Month: December 2009 (Page 9 of 24)

Marvin the Martian redux, part 2

As a reaction against the news of this ill-advised project, earlier today I presented the first ever cartoon appearance of the character who would eventually be known as Marvin the Martian. Now, I present my favorite appearance by the vertically challenged enemy of Planet Earth and, actually, my favorite Warner Brothers cartoon.

Ladies and gentlemen, from 1953, “Duck Dodgers in the 24 1/2 Century,” written by Michael Maltese and directed by Charles M. “Chuck” Jones. Watch Daffy Duck and Porky Pig as they fight against the villainous thing from another world in a to-the-death battle for humanity’s right to a close, comfortable shave. Please hold your applause until the end.

Celluloid Heroes: Best British Imports of the Decade

Foreign films made a big splash at the turn of the century, with many moviegoers finally realizing that subtitles weren’t so bad after all. Though a language barrier was never the reason the British film scene failed to take off, it really came into its own in the aughts with the introduction of new talent like Guy Ritchie, Edgar Wright, and Danny Boyle. As part of our look back at the movies of the 2000s, here’s a list of the best British imports of the decade. You’ll probably notice some similarities among many of the entries, but that’s just because when it came to delivering great genre films, the U.K. was king.

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10. “Son of Rambow”

Movies like “Son of Rambow” don’t get nearly as big of an audience as they deserve, which is a shame, since it’s one of the most wildy inventive family films I’ve seen in a long time. And who better to make a movie that incorporates animated doodles into its character’s imagination than the director-producer duo that created the wacky, stop-motion music video for Blur’s “Coffee and TV”? It’s a match made in heaven, though much of the film’s success is thanks to newcomers Bill Milner and Will Poulter, who give child actors a good name.

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9. “Billy Elliot”

Jamie Bell may be all grown up, but “Billy Elliot” remains the best thing he’s done. A classic feel-good movie featuring a great soundtrack, a funny and heartfelt script, and a memorable performance from Julie Walters as the title character’s chain-smoking ballet teacher, “Billy Elliot” was nominated for three Oscars and was eventually adapted for the stage (with music by Elton John, no less) where it went on to win ten Tony Awards. Still, for as much love as the Broadway musical has received during its five-year run, the movie version is still one of the most entertaining British films I’ve ever had the pleasure to see.

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8. “Sexy Beast”

Though it’s best remembered for Ben Kingsley’s riveting turn as Don Logan, a venomous, high-strung gangster who doesn’t take “no” for an answer, “Sexy Beast” is a smart and energetic crime drama that also happens to be pretty damn funny. Of course, most of that humor comes from Kingsley’s expletive-laced performance, and it’s a crime that he wasn’t rewarded with a nice, shiny Oscar. Still, even though the movie is essentially the Ben Kingsley Show, “Sexy Beast” served as a nice introduction to Ray Winstone and Ian McShane, and will likely go down as one of the better crime dramas of the decade.

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7. “RocknRolla”

Say what you will about Guy Ritchie, but his movies are an absolute blast to watch, and “RocknRolla” is easily his most mature film to date. Though he still seems to favor style over substance, the movie still succeeds thanks to an amusing story and lively ensemble cast led by Gerard Butler and Tom Wilkinson. Plus, that bizarre dance scene between Butler and Thandie Newton is one of the funniest WTF moments of the decade (not to mention their subsequent sex scene). Ritchie’s films may never receive the credit they deserve (he’ll forever be remembered as a Tarantino wannabe, even though QT himself has been accused of stealing several times over), but “RocknRolla” is what going to the movies is all about.

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Marvin the Martian redux, part 1

I try hard, very hard, to keep an open mind about upcoming projects. However, this attempt to try and reboot one of my favorite Warner Brothers animated creations, the character who eventually came to be called Marvin the Martian, just sounds weak. However, I want to be upbeat today and ignore the 1,000,001 reasons why a CGI Marvin surrounded by live action characters “in the manner of “Alvin & The Chipmunks,” makes me cringe. I sort of doubt it has much promise commercially either. (The little kids who loved furry Alvin might not cotton to a helmeted black ball with legs.)

