If, like me, you grew up a weird kid compulsively watching the Marx Brothers, Abbott and Costello, Laurel and Hardy and, yes and alas, the Three Stooges, then you might well enjoy “Backwash,” an enjoyably dippy web series with its final episode to be uploaded on Crackle this Monday night, December 20. The series stars Joshua Malina, who also wrote it, as the grumpy and conniving Val, who is, for whatever reason, charged with the care of the childlike and lovably idiotic Jonesy (Michael Panes). When they accidentally rob a bank with a sausage — you kind of have to be there — and hook up with a flamboyant ice cream truck driver, Fleming (Michael Ian Black, who I was unable to nab for a quick interview), the on-the-lamb trio begins a cross-country odyssey of sorts.

The enjoyably lowbrow but sometimes surreal silliness is book-ended by introductions from a rogues gallery of comic and acting talent, the funniest being a mysteriously bearded Jon Hamm, Allison Janney, John Cho, Dulé Hill, and Sarah Silverman. Somehow, Victorian author William Makepeace Thackeray is maligned as being the originally author of this more or less contemporary travesty lovingly directed by Danny Leiner, who also helmed “Harold and Kumar Go to Whitecastle.”

It was my privilege to chat with with some of the actors and creators of “Backwash” at the theatrical premiere of a somewhat shortened feature-length version of the web series. I started with Josh Malina, an actor I’ve been rather fond of since I stumbled over “Sports Night,” the show that convinced me that the writer of “The Social Network” was something more than an entertainingly glib semi-hack, actually a lot more.

In person, Malina is less nerdy than character on “Sports Night” and his somewhat similar character on another show written by Aaron Sorkin, “The West Wing,” but just as humble as some of his onscreen personae. When I asked about some of the press materials stating that “Backwash” is in the spirit of the Marx Brothers, he was cautious.

“It’s something we aspire to. I venerate them so I don’t want to say their name in the same breath. I was weaned on this anarchic and joyful slapsticky spirit of the Marx Brothers. It’s certainly an attempt to capture a little bit of that.”

So, if they characters are sorta kinda somewhat an attempt to be in some way in the same universe as the Marx Brothers, would Malina’s character be, in some way, Groucho-like?

“No. I wouldn’t say we quite follow those archetypes. I would say, however, that my character is sort of a combo. A little Groucho. a little Moe from the Three Stooges, a little [Bud] Abbott from Abbott & Costello, maybe a dash of W.C. Fields and then, sadly, a great deal of myself,” Malina said. Adding that, “in terms of slapstick he’s doing more of the slapping than being the slappee. You can tell that I wrote it. I’m the one beating everyone else up.”

That was about it for Malina. whose next gig is resuming his current recurring role on the USA Network’s “In Plain Sight.”

Next up was Michael Panes, a very unusual multi-talented performer who is both a violinist and a comic actor with an odd resemblance to the younger, slightly pudgier Peter Sellers. I glommed onto to him through his role in Jennifer Jason Leigh and Alan Cumming’s 2001 dark comedy-drama, “The Anniversary Party,” in which he plays, strangely enough, a violinist with an odd resemblance to the young Peter Sellers. In the film, he finds himself hitting it off, so to speak, with an ambitious starlet played by Gwyneth Paltrow. Though I’ve seen Panes onscreen from time to time since, I told him that I’ve been wondering about him ever since the Leigh/Cummings movie.

“I’ve been wondering about me too. What happened to me?”

Well, I answered, it’s not every day you see a guy in a movie who looks like the pudgy young Peter Sellers, plays violin, and gets lucky with Gwyneth Paltrow (well, her character, that is).

“I thought that would have some legs. Apparently there is only one part that called for that, and I got it. After that, it’s slim pickings.”

But I knew I’d seen him in something — and his IMDb listing indicates he’s been working. I didn’t know until I researched it that he played author and gadfly Gore Vidal in “Infamous,” the movie about Truman Capote writing In Cold Blood that’s was not “Capote” but came out within a year of it and was all but completely buried.

“The truth is, just between me and [Premium Hollywood], I am usually the kiss of death to any project. The reason that you haven’t seen me is that all the work I’ve done, those projects sink. I haven’t told Josh Malina this yet. He’s probably going to find out soon enough.” Then, Panes changed his tune. “I hope that maybe ‘Backwash’ could be the one [that doesn’t sink]. I think it probably will be. It’s really good.”

While Panes puts on a pretty funny Eeyore-act, not all is terrible for him other than “Backwash.” He plays violin regularly with his singer-songwriter friend, Ryan Adams, and will be in the next Cameron Crowe production, “We Bought a Zoo,” “If I’m not cut out.” Let’s hope for Panes’ sake it’s more in the tradition of “Almost Famous” and “Say Anything” than “Elizabethtown” or “Vanilla Sky” and that he’s actually in it.

Panes did leave me with an evocative description of his “Backwash” character. “He’s a simple man. Without a lot of talent, or intelligence, or ambition, or knowledge, or insight, or intuition. He has hunger and bad dreams. I think a lot of people are going to be able to relate to him. There are people out there who are hungry and have really bad dreams. I represent them.'”

