Year: 2006 (Page 41 of 228)

Willie Mays Hayes steals again

Actor Wesley Snipes has been indicted on eight counts of tax fraud, having failed to file a return with the IRS for any of the years between 1999 and 2004. Snipes is accused of cheating the government out of an estimated $12 million in taxes, and stands to face up to 16 years in prison if found guilty on all charges.

Snipes would already be under arrest if it weren’t for one small problem: authorities don’t know where he is. Odds are he’ll continue to make himself scarce for the foreseeable future, and between the guy’s base-running stats and his demonstrated skill at slaying bloodsucking fiends…he may be a tough one to bring in.

Tara Reid admits to killing her career

After seeing that Tara Reid was on the cover of US Weekly discussing her boobs and career, I knew that I just had to go the easier route of tracking this info down online rather than actually buying the mag and doing some “reading.” Sure enough, there were many revalations to be had, including her terrific show “Taradise,” which she now looks back on as “probably the stupidest thing I ever did … I didn’t know it was going to ruin my career.”

And how about her boobies? Yep, she regrets that as well saying she wanted a “big B” cup but the doc gave her a big C instead, which she didn’t like. And of course there were her misshapen nipples and all the great stuff. She’s since had the botched surgeries fixed. And how about her acting career? Well, she’ll be starring in a “direct to Web” (god, that’s gotta be worse than straight to video) flick called “Incubus” on Halloween.

Heroes, Week 4: When Peter Met Mohinder

…and Nathan Met Niki…and Peter Met Hiro…and…well, you get the idea. Lots of meetings going on.

So Matt wakes up on an examining table, looking into the eyes of Claire’s dad, who assures Matt that they’re just testing him and that he just needs to relax. Of course, he’s lying, so it’s uncertain as to whether we can trust his claim that he’s not FBI or CIA. He assures Cop Boy that he’s very special…just as special as his buddy, who then proceeds to not only wipe out Matt’s memories but also apparently prevent him from appearing at any other point during the episode.

Claire manages to put herself back together – so to speak – after waking up on the autopsy table and more or less makes it home in one piece. She manages to endure a few stern comments from her father, along with a grilling from her buddy about the events of the previous evening, before discovering that the football player who raped her has done it to other girls. She quickly extracts her harsh revenge on him…not that he doesn’t deserve punishment, but, damn, that kind of crash could kill a guy!

Mohinder tries to warn Nathan about a possible attempt on his life, but he doesn’t buy it, saying, “Can you be more specific? 12 percent of the populace doesn’t approve of me.” Nathan then proceeds to go yell at Peter, certain that he’s the one who told Mohinder where to find him…and, although he didn’t, it leads Peter to go hunt down Mohinder. After bitching at Peter, Nathan then promptly flies off to Las Vegas where…what’s this?…he meets up with Niki. And, boy, does he meet up with Niki; she’s been asked to roger him roundly in order to even things up with Mr. Linderman. As it happens, though, she really digs him…and although she begs off at first, her better (?) half thinks better of it. Then again, you work up a sexual appetite after kicking a guy’s ass. By the way, there are a lot of great lines in the episode, but the best has to be, “Niki’s not here right now.”

It’s weird that, when Peter meets Mohinder, for someone whose dad has done nothing but go on about the untapped human potential, Mohinder’s pretty damned skeptical of Peter’s claims. Still, he listens…and, during a subway ride together, Mohinder starts to warm up to Peter. Meanwhile, Isaac and his woman have a decidedly tense one-on-one about his powers and her evening with Peter…but, for the first time, Isaac’s finally stopped whining and started taking control of his abilities. “I’m going to save the world,” he says to himself…and you damned well believe him, particularly after he discovers how to access his future visions without shooting heroin. When he sees and subsequently paints Claire, it’s the second time in the episode one of the other heroes has referenced her in some capacity – Matt asks “who’s Claire” immediately before getting his memories wiped by Claire’s dad’s buddy. Not that it’s any secret that Claire is clearly the tie that binds the heroes together; the “coming next week” segments have been spoiling that for the past few weeks. Why ruin it for us, you bastards?!?

