Month: July 2008 (Page 10 of 20)

TCA Press Tour, Day 7: Fox, Pt. 2

We’re returning to Day 7 of the TCA Press Tour…and the second part of Fox’s first day of panels…with a moment or two of unabashed bitching.

The recipient of this bitchfest…? “24.”

See this picture of Kiefer Sutherland?

See all those microphones and tape recorders surrounding him? This was the only access any of us had to him or the other members of the “24” cast and production team who were in attendance at the press tour…and let me assure you that not pictured here are probably at least 47 other microphones and tape recorders that were just outside of the range of the camera. (As it is, I’m forced to wonder if the photographer was either standing on a chair or hanging from a chandelier to get this shot, since he couldn’t possibly have gotten close otherwise.) Instead of doing a proper panel for what’s ostensibly the most talked-about show returning to Fox’s line-up, the network opted to provide a casual affair, where we all mingled about the lobby of the ballroom during lunch together and struggled to get anywhere near Sutherland. They used the same methodology for “Prison Break” during the breakfast period (“Prison Break”-fast, get it?), and though it was a slightly less frantic affair, possibly due to the early hour, it was still less effective than a proper panel would have been, to be certain. I realize that Fox had a bit of a scheduling crunch due to the TCA swiping half of one of their two days for a luncheon with “The Bonnie Hunt Show” and a set visit to “Mad Men,” but I’d much rather have had a “So You Think You Can Lunch” function with Cat Deeley and company and gotten a proper “24” panel instead. Not getting proper time with the “24” folks after such a long time between seasons made for easily the biggest disappointment of the TCA tour to date.

Okay, moving on…

Secret Millionaire: I’m going to fall back on the press release again, lest I fall into snark mode while discussing this well-intentioned series, then I’ll speak more of it afterwards.

Here goes:

“‘Secret Millionaire’ is a dramatic unscripted series that takes America’s wealthiest individuals away from their lavish lifestyles, sprawling mansions and private planes and places them undercover into some of the most impoverished neighborhoods in America. The inspirational series reveals the dramatic personal return that the participating millionaires receive when they leave their fortunes to invest in those less fortunate. Challenged with living on minimum wage, the millionaires will immerse themselves in situations beyond their comprehension. They will work side-by-side with community members and befriend those in need to decide who should ultimately receive their extraordinary gifts of a lifetime. The millionaires will be touched by the people they meet. Some will inspire with their dedication to helping others, while others will relay stories of overcoming tremendous odds. On the final day, the Secret Millionaires meet with the chosen recipients and reveal their true identity and intention: to give them at least $100,000 of their own money and to change their lives forever.”

Okay, so the rich folks learn how the other side lives, right? Fair enough. The millionaires sounded like nice enough guys, aided in no small part by the fact that a couple of them were self-made millionaires, so they know at least a little bit about struggling through an ordinary life (as opposed to be handed everything on a silver platter). The cynic in me, though, can’t help but view this as Fox finally getting around to doing a well-intentioned reality show long after just about everyone else has gone this route. I’m probably wrong. But I also probably won’t watch even if I am.

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Heroes of the East

Cursed with a misleading English title and a narrative flaw or two, this remarkably little known 1979 Hong Kong comic action fest is nevertheless an absolute must for serious martial arts fans and a treat for the rest of us. The young Gordon Liu (cruel tutor Pei-Mei from “Kill Bill: Volume 2”) stars as Ah To, a young man in an arranged marriage with the pretty Kung Zi (Yuzo Mizuno), recently returned from her native Japan. After some initial fretting, the two prove more than compatible. Actually, it turns out they may have a little too much in common — they are both martial arts experts and excessively proud proponents of their respective nation’s martial arts styles. Though frequently compared to “The Taming of the Shrew,” the first hour plays more like an early sixties sex comedy, only with comic physical jabs replacing the verbal sparring.

