Category: Sci-Fi Movies (Page 55 of 93)

A busy Monday in movieland…

…And not a whole lot of time to talk about it.

* Tim Burton’s “Alice in Wonderland” tested as the most memorable film commercial during last night’s hugely rated Superbowl and understandably so, it’s genuinely beautiful stuff. Past versions of the classic, however, have been somewhat hampered by the episodic — you might even say pre-Pythonesque — structure of Lewis Carrol/Charles Dodgson’s freewheeling children’s literary classic. (The first work of art to ever really blow my mind, I think.) The idea this time is to get around that problem by turning the film into something like a sequel to the original as concocted by writer Linda Woolverton. Storylines, or the lack thereof, have been Burton’s Achilles heel in the past, so this should be interesting.

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* The late Michael Jackson’s doctor has been charged with involuntary manslaughter.

* We’ve had movies based on toys and board games, so why not a new movie based on this blog?

* In the seventies and eighties, horror films were often named after holidays. Now it’s ensemble romantic comedies, apparently.

* “Mr. and Mrs. Smith” meet “Mr. and Mrs. Jones.” (I guess “Mr. and Mrs. Smith, Episode 1” didn’t do well in focus groups.)

* I’ve always loved Robert Wise’s great film of “The Andromeda Strain” and there are few movies I’ve detested more than Wolfgang Peterson’s “Outbreak.” (A virus is threatening all of humanity and I’m supposed to be distracted by an adorable monkey on loan from an overrated sitcom and helicopter chases???) I’m sure Steve Soderbergh’s “Contagion” will at least try to be closer to the Wise approach. Soderbergh may be uneven because he’s so unafraid to take huge chances, but when he pulls a movie together, few are better.

* Yet another item from Deadline|Hollywood’s ace, non-venomous reporter, reporter, Mike Fleming. Ami Canaan Mann, daughter of Michael Mann, is directing her first big feature (but not her first feature). It’s an intriguing sounding fact-inspired thriller about a series of unsolved Texas murders tied with the drug trade.

Filmgoing young females end the reign of the Na’vi, finally

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Yes, so for those who read Friday’s post, The Hollywood Reporter‘s Carl DiOrio was wrong and Nikki Finke was more right than even she knew on her first, non-updated, version of her weekend box office post. The Nicholas Sparks adaptation starring Amanda Seyfried and Channing Tatum, “Dear John,” seriously exceeded even the most optimistic expectations this Superbowl weekend and took down, at last, the seven-weekend long domestic box office “Avatar”  juggernaut. The make-up of the audience that generated $32.4 million for Sony and Relativity Media according to Box Office Mojo was not surprising. As per Finke:

Females made up 84% of the opening weekend audience, while 64% of the moviegoers were under age 21.

Still, I should add that this was definitely a case of “Dear John” winning, not so much “Avatar” losing. James Cameron‘s science fiction spectacle from Fox is still holding remarkably well, dropping less than 25% this week and netting some $23.6 million. The distinctly shorter length of “Dear John” is another obvious advantage.

John Travolta in On the other hand, Pierre Morel’s all-out action picture, “From Paris with Love,” starring John Travolta and Jonathan Rhys Meyers is shorter still, but it’s possible this was just the wrong weekend to release that kind of a movie with male fans of balls-out action distracted by the year’s #1 sports event. The film came in a very poor third with only a bit over $8.12 million for Lionsgate. C’est la vie. And here’s one more plug for the Bullz-Eye feature on Parisian-based films of all genres, “We’ll Always Have Paris,” which I say completely without bias or pride of co-authorship.

In other news, “Crazy Heart,” the country music drama featuring a nearly certain Oscar-winning performance from Jeff Bridges, was not a tale of Americana-style heartbreak. It nailed a very respectable $3.65 million in 819 theaters, which got it into this week’s #8 position. The week’s biggest per-screen was for a movie that is technically a television miniseries. The “Red Riding” Trilogy, which originally aired on English television, nailed a per screen average of $15,500 thousand. Of course, that’s in exactly one theater. Still, not bad considering it’s actually three films.

Friday night movie news dump

Because I will it to be so…

* It’s getting mighty meta here. Via Anne Thompson, will show biz blogger/reporter Nikki Finke be in any position to sue HBO over their series about a presumably fictional entertainment blogger/reporter with a “no-holds-barred” attitude? asks THR, esq. She’s apparently already threatened to sue the Gawker. And here’s a quote for you:

So we were delighted when she acknowledged, fully aware that she would be quoted, that in our last off the record conversation she threatened to sue your blogger personally and Gawker corporately for “unfair business practices” related to our coverage of her. When we explained that the lawsuit threat was the reason we refused to speak off the record, she said, “How do you know I won’t? I’d love to own your house and your kids.”

Nikki Finke owning another blogger’s kids? Now there’s a Dickensian tale for you.

And that’s just the beginning of tonight’s useless blogging.

* Another superhero reboot. This time, it’s “Daredevil.” While writer David Scarpa’s resume doesn’t inspire great confidence, it shouldn’t be too hard to top the last attempt.

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* The Weinstein Company has picked up “The Tillman Story,” which is likely to be one of the year’s hotter documentaries.

* Sony has entered the bidding for the “The Terminator” franchise. Joss Whedon’s attempt at snapping up the franchise looking less likely every day. <Sigh>

* Speaking of Mr. Whedon, from time to time someone among his fans suggests some kind of fan donation and/or investment set-up to fund those ongoing “Buffy” or “Firefly” related projects they so crave. The idea is routinely shoot down as unrealistic. Kevin Smith works on a somewhat smaller canvas, but it’s interesting to see him apparently taking the idea seriously.

