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	<title>The Day of the Jackal &#8211; Premium Hollywood</title>
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		<title>It&#8217;s trailer time: &#8220;The American&#8221; without tears</title>
		<link>https://www.premiumhollywood.com/2010/05/04/its-trailer-time-the-american-without-tears/</link>
		
		<dc:creator><![CDATA[Bob Westal]]></dc:creator>
		<pubDate>Wed, 05 May 2010 00:42:03 +0000</pubDate>
				<category><![CDATA[Action Movies]]></category>
		<category><![CDATA[Actors]]></category>
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		<category><![CDATA[A Very Private Gentleman]]></category>
		<category><![CDATA[Anton Corbijn]]></category>
		<category><![CDATA[Control]]></category>
		<category><![CDATA[Depeche Mode]]></category>
		<category><![CDATA[George Clooney]]></category>
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		<category><![CDATA[Henry James]]></category>
		<category><![CDATA[Joy Division]]></category>
		<category><![CDATA[Martin Booth]]></category>
		<category><![CDATA[Roger Ebert]]></category>
		<category><![CDATA[Rowan Joffe]]></category>
		<category><![CDATA[The American]]></category>
		<category><![CDATA[The Day of the Jackal]]></category>
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					<description><![CDATA[Roger Ebert &#8212; there&#8217;ll be a bit more about him later tonight &#8212; always says that movies are not what they&#8217;re about, but how they&#8217;re about it. If so, this new film starring George Clooney is a real test of that thesis because, as pointed out by Jay A. Fernandez, premise-wise &#8220;The American&#8221; isn&#8217;t going [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>Roger Ebert &#8212; there&#8217;ll be a bit more about him later tonight &#8212; always says that movies are not what they&#8217;re about, but how they&#8217;re about it. If so, this new film starring <a href="http://www.bullz-eye.com/entertainers/george_clooney.htm">George Clooney</a> is a real test of that thesis because, as pointed out by <a href="http://riskybusiness.hollywoodreporter.com/2010/05/03/trailer-george-clooney-is-the-american-video-focus-features/?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed%3A+thr%2Friskybusiness+%28The+Hollywood+Reporter+|+Risky+Business%29&amp;utm_content=Google+Reader">Jay A. Fernandez</a>, premise-wise &#8220;The American&#8221; isn&#8217;t going to win any prizes for originality. Watch this and I think you&#8217;ll see, but if any of you English majors are expecting an adaptation of Henry James&#8217; subtle romance, <a href="http://en.wikipedia.org/wiki/The_American_%28novel%29"><em>The American</em></a>, think again.</p>
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<p>Okay, so the trailer doesn&#8217;t make the hugest impression and how many &#8220;one last job&#8221; movies about professional killers and other hardcases have we seen over the years? Still, it&#8217;s all in the telling and movies are not trailers. This is the second feature from Anton Corbijn, a rock video director who has worked with U2 and Depeche Mode. His biopic of Joy Division lead singer Ian Curtis, &#8220;Control,&#8221; is unseen by me but has won numerous awards and <a href="http://www.rottentomatoes.com/m/control/" target="_blank">wowed critics</a>. The screenplay for &#8220;The American&#8221; is by Rowan Joffe (&#8220;<a href="http://www.bullz-eye.com/mguide/reviews_2007/28_weeks_later.htm">28 Weeks Later</a>&#8220;), adapted from an acclaimed novel by the late Martin Booth, <em>A Very Private Gentleman</em>.</p>
<p>It&#8217;s worth noting, however, that the character in the book is not an assassin but an expert gun-maker <em>for</em> assassins. A fine moral distinction, I guess, but it would be nice to learn about those expert gunsmiths who always turn up in these stories. There was a character like that employed by the ruthless murderer of &#8220;The Day of the Jackal&#8221; back in 1973. Of course, the Jackal was doing one last job himself.</p>
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