“Maximum Movie Mode”

It’s nothing like the incredible presentation hosted by Zack Snyder on the “Watchmen” Blu-ray, but this picture-in-picture video track is still a pretty cool supplement to the film. Designed more like Universal’s U-Control feature – where a small box pops up in the corner of the screen at various times throughout the movie – the Maximum Movie Mode features interviews with the cast and crew, behind-the-scenes footage from production, as well as concept art and screen to storyboard comparisons. Additionally, you can branch off to mini-featurettes called…

“Focus Points”

…or you can view them on their own without having to sit through the entire movie. There are ten in all, each running about 3-4 minutes in length. Though each Focus Point covers a different aspect of the film, most of them fall under one of three categories: Production Design, like “Building Carnegie’s Town” and “Apocalyptic San Francisco”; Stunts, like “Underpass Fight,” “Shootout at George and Martha’s,” and “Solara Causes Mayhem”; and Character Profiles, including a look at “The Motorcycle Gang.”

“Behind the Story”

Unlike the above extras, this two-part featurette is a wildly unfocused look at the film’s story. The first section, “Starting Over,” takes a more real world approach to the subject, with various professors and academics discussing how we would live through a real apocalypse, as well as what role religion would play. The second half (“Eli’s Journey”), meanwhile, is a fairly generic EPK about making the film that pares in comparison to the material in the Maximum Movie Mode.

“A Lost Tale: Billy”

A four-minute animated prologue about Carnegie’s childhood, supposedly detailing how he came to be the man he is in the film. It’s an unnecessary inclusion that can easily be ignored.

“Deleted/Alternate Scenes”

Running only two minutes in length, this collection of deleted and alternate scenes is almost as pointless as the aforementioned prologue. There’s only one scene that even adds anything to the story – a shot of Ray Stevenson’s Redridge burning a bunch of books, including an issue of Time with a cover story about the nuclear fallout – and even then it’s not much.

“The Book of Eli Soundtrack”

This brief discussion between composer Atticus Ross and co-director Allen Hughes feels more like a commercial for the soundtrack than a featurette about scoring the film. In fact, they speak more about their careers than the actual music, so you might want to just skip this one altogether.

Okay, so maybe the Blu-ray release isn’t as strong as it looks, but despite some of the more useless extras that have been tacked on, the Maximum Movie Mode and Focus Points are definitely worth your time. It’s not a completely terrible movie, either, so it has that going for it.

Among the topics discussed include how this rendition of Holmes is actually closer to Arthur Conan Doyle’s original vision; Guy Ritchie’s originally plans to cast an actor in his late 20s to play the title character before meeting Robert Downey Jr.; and why Jude Law’s Watson is unlike any other we’ve seen before. In other words, it’s information that anyone following the film would have already read about, rendering the featurette fundamentally pointless. It’s a real shame, too, because there had to be some other bonus material (like bloopers or deleted scenes) sitting around in the vault that fans would have liked to have seen. Though the Blu-ray edition gets the added incentive of WB’s awesome Maximum Movie Mode, even that seems a bit light for such a major release. The history behind Holmes is simply too rich to receive such a lackluster treatment, and though I’ve never been a very big proponent of studio double dips, this time around, it’s almost necessary to make up for such a major blunder.