“The Bourne Ultimatum” is the third installment in the Bourne film series with Matt Damon returning as Jason Bourne and Paul Greengrass returning as director. The film picks up from where “The Bourne Supremacy” (2004) left off and further delves into Bourne’s quest to uncover the truth about his past and the secretive government program, Treadstone.

The film begins with Bourne evading capture in Moscow and subsequently recovering from his injuries. He is haunted by fragmented memories of his past and remains determined to uncover the truth about his identity. While Pamela Landy (Joan Allen) has decided to help Bourne, the CIA, led by Deputy Director Noah Vosen (David Strathairn), is still determined to neutralize him.

The role of Nicky Parsons (Julia Stiles) is expanded in this film, as she decides to help Bourne uncover the truth about his past. The duo uncovers more about Blackbriar, a more aggressive and lethal program than Treadstone. But by helping Bourne, Parsons also becomes a target, leading to the type of epic chase seen we’ve come to expect from this franchise.

Director Paul Greengrass doesn’t depart at all from the tried-and-true Bourne formula. The CIA is run by bad guys, and Bourne is the badass that they can’t seem to kill. But the story doesn’t seem forced. Bourne learns much more about his past in this film, and it wraps up with a clever and logical ending, making it a worthy installment in the franchise.

Also, Greengrass gives us all the action we crave in this type of film. The shaky-cam chase scenes offer up a fun ride, with the final car-chase scene capping the fun. Greengrass’s style may be over-the-top, but it’s much better than all the CGI nonsense we’ve seen in other action films. Fans loved it, as it became the highest-grossing Bourne film.

The rivalries withing the CIA and the interplay between the Joan Allen and David Strathairn characters works well in this installment and helps drive the natural evolution of the storyline from the first two films. Scott Glenn also delivers a solid performance as CIA Director Ezra Kramer in a limited role.

Overall, the film was a huge success as the third installment in the Bourne franchise. Watch the first two and then enjoy the ride with this one as well.

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Matt Damon returns as Jason Bourne in this sequel to the 2002 film “The Bourne Identity.” Paul Greengrass takes over directing duties in this installment and doesn’t miss a beat.

The story picks up two years after the events of “The Bourne Identity.” Jason Bourne and Marie Kreutz (Franka Potente) are living a peaceful life in hiding in Goa, India. However, their tranquility is shattered when Bourne is framed for the assassination of a CIA officer during a covert operation in Berlin, an operation he had no part in. As a result, the CIA, led by Deputy Director Pamela Landy (Joan Allen), believes Bourne has gone rogue and must be taken down.

Bourne is driven to find out who is behind the setup and why they are targeting him. In the process, he uncovers more about his past as a CIA assassin and the Operation Treadstone program. Bourne’s quest takes him across Europe, from Berlin to Moscow, as he evades capture and confronts the people responsible for framing him.

Brian Cox reprises his role as Ward Abbott, the high-ranking CIA official who played a crucial role in the creation and management of Operation Treadstone. He is determined to cover up his involvement in Treadstone and protect his career, and throughout the film, he tries to maintain control over the situation and prevent the exposure of Treadstone’s illegal activities. Julia Stiles also returns as Nicky.

“The Bourne Supremacy” is an excellent sequel to the first Bourne installment, building on the intrigue and action-packed sequences of the first film, while further developing the character of Jason Bourne and his quest for identity and redemption.

Director Paul Greengrass brought his own style to the film, while building on Doug Liman’s excellent work in the first installment. Greengrass is known for his distinct directing style, which incorporates a “shaky cam” or “handheld camera” technique, quick cuts, and a sense of realism. Some fans complained that this technique could be disorienting and difficult to follow, but I felt it worked perfectly. The action scenes are immersive and feel gritty and real. It’s a style that has become popular in the action genre following the release of this film.

“The Bourne Supremacy” did $290.6 million in worldwide box office sales, besting “The Bourne Identity” which hit $214 million. Universal had another hit and a successful franchise on their hands. Like the original, this film was well-received by both critics and audiences.