That was followed by a brief chat with actor Joe Lo Truglio, who is perhaps best known for hitting Jonah Hill in “Superbad.” He portrays one of the cops who are pursuing our comical heroes. My brief chat with Lo Truglio — who I at first mistook for director Danny Leiner — was marked by my complete lack of knowledge of his career (I can’t even remember his “Superbad” part) and, therefore, nearly complete incoherence.

I did come away with the knowledge that the actor is a tolerant, good-humored guy and that he will be seen playing an FBI agent in the company of Bill Hader in the upcoming science-fiction comedy “Paul” with Simon Pegg, Nick Frost, and the voice of Seth Rogen. He will also be a nudist winemaker in the upcoming Jennifer Aniston/Paul Rudd comedy, “Wanderlust.”

The next person I talked to was the actual Danny Leiner, whose claims to fame includes the aforementioned “Harold and Kumar Go to Whitecastle” not to mention the brilliantly titled “Dude, Where’s My Car?,” and the recent episode of “The Office” centering around WUHF, an abortive web venture set-up by B.J. Novak’s character.

I started out by mentioning that “Harold and Kumar” and “Dude” (which I’ve never seen due to my severe Ashton Kutcher allergy) are probably about as close to the spirit of groups like the Marx Brothers as any recent movie. Leiner thought there might be one or two others, but then we moved on to the topic of web series and where he sought to take “Backwash.”

“It’s a very ambitious world to try to get into. In our thing, we went with a lot of production value. It’s a road trip movie. It’s got a lot of stunts. It’s got animation. There’s really a lot elements to it. I don’t think anyone’s been crazy enough to try it on our relatively low budget.”

We talked about the format of the show, and how the feature-length version I saw that night, which will eventually be available in various formats, differed from it. Most episodes, Leiner told me, were roughly 7 minutes long (about the length of a classic-era Warner Brothers cartoon), condensed from 9-11 page scripts by Joshua Malina. The primary difference between the web and feature length version is that the faux “Masterpiece Theater” style introductions omit most of the plot recaps and stick with the sometimes hilarious shtick provided by the hosts.

Leiner, who did not direct the first “Harold and Kumar” sequel but jokingly confesses that he kind of wishes he had and says he’s heard “good things” about the currently in post-production “A Very Harold and Kumar Christmas,” is moving on in a significant way. He’s taking on a “little indie movie” which is, wait for it, not a comedy. It’s called “Big Sky” and is, as of our conversation, uncast.

“It’s a little, noirish movie that takes place in the desert. It’s about an agoraphobic girl who gets lost and has to survive as she tries to save her mom.” Leiner is looking forward to the big change in tone, though he adds the movie will have some humorous elements.

And finally, I spoke there with the charming and very attractive Lindsay Kraft. When I admitted I didn’t recognize her, she was understanding, though she has had a recurring role on “Southland” as the girlfriend of Ben McKenzie’s Officer Ben Sherman. She’s also been on “Lie to Me,” “Without a Trace,” “Third Watch,” “The Sopranos” and “Epic Movie,” and will appear in the upcoming films, “NoName” and “See You in September.”

Rather than playing the more typical role in this sort of comedy of the ultra-sensible and strangely sympathetic woman who helps the wacky protagonist(s) (say, Kitty Carlisle in “A Night at the Opera,” the leading lady in any Adam Sandler flick, etc.), Kraft appears throughout in a number of guises. The first is a not-so entirely stable bank teller who falls for Jonesy (once again, a Michael Panes character enjoys remarkable romantic luck) as well as a prostitute, a homeless woman, and eventually a femme fatale of a waitress who may be out to lure the vulnerable boy-man to his doom.

I asked Ms. Kraft whether she was familiar with the comedy-team genre, and particularly the Marx Brothers, prior to working on “Backwash.”

“I’ve seen some of them but I’ve seen all of Josh [Malina]’s stuff, all of Michael Ian Black’s stuff that he’s done like ‘Stella.’ Josh is so funny. I’m so glad he followed through on doing this because I think it’s really something we haven’t seen in a long time.”

So, where there any big things coming up for Kraft in the future that she wanted to brag about before I let her go?

“You’re looking at it,” she joked. “There’s a few things. You’ll see.”

* RIP Jill Clayburgh. I’ll have more in remembrance of this very fine actress tomorrow. She passed on from chronic lymphocytic leukemia, an illness she’d been dealing with for more than 20 years.

* This makes me feel a bit old since I remember him before he was President of the United States in “The West Wing” and even before he was a very bad possible future U.S. President in “The Dead Zone,” Martin Sheen will be Peter Parker’s oh-so-doomed old Uncle Ben in the Marc Webb “Spiderman” reboot. Making me feel even a bit older, Sally Field is looking like a likelihood as Aunt May, who was always drawn by artists like Steve Ditko and John Romita as if she were about 99 years old. Of course, these days we mainly see her selling hawking Boniva for bone health, so I guess should just adjust to the new reality that Sister Bertrille (aka “The Flying Nun”)/Sybil/Norma Rae isn’t a baby anymore. And I really do like her. I really do.