The moment when Hiro looks skyward and offers a look of apology right before he stops time and allows Ando to win is brilliant…not quite as brilliant as Ando preying on Hiro’s knowledge of super-hero mythos to convince him to continue cheating, but almost on par with the expression on the face of Ando’s cowboy-hat-sporting poker opponent when he watches his full house turn into junk before his eyes. Nice “Rain Man” moment when the pair of them come down the escalator wearing matching grey suits…right before they get thrown out of the casino and into the path of the now very angry cowboy-hat-sporting poker opponent. I can only presume the scene of Ando shitting himself will appear on the “Heroes: Season 1” DVD set as a special feature…

So the two big mysteries at the episode are…

1) Why did Claire’s dad only want one member of the post-coital couple in Vegas?
2) From how far in the future did Hiro come to speak to Peter? Because there ain’t no trace of an accent in his English…

Did I mention how much I love this show…?

“Saw III”: torture chic goes too far?

I love the “Saw” movies in spite of myself. They tap into the true nature of horror in that it’s more about what they suggest than what they show, and that is why they are so repulsively exhilarating.

Well, for the first two movies, anyway.

I just received this clip of what is presumably the opening scene of “Saw III,” and it is without a doubt the most gruesome thing I’ve seen in years, even worse than the vile “Hostel.” But you tell me, are the “Saw” movies just kinky thrills, or have these torture chic movies officially crossed the line between entertainment and snuff? Watch the clip, if you dare, and tell me your thoughts.

“Heroes”: 3 questions, 3 answers

Due to the phenomenal success of “Heroes,” NBC kindly put together a teleconference with the show’s creator, Tim Kring, and two of the shows stars; their names are Ali Larter and Santiago Cabrera, but you may know them better as Stripper with the Crazy Reflection and Artist Who’s The New Nostradamus. It was a packed call, so we only had the chance to ask one question per person, but here’s what we got out of them…

Bullz-Eye: Ali, in a series that has its fair share of disconcerting moments, yours is definitely the story that’s playing out the most like a horror film.

Ali Larter (“Niki Sanders”): (Laughs)

BE: Given your history with “Final Destination,” did you slip into the role pretty easily…?

AL: You know what? I’m in a bit of fear and distress right now, but if you hold on for just one more episode, we’re gonna get a little romance, you get a little bit of cheekiness in it, and, actually, what’s amazing about this writing is that it really pushes me and makes me kind of find all different tones within our show, so…you’re getting there. That’s just the first couple of episodes. It definitely opens up to a whole new world.

BE: Oh, please let the romance be with Hiro’s buddy…

AL: (Cheekily) Maybeeeeeee…!

BE: Santiago, I’ve been blogging about the show for our site, and I have to wonder: if you had the ability to see the future, do you think maybe you’d spend maybe a little more time trying to change the events you were seeing and less, uh, kind of…whining about it?

Santiago Cabrera (“Isaac Mendez”): Well, I think it’s, uh…I think it depends whether you’re in control of it or not. I think that’s the interesting thing about the surprises that this character can have. It’s that, at the moment, he’s not conscious of what he’s doing, so it’s a pretty freaky thing, and there’s maybe that nature of, “Am I evil, is this coming from inside of me?” Or, “Why is this all happening?” But obviously, if you’re in control of it and you can put it to good use, you can do what you want with it, and that’s a different story. And I think that’s the great thing about this show: that it starts from the beginning of everyone discovering these things for the first time, and, obviously, it’ll be a process of going through each character, and it’ll take people to different places.

BE: And Tim, when I did our fall preview, I opened my comments about “Heroes” by observing, “Whoever had ‘21 years’ in the pool on when NBC would finally decide TV critics had forgotten about ‘Misfits of Science,’ you’re a winner.”

Tim Kring (creator): (Laughs)

BE: And then I proceeded to laugh out loud when I saw on your IMDB entry that you were actually a writer for that show.

TK: Oh, is that right? So that was just a lucky guess…?

BE: It was. Have you been hoarding ideas for 21 years?

TK: Actually, “Misfits of Science” is so long ago that I barely – literally – barely cannot remember what I wrote. But, y’know, I’ve had a long and varied career, so when you look back at it, there’ve been many various genres that I’ve been involved in.

BE: So it hasn’t been haunting you ever since?

TK: No, not really; I’ve just been going where the road takes me. As a writer, if you look back at your career, it’s hard to make any sense of it. It just goes where it wants to go.

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