Year: 2006 (Page 128 of 228)

“24,” Hour 22: And now for something completely different. Dammit, dammit, dammit!

(“24” drink gamers out there, salut!)

Does anyone else feel like the entire show just became…something else entirely? The recording, that Goddamn recording that held the entire plot hostage for about a month and a half, is indeed fried, just like they suggested at the end of last week. All that time spent obtaining the precious recording, all of the people killed in the process, only to lose it within a matter of minutes after obtaining it. Fuckers.

And that’s not the only thing that’s changed. The Warlock commandeers a nuclear sub using what we are to assume is their last canister of nerve gas. Whoa, where did that come from? That canister wiped out the entire sub in what seemed like 15 seconds, and while I’m sure that the gas only needed 20 more seconds than that to make them all stop twitching, the scene still felt a bit rushed. And I don’t know about the rest of you, but those guys were awfully cavalier walking through a sub filled with deadly nerve gas in face masks. Are you sure those things are completely airtight? Wouldn’t your hair create some hole for the gas to seep in and wipe you out? Any military personnel out there who would like to correct me on this one? And never mind the safety-of-the-masks angle: wouldn’t the place stink with all of those crew members dying…and subsequently soiling themselves? Come on, you were all thinking it.

But here’s the part that’s really bugging me: Jack is letting Robocop lead him around by his nose. First Jack has to agree to help Robocop disappear, since Robocop knows that he’s toast the second he’s out in the open. (That was a nice touch though, when Robocop said, “Just give me your word, Jack. That’s all I need.”) Then Robocop (wisely) refuses the wire when going to contact an associate of the Warlock, again showing that Robocop is outmaneuvering Jack at every step. But perhaps the most frustrating stunt was when Jack overhears Robocop selling CTU out (who are outside the mole’s apartment and ready to strike) and orders an attack…and Robocop tells him afterwards that he was in the process of getting the mole to move all of his sensitive files out in the open so Chloe could download them. But darn it, Jack, you ruined everything! Therefore, Chloe has even less time to find the nuclear sub, now that she has to decrypt everything!

Okay, let’s get real here. I can understand Robocop keeping his cards close to the vest – after all, he would love nothing more than to screw Jack any which way but loose at this point – but in any other situation, Jack would have prepped his subject on what the shot was. “How are you going to get him to open up his network?” That’s all he has to say for Jack to know not to go in guns a-blazin’ the second he hears Robocop betraying his trust (which resulted in Curtis getting a nice scar on his right arm). But no, Jack doesn’t ask, Robocop doesn’t tell, and all hell breaks loose. Heaven help us if our real life CTU/HTU is that poorly trained.

Which brings us to a beaten but not yet rabid Old Yeller, who disses President I.M. Weasel in the greatest way imaginable when he calls him “Charles” after I.M. Weasel tries to buy Old Yeller’s silence, like he did with the First Lady of Crazy. Little does Weasel Boy know later that Crazy Lady saved Old Yeller’s life by intercepting the exchange from Old Yeller’s holding pen to the trunk of the car that was going to drive him to the Shotgun in the Sky (though I’m not exactly sure how she happened to be there, other than incredible convenience). Yeller tells Martha to have Mike Novick meet him where he lay, and that, for whatever reason, sets off my spider sense in a big, big way. Maybe that request gets relayed through untrustworthy channels, maybe Martha gets whacked before she can relay the message. Or maybe the message goes through as intended, and Mike shows up to pop Old Yeller himself. The bottom line is I don’t like seeing Old Yeller prostate like that. It screams “dead dog” to me.

So we have two hours left in this whole thing. Who haven’t we heard from in a while?

– Principal Wood (Wayne Palmer)
– Leland Palmer
– Big Dick Heller

VP Leland Palmer looks like he’s been taken out of the loop, which is pretty ridiculous, given the circumstances – hello, hijacked nuclear sub – and they made a reference to Big Dick Heller recovering from his plunge into the Pacific. That’s why I can’t help but think that Principal Wood is not finished here. After all, his brother was killed less than 24 hours ago. Okay, maybe I just don’t want to give up my early dark horse baddie yet. But you don’t take him out of action like that, not the “Here, I’ll get you past this checkpoint, now run!” way. Hell, for all we know, he’s running the Overseers. Go ahead, you can laugh all you want (“I’ve got my philosophyyyyyyyyyy”), but that would be a pretty sweet ending. And I’m sure they can find a way to justify it. Lord knows, whatever cards they’re holding better be better than the pair of fours they just played with this whole digital recording nonsense. After a great setup, they’ve been rolling snake eyes the last few weeks. You owe us, guys. Justify my love.

Farewell, “West Wing”…Hello, “Studio 60”

In case you missed it during the West Wing finale last night, NBC aired this trailer for its high-profile new Aaron Sorkin project, “Studio 60 on the Sunset Strip.”

The trailer doesn’t reveal too much, but with this much talent both in front of and behind the camera, and NBC’s clearly significant support for the show, “Studio 60” should be a winner next fall…as long as Sorkin can keep his nose clean.

They’re already wearing skirts, so why not make them sing and dance?

gladiator

“Gladiator” is being made into a musical in London. Russell Crowe’s role will be played by a relative unknown from TV’s “Crossing Jordan.” Insert your own joke here, incorporating one or more of the following elements:

a) cell-phone throwing;
b) “Fightin’ Round the World;”
c) the obligatory “Brilliant Mind” pun; or
d) something involving the words “Cinderella” and “Man”

Have fun.

R.I.P. – “The West Wing”

NBC’s decision to cancel “The West Wing,” a four-time Emmy winner of best drama, still has me a bit puzzled, but I’m guessing that it was purely a business decision. Even in the last few seasons, “Wing” continued to be one of the best-written and most interesting shows on television, yet its ratings suffered after the network moved the show to Sunday nights. Since it’s smart and consistently critically acclaimed, it’s the kind of show that a network should keep around even if it can only break even financially with it.

Even after creator Aaron Sorkin left the show, the series didn’t really miss a step. In their final season, they successfully intertwined storylines involving President Bartlet (Martin Sheen) and the campaign between Matt Santos (Jimmy Smits) and Arnold Vinick (Alan Alda) to replace Bartlet in the White House. But as I’ve watched the show through its seven seasons, while the ensemble cast has been excellent, I’ve realized that the show is really about Bartlett’s Deputy Chief of Staff, Josh Lyman, played brilliantly by Bradley Whitford. Lyman left the White House to convince Santos to run for President and ultimately takes over as his Chief of Staff. Lyman’s romance with former assistant Donna Moss (Janel Moloney) was one of the slowest developing relationships in television history, with the two finally consummating their once-unrequited love during the climax (pun intended) of the Santos campaign.

Last night was the series finale of the show and it was a bittersweet ending. On one hand, it was nice to say goodbye to President Bartlet and his staff, but at the same time I can’t help but wonder how President Santos will deal with the problems of the world. Man, that would make a good show.

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