Month: November 2007 (Page 3 of 12)

Her real super power is the ability to make guys in their 30s feel completely lecherous…

Here’s where the words “‘Heroes’ fan'” and “dirty old man” meet on the flow chart: while watching this video preview of Hayden Panitierre’s photo shoot for an upcoming issue of GQ.

Frankly, it sounds more like it’s for Maxim, given the accompanying quote:

“Well, if you want to make me a lesbian, that’s totally fine with me. That would be a pretty funny rumour. I’d love to have a love affair with Angelina. And there are other beautiful girls I like too – Charlize Theron, oh my God! Kate Beckinsale is gorgeous too, and Jessica Alba.”

Stop it. Stop thinking about it right now. It’s wrong, dammit. And if I can’t do it, then neither can you.

InfiniteRegress.TV joins the “Journeyman” fight

Paul Levinson, fellow TV blogger and the man behind the appropriately-named Paul Levinson’s Infinite Regress, is doing his part to inspire viewers to tune in to tonight’s new “Journeyman” episode by offering up a copy of his own time-travel novel, The Plot to Save Socrates, to the first person who can correctly answer his trivia question about the episode. (And FYI, even without the contest, there’s a lot of good reading to be had over at Paul’s site, so go check it out when you get the chance.)

Kitchen Nightmares: Ramsey Can’t Save This One

Pomona, California is an artsy town, and not the kind of place you’d expect to find a fine dining restaurant. Yet that’s exactly what Lela’s was, and it was floundering. Enter Chef Gordon Ramsey and his crew with “Kitchen Nightmares.” Ramsey immediately knew that this place was, well, out of place in Pomona. But the fact that not many people were eating there signified a greater problem. So he got there, and met with owner Lela, chef Ricky, sous chef Lex, and server Tabitha.

As he always does to get things kicked off, Ramsey sits down and orders lunch so he can sample the food. And as always, he’s disappointed at the lack of fresh food on the menu. After pointing out some spelling errors on the menu and finding out that they are out of both shrimp and salmon, Ramsey orders tomato basil soup, chicken nachos and lamb with chocolate mint sauce…..chocolate mint sauce? YUCK. Sorry, that was me speaking, but Ramsey would soon feel the same. First, he realizes the soup is canned; that the nachos were made the day before; and that the lamb has almost no meat on it, and is also frozen and re-heated. To make matters worse, Ricky’s chocolate mint sauce is Hershey’s syrup with mint leaves….again, YUCK. So Ramsey decides to go straight to dessert. He orders the brownie ala mode, but soon finds out they are also out of brownies. Then, after hearing Tabitha and Ricky yell at each other, Ramsey confronts Ricky and calls him lazy. We can see now that Ricky is the antagonist in this episode.

The next day Ramsey inspects the kitchen, and finds not only that nothing is fresh, but that the fridge is not very cold. Hence, meat is going bad. At the dinner service that evening, Ramsey discovers more things he doesn’t like–namely, that Ricky is using instant mashed potatoes, and what’s worse–he doesn’t care! “No one has complained before,” he argues. Then, as the dinner service is at its busiest, one of the kitchen employees, “Buzzard,” helps himself to some wine and some leftover dishes and starts leaving. Ramsey intercepts him and brings him to Lela. Buzzard storms out, and returns the next day only to have Lela fire him.

The next day Ramsey decides to have a blind taste test with Ricky and Lex, just as he does with the contestants on his “Hell’s Kitchen” show. Lex passes with flying colors, and Ricky can’t tell chicken from beef. So Lex proclaims that he is indeed a better chef than Ricky, and Ramsey lets him run the kitchen later that night with Ricky as the sous chef. He also names Tabitha to manage the restaurant. Meanwhile, Ramsey sends Lela off for some pampering while he has his design team re-do the dining room. He also interviews some local folks and finds out that what Pomona really needs is a casual eatery–i.e., salads and burgers, or pub food. So he challenges Ricky and Lex to come up with a “Pomona Salad” and also teaches them how to make a perfect burger. They take their show on the “road,” offering free burgers to people on the street to generate interest in Lela’s new menu.

Later that night at the first dinner service with the new menu and new design, it’s chaotic and Lex proves he isn’t really a leader. In fact, he storms out at one point when Lela starts yelling at him. So while he’s gone, Ricky steps up his game and proves that he can, in fact, hustle when he wants to. He can also cook really well. Orders start flying out of the kitchen, and the customers, including the mayor, are loving the food. Lex returns as sous chef to Ricky, and Ramsey congratulates Ricky on the fact that he stepped up.