* The very interesting, talented, and occasionally irritating (when he writes op-eds about with premises about the impact of movie violence I disagree with) Mike White has been offered the gauntlet of “Pride and Prejudice with Zombies” recently dropped by the equally interesting but more experienced David O. Russell. White is best known as a writer and actor. His most fiscally successful screenplay — in which he also acted — was the terrific “School of Rock.” In quirkier times, he starred in and wrote 2000’s “Chuck and Buck” as well as “The Good Girl.” This will be his second directorial outing, the first being…I don’t remember the name and you don’t either. It’s a bold and interesting choice, I will say that.

* A lot of people thought his “Hot Tub Time Machine” was kind of toxic (others thought it funny; I thought it not seen by me…I’ll get to it someday), so I guess it makes sense that Steve Pink’s next project will apparently be a remake of “The Toxic Avenger.” Gross-out franchise, here he comes.

* Boy, that Lars von Trier is so f*cking suave.

* AFM, the American Film Market, has been going all week. It’s an event where lots of smaller films find distribution and foreign deals are made. Deadline has some interesting deals today. “The Giant Mechanical Man” might sound like one quirky rom-com too many, but any film with Jenna Fischer and Topher Grace in the lead has my attention. Starting up also is the AFI Film Festival, which I’ll be checking out some over the weekend and there may be some quickie off-the-cuff impressions of the movies there coming from there.

* And finally, I’ve been guilty of ignoring the MGM bankruptcy this week, and I’m writing this directly across the street from the Sony lot, the home of Leo the Lion in his prime and for many years past that. Anyhow, the Wall Street Journal summarizes the situation numerically. Reminding us that, adjusted for inflation, “Gone With the Wind has made $1.6 billion. On the other hand, the studio only had one movie in the top 50 this year. What was it? The aforementioned “Hot Tub Time Machine.”

* As per Nikki Finke, the early box office returns for “Inception” are looking good.

* Though I was a big fan of “The West Wing” while he worked on it, my one complaint with Aaron Sorkin’s abandoned TV classic was that it was a bit rosy in how it viewed politics and politicians. Currently flying high as the screenwriter of the upcoming docudramas, “The Social Network” and “Moneyball,” he was almost the Gene Roddenberry of political drama in imagining a relatively ideal world that could be, but probably never would be. I don’t think excess positivity is going to be an issue in his movie directorial debut, as he’ll be covering the John Edwards mega-debacle. To think I contemplated voting for/volunteering for the egocentric jerkwad who, had he succeeded, would have sunk a party and a nation on the altar of his ego.

* I don’t think I’ll really know what I think of Ryan Reynolds’ CGI-aided Green Lantern costume until I see it in the movie.

* Things have been hopping over at our sister site, Bullz-Eye.com. Earlier in the week Will Harris, with a little assistance from one or two other people who will remain nameless, took a look at 25 cinematic swan songs from film acting greats. Very cool (except for seven of them, which I’m unable to judge). Also, today, Will had a chat with his friend and rising young star, Dileep Rao, currently being seen in “Inception.”

* There may be no justice in the world, but Roman Polanski’s next movie is already being prepped, and it sounds good. It’s the film version of the London/Broadway hit play “God of Carnage.” Being as it’s a dark comedy/drama, it sounds right up Polanski’s alley. Also, Polanski’s 1994 film version of Ariel Dorfman’s “Death and the Maiden” was one of the most seamless stage-to-film translations I’ve ever seen.

* My high school history teacher, who was also a saxophone playing jazz fan on the side, always used to say that of all the rock music figures, the one he was sure wouldn’t last beyond another couple of decades in terms of popularity was Janis Joplin. Her super-gritty style was just too of the late sixties moment, he theorized. Indeed, she seems to be one of the less popular of the rock superstars of that era today. Well, director Fernando Meirelles of “City of God” and Amy Adams — a top-flight actress who is way cute to be playing the weather-worn Joplin  — will be hoping to disprove that theory with a new biopic.

* Okay, so we’ve got “Pride and Prejudice and Zombies” so why not Cain and Abel with Vampires (and Will Smith)?

* I like the sound of this: Stanley Tucci, who obviously gets along very well with Meryl Streep, will direct her and Tina Fey in a mother daughter comedy.

* The Playlist apparently wants to make me happy. First, they report that the long-awaited DVD of the pre-prepared exploitation double-bill, “Grindhouse,” as it was originally presented in theaters is coming this October. Second, Joseph Gordon-Levitt is apparently planning to appear in some kind of a musical. Interesting.

I’m just annoyed that I missed his rendition of the Donald O’Connor “Make ‘Em Laugh” number from “Singin’ in the Rain” on SNL last year and it’s gone from Hulu for some reason. Moment of rank and utterly baseless speculation here: Could a team-up with fellow three-namer Neil Patrick Harris be in the cards? “Dr. Horrible and Dr. Horribler” perhaps? Forget I said that.

Now, granted, that’s a lot of people…more, in fact, than we could possibly give shout-outs to in a single piece. As such, we decided to pare it down to the same number of individuals as have held the highest office in our land since its inception. Forty-four folks is still nothing to sneeze at, but we’re betting that we’ll still end up having left out someone’s favorite son (or daughter). To paraphrase one of our real presidents, you can please some of the people all of the time, and all of the people some of the time, but you can’t please all of the people all of the time. With that said, however, we still think we did a pretty solid job of picking the best candidates for the piece.

