Author: Bob Westal (Page 106 of 265)

Writer guy Bob Westal was literally born in Hollywood and has commented on the worlds of movies, popular culture, politics, and food ever since. His interest in cocktails is more recent, but he made up for lost time with hundreds of “Drink of the Week” blog posts for Bullz-Eye. In addition to writing and editing, Bob also talks a lot.

Kinda midweekish movie news

Again, plenty to do so I’ll try to keep things efficient this evening as I go over a few stories. Some of them, I must admit, are left overs from last night. Still, just like the way cold chicken can be even better after sitting in the fridge, maybe this news will have improved slightly with time.

* If we can believe the Wall Street Journal, it appears that the Weinstein/Burkle deal to kinda-sort retake Miramax is off, writes Monika Bartyzel at Cinematical.  Since the company is actually named after the parents of Harvey and Bob Weinstein, I imagine this might hurt a little.

Dominic Cooper in * John Slattery of “Mad Men” was one of the more pleasant surprises of “Iron Man 2” as a middle-aged (actually long-deceased) Howard Stark. Now, we know who’ll be playing Stark as a young man in “Captain America: The First Avenger.” It’s Dominic Cooper, the male ingenue of “Mamma Mia,” whose other recent parts includes playing Uday Hussein, so he’s definitely running the gamut.

* Jesse Eisenberg, who had a rather good weekend with two films in limited release, is reteaming with his “Zombieland” director, Ruben Fleischer. The picture sounds like a pretty fun black comedy about a bizarre bank robbery. Aziz Ansari is also in the film as a middle-school teacher which, right off the bat makes me laugh.

* Sam Rockwell as…Joe Christ?

* There’s very little reason to expect the Paul W.S. Anderson 3-D version “The Three Musketeers” is going to be anywhere near one of the better versions of the oft-filmed adventure tale, but I actually like the idea of elf-to-punching-bag actor Orlando Bloom as a bad ass villain. I’ve missed most of his non-elven performances, so I’m not yet a Bloom-hater. Anyhow, it’s good for actors to stretch a bit.

*  I might have been tempted to run clips from the ongoing “Star Wars” spoofery going on at “The Family Guy” only I have this strange, yet deep, inner conviction that Seth MacFarlane should in no way be confused with someone who makes funny shows. The clip from a table read embedded on a  post by Geoff Boucher only strengthens that conviction. I seriously do not understand what those people are laughing at. I’ve asked this question before and have never received a good answer: is the “joke” of his shows that all the jokes are bad?

* If the movie adventures of young Jack London get more kids to actually read Jack London, I think that’ll be great. Confession time: I’ve only read The Sea Wolf. The movie, despite having Edward G. Robinson, John Garfield, and Ida Lupino in it, didn’t begin to do it justice. Steling Hayden or Robert Ryan were the only men ever born to play the half-insane, ultra-macho, pseudo-intellectual control freak Wolf Larsen. Actually, Russell Crowe could not only play Wolf Larson, I suspect he is Wolf Larsen.

South-Park-60

Trailer time — “The Killer Inside Me” (updated)

It’s a bit glib, but it’s fairly safe to say that Jim Thompson was probably the most hard-boiled among the better known hard-boiled writers of the mid 20th century. The new film version of his best known novel proved his work still has the capacity to shock thirty-three years after his death. At Sundance and elsewhere, “The Killer Inside Me,” directed by the very prolific Michael Winterbottom (“A Mighty Heart,” “The Road to Guantanamo”), inspired praise and walks out, particularly for some reportedly extremely rough and bloody scenes of violence perpetrated by Casey Affleck as the brutally sociopathic lead character against costars Jessica Alba and Kate Hudson. Being green band, this trailer merely implies the brutality, of course, but I don’t think it hides from it, either. This really does look like a likely career breakthrough role for Affleck.

This is far from the first time Thompson’s work has been on the screen. Stanley Kubrick was famously impressed with The Killer Inside Me, which came out in 1952. Thompson wound up working on two Kubrick classics, “The Killing” and “Paths of Glory,” but his cult fame had to wait until after his death  in 1977, the year after the first film version of The Killer Inside Me was released to not much interest.