Early on, the action is nearly dominated by the spunky, hyper-talented Yuzo Mizuno — think a young Shirley MacLaine as a comically destructive martial arts virtuoso. Still, “Heroes” ultimately turns out to be Gordon Liu’s show, and quite a show it is as the reluctant Ah To must face a herd of angry Japanese martial artists who have come to defend their nation’s honor. Martial arts trained director Lau Kar-Leung’s good natured action rom-com – something of a (biased) plea for mutual respect between the Chinese and Japanese peoples – turns into a more traditional series of increasingly stunning action set pieces that concludes with a real bang as Ah To at last faces his romantic rival, a treacherous ninja (Kurata Yasuaki) who throws the ninjitsu book at our hero. It’s a stunning conclusion to a real whiz-bang of a late period Shaw Brothers martial arts extravaganza. Also, with relatively little in the way of anything like serious violence (for the most part the characters aren’t really trying to hurt each other) and only some very mild sexual innuendo, “Heroes of the East” is also appropriate for younger martial arts fans.

Click to buy “Heroes of the East”

TCA Press Tour, Day 7: Fox, Pt. 1

Okay, now that the Executive Session is out of the way, let’s get into the show-specific panels.

So You Think You Can Dance: Proving yet again that I’m not the target demographic for reality shows, I don’t think I’ve ever watched a full episode of this series…or, if I have, it was almost certainly one of the first episodes of a season, solely so that I could get a laugh out of the auditions by the various not-ready-for-prime-time dancers from around the country. Those of you who are fans, however, will probably be impressed by the fact that we were gifted with performances by Matt and Kourtni as well as Thayne. Heck, I’m not even a fan, and I was impressed by their moves.

As to the comments made during the panel, the only one that really caught my ear occurred when Nigel Lythgoe was asked if he thought that America ever got it wrong when voting off contestants.

“From my point of view, the public often gets it wrong…on this program and ‘American Idol,'” he said. “At the end of the day, they sort of put things right; it’s along the way they get things wrong. It’s like losing Tamyra Gray or something. But at the end of the day, Kelly Clarkson justly deserved to win. With dancers, it’s the same. I think we’ve lost some really good dancers along the way, but at the end of the day, when you look at Benji and you look at Travis and you think one’s a brilliant dancer and one’s a brilliant performer, the brilliant performer won. Last year, brilliant performer in Sabra and her whole story. Brilliant dancer in Danny. Sabra won. I have never seen the best dancers necessarily win ‘So You Think You Can Dance.’ Personalities have got so much to do with it, as in any form of competition on television. It’s about your charisma. What’s the difference between a brilliant actor and a star? Charisma.”

True enough.

Well, I’ll just close with the comment I made in a Facebook update I posted during the panel: I don’t really care anything about “So You Think You Can Dance,” but I could watch and listen to Cat Deeley all day…and while I can’t readily provide you with a soundbite, I can at least provide a picture:

Fringe: J.J. Abrams, creator of “Lost,” comes to Fox with his mysterious new show which – you may or may not be pleased to know – is nowhere near as impenetrable as the series for which he’s most recognized. Bill Harris and I were discussing it, and I was considering approaching Abrams and saying, “Hi, I watched ‘Fringe,’ and…I was able to follow it. Are things okay at home?” Bill’s plan, meanwhile, was to indicate to Abrams that he wasn’t at all confused while watching the pilot, then ask, “Is this a problem with me or with you?” In the end, neither of us asked our questions, mostly because Abrams tackled head-on the issue of his shows being problematic for casual viewers.

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Secret Diary of a Call Girl: Season One, Ep. 5

The halfway point of “Call Girl’s” first season sees the concept stretching its wings even further, while also providing viewers with what is allegedly the ultimate straight man fantasy: A threesome with two incredibly hot, wanting women seemingly willing to do just about anything. Hannah (Billie Piper) tells viewers in the precredits sequence, “It’s not that I don’t like going down on girls, it’s just that I never really enjoy going out with ‘em.” Before the episode is over, she’ll do both.