1. President Dwayne Elizondo Mountain Dew Herbert Camacho (Terry Crews), “Idiocracy”: Why are we leading off with President Camacho? Because, really, when you’ve got a fake President on your list who’s also a porn superstar and a five-time ultimate smackdown wrestling champion, why in God’s name would you wait any longer than necessary to trumpet his inclusion? Clearly, this man is the fake President to end all fake Presidents, and he’s #1 with a bullet. It’s all going to be downhill from here.

2. President Andrew Shepherd (Michael Douglas), “The American President”: President Shepherd is a widower who pursues a relationship with an attractive lobbyist — Sydney Ellen Wade, played by Annette Bening — while at the same time attempting to win passage of a crime control bill. Although the film was mostly ignored by the Oscars, it racked up several Golden Globe nominations and has since found its way into the #75 spot on the American Film Institute’s list of America’s Greatest Love Stories. Plus, its screenwriter managed to find a good use for the excess material that he didn’t have room to fit into the script…but we’ll get to that in our next entry.

3. President Josiah Bartlet (Martin Sheen), “The West Wing”: Yes, if you hadn’t figured it out already, “The American President” was written by Aaron Sorkin, which is why you may notice a resemblance between the mannerisms of Presidents Shepherd and Bartlet. Ironically, though, Sorkin had originally envisioned the series as revolving so much around the White House senior staff that viewers would rarely, if ever, see the president. Instead, what the nation got was an idealized leader, one who – in A Novel Approach to Politics, by Douglas A. Van Belle and Kenneth M. Mash – is referred to as the “most popular Democratic president in recent memory.” The book was written pre-Obama, mind you, but we’re pretty sure the title still stands.

4. President William Harrison Mitchell (Kevin Kline), “Dave”: Given the vaguely “The Prince and the Pauper”-esque premise of the film, which involes a guy who makes a few bucks on the side as a Presidential impersonator being asked to play the part for real when the actual President suffers an incapacitating stroke, there was every reason to believe that “Dave” would’ve been a trifle at best, but between Kline’s imminent likability and a fantastic supporting cast (Sigourney Weaver as the First Lady, Ben Kingsley as the Vice President, Frank Langella as Chief of Staff, and Charles Grodin as Dave’s accountant buddy, Murray), it often comes close to – even though it doesn’t quite reach – the heights of “The American President.”

5 – 8. President Thomas J. Whitmore (Bill Pullman), “Independence Day” / President Blake (Perry King) and President Becker (Kenneth Welsh), “The Day After Tomorrow” / President Thomas Wilson (Danny Glover), “2012”: As soon as you see the credit “directed by Roland Emmerich” on a disaster flick, you just know things are going to reach a point where the President of the United States is going to be brought into the discussion about whatever imminent danger may be about to thrust itself onto our planet.

There’s also a very good possibility that the ol’ rite of succession may come into play during the course of the film, such as it did in “The Day After Tomorrow,” when we lost President Blake after the blades of his helicopter froze. Say hello, President Becker! The same thing happened in “2012,” too, but we were so in awe of President Wilson’s selfless sacrifice – he stayed behind to help survivors in need, only to meet his death when the tidal wave struck the White House – that we’ve made an executive decision not to include Wilson’s successor, President Anheuser (Oliver Platt) in the list. Why? Because he’s a dick.

The definitive Emmerich-flick president, of course, is President Whitmore. During the course of “Independence Day,” he sees the White House blown up, loses his wife, fights off a psychic attack from an alien, and flies a goddamned jet fighter into battle to help save the day. Plus, he gives the most stirring speech this side of “Patton.” Hell, I’d vote for him.

9. President Tom Beck (Morgan Freeman), “Deep Impact”: Not a lot of guys have the charisma and fortitude to play both God and the President. This wasn’t the first time an African-American had been portrayed as a U.S. President, but I think it was probably the first time a lot of people found themselves wondering, “Has anyone talked to Morgan Freeman about running for office?” Hell, I’d vote for him, too!

10. President Merkin Muffley (Peter Sellers), “Dr. Strangelove”: “Gentlemen, you can’t fight in here! This is the War Room!” As one of the greatest political satires in motion picture history, there was never any way that we could create a list like this and not include President Muffley, an upstanding leader who refuses to go down in history as the greatest mass murderer since Adolf Hitler…because, y’know, it’s important to have standards. Muffley gets several imminently quotable lines during the course of the film, but for my mind, it doesn’t get much better than the conversation between him and Soviet Premier Dmitri Kissoff.

11 – 12. President Matt Douglas (James Garner) and President Russell P. Kramer (Jack Lemmon), “My Fellow Americans”: No, it’s not a great film, and the oft-sneered tagline of “Grumpy Old Presidents” is perfectly apt, but both Garner and Lemmon are such likable, genial actors that it still manages to go down smoothly, particularly as they spar over their respective positions in history. On the whole, though, I prefer the moments when they’re bonding over their shared experiences in the Oval Office, like this one:

Kramer: When you were in the White House, who was the person you were most excited to meet?
Douglas: Nelson Mandela.
Kramer: I’m not a reporter.
Douglas: Ella Fitzgerald.
Kramer: Ah.
Douglas: Mandela was a great man, but he couldn’t sing worth a shit.

