Month: November 2006 (Page 4 of 20)

“You play in dirt, you get dirty.”

While the pull quotes that I use each week always have a profound explanation on the happenings of several characters in the episode, it couldn’t be any truer this time around for Proposition Joe. During his time on “The Wire,” Joe has become a service whore who picks his partners based on their ability to deliver profit and a safe haven from the law. Now that he’s introduced Omar to Marlo, however, his loyalties are once again about to change. Omar is out for blood (despite what he may have promised to Bunk), and he’s made a deal with Prop Joe to deliver Marlo right into his lap. The question is: what will Omar do once he comes face-to-face with his newest adversary? He seems to believe that he can settle things without resorting to violence, but does Omar know anything else?

Mayor Carcetti is also plagued with some decisions of his own. After surprising the police department with pay raises and promises of change, Carcetti is approached by the black minister group about how he plans to deal with Herc’s wrongful search of the well-respected reverend. Looking to show the black community that he means business, while simultaneously protecting his new relationship with the BPD, Carcetti assigns Herc to Daniels, who’s recently been put in charge of CID and given complete carte blanche to do whatever he sees fit. After a sit-down with Rawls, Daniels decides to enlist Herc in sensitivity training, while at the same time getting Rawls to approve his reformation of the Major Crimes detail with whatever personnel changes he sees fit. This is, of course, before Rawls finds out that Daniels is being primed to take over as Commissioner. Lestor is put in charge of the revived operation, and in his first day alone, solves the case regarding Lex’s missing body. Of course, Lestor’s sudden discovery of Marlo’s body-hiding tactics will hardly matter if Omar gets to him first.

I’d like to talk about more – like how Randy was beat up, how the boys retaliated against officer Walker, how that darn diamond ring exchanged hands yet again, or how Colvin’s pilot program is in danger of being terminated – but none of it seems all that important when compared to the more substantial plotlines. And with only one episode left, it’ll be interesting to see how Ed Burns and Co. manage to wrap things up.

Box Office Roundup: Stormtrooper death march of the penguins

Based on Sunday’s estimates, courtesy of boxofficemojo.com:

1) Happy Feet: $37.9 million, $100.1 million to date (owner: Mark Pfeiffer, Reel Times Studios)
Mark is totally bugging about the performance of his first pick. On the one hand, it is making tons of money. On the other hand, he just didn’t like it that much, and its success troubles him.
2) Casino Royale: $31 million, $94.2 million to date (Steve Wamsley, TSSU Productions)
Steve may have some dogs on his slate (well, “Harsh Times,” anyway), but with a $70 million lead, he’s not complaining.
3) Déjà Vu: $20.8 million, $29 million to date (owner: David Medsker Scary Clown Studios)
My second pick is doing only slightly better than my first pick, which was the biggest bust of the first round. Why oh why didn’t I take “Borat” when it was still available?
4) Deck the Halls: $12 million, $16.8 million to date (owner: Deb Medsker: Punch and Pie Pictures)
Deb is not proud to own this movie. But she’ll take the money just the same.
5)Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan: $10.4 million, $109.3 million to date (owner: Deb Medsker, Punch and Pie Pictures)
He’s making fun of us. You people realize that, right? I’d personally like to nominate the hotel scene as the most overrated scene of the year.
6) The Santa Clause 3: The Escape Clause: $10 million, $67.2 million to date (owner: Jason Zingale, Seven Strangers Productions)
The Little Shitty Tim Allen Movie That Could.
7) Stranger than Fiction: $6 million, $32.8 million to date (Scary Clown Studios)
I’m sorry, Will. I did everything I could to help the effort.
8) Flushed Away: $5.8 million, $48.8 million to date (owner: Kristin Dreyer-Kramer, Nights and Weekends)
Box Office Mojo is saying that this movie cost $149 million to make. Can that be right?
9) Bobby: $4.9 million, $6.2 million to date (TSSU Productions
Are any of the Oscar-buzz movies this year going to be any good? Well, there’s one (“Dreamgirls”), but you’ll have to wait a few weeks for that one.
10) The Fountain: $3.7 million, $5.4 million to date (owner: Jason Zingale, Seven Strangers Productions)
Reel Times dropped this like a bad habit last week after seeing it. Seven Strangers wasn’t at that screening. But he just needed a replacement for “Bug,” anyway.
11) Tenacious D: The Pick of Destiny: $3.1 million, $5.1 million to date (owner: Jason Zingale, Seven Strangers Productions)
What, the, fuck. Bar none the most shocking performance of the week, if not the season. Come on, stoner dudes, where the hell were you? This movie’s freaking funny.

And, the rest:

13) For Your Consideration: $1.9 million, $3.1 million to date (Punch and Pie)
14) Babel: $1.9 million, $15.1 million to date (TSSU Productions)
16) Saw III: $1.5 million, $78 million to date (TSSU Productions)

The Return: $319,000, $7.6 million to date (Bill Clark, A Don’t Call Me Shirley Joint)
Fast Food Nation: $196,000, $780,000 to date (Will Harris, What’s All This, Then?)

Current standings:
1) TSSU Productions: $196.7 million
2) Punch and Pie Pictures: $129.2 million
3) Reel Times Pictures: $100.1 million
4) Seven Strangers Productions: $77.7 million
5) Nights and Weekends: $64.4 million
6) Scary Clown Studios: $61.7 million
7) A Don’t Call Me Shirley Joint: $7.6 million
8) What’s All This, Then?: $780,000

Next week: Scary Clown capitalizes on the “claustrophobic cruelty” trend (oh, who are we kidding, it’s torture, people!) with “Turistas,” What’s All This tries to get out of the cellar with “Van Wilder: The Rise of the Taj,” and Reel Times gets all religious with “The Nativity Story.”

Kramer isn’t alone

Think of this as a parenthetical piece about all the hooplah regarding Michael Richards’ racist tirade during a recent standup show. Sadly, too many people in this nation are truly racist scumbags (whether or not Richards is, I couldn’t care less about really). I was just perusing the story about the groom and his friends who were gunned down by NYC police for whatever reasons over at Yahoo news. The story is disturbing enough, but one look at the story’s message board, and you get to see a whole lot of sad people come out of the woodwork. The point is, Michael Richards gets all the exposure since he’s famous, but there’s far too many regular folks out there seriously spewing the same kinda crap day in and day out. Have we really advanced as far as we like to think?

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