The installment begins with Hannah in a bridal shop trying on a wedding dress. Why? Is this some kink dress up thing for a client? She receives a call from Stephanie (Cherie Lunghi) asking her if she’d be game for a threesome. She doesn’t rule it out, but wants to know who the client is. It’s Ashok (Ace Bhatti), last seen in the third episode, and Belle’s regular. She seems immediately put off. Why after all this time does Ash want two women instead of just Belle? Why didn’t he ask her about it first? She takes the job, but does so more out of curiosity than anything else. There’s no way she’s going to let two strangers get their lascivious paws all over her beloved, trustworthy Ash.

Then we find out why she’s in the shop in the first place. She’s there shopping with Ben (Iddo Goldberg) for his wedding tux. The shop assistant mistakes Hannah for Ben’s bride to be, and he indignantly points out that she’s not his bride, she’s “just here to help out.” They haven’t yet spoken about the e-mail she sent him in last week’s episode – the one that gave the address to her website. But apparently it’s not such a huge a deal to Ben that they go out shopping. Afterwards they go out for a drink and the ice is finally broken. His biggest question – which also answers something we’ve been asking ourselves since the series began – is, “Were you doing it when we were still seeing each other?” Hannah answers no. So Hannah and Ben were an item once upon a time! Perhaps not a huge revelation, but it does explain quite a bit about their friendship, as well as beg for further exploration. He presses her further, “Why do you do it?” She replies, “Would you believe me if I said I enjoyed it?” He asks what she’s doing tonight and she tells him of the threesome and Ashok and that “he’s lovely and he’s my oldest client – he’s like a friend.”

We then get a brief flashback showing how Belle got into the biz. It was almost like an accident. She met a man and went home with him for the night. The next morning her gives her cab fare to get home, but when she looked at the amount, it was well over what a cab ride would cost. Thus began her journey. Back in the present, Belle goes to the hotel room to meet Naomi (Beth Cordingly), her partner for the night. They prepare for Ash’s arrival and when Naomi asks what Ash is like, Belle gives a vaguely romantic sort of reply about the man, to which Naomi replies, “What I meant was is he into vanilla or anal?” Once he arrives there’s an extensive montage of the three of them in all sorts of positions and situations throughout the evening, and it’s really sexy stuff and shows more skin than I think has been shown thus far on the show. Afterwards, the trio lounge in bed and Ash thanks Belle for the book he recently gave her, and admits it really moved him.

After he leaves, Belle awkwardly asks Naomi if she’d like to hang out some time as friends. She agrees, which leads to the real meat of the story. They become fast friends, going out for Chinese and comparing work stories. They’ve got a lot in common, clearly, and they can talk about stuff back and forth that they can’t speak about with anyone else. One afternoon Belle gets a call from Stephanie asking if she’s got room for a new client on Wednesday. But Wednesday is Ashok’s day? “He’s with Naomi this week.” Boom! Not what she wanted to hear. She’s not interested in the new client, and she feels betrayed by her new friend, although it’s been clear since the beginning that Naomi’s approach to business is a little more businesslike than Belle’s. She’s crushed, and tells the viewer, “The end of the affair was written from the beginning. He’s a man who pays women for sex. I’m the whore. At some point his tastes were bound to change.” She then deletes Naomi’s info from her cell phone. It’s really a very sad scene, and shows how much we’ve come to care for Belle/Hannah in a short amount of time. In reality, we probably wouldn’t have sympathy for such a situation, but this isn’t reality, it’s TV.

She, of course, turns to the only friend she’s got, Ben. He comes to her place and they make some amends. He admits that much of his problem stems from her work being such a huge part of her life that he just didn’t know about. He says, “You’re the only girl I’ve shagged who still likes me.” She replies, “Except Vanessa.” The episode ends with Ben asking Hannah to be his best man. Really this was an episode about friendship and what exactly cements that institution, with the point being an understanding of the friends involved in the relationship. Ben understands Hannah and vice versa. Hannah and Naomi didn’t understand one another, of course they never really had a chance. Ben and Hannah continue giving each other chances, despite the fumbles.