(It’s also worth noting that, during the course of events, we see both Dan Aykroyd and John Heard playing presidents, with the latter doing a thinly-veiled take on Dan Quayle, but as they’re not the thrust of the film, they don’t warrant their own placements on the list.)

13. President James Dale (Jack Nicholson), “Mars Attacks!”: “I want the people to know that they still have 2 out of 3 branches of the government working for them, and that ain’t bad.” Given that director Tim Burton had let Nicholson got hog wild when he played the Joker in “Batman,” it’s none too surprising that he let him do the same thing in this film, but of the two characters Nicholson plays here, his work as President Dale is comparatively tame. Fair enough: it’s Rod Steiger’s job to go apeshit in most of those scenes, anyway.

14. President Chet Roosevelt (John Ritter), “Americathon”: Frankly, I’m shocked that this film didn’t manage to score a re-release in 1998, since that’s the year in which it’s set. Maybe it’s because its premise would’ve hit too close to home.

In the film, the USA has run out of oil, many Americans are literally living in their cars, the federal government is near national bankruptcy, and it’s decided that the only way enough money can be raised to save America is to run a telethon. John Ritter’s character, President Roosevelt, was only elected into office because the TV-viewing voters of America recognized his family name…not that that’s ever happened in America.

I can’t really offer a whole lot more about “Americathon,” having never actually seen it myself, but I do know that, in addition to appearances from Elvis Costello and Meat Loaf, it also features several scenes that accurately predict how ridiculous reality TV would eventually become, including one which finds a very young Jay Leno in a boxing match with his mother. Man, that guy is always causing trouble…

15. President Jackson Evans (Jeff Bridges), “The Contender”: Given all the Jeff Bridges love that’s been going on within the industry lately, thanks to his work in “Crazy Heart,” we always knew this performance would make the cut, but as it happens, Bridges wasn’t even Lurie’s initial pick for the role. “My first choice for that film was Paul Newman, but he didn’t even read the screenplay,” admitted Lurie, when I dropped him a line about this piece. “After him, I asked myself who was a younger Newman and went for Jeff.” When Lurie first visited with Bridges, he said the actor laughed at the notion of “The Dude” as President, but he warmed to the idea with ease. “I loved it when he asked me permission to base Jackson on his dad, (Lloyd),” said Lurie. “I was very touched by it.” FYI, Lloyd Bridges played the President once as well…in “Hot Shots! Part Deux.” (Surely you remember President Thomas “Tug” Benson.)

16. President Judson C. “Judd” Hammond (Walter Huston), “Gabriel Over the White House”: Best remembered by film historians for the fact that it was produced by William Randolph Hearst, who pointedly steered the film in the direction that he hoped FDR’s presidency would lean, “Gabriel Over the White House” is the tale of a real jackass of a president (he’s supposedly an amalgam of Harding, Coolidge, and Hoover) who, after an automobile accident, has a religious experience and, as a result, soon attempts to solve the country’s problems through authoritarian means.

Political aficionados can and do talk for hours about this flick, how one should interpret it, and how it can be related to current events, but don’t worry: if just watch it as a movie, it’s still pretty good, too.

17. President Jordan Lyman (Frederic March), “Seven Days in May”: When the director of “The Manchurian Candidate” helms a film with a screenplay written by the man behind “The Twilight Zone,” you know you’re going to be in for something great, and the John Frankenheimer / Rod Serling collaboration easily lived up to the reputations of both gentlemen.

The film’s premise was controversial at the time, first by positing a future – 1969 – where the president is considering signing a treaty with the Soviet Union which would ostensibly result in both nations simultaneously destroying all of their nuclear weapons, then by suggesting a conspiracy wherein members of the military would stage a coup d’etat and remove the president and his cabinet from office. Great stuff, with March pulling in a Golden Globe nomination for his performance.

18. President Johnny Cyclops (Barry Morse), “Whoops Apocalypse”: The Brits have never had a problem poking fun at their brethren across the pond, but they really enjoying sticking it to Ronald Reagan. Sometimes they did it outright, but with the six-episode series entitled “Whoops Apocalypse,” they were a bit more subtle, creating a naive American president named Johnny Cyclops to mock. Having some fun at the expense of religious right while they were at it, President Cyclops is advised by an insane right-wing fundamentalist security advisor, called The Deacon, who claims to have a direct hotline to God. They also bring in the Soviets, the Iranians, and, yes, the Brits themselves play a part as well. Mostly, though, it’s President Cyclops who gets the worst of it, reaching a point during the course of the story where his popularity is indicated to be just below that of Charles Manson, later plummeting to beneath that of the Boston Strangler. And, yes, in the end, there really is an apocalypse, but that’s not much of a spoiler. After all, they show it

19. President Caroline Reynolds (Patricia Wettig), “Prison Break”: Several semi-unscrupulous individuals have risen to the highest position in the U.S. government – not that we’re naming names – but we’d be willing to bet that few of them can live up to the nastiness of President Reynolds.

Here’s a woman who decided that she would become the Commander in Chief by any means necessary and made good on that declaration in several really awful ways, but the most notable came about when, while serving as Vice President, she poisoned the sitting president. Hello, rite of succession! When it’s later revealed that Reynolds is suffering from cancer, it’s a rare occasion where viewers found themselves rooting for the disease.

