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	<title>Funny Girl &#8211; Premium Hollywood</title>
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		<title>&#8220;People, people who eat people&#8230;&#8221;</title>
		<link>https://www.premiumhollywood.com/2010/09/25/people-people-who-eat-people/</link>
		
		<dc:creator><![CDATA[Bob Westal]]></dc:creator>
		<pubDate>Sat, 25 Sep 2010 18:18:28 +0000</pubDate>
				<category><![CDATA[External Entertainment]]></category>
		<category><![CDATA[External Movies]]></category>
		<category><![CDATA[Humor]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[Sci-Fi Movies]]></category>
		<category><![CDATA[Charton Heston]]></category>
		<category><![CDATA[Edward G. Robinson]]></category>
		<category><![CDATA[Food Glorious Food]]></category>
		<category><![CDATA[Fritz Lang]]></category>
		<category><![CDATA[Funny Girl]]></category>
		<category><![CDATA[Metropolis]]></category>
		<category><![CDATA[Oliver!]]></category>
		<category><![CDATA[People]]></category>
		<category><![CDATA[Richard Fleischer]]></category>
		<category><![CDATA[Soylent Green]]></category>
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					<description><![CDATA[Best mash-up I&#8217;ve seen in a while, even if I&#8217;m paraphrasing a different musical above. H/t Matt Zoeller Seitz of TNR, Salon, etc. Bonus videos and a very brief bit of hardcore cinephilia after the flip. 1968&#8217;s &#8220;Oliver!&#8221; won a bunch of Oscars, but that doesn&#8217;t stop from me saying that it&#8217;s almost objectively a [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>Best mash-up I&#8217;ve seen in a while, even if I&#8217;m paraphrasing a different musical above.</p>
<p><object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" width="477" height="298" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowFullScreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="src" value="http://www.youtube.com/v/G1AlaqEdSQ0?fs=1&amp;hl=en_US&amp;rel=0&amp;color1=0x3a3a3a&amp;color2=0x999999" /><param name="allowfullscreen" value="true" /><embed type="application/x-shockwave-flash" width="477" height="298" src="http://www.youtube.com/v/G1AlaqEdSQ0?fs=1&amp;hl=en_US&amp;rel=0&amp;color1=0x3a3a3a&amp;color2=0x999999" allowscriptaccess="always" allowfullscreen="true"></embed></object></p>
<p>H/t <a href="https://twitter.com/mattzollerseitz/status/25167144115" target="_blank">Matt Zoeller Seitz</a> of TNR, Salon, etc.</p>
<p>Bonus videos and a very brief bit of hardcore cinephilia after the flip.</p>
<p><span id="more-28955"></span>1968&#8217;s &#8220;Oliver!&#8221; won a bunch of Oscars, but that doesn&#8217;t stop from me saying that it&#8217;s almost objectively a pretty awful stage-to-film translation, albeit from one of England&#8217;s greatest directors. Still, if you&#8217;ve never seen it, this sequence might put the above in some context.</p>
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<p>Although the parallels between 1973&#8217;s &#8220;Soylent Green,&#8221; directed by Richard Fleischer, and Fritz Lang&#8217;s 1927 &#8220;<a href="http://www.kino.com/metropolis/" target="_blank">Metropolis</a>&#8221; are pretty apparent, it just occurs to me now that it was &#8220;Oliver!&#8221; helmer Sir Carol Reed who committed a more or less direct lift/homage from the hugely influential science fiction film, hiding in plain sight in a Dickensian context. I&#8217;m sure film scholars must have spotted this long ago, but I haven&#8217;t.</p>
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