So, instead of dwelling on the character’s uncertain future, why not take a look at his glorious past? Here is director Chuck Jones and writer Michael Maltese introducing the character not yet named Marvin opposite Bugs Bunny in 1948’s “Haredevil Hare.” You might notice that Mel Blanc’s initial voice characterization of the Trojan-hatted alien is somewhat different from the voice we now know and love. It’s also a bit ahead of its time for a brief allusion to rabbit-on-dog outer space gay romance. Put something in cartoon form, and you can away with moider, I tells you.

Note: If you have any problems viewing this, there’s a slightly lower resolution version available on YouTube.

Friday night movie news dump

Regulars might have noticed a bit less movie news this week. Don’t worry, I won’t try to cover everything that happened in movieland this week tonight. Unfortunately, I have to start with three notable deaths.

* The saddest for me personally, and perhaps for some of you horror fans out there, is the most recent. Dan O’Bannon has died from Crohn’s Disease at age 63. Best known for the horror-comedy hit, “The Return of the Living Dead,” and for writing the screenplay for “Alien,” O’Bannon emerged out of U.S.C.’s film school with his friend, John Carpenter and together they collaborated on an odd science fiction comedy called “Dark Star.” While few remember that film, it set them both on a pretty interesting path.

When I was in the middle of high school and at the height of my geekness  (three terms as president of the Venice High science fiction club!), I actually met O’Bannon in some odd circumstances at a crisis point in his career. Buy me a drink and I’ll tell you the story, but suffice it to say he seemed like a good guy and he was clearly something of a minor genius. He’ll be very much missed.

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* Roy Disney, the nephew of Walt Disney and the son of Roy O. Disney, also passed on at age 79. The younger Disney emerged as a king-maker and king-breaker of sorts, launching insurgent movements that wound up putting Michael Eisner in charge of the studio in 1984 and then deposing him in 2004.

* Finally, if you’re a former film student like myself you’ve probably had to read some of the work of famed academic critic and scholar Robin Wood, who was so respected that almost no one noticed when serious film-criticism aficionado Joss Whedon named a supercool cool high school principal/cum monster-fighter after him on “Buffy.” (How could anyone namecheck him on a mere TV show? It had to be a coincidence.) One of the first critics to approach genre films seriously, he is famous for works on Alfred Hitchcock and Howard Hawks, among many others. He has passed on at age 78, and the always interesting Glenn Kenny has a remembrance.

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High school video class tops award-nominated “(500) Days”

This is circulating pretty quickly around the ‘net, but deservedly so. As part of a “lip dub” video competition — in my day we called it “lip-synch”! — between two Seattle-area high schools, video teacher Marty Ballew, his class, student director Javier Caceres, and what appears to be most of the Shorewood High student body, created a music video possibly inspired by Joseph Gordon-Levitt’s post-coital walk-of-pride in “(500) Days of Summer.” Or, possibly not, it’s not like writer-director Marc Webb, whose film is nominated for two Golden Globes and three Independent Spirit Awards, has some kind of ownership of the Hall & Oates catalog and the scenes are fairly different.  (I’m sure proud parents will have to take comfort from the fact that it’s extremely unlikely the entire Shorewood student body had sex just prior to shooting, though with these kids today, how can you be sure?)

In any case, Mr. Ballew, young Mr. Caceres, and company left Webb in the dust, shooting their musical sequence backwards, which meant the kids had to learn the lyrics that way as well, and — even better — in a single take of 4:22. Shooting musical sequences using long takes, once the standard, now borders on being a lost art, just ask ADHD musical maestros Rob Marshall (“Nine”) or Baz Luhrmann (“Moulin Rouge”). Doing it backwards has to increase the difficulty level considerably, though with great results, as you’ll see. Maybe we should send some grown-up directors back to high school for some remedial production classes.

For comparison, here’s the sequence from “(500) Days of Summer.”

Okay, it’s not bad — it might even be called “good,” but it’s not Mr. Ballew’s video production 1 class Shorewood High good.

Via Cinematical.

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