But I still like this second trailer for the China-set remake/update of 1984’s “The Karate Kid,” featuring tiny-but-tough 12 year-old Jaden Smith and Jackie Chan, that’s making the rounds today at places like Screencrave and Cinemablend. Aside from a gruffer Chan, director Harald Zwart shows some visual chops I wouldn’t necessarily expect from a guy with his resume.
Though I loved Pat Morita, I never got around to seeing the original film. I make no promises on this one, but it’s got my attention.
Fun fact: Jaden Smith is eleven years younger than Ralph Macchio was in 1984. This “kid” is actually a kid.
You can see the earlier trailer (and some rather similar comments, I must admit) here.
This should go without saying for fans of the original version of “The Office” or “Extras,” but Ricky Gervais is back on HBO in “The Ricky Gervais Show.” The show is based on a series of podcasts that Gervais and Stephen Merchant (co-creator of “The Office” and “Extras”) did with Karl Pilkington, a weird little man with a round head and a bunch of strange ideas.
The show premiered on Friday, and I was laughing so hard I was literally crying during the opening segment, where Karl explains his idea for how death and birth should proceed. Check out this clip from “The Late Show.”
I’m not a fan of the show, but I’m a fan of the guy who meticulously removed the laugh track from this scene and inserted his own reaction to the show’s “comedy.” Thank you, College Humor.
There haven’t been many great Blu-ray titles released recently (at least, not enough worth discussing anyway), and while today’s selection is just as lackluster as those in past weeks, it’s been so long since my last post that I’ve finally decided to write one anyway After all, while many of these week’s releases likely won’t end up in your library, there’s a good chance you’ll want to catch them at least once before making up your mind.
I’ve never been a very big fan of Steven Soderbergh’s work, so I was bit surprised at how much I enjoyed his latest effort. Though it didn’t get the attention it deserved during its theatrical release, “The Informant!” is the kind of whimsical dark comedy that Joel and Ethan Coen have been making for years. Granted, the lead character isn’t quite as memorable as anyone in their rogue’s gallery, but Matt Damon still delivers one of the best performances of his career as a schlubby biochemist who turns informant on the agricultural megacorp he works for. The supporting cast isn’t as strong as you’d hope, but between Damon’s hilarious turn as the real-life snitch, the whip-smart script from Scott Z. Burns, and the memorable score by veteran composer Marvin Hamlisch, there’s more than enough to love about this movie. Warner Bros. hasn’t included much in the way of special features, but the director commentary is definitely worth a listen, and the deleted scenes are fairly amusing.
It may have only received a limited theatrical run in U.S., but for those looking for a solid drama with yet another great performance from Michael Sheen at the center, look no further than “The Damned United.” Based on the novel by David Peace about real-life football manager David Clough, the film follows Clough’s (Sheen) rise to the top of the English First Division with provincial side Derby County, only to see it all fade away due to a jealously-fueled rivalry with Leeds United manager Don Revie (an underused Colm Meaney). Though fans of the sport will likely enjoy “The Damned United” for the history lesson, football is merely the background setting to what is ultimately a very character-driven story. The actor-writer team of Sheen and Peter Morgan can seemingly do no wrong, because while it might be their first movie not to focus on politics (at least, not in the traditional sense, anyway), “The Damned United” is every bit as good.
Yet another movie based on a series of young adult novels, “The Vampire’s Assistant” is certainly no “Harry Potter,” and from a purely vampire-themed angle, no “Twilight” either. Though the story, about a teenager (Chris Massoglia) who becomes indebted to a mysterious vampire (John C. Reilly) after he saves his friend’s life, is actually rife with potential for a continuing franchise (especially when you factor in the cast that makes up the titular Cirque Du Freak), the movie is hampered by a remarkably bad performance from its young star. I’m not exactly sure what director Paul Weitz saw in the kid, because he’s so dull and unappealing that he sucks the life out of nearly every scene. Reilly at least makes the movie watchable, and Willem Dafoe has good fun in his brief role as a fellow vampire, but unless they plan on recasting the lead, this is one book-based franchise without much of a future.
