Granted, Bellick and his sidekick aren’t the sharpest tools in the shed, but wouldn’t you search a guy before torturing him? Hell, the key was right there, sticking out of his sock for all of America to see. Anyway, it was fun to see the sidekick hit Bellick over the head a couple of times with that meat tenderizer. So now another guy has an opportunity to take five million dollars and disappear. What are the chances that the sidekick doesn’t end up with the money? I’d say they were pretty good…
And something tells me that T-Bag is going to lose his hand…again. That thing was ripping apart at the seams. Ugh.
I was a little worried about LJ and Lincoln when the van from “Old School” ran them off the road, but once I saw the blonde, I figured they were good to go. She looks like a potential new romance for Linc, assuming the group can get away from the bad guy. It will be interesting to see how that confrontation goes down.
Here’s a theory: all of those “Silence of the Lambs” switcheroos were just a setup for tonight’s non-switcheroo when Michael and Sarah met by the railroad tracks. I saw the car and figured it was him, but they’ve pulled the switch so many times that I was half expecting it to be Haywire or something. Understandably, Sarah wasn’t too pleased about the “run away to Panama” plan, but what was she expecting? Then she pulls a Houdini while Michael’s in the bathroom, leaving a note that said, “This time I know better.” Please. What’s the moral of the story? Stay with Michael or you’ll end up with a gun in your face.
And then there’s Mahone…it’s not too smart to mention Panama to Michael. I loved Scofield’s line just before: “When you get close, I will win…every time.” And how about Sarah telling Michael to put on his seat belt when he got into the car? I sure hope that was intentional comedy.
