Year: 2006 (Page 212 of 228)

Too much diversity?

Is there such a thing?

Two recent premieres got me thinking – if every show maxes out diversity, aren’t they just homogeneous?

Case #1

During the premiere of “Emily Reasons Why Not” (and what turned out to also be the series finale, a rare feat indeed), Heather Graham sat in a living room with two friends, a woman (who looked to be mixed race) and a black guy. (Note: I’m told that using the term “black” is okay again.) Heather’s character, Emily, is complaining about her love life. The girlfriend chimes in and, as the black guy is about to speak for the first time, I pause the recording and say to my wife, “I predict that, by the end of this guy’s first sentence, we will know he’s gay.” I push play and the guy makes a wisecrack to the effect that he “can’t choose the right guy.”

Case #2

On the premiere of “Love Monkey” (which shows promise, by the way) white lead character Tom has three friends: 1) his white brother-in-law 2) a white former pro athlete and 3) a rich black man. By the end of the show, we discover the former pro athlete is actually gay.

Now, I have no problem with diversity on television. America is a diverse country and television is beginning to represent that. My question is: when is enough enough? If you have ten shows about single people navigating the dating scene, and all of them have casts like the ones I described, aren’t they just homogeneous?

NBC cancels “The West Wing”

After a seven-year run, NBC has axed “The West Wing.” The show has been quite compelling this season, alternating between Jed Bartlett’s final year in office and the ongoing campaign to replace him. The series was set up nicely to transition to a new President, with either Democrat Matt Santos (Jimmy Smits) or Republican Arnold Vinnick (Alan Alda) taking over the lead role.

The cancellation leaves me scratching my head. I’m not sure how “Commander In Chief” can survive while “The West Wing” cannot. Don’t get me wrong, “Chief” is decent, but it isn’t on the same level as “The West Wing.”

George Clooney likes to make little girls cry

Following Clooney’s off-color joke at the Golden Globes last week, the father of disgraced lobbyist Jack Abramoff has pulled out a powerful weapon: his granddaughter’s tears.

Blithely overlooking his son’s confession, guilty plea, and subsequent conviction on three felony counts, Papa Abramoff published a letter to Clooney in a Palm Springs newspaper in which he attempted to shame the actor for attempting to destroy the younger Abramoff’s name and family, and for sending Jack’s 12-year-old daughter into “a fit of tears.”

Granted, I’m no 12-year-old…but if I were, I have to think that having George Clooney poke fun at my dad on television would be slightly less mortifying than having my grandfather tell the whole world that Dr. Ross’ dirty joke made me cry.

Box Office Roundup: The world is a vampire

Based on Sunday’s estimates:

1) Underworld: Evolution: $27.6 million (first weekend)
If only the “Underworld” movies evolved the way the band did. “You bring light in, you bring light in…”
2) Hoodwinked: $11 million ($29.3 million, second weekend)
We’re thrilled for Anne Hathaway for putting two movies in the top 5, but we have to say that we’re happier with her more revealing performance in “Brokeback Mountain.”
3) Glory Road: $9.13 million ($28 million, second weekend)
A mere $300K separated Bruckheimer from that feisty, faux rich black girl, or so say the estimates. Which has us thinking that…
4) Last Holiday: $9.1 million ($26.3 million, second weekend)
…we will laugh our asses off if, when the actual numbers come out tomorrow, Queen Latifah winds up straddling Bruckheimer ala Xenia Onotopp in “GoldenEye.”
5) Brokeback Mountain: $7.8 million ($42.1 million, seventh week)
Won a whole mess of Golden Globes, those those were no match for the globes that Scarlett Johannson and Drew Barrymore sported that night.

Sucks to be Heather Graham…

After just one airing of Heather Graham’s sitcom, “Emily’s Reasons Why Not,” ABC has yanked it, with no word on when or if it will return.

One episode? That’s it…?

Look, I’m not ashamed to admit…okay, I’m a little ashamed to admit it…that I saw part of that episode – having little idea that I was witnessing TV history, since very few series get yanked quite THAT quickly – and while it was a really obvious “Sex and the City” rip-off, it was in no way worse than, say, “Freddie.”

Heather Graham has proven that she can be funny with the right material (case and point: “Scrubs”), and while there wasn’t much of that sort of material to be found in what I saw, it’s hard to believe that the president of ABC immediately went on record as saying, “Once we saw it was not launching, we felt like unfortunately it was not going to get better and we had to make a change.”

Good lord, with all of the test audiences and focus groups that Hollywood employs, surely someone could’ve worked out some of the kinks before it actually got on the air…

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