Month: August 2009 (Page 21 of 33)

Sticks and stones

G.I. Joe: The Rise of Cobra” director Stephen Sommers, from an interview with Michael Fleming:

I don’t think the mainstream critics are relevant here, they have criticized themselves into irrelevancy.

I make the kind of movies critics love to hate. They love dark and depressing movies…All the internet movie haters love this movie.

These critics have become a dying breed, and part of it is how much more vicious and personal they’ve become. They attack the directors, personally.

Glenn Kenny has some wise words on the whole “wither the critics/wither the kids” thing.

Michael Jackson movie deal finalized

I’m sure I’ll be seeing the film, but something about this makes me feel unclean, and I’m not even sure exactly why. I’m sure it’ll be a hell of a show.

I certainly can’t disagree with Nikki Finke’s characterization below:

Randy Phillips, president and CEO of AEG Live, ghoulishly boasted to The Associated Press he had “more than 100 hours of footage that could be turned into live albums, a movie and a pay-per-view special. He was our partner in life and now he’s our partner in death.”

Some of the footage will be in 3-D. According to Variety, like the unpresented Jackson show, the film will be directed by Kenny Ortega (“High School Musical,” “Newsies.”)

British TV companies reclaim their content on the Internet

BBC TV

A survey conducted by Deloitte and YouGov reveals that British TV fans are more likely to turn to a network’s site rather than YouTube or iTunes if they miss a show when it airs.

The survey said viewers’ awareness of broadcasters’ on-demand sites, such as the BBC’s U.K. iPlayer service, had overtaken that of both YouTube and iTunes at 84% compared with 76% and 64% respectively.

Deloitte’s media and telecoms partner James Bates said: “In an ironic twist to earlier expectations, broadcasters and independent producers may, in the medium-term, be those that benefit most from online television.

“Broadcasters may increasingly use online television to support their core, traditional objective of maximizing broadcast audience size and quality.”

Bates added that online video clips, distributed via TV companies’ own websites and third-party platforms, spark interest in broadcasters’ shows while catch-up services enable auds to keep up with programs they’ve missed.

This has long been evident in the United States, where networks started coming down on YouTube and other sites that were illegally hosting their programming. In a rather smart move, the major networks partnered to create Hulu, a site supported by commercials that allows viewers to watch their favorite shows on the Internet for free. It’s currently impossible to watch a full episode of an American show on YouTube and few fans want to pay the fee iTunes charges. When watching an episode for free on Hulu or the network’s webpage, the viewer only has to sit through about three minutes of commercials. I’m happy this is working out with Brtish TV fans. The networks just have to hope the writers don’t complain.

Rich Sommer is one of TV’s happiest “Mad Men”

As any television fan worth his salt knows, the new season of “Mad Men” is just around the corner — and if you’re a fan of the series, you’ll be happy to know that Bullz-Eye’s Will Harris just so happens to have had a chat with series star Rich Sommer recently. It will come as no surprise that the ever-intrepid Harris tried to pry some tidbits about the upcoming season out of Sommer…and it should be equally unsurprising that Sommer, not wanting to run afoul of show producer Matt Weiner, begged off, saying “You might be able to get that out of someone else, but I can’t be the guy, because I have a good relationship with Matt Weiner…and I’ve got to keep it that way!”

Of course, even if he wasn’t leery of breaking Weiner’s trust, Sommer might not be able to tell us what to look for. As he says in the interview, that kind of information doesn’t exactly flow freely on the “Mad Men” set:

Matt (Weiner) is a little bit impish and likes to sort of tease you with things. Like, in the first season, when Harry was going to sleep with Hildy, he sort of would tease me and say, ‘Oh, you’ve got a little story coming up in a couple of episodes.’ I would say, ‘Oh, that’s awesome. What is it?’ He would say, ‘You have to guess.’

Okay, so you won’t find any “Mad Men” spoilers — but that doesn’t mean Sommer’s Bullz-Eye interview is a bore. Far from it: Over the course of two discussions with Will, he discusses life behind the scenes of one of television’s best-reviewed series, reflects on his other high-profile gigs (The Devil Wears Prada, The Office), and provides some perspective on how he went from endless fruitless auditions to a steady job on the boob tube:

It was my final audition of the pilot season. It had been three miserable, horrible months where I had zero callbacks, zero positive reception, one of those pilot seasons that makes you pretty sure you are never going to be an actor and never want to be an actor. And then that happened.

To read the rest of the interview, just follow this link!

True Blood 2.8 – Having Her On My Brain’s Like Getting Hit By A Train

First off, my apologies for the delay in getting this week’s blog onto the site. If you’ve been following my various posts on Premium Hollywood over the course of the past two weeks, then you know that I’ve been out in Pasadena for the Television Critics Association press tour. The festivities wrapped up on Saturday night, and I spent the majority of Sunday traveling home to Virginia, and when I got there, I must admit that seeing my wife and daughter again took precedent over watching “True Blood,” and even after my daughter went to bed, any desire to watch this week’s episode with my wife was conquered by an undeniable need to sleep. I’m still feeling way off my game, thanks to the wonders of jetlag, but I’ve finally had a chance to watch last night’s episode. My apologies, however, if things aren’t in-depth this time around as usual.

This was a Godric-heavy episode, the first we’ve ever had, and it was nice to see this mysterious character we’ve heard so much about become more fleshed out. Despite everyone giving us the impression that he was this old-school bad-ass of a vampire, it turns out that he’s actually more thoughtful than any of the vamps we’ve seen to date, having become highly interested in the possibilities of a vampire / human alliance. I always seem to be let down whenever I have high hopes for characters on this show, but it would be nice to think that he’s shaping up to be the Martin Luther King of his people. Between his ending of the battle in the church, giving Hugo a reprieve, and giving Lorena that smackdown at the party, he just spent the episode getting more and more awesome.

Jason had a lot of good material in this week’s episode, from his stupidity (I had to pause the TiVo until after I stopped laughing about his response when Sarah told him he was worse than Judas: “Why, what’d he do to you?”) to his attempt to bluff his way through the lockdown (“”I’m a cadet with the Light of Day Institute, I’m strapped”) to his smackdown of Reverend Steve (“I reckon I’ve been to Heaven: I’ve been inside your wife”), but let us not forget that he was also responsible for doling out one of the most awkward hugs in recent TV history. Kudos to Bill for taking it in the spirit in which it was intended, even if he couldn’t muster much post-hug enthusiasm. It looks like the Jason / Erik relationship is also burgeoning, so I’ll be curious to see where that goes in future episodes.

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