So this is how the second season of “Terminator: The Sarah Connor Chronicles” was supposed to end.

It’s the 13th episode, which is all they were originally supposed to make when the season began. And this is how they were going to end it…with three episodes that practically stood still. The episode fades to black with Sarah passing out from a gunshot wound, but then they follow it with scenes from the show’s second half (it relaunches in February), and we see that Sarah is very much alive. Exactly how she’s alive, I’m not sure, since she went into that warehouse by herself and didn’t tell anyone where she was. It reminds me of something someone said to my wife when she was trying to carry a bunch of luggage through the London tube station by herself: “You are either very brave, or very foolish.” Sarah’s tough, but this was just dumb.

We finally get Riley’s back story, and man, what a disappointment that was. She goes from feral street rat in the future, to undercover mark assigned to seduce John Connor, in what seems like a matter of weeks. I can see why Jesse would choose someone that doesn’t fight for the resistance (thus making it less likely any fellow Resistance members would recognize her), but surely there was someone more appropriate for the job, right? And would Riley really go from having doubts about the assignment to committing suicide in John’s bathroom? Really? We all knew that Riley was going to die sooner or later, but suicide? That’s just lazy. I would rather have seen Riley try to confess everything to John, only to have Jesse kill her before Riley could rat her out. It’s cliche, but that would have been much more tragic. As it is, John’s only take-away from this is, “Man, that Riley was a crazy bitch.” Methinks the Future John is now even more into Cameron than he was when Jesse and Riley traveled back in time in the first place.

“Hi, I’m a slightly unstable, combat-ready paranoid who sees these three dots everywhere. Oh, and I’m going to get you killed before all is said and done.”

Sarah, meanwhile, is hanging out with a cross-dressing Man Who Knows Too Much, in a blind pursuit of the three dots. She finishes her quest, of course, but not before getting both the cross-dresser and the hypno-therapist she recruits to open his mind killed in the process. Wouldn’t you have thought, after the first attempt on their lives at his/her storage facility, that Sarah would have realized that taking Abraham into the city was not a good idea? Nope. Instead, she brings him back for an “emergency” session with the clearly busy therapist. Who does that? “Excuse me, I need you to fix my car.” “Well, we’re very busy, so you’ll have to make an appointment.” “Nope. It’s an emergency.” “You heard the man, get these cars out of here and get to work on his problem.” Uh, sure.

Ellison and Cromartie/John Henry finally return, and while it has the makings of an interesting dynamic, I’ll stop short of saying that thie will actually lead to something interesting. This show has been nothing but missed opportunities, so there is no guarantee they will follow through on this one. Still, they did hint in the previews that John Henry eventually figures out that Catherine is a machine, which means that Ellison’s concern that John Henry will grow far too powerful to be controlled may will indeed come to fruition. Speaking of Catherine, she had the episode’s best line: “Cows are more powerful than humans, but I’d still rather be the farmer with the rifle.” Curious choice of phrasing, since you could argue that in her mind, we’re the cows, and she’s the farmer with the rifle. However, if the show doesn’t get its ass in gear in February, “Terminator” will be the cow, and Fox will be the farmer with the rifle.

Reports indicate that when Fox brings back “Terminator” in February, it will be moved to the Kevorkian death slot of Friday night. If that is indeed the case, this will likely serve as my last blog on the show. Thanks to everyone who read my rants (quickest way to hate a show: start blogging about it), and here’s hoping that the producers of the show finally get it right in the new year.