TCA Press Tour, Day 7: Fox’s Executive Session

You know how these executive sessions work, so I’ll just do a quick run-through of the tidbits offered up by FOX’s President of Entertainment, Kevin Reilly:

* On the origins of “Fringe” coming to Fox: “We knew J.J. (Abrams) had made his new deal at Warner Bros. last year. We knew he was coming out with a show. Before he even started, Peter Liguori and I talked about who’s at the top of our list. We made the call, like, day one. We offered him a series day one. We knew the logline, that it was sort of an ‘X-Files’/’Indiana Jones’ kind of thing. Sounded good to us. And, you know, he was going to write it with Alex Kurtzman and Bob Orci. We brought Jeff Pinkner in now to run the show. And I’m happy to say that this show just feels right. You know, sometimes with these big showrunners, it’s all hype and no delivery. I actually am very happy to say that I think this one is going to deliver the goods.”

* Coming to Fox sooner than later: “Lie To Me,” created by Sam Baum and starring Tim Roth, “Courtroom K,” created by Paul Attanasio (executive producer of “House”), and “Boldly Going Nowhere,” a sitcom from Rob McElhenney (creator of “It’s Always Sunny in Philadelphia”).

* On Joss Whedon coming back to Fox, even though he’s been burned before: “Joss was a gift. The only reason Joss wasn’t on my list is because I thought there was no way he was coming back. And every time I’ve called about him, they said, ‘He’s busy. He doesn’t want to do it.’ Joss will tell you himself that he got hit in the head with a lightning bolt of an idea. He’s respected Eliza Dushku as an actress. He’s wanted to work with her. They got together. He left that lunch and said, ‘Dammit, I’ve got an idea. Now I’ve got to do it.’ And he just showed up, and the answer was yes. And I have not seen any skittishness. In fact, I’m really enjoying working with the guy. His reputation is well-earned. We’re having a good time.”

* The upcoming “24” movie – not the theatrical one that’s been rumored for awhile, but a TV movie – will be a self-contained entity which encompasses a separate day’s events…specifically, the day of the swearing in of America’s first female President. It will, however, help to set the scene for the upcoming season.

* On the controversy about there originally being no black voice actors on “The Cleveland Show” (and the subsequent addition of three black voice actors): That was the intention going in. I mean, the Cleveland character pre-existed, you know. They’ve been doing that…Mike (Henry’s) been doing that character for a long time, so we knew going in that was a fix: we’re going to have a white guy. But clearly, the idea was just to make an ethnically diverse show in front of and behind the camera, which we are. We’ve got a diverse writing staff. We’ve got an African-American guy playing a redneck character in the show. So the whole intention here was just to cast it, you know, with the best people we have, but clearly to create a largely African-American cast for the family.”

* On the negotiations with the writing staff of the new animated series, “Sit Down, Shut Up”: “I don’t mean to be evasive because I can’t really comment on it because I was hoping to have 100 percent finality on the thing by this meeting today. There are still T’s being crossed. It’s been a very, very tricky situation trying to resolve a deal on this. My presumption, what I believe is going to happen…? I know that Mitch Hurwitz is going to stay with the show. A couple of writers will probably exit the show. A couple of new writers will join or remain with the show. I’m very hopeful that, even by today, we will be moving forward with a writing staff and resolve this.”

That was the 14th, and today’s the 16th. Since there’s been no formal announcement as of yet, it seems that hope alone was not enough to score a resolution…and, frankly, I’m getting more and more depressed about it. Hurwitz’s name is, thanks to “Arrested Development,” an instant mark of quality; as far as I’m concerned, Fox should do everything in its power to get this thing wrapped up quickly, so we can see this show!

UPDATE: Nikki Finke just broke the story at Deadline Hollywood Daily that some – but not all – of the writers on “Sit Down, Shut Up” have indeed signed off on the Animation Guild’s offer, with the others “holding out for the ability to have their pension contributions applied to the WGA plan.” Hey, it’s a start, anyway…

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