20. President Samuel A. Tresch (George C. Scott), “Mr. President”: This wasn’t the first sitcom revolving around the President of the United States, but ABC’s “Hail to the Chief” – which placed Patty Duke in the Oval Office – lasted for all of seven episodes. Despite its failure, folks still saw the comedic potential in a premise of a sitcom about the commander-in-chief, which is presumably why the idea was resurrected only two years later. Given that POTUS was played by George C. Scott, it’s no wonder that this take on the concept was a decidedly less slapstick affair. Though not a rousing success, it did manage to last for two seasons and 24 episodes, holding a footnote in TV history as part of Fox’s freshman class of comedies, along with “Duet,” “Married with Children,” and “The Tracey Ullman Show.”

21 – 26. Presidents Palmer (Dennis Haysbert), Keeler (Geoff Pierson), Logan (Charles Itzen), Palmer (D.B. Woodside), Daniels (Powers Boothe), and Taylor (Cherry Jones), “24”: When I mentioned to one of the other Bullz-Eye writers that there had been six presidents over the course of the run of “24,” he was absolutely incredulous. Given that I don’t really watch the show, I was a little surprised, too, but given all the terrorist activities that seem to happen on that series, I guess I shouldn’t have been.

Let me see if I’ve got this straight: presidential candidate David Palmer survived Season 1 to get elected, then stayed in office through the end of Season 3. In Season 4, we get President Keeler, but when Air Force One is shot down, Keeler ends up in a coma, which puts Vice President Logan in command. Logan is still in command when Season 5 rolls around, but…well, let’s just say some serious shit goes down with Logan in Season 5.

By Season 6, we’ve got a new President Palmer…Wayne Palmer, David’s brother. After an assassination plot against him, however, his VP, Noah Daniels, ascends to the presidency. Finally, when Daniels is up for re-election, he loses to Allison Taylor, who – at least as of this writing – currently remains the President of the United States. But for how long? For how long…?!?

27. President Douglass Dilman (James Earl Jones), “The Man”: Here’s the second appearance of Rod Serling in our list, who wrote the screenplay for this film – originally intended only as a TV movie, according to Jones – about Douglass Dilman, the President pro tempore of the United States Senate, who succeeds to the presidency after the President and the Speaker of the House are killed in a building collapse in West Germany.

The Vice President, who is both elderly and in ill health, refuses to accept the position, so it falls to Dilman. This doesn’t sit well with the Secretary of State, who quickly attempts to set himself up as the man behind the curtain in the administration. Trouble ensues, and it should surprise no one that the troubles of apartheid in South Africa are quickly made part of the plot developments.

Phil Nugent wrote on Nerve.com that “‘The Man’ remains rooted firmly in the concept that a black man could become president only through a surreal set of circimstances and that much, if not most of the country, would balk at regarding his presidency as legitimate.” In 1972, the idea was at best considered far-fetched and at worst a joke…but who’s laughing now?

28. President Tom Dobbs (Robin Williams), “Man of the Year”: In a potentially-ripped-from-the-headlines premise, Tom Dobbs is a comedian and the host of a satirical talk show (think “The Daily Show,” especially since it’s clear that that’s what writer / director Barry Levinson did) who follows the suggestion of a member of his audience and decides to run for president…and, to his surprise, wins. Great concept, poor execution, but given that Al Franken has since managed to get elected to the U.S. Senate, it’s clear that such a thing could well happen one of these days. But will it be President Stewart or President Colbert?

29. President Roberts (Jack Warden), “Being There”: This film tells the tale of a gardener named Chance who is such a blank slate of an individual that the people he encounters tend to perceive the things he says as what they want to hear rather than what they really mean. If that doesn’t make sense, then you probably need to see the film again, but suffice it to say that among those whom he encounters during the course of travel is no less than the President of the United States. Chance makes a comment about how the garden changes with the seasons, and the president, believing that his new friend is speaking in metaphor, takes this as political advice about his current popularity ratings. It isn’t.

30. The President (Billy Bob Thornton), “Love Actually”: Although he doesn’t get developed well enough as a character to even warrant a proper name, the President in “Love Actually” nonetheless manages to try and put the moves on Natalie, a junior member of the household staff at 10 Dowling Street.

It’s these actions which result in Britain’s Prime Minister – played by Hugh Grant – finally standing up for his country and basically calling the U.S. a big bully. Yes, that’s right: this is a case of the president existing solely as a plot device.

31. President Mays Gilliam (Chris Rock), “Head of State”: 31 years after James Earl Jones took to the Oval Office in “The Man,” we were given this film, which featured posters trumpeting, “The only thing white is the house!” This might’ve been funnier if, a mere half-decade earlier, we hadn’t readily accepted the idea of Morgan Freeman leading the country. On the up side, though, if there’s anyone who could make the concept funny and still get in some legitimately stinging political barbs, it’s Chris Rock.

