enjoy movies when they’re sincere, from personal experience. Fosse got away with his girlfriend playing his girlfriend. It’s not an all-romanticized idea of himself. It’s honest.”

True enough. Watching the trailer for “Somewhere,” about a hard living actor (Stephen Dorff) and his tween-age daughter (Elle Fanning), it looks to me like she’s still thinking about a key sliver of that film, but I ‘ll get to that some other time. Also, considering that Coppola is about to become a mom for the second time, it’s a topic that likely hits close to home. I’m hopeful about this one.

Rock ‘n Roll High School

Ultra-canny low-budget producer Roger Corman originally wanted to make “Disco High School.” Thank the rock gods hipper heads prevailed. Directed by Allan Arkush with assists from Jerry Zucker and Joe Dante, 1979’s “Rock ‘n Roll High School” is the cartoonish tale of the literally explosive results of the arrival of original punk rockers The Ramones at Vince Lombardi High. Free spirited hipster Riff Randle (P.J. Soles) and her straight-arrow best pal Kate Rambeau (Dey Young) must evade fun-hating Principal Togar (Mary Woronov) if they are to party down with two-chord musical geniuses Joey, Johnny, Dee Dee and Marky Ramone. Meanwhile, besotted but romantically inept football player Tom Roberts (Vincent Van Patten) enlists the aid of strangely suave ultra-dork entrepreneur Eaglebauer (Clint Howard) to woo Riff, unaware that the bespectacled but equally adorable Kate is the one carrying a torch for him.

It’s even sillier and messier than it sounds, but it all comes together, more or less, because of the likable chaos fostered by Arkush, a dominating performance by actress/performance artist Woronov who gets the film’s best lines — “Does your mother know you’re Ramones?” — a generally amazing cast, and, most of all, the music and presence of the aforementioned Ramones, three of its four members now sadly deceased. Featuring lots of performance footage — alas, in very low-fi monophonic sound — this is a big, sloppy kiss to the rock and roll spirit. It may not be the funniest comedy ever made, but it’s close enough for punk.

Click to buy “Rock and Roll High School”

The box office kung-fu of “The Karate Kid” proves strong; “The A-Team” does B-grade business

It’s probably not a completely original thought of mine and it’s obviously a vast oversimplification, but it’s always seemed to me that what audiences really seem to want is more of the same, but different. If something is too unfamiliar, only a limited portion of viewers will be adventurous enough to try out a brand new movie flavor. If it’s too familiar, on the other hand, it’s kind of a bore, at best.

That formula has apparently been in full effect this weekend as a film which put a few gentle twists on a very familiar property prospered at the box office. A second movie — in terms of marketing, at any rate — was an apparent carbon copy of its source material, notwithstanding a new cast, more violence, and a bigger budget (too much bigger, probably). That film will prove vastly less profitable, at best.

Jackie Chan and Jaden Smith in

Continue reading »

« Older posts Newer posts »

© 2026 Premium Hollywood

Theme by Anders NorenUp ↑