This time, though, that’s looking to be a very different story. Other notable Thompson adaptations include Stephen Frears’ memorable “The Grifters” with John Cusack, Angelica Huston, and Annette Bening from 1990, “The Getaway” (filmed by Sam Peckinpah in 1972 and Roger Donaldson in 1994), and Betrand Tavernier’s haunting 1981 “Coup de Torchon.” None of those were what you’d call family films, but it’s safe to say that this will be by far the most controversial of the bunch.

UPDATE: I just stumbled over an earlier European trailer which is really interesting and a bit more blackly comic. It’s courtesy of a 5/5/10 post made by Simon Dang at the Playlist. Dang also offers that the he thinks the violence has been played up perhaps a bit more than is the case — and this wouldn’t be the first time that’s happened. In any event, the other trailer is after the flip.

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Late night/early morning movie news

I need to keep it brief tonight, but there are a few items tonight that I want to catch up with.

* It nice to lead with some good news. Jailed Iranian director Jafar Panahi has reportedly been released on bail from his imprisonment. The director, who was supposed to sit on the Cannes jury, had been on a hunger strike. The acclaimed film-maker appears to be in trouble because of a documentary about the Iranian protest movement.

Shrek Forever After* The lower than expected box office performance for “Shrek Forever After” had an effect on Wall Street. Moreover, Patrick Goldstein wonders if those inflated 3-D ticket prices might already be starting to backfire. I tend to agree. People may not mind paying a little extra for something that feels like a real event, but 3-D is already starting to feel old hat and, as Goldstein reminds us, there’s a lot more coming.

* This story fell between the cracks a few days back — and Louis Black doesn’t work for me — but Morgan Spurlock (“Super Size Me“) really is doing that comicon documentary that was rumored sometime back. It was originally plugged as a collaboration of some sort with Joss Whedon, but it turns out Whedon is just one of a few geek superstars who will be executive producing. That’ possibly the most elastic job title in show business, so his involvement could be fairly minimal though I’m sure he’ll appear on screen. Accompanying Whedon in backing the film are none other than Stan Lee and Harry Knowles.

* A long time ago, I found the novel, Less Than Zero, oddly compelling reading in that it was a vivid portrait of a human train wreck. That being said, Brett Easton Ellis is certainly not dispelling the widespread opinion that he might be a jackass with his pronouncements about female directors. May he shortly be visited by the ghost of Ida Lupino.

* The real winner at Cannes: Eliot Spitzer.

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Okay, so it’s not a major TV series finale…

…And there’s absolutely no doubt that the most important documentary to debut at this year’s just wrapped Cannes Film Festival was Charles Ferguson’s Wall Street/Washington expose, “Inside Job.” Nevertheless, this film geek can’t resist running the trailer for what sounds like a perfectly great documentary about one of the greatest men to ever hold the title “Cameraman.”

What can you say about the man who shot several of the most dazzling, visually groundbreaking films every made, including the ultimate ballet film, “The Red Shoes” and whose resume also includes “Rambo: First Blood 2”?

David Hudson had the scoop and gets a mega h/t for the trailer on this. Just a little bit more of the work of Jack Cardiff after the flip.

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Cannes winners announced

I have next to no time to write this, but the Cannes Palm d’Or, possibly the single most prestigious film award in the world, including the Oscar, has gone to Thailand’s “Uncle Boonmee Who Can Recall His Past Lives,” directed by the unpronounceable and unspellable Apichatpong Weerasethakul. (He’s often referred to as “Joe,” I understand.) Apparently saving the best for last, the movie was not screened until the end of the festival. It fully wowed Tweeters in the audience, will no surely add hugely to the growing rep for Weerasethakul, who will now be known at least among a much larger group of cinephiles than before and may even break out towards more casual world-cinema fans.

Among the more familiar names receiving other awards this year are actors Javier Bardem and Juliette Binoche, who spoke about imprisoned Iranian director Jafar Panahi. David Hudson has a lot more.

Here’s the trailer for this year’s big winner. It’s beautiful, haunting, and a gently creepy in the way of a fairy tale, but this may not for everyone. Something tells me that Joe won’t be teaming up with Jerry Bruckheimer any time soon.

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