32. President Max Frost (Christopher Jones), “Wild in the Streets”: Some films are products of their era which are applauded in the time but seem laughable when viewed only a few years later. This is absolutely one of those films. Max Frost is an aspiring singer and occasional revolutionary who appears at a political rally aimed at changing the voting age from 21 to 18, only to call for it to be dropped to a mere 14. He eventually ups his requested age to 15, and when the change ends up being made, it leads to a chain of events which starts with lowering the age requirements for political office to 14 and ultimately leads to him being elected as President of the United States. Once there, 30 becomes a mandatory retirement age, and those over 35 are rounded up, sent to reeducation camps, and permanently dosed on LSD. From there, Max withdraws the military from around the world, puts computers and prodigies in charge of the Gross National Product, ships surplus grain for free to third world nations, disbands the FBI and Secret Service, and…well, basically, it’s hedonism-a-go-go. I don’t know what’s wrong with these kids today…

33. President Jack Stanton (John Travolta), “Primary Colors”: If there was anyone who didn’t comprehend that this book was a thinly-veiled look into the life of President Clinton on the campaign trail prior to ascending to the White House, then Travolta’s attempt at an Arkansas drawl surely underlined the point for them.

34. President Harris (Leslie Nielsen), “Scary Movie 3” and “Scary Movie 4”: You’d like to think that we’ve never had a president quite as incompetent as this one, but…well, I think I’ll just end that sentence right there. As for the seemingly never-ending old man nudity, sure, it’s rough going, but at least the whole sequence ends with a fart joke. There goes that duck again…

35. The President (E.G. Marshall), “Superman II”: As anyone who’s seen this classic flick knows, there are really only two moments where the president plays a part. The first is the classic Oval Office scene where he tries and fails to fake out General Zod by sending in one of his cronies to pretend that he’s the president. Sorry, I couldn’t embed it, so you’ll just have to click here). The other – which is also unembeddable, so click here for that one – is when he interrupts his surrender to General Zod to cry, “Superman, can you hear me? Superman?!?” He can hear him, of course…but you can damned well bet that he doesn’t kneel before Zod.

36. The President (Henry Fonda), “Fail Safe”: It was a toss-up when trying to decide which of Henry Fonda’s presidential portrayals would be included in this list, and although “Meteor” stayed in serious contention ’til the last second, we finally decided that we’d probably get our asses handed to us if we didn’t go with the more socially acceptable choice of “Fail Safe.” The film offers a simple but scary premise: due to an electrical malfunction, American planes are sent to deliver a nuclear attack on Moscow. Will they realize that it’s a mistake in time? If they don’t, will the President be able to convince the Soviet premier that it was an error and shouldn’t be met with retaliation? It’s a gripping film, with an ending that’ll leave you breathless. “Fail Safe” was later remade as a live television event directed by Stephen Frears, with Richard Dreyfuss playing the President, but he’s got nothing on Fonda.

37. The President (Stanley Anderson), “Armageddon”: Some people consider this to be the definitive giant-asteroid movie, but while I respect the slam-bang popcorn-movie style of Michael Bay, I’m a “Deep Impact” guy through and through. Still, you can’t say this isn’t a moving speech. By the way, Stanley Anderson first served as our commander-in-chief in “The Rock,” but while his appearance in that film was so small as to not even warrant a screen credit for his trouble, he apparently still impressed Bay enough in the position to stay in office.

38. President Arnold Schwarzenegger (Harry Shearer), “The Simpsons Movie”: Of course we know that it’s impossible for Schwarzenegger to ever be President: he was born in Austria, and it says right in the U.S. Constitution that “no person except a natural born Citizen, or a Citizen of the United States, at the time of the Adoption of this Constitution, shall be eligible to the Office of President.” Haven’t you heard of suspension of disbelief? Besides, like that’s the least plausible thing in the film? Gimme a break…

39. President Staton (Dennis Quaid), “American Dreamz”: Take the George W. Bush administration and blend it with “American Idol,” and you’ve got this flick. Things kick off with President Stanton making the mistake of reading the newspaper for the first time in four years and seeing the world without having it filtered through his cabinet members first. Is it any wonder that the man comes within a hairsbreadth of having a nervous breakdown as a result? In an attempt to mellow him out a bit, Staton’s chief of staff gets the president a gig as a judge on his favorite show, the national talent search known as “American Dreamz.” Cue Hugh Grant, who plays a Simon Cowell equivalent named Martin Tweed. It’s always struck me as surprising that the film didn’t do better, given how much viewers love “American Idol.” Maybe they take it so seriously that the idea of seeing it mocked just pissed them off…?

40. President White (Donald Pleasance), “Escape from New York”: When I put out a request to the other writers for suggestions for this list, Ross Ruediger immediately wrote back with one name, along with the words, “You’re the Duke! A-Number-One!” This John Carpenter then-futuristic classic – it takes place in 1997 – couldn’t even have existed without President White, revolving as it does around Air Force One being hijacked by members of the Popular Front For the Liberation of America and crashing on Manhattan Island, which has been converted into a maximum security prison. Enter the infamous Snake Plissken, who’s offered a deal: if he rescues the President within 24 hours and retrieves a cassette tape that contains important information on nuclear fusion, he’ll get a full pardon. If you’ve never seen the film, I hate to spoil it for you, so I won’t tell you whether Plissken succeeds or not, but I will offer this clip, which shows that, at the very least, the President doesn’t exactly have it easy while he’s waiting on Snake. (You’re welcome, Ross.)