Over the years, I caught parts of the Bourne movies on cable. These are the kinds of movies you can start watching at any time in the story and enjoy the action. But I only recently made a point of watching these films from the beginning, and it’s naturally a much more interesting and enjoyable watch when you know the backstory. So, if you’re new to the Bourne franchise, try to watch them in order for the best experience.

Enjoy the ride!

Outstanding Comedy Series:

* Curb Your Enthusiasm (HBO)
* Glee (Fox)
* Modern Family (ABC)
* Nurse Jackie (Showtime)
* The Office (NBC)
* 30 Rock (NBC)

My Pick: “Modern Family.” There’s no question that “Glee” is award-worthy, but not necessarily as a comedy, which is also where “Nurse Jackie” falters in this category. I feel like “The Office” and “30 Rock” coasted in on their past merits this year, but “Curb” got a huge boost from the “Seinfeld” storyline, so it’s the only real competition here. Still, the buzz on “Modern Family” is all over the place. I can’t imagine it won’t bring home the glory.

Outstanding Lead Actor In A Comedy Series:

* Jim Parsons, “The Big Bang Theory” (CBS)
* Larry David, “Curb Your Enthusiasm” (HBO)
* Matthew Morrison, “Glee” (Fox)
* Tony Shalhoub, “Monk” (USA)
* Steve Carell, “The Office” (NBC)
* Alec Baldwin, “30 Rock” (NBC)

My pick: Jim Parsons, “The Big Bang Theory.” And I’m going to keep picking him until he gets the award, dammit.

Outstanding Lead Actress in a Comedy Series:

* Lea Michele, “Glee” (Fox)
* Julia Louis-Dreyfus, “The New Adventures of Old Christine” (CBS)
* Edie Falco, “Nurse Jackie” (Showtime)
* Amy Poehler, “Parks & Recreation” (NBC)
* Tina Fey, “30 Rock” (NBC)
* Toni Collette, “United States of Tara” (Showtime)

My pick: Lea Michele, “Glee.” All things being equal, I’d much rather see Edie Falco take home the award, but her best work on “Nurse Jackie” comes from her dramatic work on the series, and the same goes for Toni Collette on “United States of Tara.” I can’t see them giving Julia the award, Tina’s had her day in the sun, and I’m not convinced that enough Emmy voters are watching “Parks & Recreation,” which is one thing you definitely can’t say about “Glee.”

Outstanding Supporting Actor In A Comedy Series:

* Chris Colfer, “Glee” (Fox)
* Neil Patrick Harris, “How I Met Your Mother” (CBS)
* Jesse Tyler Ferguson, “Modern Family” (ABC)
* Eric Stonestreet, “Modern Family” (ABC)
* Ty Burrell, “Modern Family” (ABC)
* Jon Cryer, “Two and a Half Men” (CBS)

My pick: Ty Burrell, “Modern Family.” If Cryer wins, the critics will weep, and while Neil always deserves to win an Emmy, let’s hope he takes one home for his guest spot on “Glee” and shares it with Colfer. Stonestreet and Ferguson are great, but it’s only inevitable that they’ll split the vote, which leaves Burrell as the cast member to beat…and, indeed, the nominee to beat.

Outstanding Supporting Actress In A Comedy Series:

* Jane Lynch, “Glee” (Fox)
* Julie Bowen, “Modern Family” (ABC)
* Sofia Vergara, “Modern Family” (ABC)
* Kristen Wiig, “Saturday Night Live” (NBC)
* Jane Krakowski, “30 Rock” (NBC)
* Holland Taylor, “Two and a Half Men” (CBS)

My pick: Jane Lynch, “Glee.” It’s the kind of performance that makes you want to just cut to the chase and give it to her now. With that said, however, I would have no complaints if either Vergara or Krakowski took it home. In particular, I’ve always felt that Krakowski was an MVP on “30 Rock” who doesn’t get nearly as much attention as she’s deserved. (Vergara, meanwhile, does get plenty of attention…and rightfully so. Yowza!) Bowen’s great, but much of her performance involves staring incredulously at Ty Burrell, and Taylor’s a class act, but she’s outclassed here. And don’t even get me started on Kristen Wiig. If you’ve got something to say about her, say it here and here.

