Year: 2006 (Page 17 of 228)

Prison Break: “Disconnect”

Well, Mr. Medsker was right on the money last week when he said that Sarah was going to pull out the drain chain with her teeth. I cheered when she pressed the hot iron on Agent Evil’s chest. He just squealed and dropped like a rock to the floor. I thought Sarah might be able to get the gun from him and end this chase once and for all (or just hit him over the head with the iron), but her leap out the window made for pretty good television. It now appears that the tables have turned on AE since Mr. Kim is none too happy about his performance of late. To utilize Jeff Foxworthy’s comedic structure: when you’re boss is erasing you from pictures, you might be a dead man.

Meanwhile, Bellick is another baddie that is getting what’s coming to him (sort of). The dynamic between Bellick and the detective was pretty good, and I loved Bellick’s line, “That’s the way Roy would have wanted it,” before he took a big bite out of a chocolate donut. But I kept waiting for the detective to play his voicemail message for him. It would have been more of a surprise had they not shown him threatening Roy in the “previously on…” clips at the beginning of the show. Anyway, it looks like Brad is going to be on ice for a while.

C-Note’s storyline is getting a little old. He and his family go camping, but they forget their daughter’s medication. Then the pharmacist just happens to have a newspaper with pictures of C-Note and his wife on the front page. The pharmacist calls the cops and they cart wifey off without even bothering to look around the parking lot. Of all the characters, I think I’m least interested in C-Note right now.

But back to the desert. After firing off about 40 shots without a hit, it’s clear that Agent Mahone didn’t go to the Jack Bauer School of Shooting. He did finally make contact, conveniently killing off Proud Pappy and shifting the whole direction of the series. No longer is Panama the #1 priority – the brothers need to find Sarah. Let’s hope their dad expanded on his statement, “Sarah can end it,” which is almost as cryptic as “Save the cheerleader. Save the world.”

Now, for a few gripes. I don’t understand why cell phone coverage was so spotty. Michael can’t get a signal, yet Mahone wasn’t having any problems making calls. Did anyone else think it was a little fantastic that Mahone would have the power to scramble fighter jets on a moment’s notice? Puh-lease.

For those that are counting, the hospital switcheroo (substituting Fu Manchu Drug Dealer for Proud Pappy) makes four this season. I wonder how many more times they’ll use that trick.

All in all, it was a pretty action-packed episode. It’s a balancing act trying to intertwine four (or more) different storylines, and they did a good job this week. The next episode is the fall season finale, which means we’ll be sans “Prison Break” until the New Year.

Did anyone catch the “24” promo? It looks like Jack escapes the Chinese. Whew! (I was really worried about that.)

Expect the offices of New Line to be invaded…

…by hordes of very grumpy nerds doing very bad Gollum impressions, now that it’s been made official by the studio that Peter Jackson’s services will no longer be required to direct their planned adaption of “The Hobbit.”

“Last week, Mark Ordesky called Ken (Kamins, Jackson’s manager) and told him that New Line would no longer be requiring our services on `The Hobbit’ and the LOTR `prequel,'” the 45-year-old New Zealand director wrote on TheOneRing.org. “This was a courtesy call to let us know that the studio was now actively looking to hire another filmmaker for both projects.”

The announcement came amid an ongoing dispute between Wingnut Films – Jackson’s production company – and New Line Cinema over the amount Jackson was paid for “The Fellowship of the Ring,” including DVD payments…and while Jackson hasn’t said how much he believes he was underpaid, The New York Times last year quoted his lawyers as saying it was as much as $100 million. He is suing New Line Cinema over the shortfall.

Yes, I believe I would, too, come to think of it.

Not that there’s anything wrong with that…

Heckled by a pair of African-Americans during a recent stand-up routine, former “Seinfeld” star Michael Richards unleashed a fusillade of f-bombs upon his detractors…and then threw in the n-word several times for good measure:

The 57-year-old actor-comedian, best known for playing Jerry Seinfeld’s eccentric neighbor Kramer on the hit TV show “Seinfeld,” was performing at the Laugh Factory in West Hollywood Friday night when he launched into the verbal rampage, according to video posted on TMZ.com.

The tirade apparently began after two black audience members started shouting at him that he wasn’t funny.