* James Cameron will presumably be betting against himself in Oscar pools.

* Many reasons to be slightly bummed that I decided not to take the SXSW plunge this year.

* One more Deadline|Hollywood item for the week from Mike “the sane one” Fleming. It’s about the movie moguls taking chances on less well-known directors (as if they aren’t always taking chances regardless, even if they’re trying not to), but all I can get my head around tonight is the idea of remaking “Damn Yankees” with Jake Gyllenhaal and Jim Carrey. I’m not Carrey’s biggest fan, but that could actually work. As for the part of the lovable Satanic temptress, Lola, I’m sure there are many great possibilities, but there’s one actress whose proven she’s got the stuff for Fosse-esque choreography.

Will “Avatar” become the Octo-b.o. king?

HmmmYes, folks, at last we have a teeny-tiny bit of suspense and disagreement among the prognosticators of b.o. (that’s “box office” for those who’ve never read Variety).  Hot off the news that’s she stands to be mythologized by HBO — and make no mistake, the “no-holds-barred” fictional film blogger “Tilda” will be inspired primarily by Finke and not Sharon Waxman or especially Anne Thompson — she most definitely bars certain holds, including insulting people for sport — Nikki Finke writes that it’s just possible that “Avatar” could be knocked off its perch by a movie that few males will see except under the most extreme forms of feminine duress.

The kicker here, of course, is Superbowl Sunday, when a large majority of the male public will be obsessed with the game as well as the beer and fat-heavy snacks that go with the event. Of course, some women like football, some men lack the sports-obsession gene (that’s me), and lots of people who really don’t follow football at all will still be watching the game with friends and family. But many females will still be flocking to our nation’s cinemas, and the younger ones especially may be attracted to “Dear John.”

The wartime love story is currently at 30% on Rotten Tomatoes and directed by Lasse Hallström,who is a long way from his “My Life as a Dog” days as an arthouse favorite. La Finke notes that Sony and Relativity Media’s sentimental romance starring Amanda Seyfried and Channing Tatum was defeating the mighty Na’vi on Fandango by a margin of 20 percent. Even rival Fox execs concede re: Sony executives’ hopes for an upset: “They are not suckin’ on a crack pipe.”

Still, the more establishment voice of The Hollywood Reporter‘s jolly Carl DiOrio states fairly unequivocally that James Cameron will, in fact, reign for one more week — though that may well be it. Still, I wonder just what kind of pipe he and his editors might have been smoking that allows him to describe the violent action thriller-comedy, “From Paris with Love” as another female skewing movie — it’s certainly not a traditional romance.

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Okay, the title might skew could be misleading to some (at least those who don’t know their early James Bond), and women certainly won’t mind looking at “The Tudors” star Jonathan Rhys Meyers.  However, take one look at the trailers and clips and it’s clear this is a real testosterone-fest of an over-the-top action film, embodied by a goateed, shaven-headed John Travolta as a brutal CIA agent and Finke is probably right that it could steal some of the male thunder of “Avatar.” Well, everyone’s allowed the occasional foul-up and jolly Carl certainly is part of “everyone.”

The consensus seems to be that the film from future “Dune” director Pierre Morel will perform below the numbers for “Dear John,” especially given a male-drained Sunday. Its reviews, by the way, are about equally underwhelming. On the other hand, this highly biased critic definitely recommends you take a look at “We’ll Always Have Paris”  — a Bullz-Eye feature on Paris-based movies that I had, of course, absolutely nothing to do with.

That’s pretty much all the news that fits save for noteable Oscar-nomination driven expansions in terms of theater count of “Crazy Heart,” the very good “An Education,” and “Precious.”  Those latter two-films especially might also not be harmed by the big game.

Gabourey Sidibe in

Wednesday quickie movie news briefs

* <Shock!> “Avatar” has crossed the finish line to become the biggest moneymaker in film history (not at all adjusted for inflation).

Avatar* <Shock!> Fox superhoncho Rupert Murdoch has confirmed there will be an “Avatar 2,” though it won’t be arriving terribly soon.  Just as predictable: his Fox News commentators and viewers will complain about its politics — assuming James Cameron doesn’t have any road to Damascus conversion to conservatism from someone like, say, “24” creator Joel Surnow.

* 3-D mania continues. Nikki Finke confirms that the final 2 Harry Potter films and, as previously mentioned everywhere, “Clash of the Titans,” will be released in the process as an assortment of less well known films. And that’s not all, how did I miss this story from a couple of weeks back? Highbrow 3-D porn…now that’s the future.

* Johnny Depp, who has not directed a movie since the 1997 obscurity, “The Brave,” is putting his helmer’s hat back on for a documentary on his friend and ultimate rock and roll wild man Keith Richard, writes the Playlist.  (H/t Christopher Campbell and Brian Prisco.)

* Nikki Finke has been on fire (metaphorically, I mean) the last 24 hours or so. La Finke has the scoop on the latest about the sale of MGM and the suspense over whether Leo the Lion will be roaring in an independent fashion in the fure. She also the muckrakey details of the departure of the now former head of the Motion Picture and Television fund earlier today and its relationship to the closure of an acute care hospital and elder care facilities.

* For his part, Finke’s new partner, Mike Fleming, covers the latest on the fascinating niggling info regarding which producers of Oscar Best Picture nominees are real enough producers to actually collect Oscars should their films win.

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