Outstanding Drama Series:

* Breaking Bad (AMC)
* Dexter (Showtime)
* The Good Wife (CBS)
* Lost (ABC)
* Mad Men (AMC)
* True Blood (HBO)

My pick: Breaking Bad. If you need any more explanation about this pick, then just hit up my blog for the series. It clarifies my feelings pretty well.

Outstanding Lead Actor In A Drama Series:

* Bryan Cranston, “Breaking Bad” (AMC)
* Michael C. Hall, “Dexter” (Showtime)
* Kyle Chandler, “Friday Night Lights” (DirecTV)
* Hugh Laurie, “House” (Fox)
* Matthew Fox, “Lost” (ABC)
* Jon Hamm, “Mad Men” (AMC)

My pick: Bryan Cranston, “Breaking Bad.” As if there was ever any doubt, right? I said in September Laurie would earn an Emmy nomination based on his performance in the “House” season premiere alone, so it’s nice to see that I was right about that, and I’d probably have to turn in my TCA membership card if I didn’t cheer for Chandler’s nomination just on general principle. Fox’s nod seems more sentimental than anything else, though. It could well prove to be a three-way heat between Hamm, Hall, and Cranston, but I’m sticking with my favorite horse on this one.

Outstanding Lead Actress In A Drama Series:

* Kyra Sedgwick, “The Closer” (TNT)
* Glenn Close, “Damages” (FX)
* Connie Britton, “Friday Night Lights” (DirecTV)
* Julianna Margulies, “The Good Wife” (CBS)
* Mariska Hargitay, “Law & Order: Special Victims Unit” (NBC)
* January Jones, “Mad Men” (AMC)

My pick: Julianna Margulies, “The Good Wife.” But with all due respect to Ms. Margulies, the person who I would’ve voted for didn’t even score a nomination…and, frankly, I’m pissed about it. In fact, I’m calling bullshit on the fact that January Jones received a nod for “Mad Men” while Anna Gunn was left out in the cold for her outstanding work on “Breaking Bad” this season. That’s right, I’m unabashedly calling out Jones as the one who doesn’t belong in this category: sure, she plays the ice queen to perfection, but if you saw her hosting “Saturday Night Live,” then you know that you’re seeing something not terribly far from her default setting. Jones coasted into this nomination via name recognition for the show, plain and simple, and not for her acting.

Outstanding Supporting Actor In A Drama Series:

* Aaron Paul, “Breaking Bad” (AMC)
* Martin Short, “Damages” (FX)
* Terry O’Quinn, “Lost” (ABC)
* Michael Emerson, “Lost” (ABC)
* John Slattery, “Mad Men” (AMC)
* Andre Braugher, “Men of a Certain Age” (TNT)

My pick: Terry O’Quinn, “Lost.” This is certifiably the single hardest category for me, because there’s literally no one in the running who I wouldn’t like to see take home the award, but gut feeling is that one of the two “Lost” cast members will end up winning, with O’Quinn being my personal favorite (not that Emerson isn’t great). In a perfect world, though, enough people would have watched the 3rd season of “Damages” to give their votes to Short. Braugher got to play a lot of great family drama, and, well, you know how I feel about “Breaking Bad,” but, seriously, Aaron Paul’s work this year as Jesse worked his way through rehab while dealing with emotional trauma was outstanding. And Slattery…c’mon, the guy makes me grin whenever he walks on camera. There are no losers here.

