Month: June 2010 (Page 8 of 17)

Blu Tuesday: Vengeance Trilogy

Though it’s technically been available for a few months due to an exclusivity deal with Best Buy, Park Chan-wook’s “Vengeance Trilogy” is available everywhere else starting today, so it seemed like a good time to finally take a look at this fantastic four-disc set from Palisades Tartan’s Asia Extreme division. Since I’ve already reviewed all three films in some capacity over the years, I’m not going to again, other than to say that “Oldboy” remains the highlight of the trio and “Sympathy for Mr. Vengeance” the most overrated. “Lady Vengeance,” on the other hand, is even better when watching the “Fade to White” version – a previously unreleased cut of the movie that is slowly drained of color until it eventually dissolves into black and white.

The “Fade to White” edition of “Lady Vengeance” is just one of many new extras that appear on the four-disc set. It’s also the only way to purchase two of the three films on Blu-ray in the U.S. (“Oldboy” has been available for a few years now), and although that may seem like a pretty voracious decision on the part of the studio, they’ve clearly done their research, because I haven’t come across too many people who want to own one of the films and not the others. With that said, Palisades Tartan has done everything in their power to make these new Ultimate Revenge Editions truly ultimate in every way. Both “Sympathy for Mr. Vengeance” and “Lady Vengeance” boast audio commentaries with Chan-wook and his lead actors, as well as hours of production featurettes, interviews and more. They also look and sound great thanks to brilliant 1080p video transfers that really play to the film’s strengths, and DTS-HD 5.1 Master Audio tracks.

Of course, I’ve saved the best for last. While “Oldboy” isn’t quite as technically impressive as the other two films – namely due to an error on the packaging that promises a DTS-HD 7.1 Master Audio track that doesn’t exist – the studio does make up for it with some killer extras. There are so many, in fact, that it’s a bit surprising that they didn’t decide to split up the content between two discs like they did with “Lady Vengeance.” Along with three commentary tracks – one with Chan-wook, another with him and cinematographer Chung Chung-Hoon, and the last one with the director and his cast – the Ultimate Revenge Edition also includes all the deleted scenes, behind-the-scenes documentaries, and interviews that have appeared on previous releases. The piece de resistance of the Blu-ray, however, is “The Autobiography of Oldboy,” a three-hour video diary that goes about as in-depth into the making of a film as you could possibly get.

Some studios are all too quick to splash around words like “special” and “ultimate,” but Palisades Tartan’s four-disc release of Park Chan-wook’s “Vengeance Trilogy” more than lives up to its billing thanks to an incredible collection of special features and a supplemental booklet filled with essays about each movie. Chan-wook’s ultra-violent revenge tales aren’t for everyone, but for fans of his twisted trilogy, this is quite the love letter.

Movie news for now people

Get hip, hepcats and hepkitties.

* Somewhere between a rumor an an actual story, the ‘net geek movie item of today has to have been the flurry of speculation around the notion of Harry Potter director David Yates taking on the two-film directing gig on “The Hobbit” recently vacated by Guillermo del Toro. The Playlist claims to know that Yates has actually been offered the position though, even if true, in Hollywood there are a millions slips twixt cup and lip, so to speak, and the fun debates over who would be available and appropriate for the job continue. My first response was that Yates, a highly competent craftsman, wasn’t really enough of a visionary for the gig but, considering that del Toro and Peter Jackson remain pretty deeply involved, perhaps they’ve got visionaries enough on that project.

* On a somewhat similar note, Robert Rodriguez has possibly been offered a shot at directing a Deadpool movie. Since I missed the Wolverine movie and haven’t read Marvel Comics in a very long time, I have no idea what this actually means. I’ll learn.

Deadpool_Wallpaper_by_Vulture34

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Today’s trailer — Sofia Coppola is back with “Somewhere”

Over the weekend, Anne Thompson was discussing the imminent return of the youngest member (so far) of the directing dynasty begun by Francis Coppola. For me, the jury on Sophia Coppola is still out to some degree, not because I in any way doubt her talent or skill, but because I wonder about her commitment to storytelling. She has yet to really knock my socks off dramatically, and it worries me slightly that she’s such an outspoken fan of Wong Kar-Wei and Michelangelo Antonioni, two directors of the world’s most gorgeous films that I find nearly unwatchable. On the other hand, Thompson came up with a quote in which Coppola praises Bob Fosse, one of my favorite directors of all time, and his most direct and emotional film, “All That Jazz.”

“I enjoy movies when they’re sincere, from personal experience. Fosse got away with his girlfriend playing his girlfriend. It’s not an all-romanticized idea of himself. It’s honest.”

True enough. Watching the trailer for “Somewhere,” about a hard living actor (Stephen Dorff) and his tween-age daughter (Elle Fanning), it looks to me like she’s still thinking about a key sliver of that film, but I ‘ll get to that some other time. Also, considering that Coppola is about to become a mom for the second time, it’s a topic that likely hits close to home. I’m hopeful about this one.

Rock ‘n Roll High School

Ultra-canny low-budget producer Roger Corman originally wanted to make “Disco High School.” Thank the rock gods hipper heads prevailed. Directed by Allan Arkush with assists from Jerry Zucker and Joe Dante, 1979’s “Rock ‘n Roll High School” is the cartoonish tale of the literally explosive results of the arrival of original punk rockers The Ramones at Vince Lombardi High. Free spirited hipster Riff Randle (P.J. Soles) and her straight-arrow best pal Kate Rambeau (Dey Young) must evade fun-hating Principal Togar (Mary Woronov) if they are to party down with two-chord musical geniuses Joey, Johnny, Dee Dee and Marky Ramone. Meanwhile, besotted but romantically inept football player Tom Roberts (Vincent Van Patten) enlists the aid of strangely suave ultra-dork entrepreneur Eaglebauer (Clint Howard) to woo Riff, unaware that the bespectacled but equally adorable Kate is the one carrying a torch for him.

It’s even sillier and messier than it sounds, but it all comes together, more or less, because of the likable chaos fostered by Arkush, a dominating performance by actress/performance artist Woronov who gets the film’s best lines — “Does your mother know you’re Ramones?” — a generally amazing cast, and, most of all, the music and presence of the aforementioned Ramones, three of its four members now sadly deceased. Featuring lots of performance footage — alas, in very low-fi monophonic sound — this is a big, sloppy kiss to the rock and roll spirit. It may not be the funniest comedy ever made, but it’s close enough for punk.

Click to buy “Rock and Roll High School”

The Next Food Network Star: rigorous testing

I realized last night while watching episode 2 of this season’s “Next Food Network Star” that they are really putting the contestants through the wringer this time. The first two weeks they were thrown into the fire so to speak, having to get in front of a camera and ad lib with almost no time to think about it. That does, however, truly separate those who have it from those who don’t.

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