After that successful dinner service, Ramsey congratulates everyone and the restaurant is shown to continue that success for a short time. Sadly, though, Lela is forced to shut it down due to overwhelming debt that she’s accumulated, that is just too much to dig out from underneath.
These shows can’t all have happy endings, and this one surely wasn’t. Still, it’s amazing to see what Ramsey can do to transform a restaurant going South in a short amount of time. And it’s even more amazing that he can change the attitudes of some big egos as well.

Happy Thanksgiving everyone, and see you next week…

A Chat with Kevin Falls, producer of “Journeyman”

If the only names that catch your eye during a television show’s opening credits are those of the actors, you probably aren’t aware that Kevin Falls is the creator and an executive producer (not to mention show runner) of NBC’s “Journeyman.” And if that’s the case, then you almost certainly wouldn’t have been aware that he’s also had a hand in “Sports Night,” “Arli$$,” “The West Wing,” “The Lyon’s Den,” “North Shore,” and “Shark” over the years as well. Given recent rumblings that Falls’ current gig isn’t nearly as secure as “Journeyman” fans would prefer, I jumped into action to give the show as much publicity as possible, starting with an attempt to secure an interview with the man who created the series. Things fell into place quickly, but after the established time of our conversation came and went, I got a little antsy. I needn’t have worried: Falls readily set up a new time for us to chat, and within moments of getting on the line, he had launched into an apology for the delay.

Bullz-Eye: Hello?

Kevin Falls: (Laughs) Hey, Will!

BE: Hey!

KF: I’m all yours! I’m so sorry about yesterday; there was a communication breakdown, and it was my fault. I just totally dropped the ball, so I apologize. But how are you?

BE: I’m doing good. How are you?

KF: Good!

BE: I think we met for about two seconds back in July, at the TCA Press Tour.

KF: Oh, right! I met a lot of people, but I think I do vaguely remember you. But it’s been a wild couple of months!

BE: I’m sure! Well, I’ll start off with some specific questions about the show before I move into the inevitable writer’s strike questions.

KF: Sure! And, hey, I checked out your site today, and it’s really cool! It’s kind of like a “Maxim”-styled website!

BE: Yeah, that’s usually the point of reference we give people, to kind of sum it up in a nutshell.

KF: Hey, man, that’s where I wanna live!

BE: Yeah, the bikini girls pay the bills, but they give us the opportunity to do whatever pop culture stuff we want to tackle on the site.

KF: That’s great! Well, I was flattered that you guys put us in your TV Power Rankings. That was a shot in the arm, and we really appreciated it.

BE: Absolutely. We love the show. Ross (Ruediger) is our resident blogger for the show, but there are several fans among the writing staff, including myself.

KF: Great. Well, that’s nice. Thanks!

BE: Well, when I was at the panel for “Journeyman” back in July, one of the big points of discussion was the comparison to “The Time Traveler’s Wife,” which led you to pointedly declare for the record that you’d absolutely never read the book… (Laughs) …but did those comparisons finally start to die down once critics actually had a chance to watch the show beyond the pilot?

KF: Yeah, I think once they started watching it…you know, certainly, early on, actually, when the issue was more of the domestic problem of time traveling and its impact on the marriage, I think we kind started there ‘cause we wanted it to start with how it would feel to a family, and then get into more of the mythology of it. But once we got deeper into it, all that stuff fell away. And the “Quantum Leap” (comparison) hung around for awhile, and then that fell away, and it seemed like everybody kind of realized it was its own show.

BE: So were you indeed influenced by any specific shows, or just kind of the concept of time travel in general?

KF: No, the whole genesis of the idea came from my agent. Every spring, I would meet with my agent, and he would ask, “What are you going to do for pilot season?” And I said, “I don’t know. I’m just out of ideas.” (Laughs) I didn’t want to a law show or a cop show, and I just didn’t know what to do. And he said, “How about trying something different and breaking into a new genre?” And that’s how we got into time travel. I’ve seen movies I’ve liked, like Malcolm McDowell in…what was that movie called?

BE: “Time After Time”!

KF: Yeah, “Time After Time,” which I thought was really good. And some other shows. And my brothers were the sci-fi geeks in my house, and I was always impressed but never converted. It was, like, my brothers were always smarter than me, so I felt like, “Okay, these guys get it, but I’m not worthy,” y’know? But I’ve always been someone who likes to do things over, whether it’s a bad date or a job or a rewrite. Whatever. But I’m definitely one of those guys who likes to look in the rear view mirror a lot.

BE: Okay, I should probably warn you that some of these questions might come off as a little disjointed, since they’re coming from a couple of different writers.

KF: No problem. I’m in a car on the L.A. freeway.

BE: So you’ve got all the time in the world, then.

KF: Yeah. And I don’t have a job at the moment. So it’s perfect.

BE: Well, there you go. Okay, so what challenges does the time travel part of the show present as far as story and continuity, and how do you go about tackling them?

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