Outstanding Supporting Actress In A Drama Series:

* Sharon Gless, “Burn Notice” (USA)
* Rose Byrne, “Damages” (FX)
* Archie Panjabi, “The Good Wife” (CBS)
* Christine Baranski, “The Good Wife” (CBS)
* Christina Hendricks, “Mad Men” (AMC)
* Elisabeth Moss, “Mad Men” (AMC)

My pick: Christina Hendricks, “Mad Men.” I had a lot of trouble picking from my four favorite nominees here, but while Byrne, Baranski, and Moss were all great, Hendricks’ work with Joan’s struggles in her personal and professional lives made her the stand-out for me.

Outstanding Miniseries:

* The Pacific (HBO)
* Masterpiece: Return to Cranford (PBS)

My pick: The Pacific. Sorry, “Cranford,” but betting against “The Pacific” would be like going into a Harlem Globetrotters game and expecting to see them have their asses handed to them by the Washington Generals.

Outstanding Made for Television Movie:

* Masterpiece: Endgame (PBS)
* Georgia O’Keeffe (Lifetime)
* Moonshot (The History Channel)
* The Special Relationship (HBO)
* Temple Grandin (HBO)
* You Don’t Know Jack (HBO)

My pick: Temple Grandin. The competition is pretty fierce here, with the big guns all coming from HBO, but as much as I liked the network’s other two nominees, “Temple” has the edge because of the way director Mick Jackson brought to life the way Grandin sees the world.

Outstanding Lead Actor in a Miniseries or Movie:

* Jeff Bridges, “A Dog Year” (HBO)
* Ian McKellen, “The Prisoner” (AMC)
* Michael Sheen, “The Special Relationship” (HBO)
* Dennis Quaid, “The Special Relationship” (HBO)
* Al Pacino, “You Don’t Know Jack” (HBO)

My pick: Al Pacino, “You Don’t Know Jack.” There were several occasions during the course of the film when I completely forgot that I was watching Pacino, and, man, I can’t think of the last time that happened. It’s good to have you back, Al.

Outstanding Lead Actress In A Miniseries Or A Movie:

* Maggie Smith, “Capturing Mary” (HBO)
* Joan Allen, “Georgia O’Keeffe” (Lifetime)
* Dame Judi Dench, “Masterpiece: Return to Cranford” (PBS)
* Hope Davis, “The Special Relationship” (HBO)
* Claire Danes, “Temple Grandin” (HBO)

My pick: Claire Danes, “Temple Grandin.” Yes, yes, we all know what was said in “Tropic Thunder” about performances like these, but the simple fact of the matter is that Danes did an exemplary job of capturing the awkwardness of an autistic woman trying not only to make it in a career dominated by men but, indeed, in society as a whole.

Outstanding Supporting Actor in a Miniseries or Movie:

* Michael Gambon, “Masterpiece: Emma” (PBS)
* Patrick Stewart, “Great Performances: Hamlet” (PBS)
* Jonathan Pryce, “Masterpiece: Return to Cranford” (PBS)
* David Strathairn, “Temple Grandin” (HBO)
* John Goodman, “You Don’t Know Jack” (HBO)

My pick: David Strathairn, “Temple Grandin.” I’ve got nothing but love for the PBS performances, particularly Sir Patrick’s, but Strathairn’s calm performance played wonderfully against what Claire Danes brought to the table as the title character.

Outstanding Supporting Actress in a Miniseries or Movie:

* Kathy Bates, “Alice” (SyFy)
* Julia Ormond, “Temple Grandin” (HBO)
* Catherine O’Hara, “Temple Grandin” (HBO)
* Brenda Vaccaro, “You Don’t Know Jack” (HBO)
* Susan Sarandon, “You Don’t Know Jack” (HBO)

My pick: Brenda Vaccaro, “You Don’t Know Jack.” This was another tough one, as Ormond and O’Hara were both exemplary…as was Sarandon, for that matter…but the brother/sister dynamic between Vaccaro and Al Pacino was too damned wonderful to ignore.

Outstanding Variety, Music, or Comedy Series:

* The Colbert Report (Comedy Central)
* The Daily Show With Jon Stewart (Comedy Central)
* Real Time With Bill Maher (HBO)
* Saturday Night Live (NBC)
* The Tonight Show With Conan O’Brien (NBC)

My pick: The Daily Show with Jon Stewart. I’d love to hear Conan’s acceptance speech if he won, but I think he’s gotten sufficient just desserts simply by being nominated, so I’d rather the consistently strong work of Stewart and his crew get the Emmy.