Richards retorted: “Shut up! Fifty years ago we’d have you upside down with a f—— fork up your a–.”

He then paced across the stage taunting the men for interrupting his show, peppering his speech with racial slurs and profanities.

“You can talk, you can talk, you’re brave now mother——. Throw his a– out. He’s a n—–!” Richards shouts before repeating the racial epithet over and over again.

Oh, how the mighty have fallen. Expect Richards to receive a “thanks for taking the heat off me” fruit basket from Mel Gibson’s camp any day now…which is ironic, actually — given that, according to Mel, the cast of “Seinfeld” is responsible for all the wars in the world.

Box Office Roundup: James Bond kidnapped by “several small, well-dressed men,” whereabouts unknown

Based on Sunday’s estimates, courtesy of boxofficemojo.com:

Did James Bond just get beaten by a bunch of penguins? Sean Connery would have sent Antarctica plummeting into the sea before suffering such an indignity.

1) Happy Feet: $42.3 million (Mark Pfeiffer, Reel Times Studios)
A monster first step out of the gate for Reel Times, surprisingly taking the top slot from the hyped-to-the-heavens “Casino Royale.”
2) Casino Royale: $40.6 million (Steve Wamsley, TSSU Productions)
Um, wow. Didn’t see this coming. Was it due to a long running time and therefore fewer screenings? Or was it because, like most Bond movies, it just wasn’t that good?
3) Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan: $14.4 million, $90.5 million to date (owner: Deb Medsker, Punch and Pie Pictures)
We’re skeptical to the claims of authenticity to the stories about kids flinging poo at cars after seeing “Borat,” but if I had to choose between that and those children becoming racist, misogynist, drunk jackasses, a little flying poo doesn’t seem so bad.
4) The Santa Clause 3: The Escape Clause: $8.2 million, $51.6 million to date (owner: Jason Zingale, Seven Strangers Productions)
Tim Allen hangs in there just long enough to get blown out of the theaters when the Christmas season is officially under way.
5) Flushed Away: $6.8 million, $48.8 million to date (owner: Kristin Dreyer-Kramer, Nights and Weekends)
The power of singing slugs, that’s all we can say.
6) Stranger than Fiction: $6.6 million, $22.9 million to date (owner: David Medsker, Scary Clown Studios)
That’s good, people. Send a loud and clear message to Will Farrell – or, more importantly, his agent – that says we only want to see Farrell make a complete fool of himself onscreen. Heaven help us. Scary Clown’s first pick is a disastrous one, even if the movie’s way better than you think.
7) Babel: $2.9 million, $12 million to date (Steve Wamsley, TSSU Productions)
Sleeper pick of the draft so far.
8) Saw III: $2.8 million, $74.6 million to date (Steve Wamsley, TSSU Productions)
If a girl wants to take her back to her house and show you her “rack,” run like the wind.
14) The Return: $1.7 million, $6.8 million to date (owner: Bill Clark, A Don’t Call Me Shirley Joint)
The biggest disappointment of the season so far, though it has unlikely company…
15) A Good Year: $1.6 million, $6.4 million to date (Nights and Weekends)
We blame the Benny Hill bit for thoroughly confusing everyone as to what kind of movie this was trying to be. But anyone who wants to put Abbie Cornish in their next movie has our blessing.

Gone from the list: Harsh Times. (TSSU). Hmmm, maybe “Snoop Dogg’s Hood of Horror” was the way to go after all…

Current standings:
1) TSSU Productions: $130.6 million
2) Punch and Pie Pictures: $90.8 million
3) Nights and Weekends: $55.2 million
4) Seven Strangers Productions: $51.6 million
5) Reel Times Pictures: $42.3 million
6) Scary Clown Studios: $22.9 million
7) A Don’t Call Me Shirley Joint: $6.8 million
8) What’s All This, Then?: $390,000 (“Fast Food Nation,” limited release)

Next week: Scary Clown unleashes its best weapon in “Déjà Vu,” Punch and Pie release “Deck the Halls,” TSSU opens “Bobby” in wide release, and Seven Strangers cover both ends of the intelligence spectrum with “Tenacious D in: The Pick of Destiny” and “The Fountain.” The web site projects that “The Fountain” will make $48 million. Not a chance.

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