41. President James Norcross (Paul Frees), “Super President”: Long before you ever click “play,” the fact that this clip comes to us courtesy of a site called WorstCartoonsEver.com speaks volumes about what you can expect, but, seriously, this is ridiculous. The premise: President James Norcross is given superpowers as the result of a cosmic storm and now has increased strength and can change his molecular composition at will to any form required. No word on whether it was a direct inspiration for Robert Smigel’s “The X-Presidents” feature on “TV Funhouse,” but while it’s almost as ridiculous, it wasn’t intended to be funny. (One can imagine plenty of tasteless Republicans watching the cartoon and chuckling to themselves, “Guess JFK wasn’t a Super President, huh?”)

42. President Mackenzie Allen (Geena Davis), “Commander in Chief”: Whenever I think of this show, I think of what its creator, Rod Lurie, said to me during an interview about his experiences on the series. “We were such a gigantic success and the number-one new show by a lot,” he said. “We were actually beating ‘House’ in the ratings. Then on October 6, my agent called to tell me that I was going to be fired. Early the next morning, I met with Mark Pedowitz, who was running Touchstone, and the first thing I said to him was, ‘So what do you do to the guy who gives you the number two new show? Does he have to get shot?’”

If you go back and look at the series, you can pretty easily detect the point where Lurie left, but he left a part of him behind in the title character. “Mackenzie Allen was based in demeanor on Susan Lyne at ABC and in her wisdom on my mother Tamar,” Lurie informed me, when I dropped him a line about this piece. Oh, and despite his interest in female presidents, he wasn’t part of Team Hillary. “Many people thought I was trying to make headway for Clinton,” he said. “But I became one of Obama’s top supporters!”

43. President Mike Brady (Gary Cole), “The Brady Bunch in the White House”: Don’t waste your time trying to work out how in the hell the rite of succession would ever result in an architect who isn’t even a politician finding his way into a spot in the Oval Office, and definitely don’t waste your time trying to find a copy of this movie. Just know that, although it isn’t very funny, Gary Cole’s channeling of the late Robert Reed remains spot-on…and if you really need a “Brady Bunch” movie fix, go watch the first one again instead.

44. President James Marshall (Harrison Ford), “Air Force One”: In that this was one of the most obvious inclusions, we figured we’d save it for last. No, it’s not a great movie, but when it comes to ass-kicking commanders in chief, no one can touch Harrison Ford. All together now: “Get off my plane!”

Like all character actors, Karl Malden never got quite the same level of attention as costars like Marlon Brando, Vivien Leigh, Steve McQueen, Anthony Perkins, Montgomery Clift, Michael Caine, and George C. Scott. Even the seventies TV series he starred in, “The Streets of San Francisco” found him being overshadowed in the eyes of the teenybopper set by his young punk of a male ingenue costar, Michael Douglas. That was largely because Malden was the kind of performer who understood that acting is a team sport. His best scenes were like great duets with near perfect communication between him and his scene partners. The exception were American Express travelers’ checks; those, he wiped off the screen.

Karl Malden died today at age 97, having been more or less fully retired since appearing in a 2000 episode of “The West Wing.” While he was never precisely an A-lister, he was a go-to actor for secondary leads, president of the Motion Picture Academy, and as far as I can tell a universally respected figure among actors and everyone else associated with the movie industry. He was also married to the same woman for seventy years, a rare enough Holllywood achievement to merit it’s own special Oscar. Not a bad life.

Below the fold is a video tribute I found that, from the misspellings, I gather may come from Serbia. (Malden, whose real name was Mladen Sekulovich, was the son of a Serbian father and a Czechoslovak mother.) The image quality could be better and some of the clips are a little too brief, but it does give you an excellent overview of his truly diverse film career, which included work with some of the greatest Hollywood directors including Elia Kazan, John Frankenheimer, and Alfred Hitchcock. It also includes some interesting moments from two oddball spy films, “Murderer’s Row,” which I haven’t seen, and the underrated “Billion Dollar Brain,” which included some pretty amazing scenes between Malden and Michael Caine as his old spy buddy, Harry Palmer, as well as Françoise Dorléac as his treacherous spy girlfriend (though he’s pretty tricky himself).

This scene from “A Streetcar Named Desire” may be a bit much for the Tennessee Williams-unfriendly, but it’s a special favorite of mine. Every time I see “Streetcar,” I forget I’m watching Karl Malden and Vivien Leigh, too very familiar faces to this film geek, and wind up hoping that somehow poor Blanche and Mitch will find happiness. (In case you haven’t seen the movie or the play, let’s just say the odds are slim.) That’s acting.

And, finally, his best known role. <Sigh>

My good pal Zayne has more video at More a Legend Than a Blog. Check it out.

UPDATE: Christoper Campbell of SpoutBlog has a very good rundown of other blog postings on Karl Malden’s passing (which I’m happy to say includes us). He also mentions yet another celebrity death, the passing of actor and singer Harve Presnell, whose credits ranged from the Coen Brothers’ “Fargo” to such now semi- or completely forgotten sixties film musicals as “The Unsinkable Molly Brown,” “When the Boys Meet the Girls” and the legendary “Paint Your Wagon” (where, it’s safe to say, he easily out-sang costars Clint Eastwood and Lee Marvin). He was also Daddy Warbucks — a part he was born to play in his later days — in touring productions of “Annie” and also did some really funny work as a gruff detective emeritus on the sadly canceled “Andy Barker, P.I.“