Outstanding Reality Program:

* Antiques Roadshow (PBS)
* Dirty Jobs (Discovery Channel)
* Jamie Oliver’s Food Revolution (ABC)
* Kathy Griffin: My Life On The D-List (Bravo)
* MythBusters (Discovery Channel)
* Undercover Boss (CBS)

My pick: “Jamie Oliver’s Food Revolution.” It’s probably the least watched show on the list, but that never stopped “The Amazing Race” from winning in the past.

Outstanding Host For A Reality Or Reality-Competition Program

* Phil Keoghan, “The Amazing Race” (CBS)
* Ryan Seacrest, “American Idol” (Fox)
* Tom Bergeron, “Dancing with the Stars” (ABC)
* Heidi Klum, “Project Runway” (Bravo)
* Jeff Probst, “Survivor” (CBS)

My pick: Phil Keoghan, “The Amazing Race.” Believe it or not, this season was the first time I’d ever watched the show. Say, you know, it’s pretty good!

But Ally’s a smart kid, and an observant one as well, so you never know what’s going catch her interest. Take, for instance, her fascination with the President of the United States. I guess I shouldn’t be surprised that she was intrigued by last year’s Presidential election, given that she had to endure people talking about Barack Obama and John McCain for quite a few months there, but she’s continued to ask us about this President and that, even picking up a few names and facts about previous Commanders in Chief along the way. With this being the case, I thought that, for once, I might actually be able to hold her interest with a DVD that was being offered up for review: So You Want to Be President…and More Stories to Celebrate American History, the latest release from Scholastic.

When the DVD arrived, I showed it Ally and explained that it contained animated readings of four stories: “So You Want To Be President,” by Judith St. George, “My Senator and Me: A Dog’s-Eye View of Washington, DC,” by Senator Edward M. Kennedy, “Madam President,” by Lane Smith, and “I Could Do That! – Esther Morris Gets Women the Vote,” by Linda Arms White. She seemed cautiously optimistic but warned me ahead of time, “All right, but I only like George Obama.” Yeah, I know, that’s the sort of silly-kid punchline that even “Family Circus” would throw into the reject pile, but she was really tired. As a proud father, I must assure you that she knows that Washington was the first President of the United States, can identify Obama as the current President and George W. Bush as his predecessor, and – courtesy of her mother – can identify a piece of trivia about Abraham Lincoln, which you’ll read about in a moment.

First up: “So You Want To Be President,” narrated by Stockard Channing. Although it was made in 2000 and therefore doesn’t include President Obama, both father and daughter were still entranced by this fun little bit of animation, which offered up fun little kid-friendly bits of trivia about the White House (it has a pool and a bowling alley, and if you’re the President, you can get anything you want to eat at any time of day or night), along with factoids about the office of President itself, such as how many guys named James and John have held the top office in the land (six and five, respectively). It’s not always as reverential as it might be, but, hey, William Henry Taft could’ve stopped eating anytime he wanted, so if the animators want to show him being lowered by a series of ropes and pulleys into his specially-made bathtub…and while he’s holding a turkey leg in one hand, no less…well, that’s just the way it goes. Granted, it did seem a little untoward to prove the “looks didn’t used to be as important” premise by describing our 16th president as “a homely man,” but since Ally doesn’t know what the word “homely” means, she merely glowed as she cheerily reminded me, “Abraham Lincoln is my favorite, because he created Thanksgiving!” (It’s true: look it up.) She remained entertained by the proceedings throughout, showing legitimate awe at the revelation that, amongst the menagerie of animals maintained by Teddy Roosevelt, there was a guinea pig – seriously, the idea of a guinea pig in the White House blew the child’s mind – but by the time things wrapped up with an epilogue about the Gore / Bush battle of 2000, she was ready for it to end.