All season, I’ve been looking forward to the episode where Dana Walsh kicks some felon dirtbag butt, just so I could name one of these entries “And if you don’t look now, then you’re gonna get Starbucked,” which is a lyric from a great little pop tune by the little-heard UK band Bond. Tonight, the moment finally came…and it was Buffy pulling the trigger. Damn. Worse, there is no video for “Starbucked” on YouTube. It clearly wasn’t meant to be.
Ah, but what a small price to pay to have this year’s most annoying subplot vanquished. Yes, Starbuck and Buffy will have some ‘splaining to do, but so what? I’m just glad the rednecks are gone.
Which gets us to this blog’s actual title. Man, they just don’t make those organized crime figures like they used to. Sark betrays father Wolfhausen by stealing the nuclear rods, and killing the two men charged with guarding them in order to do it, and then minutes later he agrees to bring the rods to the authorities. Granted, they portrayed Sark as more of a lover than a fighter from the beginning, but for God’s sake, man, do you have a cause or what? That’s just wishy-washy. Likewise, Jason Schwartzman is willing to knife one of his government’s security guards in the neck in order to escape and launch his insurrection, and have Sark killed in order to keep from having to pay for the rods, but using the rods against the Americans is suddenly a deal-breaker? Who did he think he was going to use them on?
“So tell me how this process works.” “Well, you lie down in front of the bus, and then we run you over with it. We may even back over your lifeless body and run it over again, just to be sure. Any questions?”
Personally, I just don’t think the writers thought this part through very well. They start with CTU picking up Jason Schwartzman’s voice on Sark’s cell phone, despite the phone not being on speaker and a good ten feet away from Schwartzman when he spoke. (They had to have a reason to confirm that it was really Schwartzman when he called later asking for help, I know, but ugh.) Then they have Schwartzman meet up with the people who helped him get this far, and only then does he realize that they are waaaaaaaay more committed to the cause than he is, to the point where they don’t care if their home country gets bombed back to the Stone Age in retaliation for the crimes they intend to put into motion. By my reasoning, that’s counter-productive to their ultimate goal, since their country wouldn’t really exist anymore. “You can’t turn us into an American-run police state!” “Oh, don’t worry, that’s not really much of an option anymore. We hope you find clean drinking water soon. ”
The big takeaway from this episode has to be that Bubba got the CTU gig because Chris Something Really Greek (real actor’s name, not his character’s) appointed him, and each of them understood that if they want to survive politically, they need to be willing to sacrifice the careers of anyone who does their bidding. Bubba obviously didn’t want to leave his comfy perch so soon, so he found Greek Boy’s suggestion agreeable. But now he has a much bigger problem; Bubba made a deal with Jack in order to keep Crazy Jackie out of trouble, and you just know that he’s going to try and weasel out of that later. I’m guessing this is the part where Chloe helps Jack set a trap, thus sending Bubba packing, proving Chloe’s worth and netting herself Starbuck’s spot as head analyst, since Starbuck will finish the season behind bars and Merv the Perv doesn’t have the career ambition to aspire to a spot like that. And this will pave the way for Jack and Jackie to walk into the proverbial sunset together like we thought they ultimately would a few episodes into last season.
Until, of course, Jackie is killed. And you know that is going to happen before the final clock tick. Especially now that Jack is luring her in as a life partner. Big Dick Heller once told Jack that he’s a curse, and he’s right. Jackie, of all people, should know this, but we’ll grant her a temporary pass because, well, she’s nuts. Having said that, she’s bar none my favorite character on the show at the moment, so I do not take her imminent death lightly. Still, bitch is going down. And I’ll pour out a 40 in her honor on the eve of her death for every year that I take a breath.
Even though I couldn’t use the Bond lyric as a title, here’s the tune, anyway. And here is the video for this week’s real title. Look closely, and you’ll see Sean “Puff Daddy Diddy” Combs. Seriously.
