Author: Bob Westal (Page 49 of 265)

Weekend box office: It’s paranormally delicious

I’ve got places to go and movies to see (and other stuff to write), so I’m going to keep it short and sweet today. And things were definitely sweet for Paramount this weekend.

http://screenrant.com/paranormal-activity-2-spoilers-vic-84039/

For starters, this week’s #1 is “Paranormal Activity 2.” It seems that prognosticators were avoiding specific numbers but this is a bit higher than expected with Anne Thompson describing the $41.5 million estimate figure as “jaw dropping.” Judging by good-to-meh reviews, the shot-on-video moc-reality-flick gave the audience what they wanted: more of the same, with maybe a bit of a new twist or two to keep things reasonably fresh. For some reason, Nikki Finke is reporting a slightly higher estimate of $43 million and also tripling the reporting budget from $1 to a whole $3 million. Is she the scoop lady or the wrongish lady this weekend? Box Office Mojo has the figure at $41.5 million also.

Morgan Freeman and John Malkovich hang out in This week’s #2 picture is last week’s #1 and it’s also from the former home of Bob Hope on Melrose in East Hollywood. (Line from obscure 1941 Cole Porter song, “Let’s Not Talk About Love”: “Let’s talk about drugs, let’s talk about dope; let’s try to picture Paramount minus Bob Hope.”) “Jackass 3D”  dropped a very-much par-for-the-youth-oriented-course 57.1% in its second week and reported a dandy $21.6 million for Paramount’s coffers. The elder-action comedy, “RED,” is in the #3 spot and looking leggy with a drop of 31.1% for $15 million in its second week.

Though it’s in the #4 spot, Clint Eastwood‘s “Hereafter,” written by Peter Morgan and starring Matt Damon, actually did better than expected according to La Finke. It earned an estimated $12 million and change and should hold reasonably well, given the strength of the names involved and some good reviews from prominent critics mixed with a lot of “meh” or worse from others.

When you find a stranger in the alps

A brief and amusing video reminder that, when it comes to censoring language from movies for airing on television, sometimes a bleep or a quick sound drop-out might be preferable to the wrong kind of creativity. Since this video provides both the original and censored versions of some pretty coarse language said rather loudly, it’s obviously on the NSFW side of things.

H/t Movieline.

New gig, old gig: Liam Neeson

So, continuing the pattern of the post right below this one, the news that Mr. Neeson is stepping into the role left vacant in “The Hangover 2” by this week’s big Mel Gibson casting clusterfrack, gives us an opportunity to take a look at some scenes from one of Neeson’s very few comedies, 2003’s “Love, Actually.” Ironically, the humor is leavened by the sadness underlying the story about a man raising the son of his beloved deceased wife, a storyline made all the more poignant by tragic real events.

Anyhow, the chemistry between Neeson and young Thomas Sangster here is really nice. I think this is the only movie I’ve ever seen to give me actual father envy. I mean, who could be a cooler dad than Liam Neeson?

I believe the first part might be a deleted scene, but since I haven’t seen “Love, Actually” since it came out, I’m actually not sure. If anyone out there wants to enlighten us, feel free.

New gig, old gig: Steven Spielberg

Today we’re going to start what I think might be an occasional series of posts where I highlight a movie news story about someone’s new job — which is probably about half the movie news stories (when people aren’t merely “mulling,” “eying” or “circling” new jobs) — and then provide you with a clip of past work I deem somehow relevant.

Okay, so the news here is that Steven Spielberg is returning to directing science fiction with “Robopocalypse,” an adaptation of Daniel H. Wilson’s recent novel written by “Buffy”-alum Drew Goddard (“Cloverfield,” the ever-delayed “The Cabin in the Woods”). Though I love science fiction, I’m much more a fan of Spielberg when he gets outside his old comfort zones on movies like “Munich,” “Catch Me If You Can,” even the sometimes-derided “Schindler’s List” and  “The Terminal.” Still, apart from the just about perfect “Raiders of the Lost Ark” — which is more fantasy than science fiction anyhow — his best, though still flawed, SF movie has to be “Close Encounters of the Third Kind.”

Below, as Richard Dreyfuss and former French New Wave wunderkind François Truffaut look on, 1977’s cosmic equivalent to “Dueling Banjos.”

Trailer for a Friday night: “Rabbit Hole”

I always like to say that no good movie really depresses me, no matter the subject matter, but that the happiest truly bad movie can really bring me down. Especially if it’s a hit. Still, when the topic is parents coping with the aftermath of the death of a child, even I might wonder if that’s pushing the sadness envelope, no matter how well handled. On the other hand, given strong material and a really good director anything is possible and this genuinely lovely trailer for “Rabbit Hole” starring Nicole Kidman and Aaron Eckhart and directed by John Cameron Mitchell, hints that the movie might be a small miracle. Take a look, you’ll be okay.

Talking about walking a fine line. I wasn’t wild about Mitchell’s hardcore non-porn, “Short Bus,” though it had its moments. On the other hand, “Hedwig and the Angry Inch” was the best musical of its decade in my book and also showed that humor and the worst human pain could coexist. Could this do for the subgenre of quality “depressing” movies with Oscar-friendly actors what Mitchell did for rock and roll musicals? Possibly.

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