Next up: “My Senator and Me: A Dog’s-Eye View of Washington, DC,” which was narrated by its author, the late Sen. Kennedy. I had high hopes that the shenanigans of a dog named Splash in the streets of our nation’s capitol would prove even more entertaining than the story that had preceded it, but I couldn’t have been more wrong. I thought it was pretty cute, but Ally had already begun to nod off before they’d even finished relaying the back story of how Sen. Kennedy came to pick out Splash in the first place. If I had to guess the reason why, I’d bet on the narration. The ringing familiarity of a Kennedy’s voice means nothing to a 4-year-old, even one who’s convinced that she’s already seen and heard it all.

Fortunately, after a gentle reminder that she was supposed to be helping Daddy with his review, Ally made a comeback for “Madam President,” which was not narrated by Lane Smith, but this is possibly only because he was tired from having both written and illustrated it. Fortunately, Anna Chiodo filled in nicely for him, and the cute story of a little girl imagining what things would be like for her if she was the President of the United States (three words: Secretary of Pizza) revived my daughter sufficiently for her to stay awake for the whole thing.

Not so, however, for the final story, “I Could Do That! – Esther Morris Gets Women the Vote,” narrated by Joan Allen. It’s an interesting historical tale, but it’s definitely one for older kids. I don’t think we’d made it more than two or three minutes into this one before Ally was shifting in her seat and asking to watch “The Simpsons” instead…so we did. My apologies to Ms. Allen, Ms. White, and, of course, Ms. Morris. I should also mention that there are special features which I didn’t for a moment consider forcing my daughter to sit through, but parents may be interested in checking out the bonus interviews with Mr. Smith and Sen. Kennedy.

What was Ally’s final verdict? Well, she liked “Madam President,” but in the end, her favorite by far was the story which gave the DVD its name, which is possibly not a coincidence. “It was good,” she said, definitively. I tried to press the issue a bit more and pin her down on her favorite moments, but she just shrugged and said, “Really, all of it. I liked all it the same. The whole thing was good.” I should also add that, although she lost steam during Teddy’s tale, she was sufficiently excited by the end of that first story to ask me outright, “Can we watch another one?” So if you’ve got a child who’s shown even the slightest interest in history, they’ll probably really enjoy this collection, but if they’re a little on the young side, don’t be surprised if their excitement ebbs and flows a bit during the proceedings.

Click to buy “So You Want to Be President…and More Stories to Celebrate American History”

23 years after his death, Dalton Trumbo (“Johnny Got His Gun”) remains among the best-known screenwriters of all time. Ironically, that’s largely because much of his best work was done in secret. Jailed in 1950 and then blacklisted for his refusal to discuss his constitutionally protected membership in the Communist Party, Trumbo survived by writing prodigiously, using pseudonyms and “fronts” until 1960, when director Otto Preminger and actor-producer Kirk Douglas openly placed his name in the credits for “Exodus” and “Spartacus” and sounded the first death knell of the Hollywood blacklist.

Drawn partly from a play by the writer’s son, Christopher Trumbo, and featured on PBS’s “American Masters,” this documentary combines interviews with Trumbo’s family and friends, including stars Kirk Douglas and Dustin Hoffman, and dramatic interpretations of his writing by a long list of acting heavyweights such as Joan Allen, Michael Douglas, Liam Neeson, and Donald Sutherland. On the down side, director Peter Askin plays up Trumbo’s heroism while playing down his political extremism and indulges in some pretentious and annoying cinematic tics, including shooting the actors looking on pensively while their occasionally overdone readings play on the soundtrack. Still, when Askin captures the writer’s unsentimental and often humorous essence — as in Nathan Lane’s wry reading of an ingenious letter to the teenage Christopher Trumbo on the joys of masturbation and Paul Giamatti’s testy renditions of Trumbo’s broadsides at his local phone company — this is a highly engaging summary of the life and work of a singular figure in mid-century movie history.

Click to buy “Trumbo”